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The rise of online literature, especially online novels, is an important cultural phenomenon with Chinese characteristics. It not only needs to be understood in a certain social and cultural background, but also needs to be explored from its own characteristics and production methods. As a commensurable humanities and social science research method, semiotics facilitates the pursuit of meaning mechanisms from the perspective of formal culture. The rules in the online literature field revolve around the "popularity" of readers, which deprives the rights of traditional "gatekeepers" while constructing a new evaluation system. The writing behavior and textual narrative of online novels subsequently exhibit intersexual characteristics aimed at establishing an intimate relationship with readers. The injection of capital into literary websites and the network platform production paradigm link the evaluation system with consumption power, further clarifying the rights subjects in the online literature field as consumers among readers. The gender identity distinction in online novel texts has always been relatively obvious. The personality of a single-gender subject is inversely proportional to the downward movement of the author's posture as the writing subject. There are two sources of value for online literature: first, the literary value of the novel text itself; second, the communication and identity value surrounding the novel text. There is no distinction between the two, and the latter is difficult to provide through non-network literature.

Literary creation and reception are not the solitary words of an individual's mind, but are always created and received through the mediation of "institutions". New media has had an unprecedented impact on the traditional literary system, and at the same time constructed an online literature system. This book conducts an overall survey of the organizational structure, actors, and relationships of the new media literary field, and explores the construction of the writer system and the reader system by literary websites, the reconstruction of the literary system by the avant-garde, the fission of the literary criticism system, the transformation of the copyright system, and the canonization system issues in the new media context. It believes that classics are always the result of the combined efforts of field actors.

"Literary Geography" is a selection of papers from the annual conference of the Chinese Literary Geography Society. It is edited by Zeng Daxing and others. It is published once a year and seven volumes have been published. The authors are all scholars engaged in literary geography research in China, Japan and South Korea, including well-known scholars such as Yang Yi, Jiang Fan, Liu Yangzhong, Zhu Shouting, Zhou Shangyi, Wang Zhaopeng, Zhang Sanxi, Zou Jianjun, Tao Litian, Xia Hanning, Gao Renxiong, Dai Weihua, Haicun Weiyi (Japanese), Kim Hyunjoo (Korea). This series has several columns including "Discipline Construction of Literary Geography", "Macro Research of Literary Geography", "Basic Theoretical Research of Literary Geography", "Research on Methods of Literary Geography", "Geographic Distribution of Literary Writers", "Northern Literary Geography", "Central Plains Literary Geography", "Yanzhao Literary Geography", "Jingchu Literary Geography", "Wuyue Literary Geography", "Lingnan Literary Geography", "Application Research of Literary Geography", "International Perspective", "Discipline Construction Trends", etc.

This book aims to make an overall investigation of the "Chinese charm" and "Chinese color" in the creations of Russian overseas Chinese writers in China, reveal the unique spiritual connotation of the literary phenomenon of "Chinese writing by Russian overseas Chinese writers in China", and thereby further understand the rich and colorful era style contained in Russian overseas Chinese literature in China. The whole book focuses on analyzing the complex cultural mentality of Russian overseas writers, analyzing the specific performance of Chinese writing by Russian overseas writers from three levels: Chinese nature and folk customs, Chinese cities, and Chinese people, and exploring the intrinsic connection between Russian overseas writers and Chinese cultural spirit. Finally, it is realized that: the Chinese writing of Russian overseas writers in China is a special product in a special era, an important window for us to understand Russian culture and national character, and an important comparison object for us to observe Russian overseas literature in Europe and the United States.

Guo Zizhang, a late scholar of Yangming Dynasty, had outstanding political achievements, rich writings and profound philosophical thoughts. This book outlines Guo Zizhang's life story from historical materials, Guo Zizhang's writings and the accounts of his friends, clearly showing the development of Guo Zizhang's thoughts and the interpersonal communication situation in the society at that time; combined with Guo Zizhang's writings, it conducts an in-depth examination of the regional cultural characteristics of various places, highlighting Guo Zizhang's achievements in local chronicles and literary documents; it examines Guo Zizhang's literary works, and analyzes his poetry, practical essays, notebook novels and other literary creations. Cultural connotation and aesthetic characteristics; Extract the poetic thoughts from Guo Zizhang's "Yuzhang Poetry Talk" and related discussions, and affirm his efforts to pioneer the "Pan-Jiangxi Poetry School" view, reconstruct the regional poetic system, and construct the poetic tradition with regional concepts; explore Guo Zizhang's philosophical thoughts as a successor to Yangming's philosophy of mind, and believe that he adopts an eclectic strategy for Confucianism, Buddhism, and Taoism, and has a distinct idea of "the integration of three religions", which is a wonderful summary of the century-old Wang Xue in central Guizhou. This book comprehensively and systematically examines Guo Zizhang's ideological connotation and achievements in various aspects of literature, literature, and philosophy, and contributes to deepening and expanding the study of Guo Zizhang and Ming Dynasty literature and philosophy from multiple perspectives.

Based on the concept of pastoral poetry in a broad sense, this book comprehensively and systematically discusses the multi-dimensional spatial characteristics of British pastoral poetry in past dynasties, including English translations of classical pastoral poetry. It presents readers with a poetic and contradictory space that integrates ideals and reality - Pastoral Utopia, and reveals the internal mechanism of pastoral poetry using contradictory space to relieve the psychological contradictions of human society.

The first volume of "Literature and Documents of the Ming and Qing Dynasties" was launched in 2012 and is sponsored by the School of Liberal Arts of Beijing Normal University. There are two volumes a year and ten volumes have been published so far. This issue is hosted by Professor Du Guiping and Associate Professor Bruce Lee of Beijing Normal University. "Literature and Documents of the Ming and Qing Dynasties" has a certain influence in the domestic academic circles. It mainly publishes outstanding first-time academic results in the literature, documents and culture of the Ming and Qing Dynasties, and strives to present the latest results of Ming and Qing literature research at home and abroad. The collection is divided into four parts: drama research, novel research, poetry research, and academic history research.

On the topic paper written by the project leader and members of the research team during the research period on centralized income. These papers either choose to interpret important conceptual categories or propositions such as "Qi", "Ti", "Resentment", "Tongbian" and "Jiangshan Zhizhi" in the evolution and development of literary theory criticism in the Wei, Jin, Southern and Northern Dynasties, or elucidate important classic literary theory books such as "Classical Essays", "Wen Xin Diao Long", "Selected Works" and "Bao Pu Zi Wai Pian" , or to analyze the main literary theorists, important theoretical phenomena and fields of discussion in the Six Dynasties period, and the focus is on in-depth research and interpretation of the evolution of literary theory and classic literary documents in the Wei, Jin, Southern and Northern Dynasties. The included papers are all academically original, reflecting the academic pursuit and efforts of the members of the research team during the research process of this project.

This book takes the magazine "Contemporary" as the research object. While conducting microscopic research on the individual cases of "Contemporary", it also expands its focus to the analysis and investigation of the entire contemporary literature. During the research process, we not only paid attention to the intertextual relationship between "Contemporary" and Chinese contemporary realist literature, and used "Contemporary" to identify the composition and evolution process of contemporary realist literature. At the same time, we interpreted "Contemporary" from a social and historical perspective and examined the power structure within the literary production system. This book uses literary journals to see through the complex aspects of literary history at one stage, and while sorting out its evolution, it also observes the historical process of contemporary literature.

This book examines the historical background, representative figures, sources of tunes, and ideological connotations of the school music movement, and deeply explains the salient features of school music and songs in terms of structural patterns, rhythm, language styles, and syntactic structures. It describes in detail its special value in advocating military and national educational ideas, shaping modern national consciousness, and rebuilding the concept of modern nation-states. It explores the inner connection between school music and songs and the modern dissemination of Chinese poetry, and believes that school music and songs play an important role in the transformation of Chinese poetry from classical to modern.

In today's world where the global system is being restructured and nation-states are fiercely competing, how to tell the "China story" well so that the people know themselves and the world knows China has become an important issue of wide concern. This book is based on the "diversity and unity" pattern of the Chinese nation and its cross-cultural exchanges with other nations around the world, sorting out and summarizing the anthropological story of China. The entire book includes disciplinary reflections on the localization of anthropology after the spread of Western learning to the East, as well as related case studies. It includes an overall discussion of multi-ethnic China and field research on the relationship between Yi and Xia, as well as cross-civilization comparisons using North America, Britain, Russia and other places as examples.

This book provides an in-depth interpretation of the text of "Book of Rites and Justice" and systematically reveals its achievements in text collation, text interpretation, exegesis of words and sentences, textual research on names and rituals, and elucidation of ritual thoughts and political thoughts. At the same time, necessary discussions or corrections will be made on some errors or deficiencies in the collation, textual research and interpretation, exegesis, famous objects, and ritual research.

The author selected 300 classic poems about wine from the complete collection of poems from past dynasties. He originally planned to present them through calligraphy and publish them under the title "Three Hundred Poems on Wine". With the continuous deepening of research, the literati's feelings reflected in wine poems were classified and analyzed, and twenty-six theories of poetry and wine feelings were formed. This book can be used as a classified selection of famous wine poems from past dynasties, and can also help readers understand the wine culture in different historical periods. The manuscript is not large and can be made into a pocket book. This book will have a certain appeal to general readers who are interested in wine poetry and wine culture, as well as those engaged in the wine industry. The author selected 300 classic poems about wine from the complete collection of poems from past dynasties. He originally planned to present them through calligraphy and publish them under the title "Three Hundred Poems on Wine". With the continuous deepening of research, the literati's feelings reflected in wine poems were classified and analyzed, and the twenty-five theories of poetry and wine feelings were formed. This book can be used as a classified selection of famous wine poems from past dynasties, and can also help readers understand the wine culture in different historical periods.

This book studies Mao Dun's novel creation in the ten years from 1927 to 1936 from the perspectives of political history, military history, economic history, cultural history, and social history. Focusing on the axis of "Midnight", this paper comprehensively examines Mao Dun's early revolutionary literature and creations during the "Left-Left Alliance" period, and focuses on presenting the intertextual relationship between these works. It then explores the potential connection between Mao Dun's novel creation and the National Revolution, and presents Mao Dun's choices between various complex forces such as the left wing of the Kuomintang and the "Trotskyists", as well as his complex spiritual journey as a left-wing intellectual.

"San Shang Ji" is a collection of the author's academic papers from the past forty years, following the tradition of Yi studies of Shang Xiang, Shang Bian and Shang Ci. The first volume "Literary Theory" is a general elucidation of literary concepts and phenomena, and contains 13 important papers such as "Rebuilding the Discourse of Chinese Literary Criticism". The second volume of "Modern and Contemporary Literature" focuses on the history of Chinese literature, important writers, schools and styles since Liang Qichao, and includes 10 articles including "On the Ecological Narrative of New Chinese Literature". The third volume, "Foreign Literature," includes essays on the French essayist Rousseau, the American poet Pound, and the British poet Eliot. Most of these texts have been published in important Chinese and foreign newspapers and magazines.

Zhu Derun was a famous painter and writer in the Yuan Dynasty. His paintings are widely circulated, but his literary achievements are rarely known. This book systematically examines Zhu Derun's literary creation process, stylistic characteristics, literary thoughts, etc., And believes that his literary creation style is changeable, profound, lyrical, illuminating reality, feeling the past and lamenting the present, and is unique. He is the spiritual light of Yuan Dynasty literature and has high artistic value.

This book treats contemporary literature with a history of more than 70 years as a whole, divided into three parts: upper, middle and lower, to conduct a comprehensive and systematic discussion of the "historicization" of its research. The first part, "The ontological composition and knowledge genealogy of historicization", mainly examines "what is" the historicization of contemporary literature, and organizes the ontological composition and knowledge genealogy of its "triad" (i. E., Mainstream ideological literature, elite literature, and popular literature), and then explains the relevant evaluation mechanisms and criteria from the perspective of time and space expansion. The middle volume "Main Paths and Research Methods of Historicization" analyzes "how to historicize", including the narrative paradigm, canonization selection, literary history compilation, as well as the collection and arrangement, screening and analysis of historical materials. The next part, "Discussions on Historicization-Related Topics," mainly conducts a sample analysis of relevant important issues from the perspectives of historicization and politics, revolution, literature, criticism, old-style poetry, and knowledge and education. Each section has both relative independence and internal logical connections. This is closely linked to the "ontology" and "practice" of historicization, and revolves around the two dimensions and directions of "what is historicization" and "how to historicize".

This book mainly takes the geographical space of the American South in the novels of African American writer Toni Morrison as the entry point to study the relationship between the specific writing of geographical space and the political imagination of the work. This book explores Morrison's novels from four aspects: the relationship between black youth's physical practice and racial identity, historical memory and political ideals, the ethical concerns of diaspora groups in the era of globalization, and the special significance of the American South to contemporary black groups under the perspective of modernity. The study found that the southern geographical space in Morrison's novels has obvious political imagination and appeal. From the early shaping of the black spiritual home to the mid-term exploration of diverse residential areas, to the later conception of an ideal home, the meaning of this space shows a tendency to return from the later to the early stages, making the writer's spatial conception of the American South form an approximate ring structure. Finally, this book believes that the fictional American South embodies Morrison's concern for the historical and realistic situation of the black group and his emphasis on black culture. The three-dimensional and diverse space exploration in the work also presents the writer's complex mentality as a minority elite while defending the interests of the ethnic group and the nation-state.

In the development process of Internet literature, brilliant Internet writers have emerged. "Online Literature Writers" is based on the collection of a large amount of research data, and based on the principle of "let the materials speak for themselves", it provides in-depth and easy-to-understand reviews and explanations of famous early Internet literature writers and works. This book provides a descriptive description and review of several generations of Internet writers, aiming to collect data, screen documents, and leave a history through "field research" in "cyberspace". It is worth noting that many of the original information recorded in the book about the lives of early websites, such as the lives of writers, the spread of their works, and readers' reactions, have disappeared or will soon disappear from the web. Therefore, this book's objective record of "in-depth on-site and long-term follow-up" undoubtedly has the historical value of "on-the-spot experience" and "empirical research". In addition, this book theoretically sorts out the continuous transformation and upgrading of online writers and the online literature production system; it also questions and explores the creative methods and living conditions of online writers at a value-rational level. In short, this book provides a large amount of first-hand information for ordinary readers and related researchers to have an in-depth understanding of the works of Internet writers. From the perspective of literary development theory, this book can also be said to be a "history of growth" and "history of the soul" of early Internet writers.

Based on a close reading of the text, this book attempts to enter the microcosm of Northeastern literature, and gradually discover the complete style of the Northeastern literature system in the individual Northeastern writers. Combining the overall development history of regional literature and the overall development status of Chinese literature, it explores the special operating rules of Northeastern literature itself, and explores the tenacious and tenacious literary exploration spirit of Northeastern writers under the basic condition of "low literary style." The whole book focuses on Northeastern literature since the 20th century, taking into account both contemporary nature and diversity in the selection of writers, focusing on examining the intrinsic relationship between Northeastern writers and Northeastern regional culture, and striving to clarify the value and significance of Northeastern writers' creations in the history of modern and contemporary Chinese literature.

"An Examination of the Literature of the Yuan, Ming and Qing Dynasties" is divided into three parts: an examination of the novels of the Ming and Qing dynasties, an examination of poetry and prose of the Ming Dynasty, and an examination of ancient operas. The previous article analyzed the development clues, value orientation and personality style of chapter novels, and also analyzed "Romance of the Three Kingdoms", "Water Margin", "Journey to the West", "Jin Ping Mei", "Three Words", "Er Pai", "Dream of Red Mansions", etc. It puts forward a unique understanding of the ideological content and thinking methods of Ming and Qing novels. In response to the disputes over the copyright issues of "Journey to the West" and its sequel "Xiao Wu Yi", it conducts research on the authors of these three novels and puts forward its own opinions. The middle part focuses on the relationship between Song and Ming Neo-Confucianism and Ming Dynasty poetry. It examines the relationship between Song Lian and Cheng-Zhu Neo-Confucianism, Tang Shunzhi, Xu Wei and Yangming Xinxue, and Yuan Hongdao and the Taizhou School. It also provides a unique understanding of the literary thoughts and creative characteristics of these poetry writers. The second part discusses the origins of Zhugong Diao and Nanxi opera styles, the characteristics of Chinese and Western classical tragedies, and analyzes opera works such as "Jingzhong Banner". The whole book pays attention to the combination of textual research and empirical analysis with theoretical speculation. It has rich historical materials, sufficient arguments, full of speculation and novel viewpoints.

Fa Shishan (1752-813), a writer in the Qing Dynasty. His surname was Wu Yao, his original name was Yunchang, his courtesy name was Kaiwen, and his nicknames were Shifan, Wumen, Taolu, and Xiaoxiya Jushi. In the 45th year of Qianlong's reign, he became a Jinshi and was awarded the title of "Review". Emperor Qianlong highly praised his talent and gave him the name "Fashi Shan", which means "working hard and making a difference" in Manchu. Fa Shishan once participated in the compilation of Wuyingdian branch's "Sikuquanshu". "Research on Fa Shishan" is a comprehensive study of Fa Shishan, a poet in the Qing Dynasty. During the Qiang-Jia period, poetic activities were frequent, and the literary ecology showed a diversified trend. During this period, French practiced his best and had extensive contacts. He became an active advocate and participant in poetic activities at that time. He also took the opportunity of "Poetry Niche Picture", "Xiya Ya Collection", "Wumen Poetry Talk", etc. To launch a series of poetic activities. This established an indispensable platform for establishing his position in the Qianjia poetry circle, and also enriched the Qianjia literary ecology.

This book takes the "New Woman" image constructed by the modern women's liberation movement in China as the research object. It combines the relevant remarks of the late Qing Dynasty intellectual elites, multiple feedbacks from newspapers and public opinion, and related novels and texts showing the image of the "New Woman". By sorting out the external reasons and internal motivations for the formation of the modern women's liberation movement, this book strives to show the complex aspects of how the intellectual elite, often male intellectual elites, have absolute say in the construction of the "New Woman" image, and how the majority of female groups cope with, break through, and grow under the multiple intersections of nationality and gender. By sorting out, integrating, and interpreting the construction, imagination, and practice of "new women" both inside and outside literary writing in the late Qing Dynasty, it will help us form a more coherent, profound, and comprehensive understanding of the modern women's liberation movement more than a hundred years ago.

This book selects the types of works of representative Internet writers in my country. Through the investigation of the growth path of outstanding Internet writers and the careful reading and analysis of their works, it dialogues with Internet writers and the times. In the cultural context of the new era where cosmopolitanism and nationality converge, it combines the characteristics of Internet media communication to sort out the development of Internet literature. Context, we conduct research on the cultural connotation, literary inheritance, artistic creation, value of the times, writing dilemmas, etc. Of my country's Internet literature, explore the occurrence and development rules of Internet literature, and try to construct an evaluation system for the works of Chinese Internet writers that is compatible with the development requirements of the times and has both understanding and sympathy as well as understanding and criticism.

Stuart Hall (1932-2014), British cultural studies scholar. He graduated from Oxford University in his early years and founded "University and Left Review" in the mid-20th century. He was one of the core figures of the first generation of the New Left in the UK. In the mid-1960s, he joined the Center for Contemporary Cultural Studies at the University of Birmingham and served as director of the institution. He has made many achievements in the field of cultural studies. "The Collected Works of Stuart Hall" includes more than 30 important essays and interviews in his life, and is divided into seven units according to themes, covering topics such as class and culture, genealogy of cultural studies, ideology and representation, media and communication, popular culture, race and identity, diaspora and postcolonialism, globalization and cosmopolitanism.

"Fu Studies: Criticism and Style" is based on the academic concept of "the study of literary history in process", and strives to return to the context of ancient Chinese literary criticism and stylistics to explore the most distinctive literary styles. It focuses on the form of fu criticism, the creation mechanism of rhymed fu, stylistic concepts, regional fu studies, and fugue methodology.

This book collects a total of 63 online novels that have attracted much attention in recent years, divided into realistic chapters, historical chapters, and fantasy chapters. Reality refers to works based on real life and with today's life scenes as the background. Here you can see the police's clear understanding, the intellectuals' concern for the country and the people, the sincere dedication of the angels in white, the all-powerful entertainment stars, and the hard work of the wage earners; here is the sweetness of love, the hardships of life, and the intrigues in the workplace. Historical chapters refer to works that describe history and are set in ancient or fictional dynasties. Here are the majesty of the Tang Dynasty, the ambition of the Song Dynasty, the helplessness of the Ming Dynasty, the rise of the Qing Dynasty, the battles of the Republic of China, and some inspirational stories of young heroes. Fantasy refers to works that use imagination to construct different worlds and different lives. Here are the undefeated God of War, the young man who never gives up, the emperor who rules the world, the senior brother who develops secretly, the watchman who likes racing, and the mysterious master who makes people confused... Each of them is very powerful and can destroy the world with just one finger.

This book is the text written by the author since he was employed by Shanghai Jiao Tong University in 2015, and is divided into three parts according to categories. The results produced during these teaching, scientific research and work processes are all based on academics, focusing on culture, taking "humanities" as the core, thinking closely around humanistic connotation, humanistic thoughts, and humanistic spirit, focusing on the discussion of human consciousness and laws, focusing on the creative inheritance and promotion of Chinese culture, and focusing on the cultivation of humanistic qualities of innovative talents. The article selects specific issues and based on the actual situation, studies or interprets the connotation, academic value and cultural significance of "humanities" from different angles and levels, and proposes a series of new academic insights, new concepts or new understandings. For example, humanistic thought is the crystallization of wisdom from human historical practice and a strategic resource shared by the whole world. It is also an important guarantee for guiding mankind's continuous innovation and civilization development; "legends, performances, utensils, pictures, and words" are the five basic forms of human cultural existence; "people-oriented, harmony between nature and man, and respect for morality and virtue" are the three core concepts of Chinese culture; theory is the highest form of culture, and academic research is an important form of cultural innovation; research ability is the first element of comprehensive talent ability; and so on. As for new interpretations of specific works and cultural phenomena, most of them make up for mistakes and strengthen scientific rigor. These results have been published in different ways, and have either received attention and recognition from the academic community, or aroused students' interest and thinking. The article retains its original appearance and has various styles.

This book captures the representative topics of the emergence, acceptance, evolution and development of the quatrains in the theory of poetry, closely relies on different critical materials to establish the argument, and clarifies the internal situation of the acceptance and evolution of the quatrains of the theory of poetry. Taking the historical acceptance and innovative development of individual cases as clues, and using the numerous origins on the clues as support, it reveals the rich connotations of the occurrence, development, evolution and innovation of the quatrains.

"Total historical consciousness" is a development and implementation of the great literary concept. The whole history examines the cultural existence and spiritual context of literature in "big history". This book was originally the introduction written by Mr. Yang Yi for the National Publishing Fund's key project "The Complete History of Chinese Literature in the 20th Century." It is an important essay by Mr. Yang Yi on the great historical view of literature. It can be regarded as a brief history of literature and a research outline. The appendix contains an interview with Mr. Yang Yi on the great historical view of literature. In-depth discovery of the rich composition of the entire history of literature, rich blood and rich testimonies of historical life, showing the spirit and style of the modern great country's century-old literary rebirth.

This book is revised based on the author's doctoral thesis. This book focuses on the literary thought of the famous Latin American writer García Márquez, focusing on examining and discussing the ideological issues of his magical realism literary thought from the theoretical perspective of postcolonial and postmodern literature. The author uses race, power and cultural identity as the starting point to examine Marquez's works. The whole book sorts out the research focus from the post-colonial landscape, magical realism style, changes in power structure and identity. Finally, it combs the influence and spread of Marquez on contemporary Chinese literature, comprehensively presenting the thoughts and social significance of Marquez's literary creation, which has certain theoretical value and practical significance.

Zhu Tingzhen's "Xiaoyuan Poetry Talk" in the late Qing Dynasty combines the best of ancient and modern times, deepens traditional propositions, and collects the culmination of previous poetic theories. It is known as "the crown of ancient Yunnan literary theory" and has high theoretical value. This book is based on Zhu Tingzhen's "Xiaoyuan Poems and Talks (Mr. Xiaoyuan's own banknote edition)" in the sixth year of Guangxu's reign (1880) in the Yunnan Library, and is based on the first edition of the Yunnan Series in the tenth year of Guangxu's reign (1884). Drawing on the experience of predecessors such as Guo Shaoyu and Zhang Guoqing, we supplemented the shortcomings of the existing edition, and used a combination of proofreading and annotation to explain the names of people, places, proper nouns in literary theory, religious nouns, etc. Involved in Xiaoyuan's poems. The compilation and publication of this book will be of great value to the study of ancient Yunnan literary theory.

"Yanzhao Ci in the Past Dynasties" compiles the lyrics created by poets from Yanzhao from the Sui and Tang Dynasties to modern times. The collection is organized by era and is divided into four parts: Tang, Five Dynasties, Song, Jin and Yuan, Ming Dynasty, Qing Dynasty and modern times. Based on the author, a biography is attached under the surname of the poet, which briefly introduces the poet's life and official career, and briefly comments on the poet's works based on previous discussions to see the origin, characteristics and influence of his Ci style and his influence on the Ci world; some writers on Ci studies summarize the essence to clarify the ideas and origins of his Ci studies. If there is no data to refer to, the analysis will be based on your own opinion. This compilation aims to compile the Yan-Zhao Ci poems of the past dynasties for the reference of researchers. It collects the lost pieces and adds fragments of sentences and chapters to show the creative achievements and development process of Yan-Zhao Ci poems, which are an important part of Chinese Ci studies.

This book focuses on using the theory of narrative voice represented by Susan S. Lancer, combined with methods such as neo-Marxist ideological analysis and reader response criticism, to theoretically clarify the relationship between narrative voice and its related elements. Based on this, combined with narrative form and ideology, it conducts a comprehensive analysis of the narrative voice in the novels of representative female writers in the history of modern Chinese literature.

Human society is a treasure, full of novelties and unknowns, waiting for people to explore and discover. Life is a journey of exploration, with food and sleep, overcoming thorns and thorns, and endless scenery. In the long journey of life, we will not only see all kinds of colors in the world, and truly understand the pure nature of human society; we will also see the various forms of social life, and truly understand the pure origin of real life. It is these details of real social life that constitute the splendor of human society. This book selects 100 small perspectives that are close to reality and close to life from daily life, and records some phenomena of social life in the form of sketches. Through such attempts, it strives to serve as a starting point and attract people's general attention to the beauty of social life.

This book combines a macro overview with staged specific discussions to conduct an in-depth study of the research trends in literary and art theory and scholars' thoughts and writings since the founding of New China. It uses a "preface" to outline the evolution of contemporary Chinese literary and art theory research, discusses the respective characteristics of different periods in chapters, and evaluates the value of scholars' writings. It synthesizes and deduces a large amount of literature, and is targeted at hot issues in contemporary literary and art theory research and scholars' discussions.

"Poetic Life and Poems" is based on the "Selected Poems of Xiaoxiangzhai" published by Comrade Li Maosheng in 2008, and selected dozens of more than 200 poems with annotations and supplemented by pictures. The time span is nearly 70 years. Compared with "Selected Poems of Xiaoxiangzhai", there are many improvements in length, content and form. Any literary work requires the perfect unity of thoughts, feelings and artistic expression, especially poetry. Only true feelings based on the three major practices, based on the relationship between people, and the art of language can write with "taste". Poetry expresses aspirations and emotions. The author's poems clearly express his true feelings and are highly readable.

Hong Liangji was a master of Pu Xue in the Qing Dynasty and a giant in literary circles during the Qian and Jiaqing Dynasties. He was famous for his textual research on his poems and chapters. This book explains Hong Liangji's poetic theory from four aspects: element theory, ontology, function theory and creation theory. Combining Hong Liangji's literary activities, ideological personality and creative mentality, this paper conducts a classification study on the themes of his poetry, reveals the artistic achievements and aesthetic features of his poetry creation, and then grasps the trajectory of the evolution of his poetry style, so as to gain a glimpse of the typical characteristics of the Qianjia scholar poets' creations. Analyze Hong Liangji's other literary creations and academic research, and place them in the context of the Qianjia literary world to assess his status and influence in literary history.

National identity is one of the important topics of current concern in the field of social sciences. The national identity of the United States includes civil identity and national identity. It has long adhered to the orthodoxy of WASP (White Anglo-Saxon Protestant) as the national identity, and granted citizenship to ethnic minorities based on their degree of naturalization, making the country an exclusive and hierarchical political community, causing conflicts among African Americans in national identity. Gwendolyn Brooks is an important African American poet in the 20th century. "Flowers of Fury" is a metaphorical summary of her poetic life: her exquisite skills integrating modernism and black dialect tradition, and her radical thoughts that actively intervene in black liberation. This book systematically combs Brooks' poetry creation spanning the 1940s to the 1990s, combining the race relations model, black social movements, racial political trends in the United States in different periods, as well as the poet's own poetic evolution, summarizing the spatial form, spatial experience, and spatial cognition in a specific period, and expounding the different demands and strategic construction of national identity directed by spatial narratives. Through Brooks's consistent research on the dynamic relationship between spatial narrative and national identity, this book summarizes the poet's artistic aesthetics, poetic concepts, and social thoughts, and uses this as a prism to examine the issue of national identity in contemporary American society and its historical evolution.

"My China Story" selects and publishes "My China Story" written by 46 representative young sinologists among the 615 sinologists who have participated in the Young Sinologists Training Program in the past three years. The topics for these young sinologists who come to China to study cover many fields such as literature, philosophy, religion, history, art, language, politics, contemporary society, and international relations. The training forms are divided into centralized teaching, professional training and field visits. Famous experts and scholars such as Li Yining, Wang Meng, Ge Jianxiong, Xiao Yunru, and Xiong Yuezhi were invited to give special lectures for young sinologists, and they conducted two-week research on the topic together with experts and scholars from the Chinese Academy of Social Sciences, the Chinese Academy of Arts, the Palace Museum, Peking University, Beijing Language and Culture University, Shanghai Academy of Social Sciences, Fudan University, Shaanxi Normal University, Zhejiang Gongshang University and other units. In addition to studying, students are also organized to visit various places to truly experience the charm of Chinese culture and humanity. After the three-week training and study life, each student submitted a research paper, and later added "My Chinese Story" to introduce his or her origins with China and Chinese culture.

Liu Rongen (1908-2001) was a new poet, book critic, translator, good at painting, and a lover of Western classical music. He has been rarely mentioned for a long time. He is a poet who has not been discovered by the history of modern literature or the history of new poetry. However, in recent years, some modern literature researchers, especially young scholars, have begun to pay attention to it. Liu Rongen published a total of six poetry collections before 1949. Such rich creations were rare at the time. Because Liu Rongen went to the UK in 1948, the research community has little understanding of his situation; his collection of poems has been printed in very few copies and has been lost in most libraries, making it even more difficult to find them all. This book compiles all six of the poet's works, which provides researchers with convenience for research and is also a meaningful rescue of such lost new poetry documents.

The late Qing Dynasty and the early Republic of China were a critical period for Chinese literature to transform from tradition to modernity, among which the achievements of new novels were the most significant. Its outstanding feature is that during this period, various private bookstores competed for prominence and edited and published the "Shuobu Series", which fully reflected the great achievements of the revolution in the novel world. This book is the first to carry out a comprehensive and systematic narration of hundreds of works in the "Shuobu Series" published by more than 20 publishing organizations in the late Qing Dynasty and the early Republic of China. This is a quite innovative research work. This book is based on the "Shuobu Series" published by various publishing units, with the works in each series as the heading, and according to the publication time of the various "Shuobu Series", it narrates the authors (authors and translators), various versions, chapter lists (full or excerpted), prefaces and postscripts (full or excerpted) of each work, as well as other related documents such as reviews, works advertisements and other information. It has important historical and academic value.

This book selects a number of representative works from Feng Zhongyi's academic maturity in his later years, as well as scattered and lost manuscripts that were not collected during his lifetime, and is compiled into this "Selected Works of Feng Zhongyi". The anthology is divided into three series: "Poetry Garden" contains 40 works on new poetry research, "Xue Lin Yulu" contains 40 works on writing teaching, and "Literary World Shiling" contains 10 works on other themes. They are all classified and compiled according to the time of writing, presenting Feng Zhongyi's achievements in the field of poetry and writing research, and demonstrating his style as a scholar who can be regarded as a model for teaching and educating people. This book aims to reproduce the prosperity of new poetry and culture and education at the end of the 20th century, to demonstrate the self-transcendence and professional dedication of the older generation of scholars, and to carry forward the values ​​​​and academic traditions of reform and opening up.

This book collects special articles on the study of Wu Sijing's poetry by Xie Mian, Cheng Guangwei, Zhou Xiaofeng, Luo Zhenya, Liu Shijie, Wu Xiao, Zhang Deming, Jiang Yuqin, Zhang Jian, Shi Libin, Qiu Jinghua, Yi Bin, Lu Zhen, Liu Bo, Chen Peihao and other academic colleagues, and includes them respectively. It is included in albums such as "Come Together, Persistence, Exploration, and Echo", which covers the impressions and perceptions of Mr. Wu Sijing by his contemporaries. Young and middle-aged scholars discuss his poetry criticism and theoretical construction, research on the history of poetry, etc., And also includes interviews and academic chronicles with high data value.

"Revolution" runs through the social, historical and cultural process of China in the 20th century, and has a great impact on the generation, dissemination and acceptance of new poetry. "Revolution" is both the reference and the object of research on new poetry. However, the existing research results are mostly under the shadow of traditional revolutionary concepts and lack transcendence. There is a lack of research on the complexity and richness of the revolutionary discourse of new poetry. The significance of "revolution" to new poetry is: first, revolution as the external situation of new poetry; second, revolution as the core vocabulary of new poetry writing and expression of the universal pursuit of modern Chinese poetry; third, revolution as the characteristic consequence of new poetry. Revolutionary discourse includes a set of related vocabulary with revolution as the core word, and also includes the production, dissemination and effectiveness of this set of vocabulary in society. "Discourse" is a structure of linguistic expression as well as a behavior or practice. The influence or role of revolutionary discourse in the generation and development of modern Chinese literature, especially new poetry, has not yet been fully recognized or explained. Based on the comprehensive review, this topic selects eight representative new poetry poets, including He Qifang, Bian Zhilin, Feng Zhi, Ai Qing, Lu Yuan, Fei Ming, Xu Yunuo, and Mu Dan, to carefully read and analyze their poetry creation and poetic concepts, and combine each person's literary life and poetry creation experience to explore the complex impact of revolutionary discourse on creation, dissemination, and acceptance, thereby exploring the construction and practice of the poetics of revolutionary discourse in New Poetry over the past century and modern Chinese poetry. This topic combines macro theory with case study, historical analysis and realistic concern, and uses revolutionary discourse as the key words to explain the evolution trajectory, characteristics and enlightenment of modernity in China over the past century.

This book takes the novel creation in Hebei since modern times as the research object, and comprehensively and in detail discusses the historical style of novel creation in Hebei over the past century. The book is divided into three parts: upper, middle and lower parts: the upper part sorts out the development of modern novels in Hebei, while the middle and lower parts sort out the history and current situation of contemporary novels in Hebei; each part provides an in-depth and full explanation of the works of representative writers. The whole book pays attention to the collection of historical materials and careful reading of texts, and has the characteristics of using history as the basis for theory and theory to derive from history. It is a monograph on the history of local novels with considerable academic value.

"These works were in a 'marginal' position at the time... But they were 'advanced', and at a certain moment when the trends of the times changed, their value would be re-recognized." (Qian Liqun's words) As part of the "Qian Liqun Modern Literature Course" series, this book "Ten New Readings of Modern Novels" was first "unpacked" and compiled from the "Research on Novels of the 1940s" course offered by Professor Qian Liqun at Peking University in the fall semester of 1995. Nearly 30 years later, Professor Wu Xiaodong from the Chinese Department of Peking University, who personally participated in this seminar, led a new generation of students to reinterpret these works under the aura of their predecessors, adding new interpretations of texts by graduate students majoring in modern literature, and contributing a new methodological perspective. The two-generation relay class selects 10 classic Chinese writers of modern literature: Xiao Hong, Li Tuozhi, Shen Congwen, Duanmu Hongliang, Lu Ling, Feng Zhi, Fei Ming, Bian Zhilin, Zhang Ailing, and Wang Zengqi, and starts from Xiao Hong's "Back Garden" The discussion of human existence, whether Zhang Ailing's "Blockade" has "overflow of meaning", to the reading of the old and new versions of Wang Zengqi's "Yi Bing"... Return to the literary scene in the form of classroom records and equal exchanges between teachers and students. Reject heroism, penetrate the ruins of war, discover the value and beauty of daily life in the flames of war, and care about the living conditions of individuals... Both generations of scholars have made their own interpretations of the connotation of classics, and they have also witnessed the enduring popularity of our modern literary classics.

If you want to live your life the way you want, you will definitely find resonance in the stories of "Shishuoxinyu". Drinking/singing/taking food/lying down, the undefined life is super exciting. People in Wei and Jin Dynasties have tried it a long time ago. There are thousands of ways people can be. After thinking about it, I still only want to be myself. ? The book "Exquisite Interpretation of Shishuo Xinyu" comes from the "Shishuo Xinyu" interpretation course taught by Professor Luo Yuming at Fudan University for 20 years. It is simple but not superficial. It is divided into 13 topics to explain the understanding and love of dignity, virtue, wisdom and beauty among scholars in the Wei and Jin Dynasties in "Shishuo Xinyu", involving the Wei Dynasty All hot topics in the Jin, Southern and Northern Dynasties: Heroes and celebrities/Medicine and wine/Talk customs/Marriage and family of nobles/Ideal personalities of scholars in the Wei and Jin Dynasties/Women's style... See how they used their outrageous words and deeds to release their nature and gain happiness through the pursuit of beauty and enjoyment in the unsatisfactory world.

Is it possible for ancient poetry to respond to the current changes in the times and living conditions? Perhaps this book provides an answer. "Nine Poetry Hearts" refers to nine poets (Qu Yuan, Li Ling, Cao Pi, Tao Yuanming, Du Fu, Ouyang Xiu, Li Qingzhao, Wen Tianxiang, and Wu Meicun) who sought the direction of life in the throes of the turbulence of the times. Their situation and life issues will be felt by everyone in the post-epidemic era. Through poetry, we can see how people transform the pain of life and gain individual calmness and inner stability in the chaos of the times; we can also see how people can respond to the fundamental situation of life. With the delicate romance of a female scholar, the author explores the unknown side of the poets and constructs a rich and three-dimensional portrait of the nine poets; with poetic writing, the author takes the readers to cross the barriers of ancient texts, directly access the subtle thoughts of thousands of years, and illuminate the common life situation; with solid document collation and mutual corroboration of literature and history, the author reproduces the historical scene of the conflict between the poet's soul and reality.

One sentence summarizes the greatness of Jin Yong's martial arts novels: He created works that influenced countless people, and imagined another China in the martial arts world and Jianghu society. Regardless of the key content or main features, this book reveals the hidden Jin Yong from the following three aspects, provides unexpected and natural interpretation methods, and gives readers a satisfying novel reading experience: The author of martial arts novels - The ups and downs of Jin Yong's life Experience, strong personality characteristics and conscious pursuit of writing; novel creation background - Jin Yong's special personal situation and complex era conditions when he was engaged in writing martial arts novels; martial arts novel text - the distinctive literary characteristics and rich textual connotations created by Jin Yong's pen. This book can be regarded as an excellent guide and mind map for understanding and understanding Jin Yong's martial arts novels.