Please Do Not Disturb the Evil God [Infinite]

After reading it, I feel that the world view is too big and the author's skills are not enough to fill in the gaps. The character development of the protagonist is relatively bland, and the complete deletion of Gong's character does not affect the reading. There is not much written about Shou's past. Why should he stand in a human position, unable to realize the inseparable feelings or the supreme sense of morality. It sets up a very grand world view and lays many pitfalls. In the end, it ends in an anticlimactic manner, and the open ending is not even considered. It makes me feel lonely after watching it.

What is the meaning of this attack? I feel like a pure tool person. The background setting is very grand, complex, and very attractive, but the final ending made me vomit blood. This ending is too open. It feels like the author doesn't know how to fill this hole, so he made an open ending, which means that hope is ahead, you can imagine it, ugh

Such a grand worldview cannot be completed after writing three hundred chapters... It feels like it has ended abruptly T T

I always thought the plot was interesting, but I didn't expect the ending to be so sudden. It's a bit unfinished, and a lot of things are not explained clearly.

There are a lot of holes left unfilled. Help, I really want to know why he was adopted by his grandfather in this timeline, what kind of talent his grandfather has, and how he came out of the temple.

It felt like the ending was very abrupt, and it ended without filling in many pitfalls. Overall, the plot was good, but it was a pity that it was unfinished.

Ah... There are so many pitfalls that haven't been filled in, and I haven't entered many copies. The attack is unnecessary. I was attracted to read this book by the introduction. After reading it, I don't know what to say, and I look confused...

OK, I read it again. I watched it once a long time ago, and the impression was that it was really bad. But after watching it again, I may have lowered my expectations and changed my mentality. I found that it was actually okay, not as bad as I thought, and could even be said to be not bad. I came to this point because I admired the author's handling of the ending. It is an open, heterogeneous, open to the infinitely extended future rather than a closed cycle. Everything is unknown, which means infinite possibilities. This is more in line with my taste. Si Qingxuan himself is also very well portrayed, neither arrogant nor restrained, and has a good understanding and ability to control the operation of real affairs; the most important point is that a socialized, or in other words, personified "god" will of course act according to human logic - he is integrating Individuals are shaped and produced in human society. Therefore, the emergence of the identity of "god" does not cause him to have an abrupt break, but still has a clear moral stance. The choices he makes are also in the interests of mankind. Of course, we will not discuss the class issue here for the time being. Qingxuan is a strong, complete, and mature person, with the ability to handle everything well. He has deep-seated friends, caring family members, and playful partners. In their interactions, his ability to love and be loved is revealed. This is really valuable ability and shaping, allowing the characters to emerge from the plot, rather than just using empty adjectives. Qingxuan is trustworthy and worthy of following. He is a hands-on Qingxuan, a Qingxuan who is perfect and makes people want to work hard to become, an adult who can take on responsibilities. In comparison, Kaoru is like an unweaned kitten, always longing for the care of his master (laughs). As for Kaorin, he is also very charming and cute. Compared to the usual hero-shou novels where the hero transcends the protagonist to protect him in all directions, Zhaolin becomes the one being protected... Mentioning him always reminds people of the weak and wet eyes. She is always silent and a little at a loss, sometimes she speaks shockingly, sometimes she makes mistakes out of inappropriate and hidden naivety, which also reveals a lack of trust in love itself and her lover. I don't think he is arrogant, I can even say that he has low self-esteem - how he grew up, he was domesticated as a character and a device, he has been growing up under the big brother, and his distrust of his lover and himself corresponds to his blind faith in the entire social system and mechanism that supports his growth, because the latter is more powerful than him - this is the most obscure way of saying it. In short, he is a person who is full of trauma, with infinitely powerful superpowers, a weakening body, a closed and fragile mind, a slightly weak character who is taciturn and not used to being in the public eye, and black eyes under black hair, always scarred, calling and waiting for Qingxuan's visit, even if he takes the initiative, it seems abrupt or even childish in the situation at that time, always giving people a sense of being unbearable, but sometimes inexplicably sensitive and sensitive. The other characters are also well-shaped. Whether it is Lin Chu, the prophet or Li Zhiming, they all show rich layers. They are not a fixed narrative direction of a single character, but a dialectical action in development - we can see that they are not the typical label characters. Even if they have their own role positioning in the novel, they also have rich narratives to make their "living" appear. The author writes really well. The overall framework of the story is also innovative. Even if the text is structured through poorly written copy, heterogeneous-closed, complete-complete, closed-open, Qingxuan's personal growth also corresponds to the change of perspective, that is, the world opened to him is a different world, not a closed one. The sliding chain of signifiers within the structure has been longing for the same thing that has changed its appearance - we can clearly feel the changes in Qingxuan's thoughts after his identity change and incident experience, and his thoughts compared with the real hesitation when faced with choices - a person is developing. A few obviously skipped lines are Grandpa's relationship with Qingxuan, Zhaolin's hellfire ability and the handling of the Seer. There is obviously a big jump in establishing a new power structure from the fourth volume, and the same is true when starting the game at the end, but it may be that the author is not good at controlling this process from zero to one. After all, "Emperor's Strategy" has similar performance. All in all, it is a very good article, and I still like it very much.

The rating of the article I read is not very low, plus it was recommended by other platforms. I didn't expect this ending at all. The character development of the protagonist is remarkable, but the ending is indeed unfinished. A lot of foreshadowing just fell into the trap, making the large amount of foreshadowing look particularly clownish in comparison. Sweet love story? No. Brain-burning unlimited text? No. The villain behind the scenes? Neither. The whole text lacks a point that can be read. The world view is wonderful, but the supporting characters are half-written and not written at all. I really felt like I had a question mark on my face. From the moment you emerge from the abyss, there are basically no exciting points. It is a forced open ending with no foreshadowing dealt with.

Is this the end? ! ! Even if the problem is not completely solved, let's at least give it a finale of living towards death. It's too uncomfortable to be neither up nor down…