All My Boyfriends Are Bosses

The world concept is still interesting, but I don't know if it's due to the writing power or the limitation of the number of chapters, but it's not reflected well. The plot is mostly driven by character dialogue, but there are still a lot of foreshadowings that should be shaken off, or the foreshadowing can be revealed slowly to make the description smoother, instead of all being piled up in the last one or two chapters. I personally think that the author wanted to shake things up and let everyone guess, but I was confused until the last chapter or two. I am already pretty strong in logic. In other articles, I comment on them to tell other readers about the logic of the article.

I think it's better to call her Ma Dongmei

??? I'm confused, what kind of ridiculous name is this?

Emmm clicked in from the list and read it, and found that there were no comments. I can't help but want to write a long review for the hard-working author. I hope you won't dislike it. The overall concept and plot of this article are very clever. The first world and the second world were written very well in the early stages of the heroine. But when the author of the third world couldn't continue writing, he cut off half of the workload in one breath. As a result, the heroine's character was not full at all and had no time to grow. The relationship between the male and female protagonists suddenly did not develop smoothly. The relationship between the two floated on the surface, like a layer of oil floating on the water. In the TV series, the narration said that two people fell in love, and then two strangers hugged each other. The above is the first point about the incompleteness of the plot and characters, but I think it would be much better if the author could insist on finishing the 9 worlds he conceived, and I am looking forward to the improvement of the author's writing skills. The second point is that the plot is not allocated properly. The writing is a bit like a running story, as if the heroine is in this world. Basically five or six chapters are about how hard the heroine studies, which seems very boring. If more interactions with the cat-shaped male protagonist are included, the relationship will progress more smoothly. I think the author may have originally wanted to let the heroine achieve life and her self-growth in this world, and wanted to develop the emotional line mainly in the dungeon, but for some reason, she finally returned to the original world to live, and the dungeon was cut off and the emotional line was not developed. Therefore, the character of the heroine still has no growth and change in the end. She is still a kind-hearted little fool. The knowledge she learned in the third year of high school is basically useless. She is still doing her job in the original world. The only reliance is that the hero is by her side. Without growth, there will be no fun. Without fun, it will mean a running account, and no one will look at the running list. . . I hope the author can portray this part better next time. Then thirdly, let's talk about the male protagonist's character. I actually quite like the initial character of the male protagonist. Whether he is a villain or a cold and powerful black man, he is very cute to me. This is probably one of the reasons why I can watch it. But I really can't understand the change in the male protagonist's character. From the flower of the high mountain at the beginning to the soft and arrogant in the middle to the loyal dog at the end?? I feel like the author, Mrs. You, seems to have forgotten what attribute you were originally going to write about, and the darkened part of the description seems to have disappeared? I felt so aggrieved for the male protagonist. . . . Although the next book may not be my cup of tea when it comes to copywriting, I still hope that when the author is writing, firstly, he should make a good outline. A basic conception of the world view for each world, the extent of the relationship between the male and female protagonists, and how to increase their strength, all should be drawn up in a mind map first, so as to avoid cutting off the line when the end comes and can't think of what to write. The second is to have a theme. If it is a sad story, then choose a male and female protagonist to write about the sad point. If it is a cool story, it can be a slap in the face, a counterattack, or something cool. If it's about fighting monsters and falling in love, that's more! Write! Point! Feel! Affection! Play! After all, if you are not a senior author, there are many plots that cannot be taken care of. It would be good to choose a main line and a sub-line that can take care of both. Third, even if the plot is cut off, you still have to figure out how to perfectly link the ending with the previous one. In the end, I couldn't think of any reason not to let the heroine return to modern times. The only reason is that the heroine wants revenge and her body is broken. But if her body is broken, can she just explain it in one sentence? If the male and female protagonists finally take revenge and return to the modern age, it would be more suitable for them to go to school together, fall in love, and get married. Finally, returning to the mountains and forests in ancient times makes the modern efforts of the previous chapters seem particularly redundant. That's probably what I thought of when I just finished reading it. I wish you a better next book.

Today's update time may be postponed until after ten o'clock, Xianyu is working hard to write words_(:з)∠)_

I'm very sorry, the scumbag author really can't write today_(:з)∠)_I will try my best to squeeze myself and strive to update more tomorrow and earlier. I love you so much^3^

Hello, Rongrong, long time no see, do you remember me? (๑˙ー˙๑) Sorry for taking so long, you have already opened a new hole, but I seem to have to disappear for another year (┯_┯) I hope that when I come back, Rongrong has become a big boss, come on, I wish you great success with your new article