A Mob Like Me Can Only Raise the Villainess

As a seasoned bookworm, I rarely write reviews. However, I have some things to say about this book, and this is just one person's opinion. First, I've also read the author's previous works. While they are somewhat formulaic, I found the plots to be quite smooth, the interactions and sweet moments between the male and female leads to be to my liking, and the number of idiotic scenes relatively small. I haven't finished this book yet, only read the first half. This book continues the author's consistent style of sweet romance. However, I feel that the protagonist, as a transmigrator who knows the plot, acts and speaks in a petty way, completely lacking a sense of the bigger picture...

Today is actually my birthday! [Sfem:9:465]

I've reached chapter 652, so I've caught up. This book is like a painting. At first, the artist sketches dots and lines on the canvas, which looks chaotic and incomprehensible, causing many readers to give up. It's only after chapter 380 that the painting finally begins to take shape, and even in its early stages, it's incredibly beautiful. Personally, I think the book truly begins to unfold after chapter 380, when the protagonist first decides to defy the "original plotline" and actively uses his abilities to fight the headmaster and save Teacher Bell.

In short, it's a very good read. The overall plot is very engaging, somewhat resembling a romance novel. The main conflicts revolve around love triangles and the male protagonist's romantic entanglements with various female characters. However, unlike typical Yasashi novels where the male lead is impotent, he is sexually capable. But, in the story, the protagonist gives off a "gold digger" vibe, often using his position to manipulate other female characters for his own benefit, essentially deceiving them and then adding, "I only saw you as a sister," which is the kind of despicable character. Furthermore, the writing style...

Having read Chapter 202, I have to share my thoughts. Chapter 202 mentions the protagonist's engagement to Nia. The protagonist feels it's time to confront Nia, and in his mind, if Nia refuses the engagement, he will let her leave because "as the heroine in the hero's story, Nia doesn't need to waste her time on him." At this point, I understood where that strong sense of incongruity came from. The protagonist is too insecure, and insecurity to the extreme becomes arrogance. On one hand, the protagonist feels like cannon fodder, hence his insecurity. But on the other hand, he always believes that the heroines won't like him as cannon fodder, always...

This book doesn't have any major flaws; if you read it without thinking, it's a standard lighthearted read. Its weakness lies in the plot: the plot progression is roughly equivalent to *The Holy Sword Tales*, relying entirely on the male protagonist's "I remember now!" However, he's unwilling to tell the female lead about his entire plan, only revealing half-sentences, only mentioning that certain people will affect Sylphie, but never explaining the reasons, leading to somewhat awkward logical inconsistencies. Anyone reading it with even a little critical thinking will find it infuriating (referring to the male protagonist). WGN: 8.4/10 (Just kidding).

Does anyone know where I can find the deleted and modified chapters?

The ending and author's note have been updated. Everyone, the story of this book ends here. The new book is still being updated; you can check it out. As for the rest, it's just a reunion in the martial arts world.

As expected, this kind of plot isn't for me; the protagonist is purely a tool. Even giving the protagonist just a tiny fraction of all the female leads' intelligence would be better than the current situation. Since changes have been made, one must face the unpredictable world; this is a basic quality of an adult, even without time travel.

Good news: My tens of thousands of words of draft manuscript weren't doing well; they're all gone. It seems I'll have to wait until spring for my new book to be released. [Sfem:7:438][sfem:7:438]