The Victim Lies Flat, Yet Somehow Takes Down the Golden-Haired Phoenix-Aotian?

Actually, I have doubts about whether your story is a harem novel. Your synopsis says it's a harem novel, so why is there so little focus on the male lead in the beginning chapters? It's a harem novel, yet it keeps mentioning how the male lead was killed by a snake in his past life. Doesn't the author find this strange? Don't you think this is a poisoned harem novel? It feels weird and doesn't feel satisfying at all. Your control over the satisfying moments is terrible. Also, please stop with the poisoning, okay? The snake-headed person plot could have been glossed over at the beginning. Why did you have to make it involve continuous bleeding?

To be honest, the author's awareness of avoiding sensitive topics is a bit lacking. The character of Erniang is a bit jarring. Putting aside the fact that she flicks other people's penises, just the constant emphasis on "cutting wetness" is physically uncomfortable. Later, there's no pursuit between them, and they just get on top of each other, which is a major flaw. Erniang's sudden appearance is too strange, especially since she's pushed on by the master. This doesn't fit the twisted possessiveness of a fallen master. The master's character should be someone who only has the protagonist in the world and would never share with anyone else. One second he's saying he almost killed his senior sister and the princess, and the next second he's forcibly pushing Erniang. This whole thing ruins the characters' personalities. The master's personality was originally supposed to be...

The reasons are as follows: The writing flows smoothly and effortlessly, making this a superior work; the male lead's likable personality, neither arrogant nor humble, is sufficient to carry the banner of a harem, making him a superior character; the pacing is brisk and well-balanced, with a time-travel opening, ten chapters of a chaotic love triangle, and twenty chapters of slapping faces and pursuing the male lead, without being drawn out or pretentious, making this section superior; the writing style is cheerful and moderate, capturing the essence of factional struggles and harem stories, catering to the market, which is also a good approach; I've been suffering from a lack of inspiration for a long time, and a male lead novel is always a must-read. Now that you're already among the top new authors, you're sure to receive many more recommendations and even major feature recommendations in the future—it's truly terrifying! This talent cannot be allowed to remain!

Having read Chapter 74, I have to say something. First of all, the author's writing is excellent; the opening plot with its lesbian/ghost/childhood friend premise was refreshing. However, I felt the plot control was somewhat flawed. Firstly, the main character is too one-dimensional and one-dimensional, while the blond guy and the female leads are much more fleshed out, which I found quite baffling. The male lead's characterization is limited to his cunning and manipulative nature. Secondly, I felt the author didn't handle the satisfying moments well. I came expecting a romance/harem light novel, but there's been no progress. I was hoping for ambiguity, romance, or even something more, but all I got here were the women falling for each other...

I'm quite picky, but this book is indeed good. However, you can't treat it as a fantasy or historical novel; frankly, from those perspectives, it's just average. But! If you're willing to treat this book as a typical "protagonist-turned-overlord" story—a story of a childhood sweetheart and a blond-haired protagonist—then it's an exceptionally good novel. Here, in less than 30 chapters, you'll see the childhood sweetheart weeping and filled with regret. Also here, in less than 30 chapters, you'll see the original blond-haired overlord repeatedly tricked, suffering in silence. From the 30 chapters I've followed so far...

"This book is not yuri, but the game is, so the blond guy will play himself in the early stages. This section, intended to depict the blond guy's repeated setbacks and reflect the protagonist's perspective, was written in too much detail and should have been glossed over. I apologize if this caused any negative experience; I will revise it when I have time. Thank you for reminding me." -> Reprinted from a note at the end of Chapter 27 --- Tonight, Xiao Xinran was on high alert, setting up several lines of defense, and turned off the lights while holding her sword. If Ji Shiyu dared to climb into her bed again, she could prepare to die! -> Reprinted from Chapter 29

Alas, in childhood sweetheart relationships, the favored party can be either "grateful and repaying love with love" or "taken for granted," with Lao Xiao being a prime example of the opposite. Lao Xiao in the original story was unaware of her own feelings, but how could the reader not know that she originally loved Yun Liu? From childhood, he doted on her, caring for her meticulously, even risking his life for her safety in a crisis, only to be met with Lao Xiao's "casual attitude," "unaware that his Qi Sea was destroyed," and "her transformation from liking him to respecting him like an older brother," ultimately leading to her running away with Huang Mao. Yun Liu loved Xiao far more than Xiao loved Yun Liu; his Qi Sea was destroyed because he risked his life to save her, yet it was his master who obtained the Reversal Pill for Yun Liu. Xiao Chun's...

The protagonist always gives me a strange feeling. He's just a transmigrator, and his childhood sweetheart didn't cheat on him. The yellow chicken is alright too. It feels like his childhood sweetheart's feelings for him just appeared suddenly. His personality before and after the transmigration is very different, and this is supposed to be a cultivation novel. I don't believe there's no concept of possession. Plus, he has a childhood friend, a junior aunt—can't you tell they're not the same person? Unlike Xiao Yan, who was dormant for many years and had a teacher, he's a transmigrator who has everything go smoothly from the start. Although he understands the plot, things aren't static. He's too smart, calculating everything flawlessly. It feels...

Today, revisiting the earlier plot, I gained a more concise summary of why Xiao is so disliked. In the original world's storyline, Yun Liu's downfall was caused by her, but the biggest beneficiary was none other than Xiao herself! Let me explain—her recklessness led to her death, yet Yun Liu suffered in her place because of love. She met Huang Mao and gained opportunities because of Yun Liu's misfortune; this is what it means to be on the high ground of self-interest. Huang Mao and his parents knew that Yun Liu had become a cripple, but this fiancée, who should have cared for him the most, remained completely unaware for years while her heart had strayed. Because she was unaware, she didn't have to bear the infamy of "being opportunistic and abandoning her husband." This is what it means to be on the moral high ground...

Firstly, I believe the author didn't have a clear idea of ​​the setting when initially conceiving this book. This led to three plot twists. Early on, the protagonist leaves the sect; then travels until the sky island crashes; and finally, the protagonist participates in the Immortal Alliance Conference. The first twist, the protagonist arriving at the sect and then leaving, was frankly poorly written. The ending, in particular, was nonsensical. The protagonist's departure wasn't complete, resulting in unfulfilled emotional release and a lack of satisfying conclusion. I suspect the author initially came up with this scene out of enthusiasm but couldn't connect it to the subsequent plot. Then the story reached its middle stage, and...