Demon Miss, Please Spare Me

I am the Snow Goddess!

I'll take a day off if nothing unexpected happens.

1. There are no random characters, no insignificant male supporting roles, and no real brotherhood. Aside from the story of the male and female leads, there's virtually no unimportant narrative; it's as if the entire world revolves around the male lead and his girlfriends. 2. You can always rest assured that the ending is all sweet and satisfying, without any disappointment. No matter how many twists and turns occur along the way, you can simply relax. 3. The personalities of each male lead are actually quite similar, which I really appreciate (though some might not). I find it difficult to empathize with the comedic male leads, the seemingly innocent but actually charismatic ones, or the so-called "sunny" male leads. For example, I like Xu Fengnian in "Snow in the Sky," but I find Chen Ping'an from "Sword Comes" too much like Ding Zhen. Most...

The latest chapter mentioned two characters who preferred cooking to washing dishes. I was surprised to learn that it seems like everyone dislikes washing dishes. Thinking about it, I decided to briefly discuss this. According to Marx in *The German Ideology*, cooking involves complete mastery of one's "traditional skill," where one can control their own labor (when to add what ingredients, how high the heat). This interest can be elevated to a limited form of art. Washing dishes, on the other hand, is more like assembly line work in a modern factory. In mechanized work, the sense of accomplishment is very low (or even nonexistent). Personally, when I wash dishes, I feel like my labor isn't being controlled by my own will, but rather that my labor is controlling me...

Xuebao, chapters three and four have been censored.

Jiang Chen's story has come to an end, but now I must use the experiences the author has given me to find the next meaning. Jiang Chen's story is not over. Time pushes life forward, and the logic that time gives to life is new meaning. "I will cry, I will shed tears. But I have the courage to face it." Do I really have the courage? The next second you may not be the same person, but what you need to do now is to follow the path you have chosen and stride forward. Jiang Chen has grown up; in the moment he made his decision, I should have grown up too. Immersed in the past, I should find a new self. "You can no longer be a child, as..."

I have a deep connection with urban fiction, and each immersive experience I have with it remains unforgettable, even in the dead of night. Between the lines, I read the struggle of unfulfilled desires, the back-and-forth tug-of-war between decadence and resentment. Every choice tears apart not only the connections on paper but also the integrity of the emotions. I hope the author can see that those so-called thoughts penned by the pen resonate with others, that they too feel joy and sorrow, that they too are consumed by passion, even if it's like poison quenching thirst, they find it sweet. Therefore, I hope this story doesn't end too soon, at least allowing those souls who resonated with it a few more moments to join in, to make up for the disappointment of "Almost Became a Hero"...

(Warning: Over 1300 words, excluding the period after Jiang Chen's death; those interested can read on.) Due to differences in our areas of expertise and the author's background, this section may not be entirely comprehensive, but it's undeniable that the author put a lot of effort into it; as he himself said, he was burning his soul. Seeing comments criticizing the author's update schedule at that time shows how preoccupied he was with this book, unable to sleep, and unable to resist continuing to write the story—truly a case of restless tossing and turning. While the folk trilogy is certainly a style He Xue enjoys, here it reflects Su Yue Ran's desire to be an ordinary person rather than a noblewoman...

I wouldn't call myself a loyal reader. I've read *Junior Brother*, *Senior Brother*, and *Almost Became a Hero*, but frankly, I didn't finish two of them. My first impression of the author's books was their delicate writing style, which vividly depicts the scenes. However, I always felt that similar books could lead to aesthetic fatigue. Even though *Junior Brother* and *Senior Brother* were very good, this book changed my first impression of the author. The plot is refreshing, and some parts feel grounded in real life—in other words, down-to-earth. (I'm the same age as the author.) Having read the author's other books, I'm somewhat familiar with their life story, their ups and downs, and the hardships they've experienced...

After keeping it for a while, I found out it was over, but I didn't want to know the ending, so I just treated it as an appendix.