I'm in the Middle of a Love Triangle and Just Want to Give Up

First of all, it's no exaggeration to say that if this book continues at this pace and the plot isn't too "outlandish," it could be considered a gem. I'll share my thoughts from the following points, hoping to give those who haven't read it a preview and those who have. First, what initially attracted me was the opening plot setting, directly creating a love triangle between the two characters who like the male lead. It's an interesting and not-too-cliché setting. Although love triangles are a common trope in almost every harem novel, it's unique here: the male lead himself is heading towards a love triangle from the very beginning. Second, the writing style is indeed excellent, although in one chapter the author himself...

Even after so long, seeing it again still moves me. I was naturally drawn to the intriguing "battlefield" of the story, but I also admire the delicate writing style. I suddenly recalled a detail from a Wang Zengqi essay: the large characters for "vinegar" and "soy sauce" on the white wall, and the auspicious cloud shapes nailed together—it felt like a shop nearby. This also made me think about the question of whether a work should be author-centered or reader-centered, whether to respect the reader or let the reader complete the final creation. I lean towards the latter (specifically in discussions of emotions; other aspects aside). This open-ended story leaves a lingering aftertaste, allowing for repeated reading...

The author portrays the two female protagonists so vividly and compellingly that it's difficult to accept either a harem or a single-protagonist storyline. The main issue is that the story is set in a normal modern society with various limitations (e. G., Parental views, social status, societal expectations). Is a harem fair to the two female protagonists? They gave their all, a love as selfless as moths to a flame, only to be shared with others in the end. I can't bear to see such an ending. As for the single-protagonist story, how should the male protagonist handle the other female protagonist's fate? Writing it like this...

The crabapple blossom symbolizes unparalleled beauty and unwavering resilience. Comparing Jiang Rong to a crabapple blossom reflects her longing and pursuit of Song Yan; while Zuo Rong's love for Song Yan is likened to the beauty and love symbolized by a rose. Zuo Rong is a stunningly beautiful warrior lady, while Jiang Rong is a captivating fox spirit. One is strong, the other gentle; these two completely different characters each have their strengths and weaknesses, yet Xiao Yupeng portrays them perfectly. Originally, oil and water are incompatible, but Xiao Yupeng acts as a harmonizer, allowing the two substances to intertwine and blend without losing their original essence. Finally, I'd like to remind Xiao Yupeng to save up drafts, otherwise...

Author, you probably won't be coming back, just like my lost memories. I wish you a good life, or at least not a terrible one.

After facing reality, they started chasing their husbands, even though their cremation scenes were 110,000 more likes than yours 🤗

Rain Canopy has disappeared, and I've been on hiatus for two months. I'm so frustrated! So I'm offering a bounty on Emperor Yan to capture Rain Canopy alive.

I'm promoting my own completed novel, a million-word harem novel titled "Forced by Life," which you can see by clicking on my profile picture. It's a complete harem story with a happy ending, though there are some sad parts. It's all about violence and the female lead will fight back. Sorry if this bothers you.

I don't think you're coming back.

I'm here to recommend one of my novels. You can read it by clicking on my profile picture. Please, please add it to your favorites! (Sorry for any inconvenience.)