I Was Turned into a Young Dragon Girl by the Silver Dragon King

Hello author, I'm a reader who started reading "Little White Princess." While the comments in the comments section these past few days may have been somewhat negative and extreme, I believe everyone's intention is to make the book even better. I hope the author can understand this, and I hope everyone can speak rationally. I look forward to the author's next book being even better. "Dragon Princess" is actually nearing its end, and I'm leaving my first book review here to commemorate our shared youth. The graceful figures of the Papal Kingdom—a cold-blooded assassin (a dragon loli) and a cunning princess—from acquaintance to understanding, becoming each other's salvation...

The first few volumes were undoubtedly of high quality with well-developed characters, but the last one, which I found incredibly satisfying, was when the fox crushed Jasmine's pendant. Up until that point, the plot was full of climaxes. However, starting with the next volume, systemic problems arose. First, the plot hole of Jasmine transforming into Mio-senpai without the pendant was retconned. This removed a major factor that propelled the plot forward, and from this point on, the book shifted its focus from dragons to Polgon, deviating from the main theme. The carefully built-up mystery of her identity was shattered, and the book's main theme shifted from the dragon princess's growth path to Polgon's monster-slaying and leveling-up path, thus disrupting the character arc. Second: ...

This might be one of the reasons why serialized novels often fail—too many start strong and then decline. The beginning was decent, but these two volumes got progressively worse, with a broken plot, disjointed settings, and weak writing. You could even sense the author was getting impatient; the next day's content was clearly arguing with the previous day's reader comments. If you want to explain something to the readers, write it in the comments section; don't put narration and inner monologues in the main text. The three elements of a novel—characters, plot, and setting—are now half-written as explanatory text. We paid to appreciate the work, not to read pointless explanations. I'm becoming increasingly disappointed with this novel, and of course, having too high expectations beforehand is also partly my fault...

Since the tag was compromised, all sorts of weird and wonderful things have emerged. Perhaps the author is trying to cater to BL (Boys' Love) culture by creating this? The elf started off well, but then...??? The author initially intended for the elf's emotions to lean towards the female body, but what happened next? She suddenly has a spiritual connection with the male body? There's even a passage where she says, "Can you turn into jasmine to comfort me?" Trying to please both sides, it's so disgusting. The phoenix went on adventures with the male body, but that was fine. Then it was immediately revealed that she was gay, no problem at all. The fox is clearly another elf type; she clearly likes the female body but claims to resist the male body, only to end up with the male body...

The early episodes were enjoyable, especially the Emilia arc, which had a refreshing and novel beginning. The later fairy parts were also handled well. However, the viewing experience declined drastically starting with the fox arc, not to mention the power system and other aspects. The plot became increasingly nauseating as it progressed, and the later episodes felt like the fox arc was being forced into the story. It made the Emilia and fairy arcs I watched earlier seem like a waste of time, with a severely unbalanced distribution of plot. This familiar feeling reminded me of Kemono Friends 2, and now I just feel numb.

First, there's the issue of the female lead. The Phoenix and the Elf are developed through a very standard storytelling approach, with the three events of the entrance exam and their subsequent tomb raiding and resolution of the Elf Kingdom's crisis each contributing to their character development. However, with the Fox, after a very short time travel sequence, the author, realizing readers couldn't develop a liking for her through such a weak time-travel plot, started frantically adding more settings, constantly emphasizing the 500-year time difference. I think if the author truly liked the Fox and was determined to establish her as the main character, instead of constantly adding layers of protection, they should have simply let the story speak for itself...

This is the first novel I paid for. Before the fox appeared in the first half, I was willing to miss many things to keep reading. Then a fox suddenly appeared, and she's a scheming woman at that, endlessly squeezing out the living space of the other characters. She was beaten up twice, yet she's indulged endlessly just because of her life story. In contrast, Emilia helped and cared for many people in this life, and was one of the earliest to arrive, yet now her screen time is less than a fox eating fruit. And Aurora? She's been in the dream for so long, hasn't she developed any feelings? After faking her death, she still forcibly entered that secret realm where many emperors died, and now her screen time is even less. I really don't know what Emilia and Aurora's resistance against the outside world was all about...

Tangtang's character portrayal and plot description are both top-notch. It's a pity that the harem label ruined it. If you decide to write a harem, you should be fair to all characters. Otherwise, just write a pure romance, choose a character you like as the female lead, and write it however you want. If you had started with a pure romance with the fox, without developing the princess and elf's characters so much, perhaps no one would have said anything. But you started with a harem and then switched to pure romance. You're just playing with the readers' feelings, making them fall in love with your characters and then discarding them. Tangtang, have some self-respect; don't ruin a major IP.

I couldn't get through the middle of this book, so I stopped reading for a long time before continuing. As expected, it's a terrible book, worse than *Blood Princess and Knight*. I've looked up too many examples, and I'm ready to quit. Let whoever wants to read it read it. I feel sorry for Emilia and Aurora. The protagonist has reached new heights of scumbag behavior. He just says "I have no choice but to live," and "The road to invincibility is lonely." Even his womanizing is acceptable; blame the protagonist for being too outstanding! The plot is dragging, the content is empty, and there's too much love without any reason. He doesn't need to be responsible for anyone. It reads like a script about an idol and a fan. What's wrong with an idol sleeping with a fan? The idol is forced into it! He's just too handsome!!

I initially started reading *Blood Princess* through *Pineapple Bun*, and then was pleasantly surprised to discover the author also had a novel called *Dragon Princess*, which I thought would be worth reading as well. However, I was greatly disappointed. Actually, the author's writing style wasn't particularly good throughout this novel, but I still read it diligently until recently when I switched to a new book and stopped subscribing. However, I still keep an eye on it, looking at the author's table of contents; I can roughly guess the plot with just a glance, though of course I'm never entirely accurate, and most of it isn't anything important. My fondness for this novel vanished after the two disappointments of the fox's appearance and the Garden Secret Realm...