By the Time They Realized Their Feelings, the Knight Had Reincarnated as a Little Fox

Some people may say that the author's novel is poorly written, but I remember that the author said six years ago that his health was failing, and it is already quite remarkable that he can still persist in writing novels for us.

"Pointing out flaws in other books is just for fun, but for truly disappointing endings, you have to read this one." After actually reading it, I even felt that this book didn't deserve my lengthy and scathing criticism. The most crucial issue is that the protagonist's character development is worse than ever before, even worse than in the new book.

I'm also a long-time reader of Tangtang's works. I've read all three of her books—Blood Princess, Dragon Princess, and Elf—on my main account. I deeply admire Tangtang's rare genius in writing crossover stories. Seeing her now seem to have run out of inspiration is heartbreaking. Here are a few small suggestions, hoping they'll be seen (okay, you can start criticizing me here, doge). 1. The issue of the gender ratio in the story. This is the most crucial point in crossover stories and must be handled well. I think the best ratio is about 70% male and 30% female. Blood Princess in its early stages, Dragon Princess for most of the time, and Elf in its early stages all had roughly this ratio, resulting in a good reading experience. However, Blood Princess, starting from White Princess's ascension to the throne, has...

To be honest, I felt this book became quite boring starting with the Elf book. Of all of Tang's books, my favorite character is Bai Ji; Long Ji is relatively more serious and upright. The plots of Long Ji and Xue Ji are decent; they have flaws but aren't boring, and the angst doesn't bother me… In contrast, this book starts with a standard gender-swapped knight, then the usually stubborn character becomes a fallen woman. But Tang seems unable to write without this disguise. The biggest flaw is that the book has virtually no plot. Now, after reading just a few chapters, I can guess the gist of it. Since the protagonist is bound to change kingdoms, the main plot is just dealing with the various troubles within the story, resolving them, and then running away. It seems like all the plot is just for…

Elves are remarkable, dragons can be recited backwards, knights establish schools, and swordsmen cut off the ending. I think about it all the time, and I'm never disappointed by a single word. The profile picture of Si Menglun is black and white, and I will never smell it again.

Don't order it, it's an unfinished book.

The writing has gotten progressively worse. The daily updates feel like forced word count padding; it feels like the book was ghostwritten by a primary school student. Early on, I didn't like the "harem" characters, and the few satisfying moments were when the protagonist's identity was revealed, but the harem members were too marginalized, failing to achieve the desired effect. Then, in the middle, the biggest problem, the most damaging aspect and the reason for the book's previous negative reputation, arose: the forced whitewashing of the protagonist's mother. Personally, I believe a character's whitewashing should involve unique personal charm and reasonable explanations for their wrongdoings...

This is another book that started strong but ended weakly. While the author's poor health is understandable, the overall quality of the work is undeniably declining. I personally followed it from "Blood Princess" to now, and the most obvious issue is its formulaic and predictable plot. Overall, there's nothing particularly amazing (and quite a few flaws). The accumulated flaws have even outweighed the highlights of the plot. The abrupt ending of the last two books has left me conflicted, wondering if they can still deliver a truly amazing work. Honestly, I think if the author's health is truly poor, there's no need to force themselves. They should rest for a year or two and then work on a better work...

This is my second reading. I felt there was a hidden meaning in the opening lines of the book. Indeed, all great works tell the same story: a dragon-slaying boy who will never become a dragon himself.

I feel like the later versions of this book completely fell apart. The title and the first half tell the reader that it depicts emotional entanglements, but the second half completely abandons the emotional aspect. Moreover, the plot, the creation of this world, Saint Lun, and his relationship with Lasambo are described very strangely. Many of the settings and plot points written in the earlier parts contradict themselves, making the middle and later parts feel inexplicable. I feel it would have been better to fill in the unresolved plot points of Wang Tianhui, Mo Li, and Tilisa and create a second season for them.