Windmill and Dragon Tail

Three years have passed, and a story without an ending still garners so many likes and popularity. Those who have finished reading this book may have discovered a treasure, or perhaps they are cursed—not reading it will cause temporary discomfort, but reading it will cause lifelong suffering.

In Volume 5, things like being sold into prostitution and being seen by others, I don't understand what some people are getting hung up on. Is she your wife or your family member? No matter how much you like a character, she, he, or it, they are all living in the world the author has created, and you must abide by the rules of that world. Do you know how many boyfriends your girlfriend or wife has had before, or whether they've had intimate contact with others? Most likely, to some extent. Unless they were all each other's first loves. Don't impose your own feelings and preferences on others. The principle of "do not do to others what you would not have them do to you" shouldn't be hard to understand. If the author rewrites it and it's not good, just don't read it. They haven't violated any morals or forced you to read it...

After two years and three months, I finally! Ordered the entire book using coupons! Begin the slaughter!!!

Hehe, I signed up for two years and have already subscribed to volume eight. I'll be able to read it the year after next.

First, I want to address those other book reviews that focus on the story. Tell me, what is the theme of this novel? Is it the love between the male and female protagonists? It's a clash of emotions. Since the theme is love, the logic of the rest of the story must serve the stories interwoven with this love. If you think the scope is grand or the plot has problems, then I want to ask, what exactly are you looking for in this novel? The story is meant to convey ideas, not to recount history. Every story segment paves the way for the protagonist's growth. To abandon the theme for the sake of storytelling is putting the cart before the horse! The stage is set up for the protagonist; the story is just a backdrop...

Whether you admit it or not, suffering is a commonplace thing in the world, so why can't people write about it? Whether it's angst or sweetness, it's a normal part of life. Why must half of it be removed? Why can't people accept even half of it? How narrow-minded is that? Personally, I think Volume 5 is very well written. The sweetness serves as a prelude to the angst, and the angst serves as a prelude to the sweetness. The contrast between falling from dragons to slaves and then escaping from slavery back to the civilized world evokes strong emotions, and whether those emotions are positive or negative, as long as they resonate strongly with the reader, I think it's a success for the work. And since this is something the author constructed...

After so many years, I'll make pineapple buns again. Sigh, what a pity about this book.

Four years have passed. [Sfem:3:307]

I've been following this book since before it was even released, and I've maintained my subscription ever since, although I've been holding off since Volume Two. The moment I clicked on it, I was captivated by the author's writing style; I immediately thought it was one of the best books on SF (a Chinese online literature platform). Ronnie is adorable, Enoch is kind, but I can no longer stay with it. It's not because of any negative comments, nor was I influenced by others; it's simply because of myself. I might have a bit of a fastidious streak; I crave sweet romance and can't accept overly sentimental harem stories, which is why I chose the "marriage" tag and read through the books one by one. This is how I encountered this book. Now...

From this moment on, time in a world stands still.