Rebirth 2010 I Use Hollywood Technology to Become a God

On January 15, 2010, Chen Mo was reborn. One moment ago, he was the top Chinese-American director in Hollywood, holding an Oscar nomination and directing a trilogy with a box office of tens of billions. The next moment, he opened his eyes and returned to a dilapidated rental house in Beijing. The calendar hanging on the wall shows: January 15, 2010. This year, "Avatar" is detonating the box office, and the first year of 3D movies is coming. This year, Weibo has just been launched, and the mobile Internet wave is about to sweep the world. This year, the Chinese film market was still on the eve of an explosion, with the annual box office only reaching 10.1 Billion. In his last life, he was blocked by Hollywood and lost everything because he insisted on the concept of Chinese-American movies. In this life, he came back with the technical memory of the next ten years. Shooting in 4K? No problem. CGI special effects? A piece of cake. Virtual production? It's within reach. Motion capture? Facial capture? AI-assisted production? It's all his golden fingers! Chen Mo stood in front of the window of the rental house, looking at the poster of "Avatar" in the distance, with the corners of his mouth raised slightly. "This time, I want to rewrite everything." Ten years later, he stood at the Oscars and accepted the Best Director trophy. In the audience, Zhang Yimou applauded, Feng Xiaogang nodded, and Chen Kaige smiled. The top directors in Hollywood stood in the distance with complicated eyes. Chinese movies don't need Hollywood's approval. Hollywood needs China's approval.