Literary Giant 1913: Walking Through Republican China

The so-called literary giants in this book are those who wrote here and there some novels adapted from movies. It's hard to evaluate. In a series of things he did, he led Lu Xun and a group of people to draw cartoons, taught people about women's rights at every turn, and even taught the police to imitate Lei Luo in collecting money and bribes. Seriously. The word "writer" seems awkward no matter how you look at it. The more I write, the more complicated it becomes, and the more I write, the more chaotic it becomes. The expectation of reading is getting farther and farther away from the reality. It's better to change the title of the book. The days of wandering around in the Republic of China.

What was the use of being a literary giant in the Republic of China? Are Lu Xun's many pen names just for fun? Going to play hide-and-seek too?

Why should the first game not be a watch but clothes? Secondly, the manuscript fees for the novel have arrived, and you have not lived in the rented house for a long time, so you have to buy a house as a substitute? Is there something wrong with this logic?

Can the heroine find someone who exists in reality? Don't just be original, just like Lao Wang's book

Full of delusions of superiority among out-of-work intellectuals, they are completely divorced from the masses, and then they have to criticize the masses, and finally they have to guide the masses.

The ceiling of literature about literary giants in the Republic of China is Lao Wang's "The Rise of the Writers in the Republic of China", but it's a pity that it has already entered the book. The book was very restrained and tried to exert as much influence as a literary man could exert. However, without guns or cannons, it could not affect the general trend of history, and some plots made it extremely frustrating to read. This genre is inherently shackles, with little room for creativity and it is difficult to write new ideas.

There are too many ideological contents. Wang Zijun tries to write as little as possible about these things. Most people don't like to read them!

The author's nature is all about speculation and self-interest and hypocrisy.

The literary giants I understand are the founders and inheritors of the schools of the Spring and Autumn and Warring States periods, and those who have enlightenment and reflections on the times. However, many authors write as novelists of the Ming and Qing Dynasties. The latter is a summary of self-perception of life. There is a big difference between the two.

Let me tell you my feelings. If I were a teenager, I would probably think this book is good, but I am thirty now. The subject matter of this book is wrong, and everything else is empty talk. It doesn't matter if you are reasonable in modern society, especially if you are a Chinese. What you say is still fart. If others listen to it, it will be like you talking about a talk show. Do what you are supposed to do. It is harder to touch interests than touch souls. You don't have a cannon. What you say is just fart. When you have that dog-beating stick in your hand, everyone can hear you. When you have a Dongfeng 61 in your hand, it is all about order. For this reason, everything else you write has no meaning. It is as ridiculous as Kong Yiji's fennel beans. This society is actually a colosseum, and other civilizations are just used to decorate life and add a little sense of security.