The Iron-Fisted Literary Giant of 1977

When I first read it, I couldn't accept the author's point of view. I actually thought that if I graduated in 985 in my previous life, I would never go to college in this life. So speechless. . . Going to college is not just about academic qualifications. A good university is a platform, a circle and a mountain. You are not doing well and your feelings are not deep enough. As long as you do well, it really makes a difference whether you have a college background or not. Not to mention the power of those university teachers and students. There is no doubt that you will do well, and no matter what you want to do, it will always be easier to have someone to back you up. The school, its teachers, and classmates will be your strongest connections.

The shoes are too big and the feet are too small: the author's vision is too grand, but the writing power is not worthy of it; the supporting characters in the book praise the protagonist too highly, but the arguments (not referring to the theme, but the level of exposition) of the article written by the protagonist are not worthy. The author's level is actually considered average among writers, but if it is too high-profile to raise readers' expectations, the author's level must be at least that of a senior professor (not the kind of professor who is a parallel import expert). The reality is that this is impossible. So what I write is so awkward. The correct approach is not to sing such a high tone, but to mix your own opinions into the plot bit by bit as the plot develops, revealing half of it and leaving the other half for the readers to understand. This is both blank space and the author's art of hiding clumsiness.

Literary novels and period novels have become popular in the past two years. There are many old authors that I am familiar with, but I picked and picked and saw that there are only two books that I can read now. Many authors are too messy when writing about literary giants. The protagonists in their novels have to write articles, make movies, sing and perform, and open a company to chase beautiful women. From time to time, they also mix in the kind of siheyuan bullshit plot! But once the major events of those times came and the social environment changed drastically, the protagonists were no longer involved at all. The protagonist was just a small person who wrote articles. Ha, bah! Disgusting, so disgusting! The reason why a literary giant is a literary giant is to participate in the major events of the times and exert an irreplaceable influence. Cao Cao of Lu Guo and Mao Ba is a recognized literary giant in modern Chinese history. Among them, Mr. Lu Xun has no novels, but Lu Xun is the first among these literary giants. Why? It is because he participated in major events of the times and profoundly influenced the Chinese people! Author, in the literary giants of your generation, you can write the protagonists as Lu Xun and Guo Moruo, and the secondary characters as Ba Jin, Lao She or Yu Hua, but I am afraid that the protagonists you write will be the same as Mo Yan, Jin Yong and Hu Shi!

The true time traveler's prophetic mentality is to disenchant famous women of the times; the other is to disenchant the high-scoring college entrance exams. Because you are such a prophet, do you still need to go to college to gain the envy, jealousy and hatred of society? Do we still need recognition from the low-dimensional old world? Who has ever seen an elephant care about the praise and slander of an ant? I suggest the author keep writing. If you really want to enjoy yourself and relieve your depression about literary knowledge, you should stop being part of the inland circles. Now that they are here, the prophet traveler will never have a headache for money. Can't he make the first pot of gold from Mark Six Lottery, horse racing, stock market and other spinach? What about He Shen's secret library? What kind of intellectual and artistic young woman can't be found if she's rich and talented? You should become famous as early as possible. Go to Hong Kong and Macao to set up a newspaper, publishing house and radio station to speak for yourself. I only know that there are no good people among time-travelers! Never be aggrieved at all! The inland environment is still too restrictive and too restrictive. The wind direction at that time was swinging back and forth and was still unstable. Since you want to be left, then be completely left. Learn a lesson and don't follow Li Ao's old path!

When writing a copy, the protagonist has an upright personality and positions himself as a porter, just for fame and fortune, and he will carry whatever is popular. Don't be like that. He's obviously just a porter, but he behaves just like the real original author. He lets go of being moved by himself, adds to the madness in his heart, and makes jokes all day long. ——I have read a lot of manuscripts before, and I am obviously a porter. I have read/listened to the copied works n times (at the level of being able to write them down word for word). When I published them, I still looked like I was reading/listening to them for the first time. I was so sad for the spring and autumn, and my eyes filled with tears. It was so disgusting 😅

I'm afraid the most exciting part of this book is the chapters where he criticizes Jin Yong.

The plot of the latest boss recruiting a disciple is really vulgar, and the fact that the young man is a foreshadowing of the future boss is also vulgar, and there is also the young woman named Ye. . . I have to wonder, the author, whether you really have a revolutionary spirit and a consciousness of struggle? Isn't this another unrealistic work where the world revolves around the protagonist? Works can be higher than reality, but works that are divorced from reality can only make people laugh. Let's be patient and see what happens next.

The protagonist really loves to smoke, and he can't leave his hand. Can your cigarette shape the character? Is the protagonist too stressed and needs to be relieved? Isn't this pure water? There are also plots such as fighting, do they have any effect on literary novels? Since you are writing literary novels, don't fill it with all kinds of miscellaneous things. Isn't the analysis of the novel very interesting? But I should say that the book the protagonist is currently reading is quite in line with my aesthetics.

All the cunts written by the author so far are the protagonist's own pretense. You should thank other writers, critics, or ordinary people for their feelings after reading the book written by the protagonist. In this way, the perspective will not always be on the protagonist, and there must be someone who agrees with the protagonist's point of view. If you start a group for a scolding battle, the system will naturally match your teammates and opponents.

After reading the beginning, I can see that the author's intention is okay and there is something to it, but the last thing an online article can do is to go against the readers. At the beginning, everyone thinks that the protagonist should go to college and get a diploma, so that he will be easy to mess with in the future. Even if the author does not want to arrange for the protagonist to go to college, he should explain it in detail. The reasons and explanations given at the beginning are obviously not enough. It will persuade some people to quit. Author, you are a new account and have no fans. If you persuade them to quit from the beginning, will the results be good? It is recommended to repair it