
Wizard: I Have Mythical Traits
巫师:我有神话词条
- Status
- Ongoing
- Length
- 1.8M Words
- Genre
- Eastern Fantasy
- Subgenre
- Otherworld Continent
- Updated
- 1d ago
- English
- Request a translation
Synopsis
Stats
444Chapters
95Monthly votes
6.8kRecommendations
79.6kFans
14 ch/weekPace
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Reader comments 43
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Does it really have to be this name?
The protagonist is named Chen Shang, a name that was unsuitable even before his transmigration, let alone being the subject of this Western fantasy story. The protagonist is a 300-year-old level three knight, a count of a duchy with an area measured in tens of thousands of miles. The world he inhabits is a small world surrounding the main wizarding world.
It feels rather abstract. The author vividly depicts the wizarding civilization's pursuit of wisdom, intending to bring more order to the myriad worlds to gain more new blood and wisdom, and to transform slave societies into fair ones. However, the wizarding world itself is still a feudal, aristocratic, medieval society, complete with nobles, maids, and royalty. Such an advanced civilization should at least be a modern society, right?
It can only be said that authors of average intelligence should not write works related to intelligence.
Whether it's the wizarding civilization the protagonist created, or the protagonist's own actions, it's a constant internal struggle between the left and right hemispheres of the brain. It would be much more interesting to just learn from Gunkai and focus on stat allocation than this.
Some thoughts after reading
The author put a lot of effort into the writing, the style is smooth, and the world-building is vast; it seems to be a white wizard research story. I just have some thoughts, just for discussion. The world-building is grand, starting with a grand narrative, from the wizarding system, the colonial history of the wizarding world, the cultivation system of the wizarding world, introducing points…
The worldview is quite grand.
The protagonist's cheat ability is very powerful, but this world is too advanced, so his advantage is currently minimal.
I don't see any advantages.
The golden finger was not fully utilized. Instead, they focused their energy on so-called external constructs. Humans can clearly rival computers, yet the reward is simply buying a computer—it's absurd. 🙂
Why write a timeline?
Around chapter 140, it starts by describing the future protagonist as very strong, and then other characters travel back in time to mess with him. I was speechless. There aren't many novels with this kind of chaotic timeline that are readable. It's like a decent start suddenly being interrupted by a future enemy.
The story was going well until a bunch of stuff like Samadhi Fire, Calabash Brothers, Calabash Brothers, Little King Kong, three heads, six arms... And then a future enemy suddenly appears... It's true what they say, those who manipulate fate will ultimately be manipulated by fate, right? And then, to make matters worse, the Ten Great Organizations suddenly appear... And the protagonist is just an apprentice at this point...
You write some visual things, like how much assets the protagonist has, their current ranking in terms of ability, which direction they need to improve in, and what kind of help the cheat system provides. But this kind of dry research, without any visualization, makes it unclear what the research will do or how it will help the protagonist at this stage.
The protagonist's involvement in various topics and directions is excessive, yet he shows no interest in his primary focus on gravity, and seems to have never actively cultivated or practiced any other spells; everything is passive. When advancing to level two, he needs to establish a 365-cycle star array—a massive project, as mentioned earlier.