I Write Obituaries for the Gods

When I first looked at this title, I thought it was a book written by a young man passionately for five minutes, a three-dimensional catharsis, and a month of abandonment. However, after reading it, it turned out to be well-written, with an outline of ideas, exciting points, and a sophisticated rhythm. I felt so happy after reading it in one sitting. It's just that the introduction is too long. If I, Shi Hai, were not always rigorous about gold mining, I would have clicked in to see something like this, and I almost missed it. But to be honest, I can't figure out how to change the introduction.

Zhanyi Zhanyi

Before it is put on the shelves, 4,000 words will be updated every day, at 12:00 and 19:00. It will take a month or two after it is put on the shelves to see how it goes. This is my first time here. No matter what, I will finish this book steadily. I hope everyone will read more in the new book issue~

Judging from the writing style, I think he is an outsider. The writing is indeed great and the story is novel. I have been looking forward to a high-quality super power-themed work.

Baby you are a Hakimi

Preliminary conclusion: A carefully polished niche product, written for the 30% of people who are interested in the radio wave Evaluation: The plot design is average, the rhythm control is average to excellent, the character creation is average, and the writing is average. Also, the attention to detail is top-notch. A very classic supernatural urban background, a very classic beginning of a powerful villain subverting the protagonist's life. It can be said that the classic runs through the author's entire book. All the detailed descriptions are Chekhov's guns, and all Chekhov's guns are fired when they need to be fired. Is this good? Yes, it's good, because even if you can guess what may happen, it's fascinating enough. This is the charm of classics. I still want to complain if it's not enough. It can be seen that the author wanted to make the plot more weird and varied, and then the author chose to write a very classic counter-routine (Euclidean). But in fact, it was not these "classics" that allowed me to guess the development of the plot, but that some of the foreshadowings designed by the author were too blunt and made me feel strange at a glance. This strange feeling comes from the reader's perspective, but I think this feeling can be eliminated by transforming the foreshadowing into the perspective of the person in the book through description. I think this article is fast-paced, but the author does not seem to want to write a fast-paced story. In several plots, it can be seen that the author deliberately slowed down the pace. Well, it includes three golden chapters... The author wanted to give a banger at the beginning, so he first discarded the plot of a demigod putting on a show to harm the people close to the protagonist. But the design is very confusing, choosing a non-family character who cannot naturally resonate with the story, so that the second and third chapters have to be used to describe the friendship with the landlord and his wife, in order to rationalize the protagonist's motivations. This directly caused the rhythm of the three golden chapters to be delayed. I believe this is definitely the point where many people abandon the book. And in the follow-up, the protagonist was pushed by things, and the pace gradually accelerated. I even felt that even the author was pushed so hard that he couldn't stop, so that there was an excessive chapter that was forcibly written to slow down the plot when I felt that the protagonist had something imminent. The protagonist in the article always doesn't want to stop and is afraid of stopping. This repeated feature also accelerates the reader's perception and makes me see that he doesn't want to stop. But this high-intensity narrative and the author's writing style lead to another problem, the climax is not high enough and the transition is not smooth enough. I have to say that many of the climax scenes of design are worth and can be spent to create a sufficient visual sense, but I basically tied it to 80w+, and it did not leave me with a visual sense. This is very inappropriate. I think if enough pen and ink is spent to design the visual sense of the climax, it will make the plot more ups and downs. Man challenges God, this is an enduring story. The resistance, unyielding, and perseverance in it are all good cores, but currently there is no stable core in the book, or it can be said to be very "complex". The protagonist is pushed by things, and his valuable will is shown in what he does, but not enough pen and ink is spent on describing it. This makes the protagonist's image not completely three-dimensional. I may have enough words to describe the protagonist, but I cannot give a plot to represent the protagonist - the highlight of his character is also limited by the author's writing style.      ,,, Their characterization and foreshadowing are really inseparable, but the problem is that the author likes to develop supporting characters later, which leads to character characteristics that seem to be generated by foreshadowing. Normally, the character should be created first - because this person has such characteristics, he did such a thing (foreshadowing), and finally detonating the foreshadowing is to shape the arc of the supporting character. Finally, why do we need to "be more attentive and considerate"? Because the author's careful polishing can be seen everywhere in the book, including the design of the chapters. I personally like the method of interstitial chapter very much. It can show the characters and exaggerate the plot to the greatest extent. It is the best adjustment method in fast-paced novels (it is also the best hydrological method). In addition, there is an element of "betrayal" that runs almost throughout the entire text. The author uses this experience to make the protagonist grow and show the protagonist's growth. Because of these plots of bitterness and hatred, the author deliberately interspersed some jokes and nonsense in the text to dilute the suffering (maybe just to deceive the comments) In summary, I think this book actually has great potential, or the author has great potential. It can definitely become a fine book, but the author is still in the growth stage. But this doesn't matter. This book is very suitable for casual readers who read less, and there will definitely be some loyal readers who are interested in the radio.

At first glance, the reincarnation of an old thing, this kind of power and arrangement cannot be written by Xindeng. I will go and read it by some extraterritorial demon 😰😰

After reading it, the original Lao Deng was reincarnated. Strong writing skills. The story is very well told and exciting.

Lin Chen

I was late, and I found out that Mo Xiaoniao had released a new book