Taoist Priests in the Fantasy World

The book is very good, but the special effects of the main character are a bit shabby, which fits the atmosphere and feeling of Taoism. However, after reading hundreds of thousands of words, I am still using Palm Thunder. How can I put it, the magical power is not up to par with the real style, which is very contradictory, but the protagonist's desire to seek Taoism is what makes me read it. It's very comfortable. I hope the author can make up for this as soon as possible. The main character is portrayed as if he is an immortal or a god, and he pulls his hips whenever he compares his combat prowess. The biggest sage manifestation so far is through Immortun. He is named White Emperor and Huang Tian everywhere, and his Taoism is not as good as that of Jiu Shu. Not to mention anything else, I had to get the Corpse Execution Immortal at the beginning, and the Chicken in the Tomb Robbery World. When I got to the Jiu Shu World, I had an unorganized Ghost Immortal, which was worse than Yin Cha, and a strange rooster. Ghosts who bully mortals have actually become conceptual gods. Isn't that to say there is a gap between ghost kings and ghost kings? So far, I see the ghost kings in the author's works, no matter which world they are in, they are all killing indiscriminately. Can the ghost king in the first commandment be the same as the ghost king in the world of Uncle Jiu? There is also the Big Black Buddha, and the little girl who is possessed in the end runs away when she sees the stall performance of Baihe Boy. Ghost movies and supernatural movies are still different. Ghost movies are just about ghosts bullying people. The scary thing is how to kill people. Chinese ghost movies are not like Japan's horror universe, which does not have so many concepts. I really don't want to see a million-word protagonist still forcefully showing off. Saint, he forcibly raised his status, and in the end he became an immortal, a cannonball or missile immortal, a nuclear bomb immortal king. It's really true. I've read hundreds of thousands of words. The protagonist is named Baidi, Huangtian, and is called the ancestor of immortality. He's still not in the machine gun realm. It's just that modern science can't harm the soul. There are plug-ins that can teleport instantaneously. Otherwise, it's hard to even talk about the machine gun realm. It's really hard to stand up.

Do those two people with double pupils feel like they were deceived? Tieguai Li, the representative of the Zhijie Immortal, had made great merits during his lifetime and was connected with heaven. He was not killed by anyone. He became the Zhijie Immortal because his soul left the body and failed to come back in time, causing physical damage. There is no match between the two pupils. Even the so-called mandrills are ordinary people who are not guilty enough to die, and there are also innocent people among them.

The writing is really good~ The story is also well written~ I will give you the monthly pass~ Come on, write more~ A few million words~🙂🙂🙂~Only the description of the male protagonist is too strange~Every world feels too outstanding~Thrilling horror series has become It's not thrilling at all~ It's easy to handle it~ If the male protagonist is written with a slightly higher level than Uncle Ying and adds some killer features~ Wouldn't it make the whole thing thrilling if it boosts~ At present, the combat power of hundreds of thousands of words is already showing signs of collapse~ Once the combat power collapses, it will be unreadable~

The writing about cultivating immortals is nondescript and always contains private information. Please give me some advice on how to block it.

Too little

Still sleeping? Get up and work!

In addition, it is already very good so far. Although it is fast to change the map, it is originally the path of observing all the gods and realizing one's own path, so it is understandable. As for those who talk about fighting power, they are really outrageous. The protagonist is trying to integrate various Taoisms bit by bit, instead of just cultivating a realm and swinging a hundred thousand kilograms with one arm. OK? Why do we have to use a fantasy system to set up immortals? Especially this kind of classical fairy tale. And this is what I like. From ancient times to the present, it is difficult to find magical magic. Even the emperor can only come up with nothing, and it is even more difficult for ordinary people to find it. This kind of setting in the world where laws cannot be easily revealed, the protagonist's strength is already very good, right? Moreover, he is a great mage who is not bound to the world and can travel in the three realms. The point of reading this kind of book lies in the mystery of immortality and fantasy, rather than casually brushing up values, formulating concepts, and then exploding the stacked boxes in the universe, okay? Otherwise, just write that the protagonist goes to a fantasy world full of spiritual energy, obtains inheritance and retreats for decades, and then conquers all the heavens in the universe, such as monkeys, Tathagata, and Jade Emperor, directly crushing them numerically. What about looking at a chicken feather?

The Ming Dynasty really couldn't stand it anymore, why would a feudal dynasty save it?

Beauty

After traveling through so many worlds, I feel like the characters in them are like plot-triggering NPCs, without souls of their own. In the early stage, I was able to chat with the soldiers and play arcade games when I was free, but suddenly Penglai was abandoned. It was called a new life, and I didn't know what I could do on the island. By the time of the Three Kingdoms, the sentence was written down by the Queen Mother of the West and had no further meaning. Then the little girl in red can't stay with her mother? Just bring it up and say a few words if it is useful, and log it off immediately if it is no longer useful, regardless of whether it is reasonable or not. It's like pressing the skip button like crazy when playing a story game, only following the main line and ignoring everything else. Anyway, it's no use and everyone should go back to their homes.

The combat power stretches the crotch, and if you blow it well, you are like a god. When you look at the combat power, it stretches the crotch. It doesn't feel good at all. Murong Fu like this can hit 20 people.

After I finished reading it, I realized that something felt wrong. When I thought about it carefully, I realized that in the classical cult of immortality, a Taoist priest can calculate everything with his own hands, but the protagonist seems to be completely incompetent in this aspect.

This old eunuch feels like he is not far away from the eunuch soon

It's really uncomfortable to watch. I always feel that the quality is very high, but when I do it, I feel overwhelmed. The author is also a weird person.

The repetitiveness of the routines is average, with slight flaws. The author can't write Western-style world works (which is about as embarrassing as reading a journal). The Chinese-style works are acceptable. The writing of the Resident Evil world is really bad. Fortunately, it is not paid.

The whole book is very stiff and smells old and rotten.

There are too many secondary settings that are completely absent from the original work. The secondary settings must conform to the original work at least, and are derived from the original work. There are too many secondary settings added to the first commandment, and they are all completely absent from the original work. They are spells and longevity, and they have no place to be reflected in the original work.

There is also the golden finger bonus. If you can't easily defeat Shi Jian, it can only be said that you have trained on a dog.

The protagonist dares to touch Shushan and Marvel with just this little strength?

It's too fast. What low-level martial artists need most is detailed descriptions. Firstly, to portray characters, and secondly, to have a large number of predecessors for you to learn from. Even high-level martial artists such as Platinum Gold may not be able to write, and small authors will only have stable diarrhea.

Tai Sword/Ti Ship, I can see through your true identity at a glance 😄

Is the original movie that is a copy of Datang so outrageous? The characters deviate too much from historical facts. Li Bai became a noble and loyal minister, and Yang Yuhuan became a clean and self-sufficient person... It was very entertaining to watch.

After reading novels for so many years, most of them talk about yin and yang and the five elements in a very superficial way, and they know the mutual generation and mutual restraint, but the specific manifestations are rarely explained clearly. The following are some of my thoughts, for reference only: --- Yin and Yang In the traditional Yin and Yang theory, Yin and Yang represent the two sides of the unity of opposites. But when it comes to energy, I tend to understand them as two phases of energy. Yang is the moment when energy is released, the state of doing work. Current conduction, light radiation, heat, and shock waves are all Yang. In layman's terms, it is "the power that has been exerted." Yin is the situation of energy accumulation, which is induced but not released. Electrostatic fields, magnetic fields, elastic potential energy, and polarization stress are all Yin. In layman's terms, it is "the sword hanging above the head that has not yet fallen." Yin and Yang are not two kinds of energy, but two ways of existence of the same energy. This explains why Yin Lei is often invisible - it has not yet reached the stage of release. It also explains why yin and yang can interchange - when accumulation reaches a critical point, yin becomes yang; when it is released, yang returns to yin. --- Five Elements The Five Elements are not five elements, but macroscopic characteristics brought about by five atomic combination patterns. Gold, corresponding to metal bonds. The atoms are glued together by a sea of ​​free electrons, tightly arranged and non-directional. External performance: high hardness, high melting point, high electrical and thermal conductivity. The sharpness comes from the binding energy, and the immortality comes from the instant repair of lattice damage by the electron sea. Wood, corresponding to covalent bonds. Atoms connect at specific directions and angles to form long-chain networks. External performance: orderly growth, directionality, high specific strength. The toughness comes from the collaboration of many weak bonds, and the diversity comes from the infinite possibilities of the carbon skeleton. Water corresponds to intermolecular forces. Mainly hydrogen bonds and van der Waals forces, dynamic opening and closing, no fixed structure. External manifestations: fluid, amorphous, easy to convert between three phases. The lytic power comes from polarity, and the osmotic power comes from the dynamic reorganization of the hydrogen bond network. Fire, corresponding to plasma state and free radical chain reaction. The electrons leave the nucleus and are in a high-energy excited state. External manifestations: high temperature, luminescence, intense chemical activity. Destruction comes from uncontrolled chain reactions, and transformation comes from the ability to elevate matter directly into a plasma state. Earth, corresponding to ionic bonds and mixtures. Broad range of compounds and mechanical mixing, chemically inert. External performance: stability, carrying, decomposition. Capacity is great, transformation is life. The essence of mutual generation is the orderly transformation of energy between different combination modes. Competing means that the binding energy is crushed by the high-energy mode and the low-energy mode. --- Ray method Ray is the violent neutralization after charge separation. In general settings, Leifa is either an independent line or affiliated with a certain line. But I believe that thunder itself is a pure energy state, which is the direct stimulation of yin and yang. The five elements provide different media and paths for this energy. So there is no "pure thunder method". All thunder methods are either yang five thunders or yin five thunders, and must pass through one of the five elements as a carrier. The essence of the Five Elements Thunder Method is to think about spells in an electrical engineering way: gold thunder has the smallest impedance, wooden thunder has the longest path, water mines are pervasive, fire thunders do not waste energy, and earth mines only work at the induction level. --- Five Elements Thunder Method Golden Thunder Yang Jinlei: Constrained arc direct strike. A white light that was condensed to the extreme penetrated the air and took the shortest path, with almost no sideways escape. After hitting, it instantly breaks down, fuses, and cuts, just like laser welding hitting the human body. It has the fastest speed and the strongest penetration, but it can only hit points. The momentum is a sharp "clang", not thunder. This is the sword cultivator's thunder method, which kills with one strike without taking the second target. Yin Jinlei: High-voltage electrostatic field deflection force field. Without lifting hands, there is no discharge, and a strong electric field condenses all over the body. Any metal magic weapon that comes close to it will be deflected by an invisible force, repelling it like a magnet. A Dacheng Jinlei monk cannot be joined by ten thousand swords. The electric field itself is a weapon. Mu Lei Yang Mu Lei: Bifurcated flow grid. Not a flash of lightning, but a tree of light that grew instantly. The pilot lightning searches for all possible ionization paths, and thousands of branches spread like roots and branches, covering a surface. The penetration is not strong, but the range is extremely wide, and it will automatically find the most vulnerable penetration point. For fighting in groups, breaking sword formations, and clearing out miscellaneous soldiers, there is no one like him. Yin Mulei: Bioelectrical signal hijacking. The weirdest thunder method. No visible lightning was emitted, but the person who was struck found that his hand moved on its own, the flying sword did not obey the command of the divine consciousness, and the protective magic weapon closed on its own. It hijacks the nerve signals and aura commands inside the instrument. Wood controls vitality, and hijacking vitality is the dark side of wood. If you are hit by Yin Mu Lei, you will not be electrocuted to death, you will be killed by yourself. Water mines Yang mines: ball lightning and conductive fluid flow. Mines don't travel in straight lines, but instead are erratic balls of light, or arcs of electricity that flow along wet surfaces. It will get into any gap, the gap between the overlapping armor, the micropores of the formation, and the pores of the skin. As long as there is a little humidity, it can be connected. Being hit is not an instant penetration, but continuous paralysis and internal burns. Water thunder defeats golden armor, because golden armor always has gaps. Yin Water Mine: Polarization Penetration and Electrochemical Corrosion. There is no arc visible, but all the polar molecules in the water vapor have lined up into a path. The delicate lines inside the magic weapon were gradually corroded, the flying sword became duller day by day, and the formation eye failed unknowingly. When it hits the human body, the ion channels in the cell membrane are destroyed, the cell contents leak, and the functions of the organs gradually stop. This is a chronic disintegration. People who have been struck by the Yin Water Thunder may only find out that they are no longer able to survive a few months later. Water is so soft that it penetrates the strongest defense. Fire Thunder Sun Fire Thunder: Plasma blast. This is the thunder method that most resembles the Heavenly Tribulation. A huge amount of electrical energy is converted into heat, and the air is instantly heated to a plasma state, causing explosive expansion. Visually, it is a purple-gold fire dragon, accompanied by shock waves and high-temperature radiation. It vaporizes directly when it hits the target, leaving no ash behind. It is the most destructive, but also consumes the most energy and has the greatest momentum. The lone fire and thunder monks exposed their position as soon as they struck, because what they struck was not thunder, but anger itself. Yin Huo Lei: high power microwave dielectric heating. There are no flames or explosions, but the victim will feel as if his internal organs are suddenly on fire. It emits strong microwaves, causing the polar molecules in the target's body to vibrate at high speed and generate heat through friction, starting to "cook" from the inside. The magic weapon is hot, the flying sword is hot, and the armor turns into an oven. This is a silent burning, an invisible torture of fire. Yinhuo Lei is the ultimate method of interrogation and assassination - the person involved suddenly falls to the ground, and the cause of death is that the organs are overcooked, but the clothes are intact and the skin is uninjured. Tu Lei Yang Tu Lei: Seismic waves and gravity pulses. It doesn't chop people, it chops the earth. As soon as you stamp your foot, the energy is transmitted into the ground, spreads in the form of mechanical waves, and is suddenly released at the target's feet, causing local strong earthquakes or gravity anomalies. People were pressed so hard that they couldn't stand upright, buildings were shattered into pieces, and the ground cracked and swallowed everything. The earth mine is the king of positional warfare. It cannot move like a mountain, but it can overturn when it moves. Yin Tu Lei: Meta-magnetization domain and static gravity trap. There is no visible discharge or mechanical vibration, but if one steps into the realm, all electronic equipment and magnetic instruments will be burned instantly. The magnetic field changes slowly, magnetizing the entire area. The flying sword's navigation fails and the escape technique fails. At the same time, the gravity is doubled, and every inch of movement requires several times the effort. Yin Tu Lei is a master of traps. By the time the enemy realizes that he is standing in the middle of the hunting ground, it is already too late. --- Written at the end This set of settings is not to prove that "the ancients have known science for a long time", but to make the spells in the novel have rules that can be deduced. With rules, the battle is no longer against waves, the world feels real, readers can think about tactics, and authors can write famous scenes that are unexpected and reasonable. A true master can combine the five thunders into one. In principle, Wu Lei Ben is a kind of five waveforms of electrical energy in five media. Once you understand this, you can create the Chaos Divine Thunder - it is both current and light, matter and field. It is the simultaneous explosion of five paths. There is no need to choose a medium, and it is directed towards the energy itself.

Why do I feel that the protagonist behaves so much like a world policeman, traveling across the world to fight criminals and support agents?

There are a lot of holes that have not been filled in. For example, the ghost-killing enhancement in the first ring is gone, the flower of the other shore in the second ghost blowing lamp is not taken, and the Death and Sun Bible in The Mummy can only be introduced with a palm thunder? ? ? In this way, there are also Buddhist techniques such as Tianzutong and Tianyantong in the Tang Dynasty world. After killing them, they were not written at all. I feel that the author did not write an outline.

🙂

I don't want to read this kind of random time travel. Online novels like classical immortality time travel are too awkward and the expressiveness is too poor.

There are a lot of settings. It is obvious that the worlds traveled through are movie and TV series. Each world originally exists independently. It has to be made up to connect the big world to the small world. All the gods are actually the same. The protagonist knows the gods in this world and goes to the next world. The gods there still know the protagonist, so there is really no level of compilation. Anyway, the very existence of this so-called classical cultivation of immortality conflicts with modern science. It does not mean that science cannot explain metaphysics, but that this so-called cultivation of immortality excludes scientific explanation. I get stuck when I talk about science.

Astronomy is very boring. The world the author writes about is a world that others have already written badly. He is tired of reading it and is tired of aesthetics. He is still writing; he will not change it to something new. If it's good-looking, it doesn't matter and you can continue to subscribe, but it's not that good-looking and you have to do it. There were a lot of people who wrote better than you in the past.

Seeing that I still don't know the protagonist's realm level, the horizontal combat strength comparison is purely based on the needs of the plot, sometimes it is high and sometimes it is low...