Journey to the West: I Have a Shushan World

I have read a book about "Feng Shen" and "Feng Shen" in Shushan before. Although I know what you mean, I would like to say that the battle scenes described in the novel "Shushan" are no worse than those of "Journey to the West" and "Fengshen". The descriptions of some scenes are even better than those of "Journey to the West" and "Fengshen"! But in essence, they are all traditional novels, and the sources of materials are also common, such as Taishang Laojun, Three Sovereigns and Five Emperors, Dayu Guangchengzi, etc., And they are not imaginary to other worlds! In this case, it would be really weird to compare the highest golden immortal-level inheritance of a bunch of cultivators in Shushan with the one that directly writes about the awesomeness of various leader-level figures like Journey to the West: Conferred Gods! I have to describe myself by destroying my combat power to make myself look like everyone is drunk and I am alone.

The immortals who ascended to Shushan and traveled to the west. There are as many immortals as dogs. Is this asking for abuse?

Shushan remembers that he can fly to the spiritual world

Journey to the West is an ancient book. It is normal that the imagination of the ancients in the Ming and Qing Dynasties was not as rich as that of modern people. In those days, the confinement of thoughts was too strong, so many things in Journey to the West are both sophisticated and have no value, and the mechanism is weak. The mystery is very high. In my personal understanding, the Five Immortals in Journey to the West, heaven, earth, people, gods and ghosts, are talking about these five roads to becoming immortals. Taiyi Daluo refers to one's background, which is similar to high-end universities and ordinary colleges. The path and combat effectiveness after becoming an immortal are all reflected by a system similar to the organization of personal talent and status. Zhen Yuanzi said in his article that he went to discuss the Hunyuan Dao Fruit with Yuanshi Tianzun, and there was actually a way to go beyond Mingxian. Then you can get: 1 person - Immortal (the intermediate process is unknown, it may be more consistent with the ancient methods of refining Qi, practicing Qi to transform into God, refining God to return to void, and refining void to combine with Dao) 2 Immortal - Hunyuan (the intermediate process is unknown, according to the catastrophe theory of Journey to the West, it may be a state where no catastrophe will occur). Judging from the setting, in the world of Journey to the West, to become an immortal, no matter what kind of immortal you are, you have to go through a tribulation, once every five hundred years. It may depend on your cultivation level, for example, it will happen once every five hundred years of cultivation, or it may be a fixed world cleansing mechanism, once every five hundred years. Hunyuan may be able to transcend this mechanism and survive forever. In the book of Journey to the West, status and combat power are separate. Immortality does not mean that the combat power is heaven-defying. There are two types of immortals in Journey to the West. One is a purely numerical warrior parameter mechanism, which is more like a mechanism-type parameter value in different directions. For example, Erlang Shen and Sun Wukong, pure martial arts. Though he is clairvoyant and has low combat effectiveness, he is indeed a strategic genius, and his civil and military divisions are serious. Except for the top few, there are almost no people who are both civil and military and are awesome at the same time. Many of the magic weapons and spells in Journey to the West are mechanical monsters, so they are difficult to deal with. In addition, we need to pay attention to the way of survival and defeat. Let's talk about Shushan, it's more about pure numerical values. It's very clear how many years of skill, what kind of skills, how much fighting power. Many of the mechanisms inside are fate, cause and effect, and life and death. There are very few magic weapons that are mechanical. They are all numerically crushed, and the upper ones overcome the lower ones. Missiles simply mean stronger than bullets. Therefore, the mystery and mechanics of Shushan World are actually worse than those of Journey to the West.

The author's view of time and geography is worrisome. Let's check some information. The protagonist was reborn in the Southern Dynasty during the Liang Dynasty. Within a few years, it was during the Emperor's reign. Let's not look at the intervening years, let alone the mythical world. Besides, the protagonist's home is in the Southern Dynasty, and the mountain behind the village is Wuzhishan...

Looking at the combat effectiveness of Journey to the West, not to mention the old demon of Tiecheng Mountain and the late demon king Li Yingqiong, the three immortals and two elders in the mid-term can kill Shituoling.

Most of the content is about the world of Shushan, or just write about Shushan directly!

There are so many clones, I feel like just one on each side is fine

The combat power of Shushan is actually higher than that of the Gods of Journey to the West. The most awesome thing about Shushan is that the Emperor of Heaven is not the Three Qing Dynasty, but there are also Taoist-level figures, but Guangchengzi is not the Supreme Yuanshi. And strictly speaking, Guangchengzi's position in the Chinese mythology system is not comparable to the Three Qing Dynasties. He is the teacher of the emperor. This is basically recognized. The Yellow Emperor is the central emperor of the five emperors, or the position of the Emperor of Heaven is not comparable to the Three Qing Dynasties.

After seeing the last few pictures on the shelves, I concluded that it is an ancient fairy tale novel disguised as Journey to the West. It doesn't taste like Journey to the West at all. The author must have written novels very early on, but the writing method is too outdated.

There is a book called Shushan in Conferring the Gods. The writing is good and the descriptions and applications of magic weapons and techniques are very interesting. You can learn from other mountains' stones.

It's better to call Shitou by his first name. Su Ran doesn't need to call her by his name.

Shushan, what is the most powerful, swords, spells Yuanci Divine Light, Five Elements Divine Light, you are just writing about swords, you have to write about how the spells in Shushan are different from those in Journey to the West.

At first I thought it was Shushan Swordsman, but you gave me Shushan Buddha. The expectations were not very good, and it made people feel unspeakably uncomfortable. It's like selling sheep's head to dog meat.

I was just thinking that the world in Shushan cannot be all about swordsmanship. You can't just use swordsmanship all the time. Nothing else. Even a swordsman must know something else.

After reading more than 80 chapters, I don't want to read anymore. The protagonist is always confused and the author recovers like a personal computer. This book is simply amazing 😒

I haven't read it yet, but when I saw the Five Elements Mountain, I remembered that there are many Five Elements Taoist methods in the Shushan world. Is it possible to secretly draw the power of the Five Elements from the Five Elements Mountain to speed up cultivation?

The world of Xianxia is written as a martial arts, but it is not a martial art. The Five Elements Mountain is probably not even 10 miles wide.

The protagonist can engage in technological explosions in the mortal world and use nuclear bombs to kill saints.

A few more chapters

In the introduction, the word "seconds to fight magical powers in seconds" is probably a typo😐

Is the setting of the protagonist's corresponding body following the Buddhist Dharmakaya Sambhogakaya setting?

Jump here and there, I'm confused when you see me like this.

The level of Taoism in Shushan is not high, the upper limit is Jinxian

Journey to the West to earn merit? The risk is too high when it comes to subduing demons. If you meet someone with a background, you won't know why he died. If you pass on art, the protagonist now has "Baixi", but the protagonist has "no place to live". Doesn't practicing Baiyi mean he has a place to live? It's hard to do 😦

Can you, the author, write about two worlds and develop on two lines? And it's Shushan and Journey to the West

The comment section seems a bit outrageous. Author, do you have any real competitors? How come a bunch of weird people are trying to mislead you?

Let me see what kind of quality it is that makes the author even more unsatisfied.