Cultivation: From Rogue Cultivator to the Evolution of Ten Thousand Laws

Refugees from shanty towns practice immortality. It's all rubbish. Rubbish

It looks good, but isn't it a little too trivial? I can understand that this should be the style of the book, but everything has to be measured. Is the level of the protagonist's thoughts a bit too high? And isn't the description of the protagonist's inner activities a bit too confusing? It's not that the writing must be serious or anything like that. It's just that one second I was talking about Feng Xu Yufeng, and the next second Internet terms suddenly popped up. When I read it, I felt a little emotionally disconnected.

Those who still cultivate immortality in slums, and those who still live in greenhouses to cultivate immortality

I flipped through it a little, and the first part was okay. But in the second part, I guess the author wanted to open a harem for the protagonist, but it turned out to be a gift story, which in vain brought the book down a lot. Hey, if you don't know how to write, don't write. It ruined a good book.

Nowadays, it is rare to write talismans as natal talismans. In the past, there were many talismans with one talisman and ten thousand talismans.

The author tells the truth, if it hadn't been for the previous plot of cultivating immortals in a shanty town, your book wouldn't have had such a small achievement. To be honest, the previous paragraph was too discouraging. I didn't have a book to read at the time, so I saw you practicing Qi. After you practiced Qi, you wrote the plot of cultivating immortals normally. The writing is quite charming, but you added a section of shantytown in front of it, which is really a bit jarring. Not everyone has the patience. I deleted your book several times in the past, and then because Qidian kept pushing it, I finished reading your free chapters and started subscribing. It is recommended that you change the previous part if you can. If you really can't change it, just remind the readers in front of the book. It's really a bit embarrassing to tell the truth.

There is nothing you can do about novels about shantytowns. Either the protagonist is suppressed, or he is suddenly coveted, or he has a bunch of life-and-death enemies, or he is indecisive, or killing high-level people is like chopping melons and vegetables, or inexplicably a woman falls in love with the protagonist... This This kind of situation basically does not happen in this book. The characters and stories are step-by-step, the combat power is very balanced, the characters are well described, the protagonist's IQ is online, he clearly knows what he needs at what time, and he does not aim too high. He writes a little about Shintoism and combines it with immortality very well. The disadvantage is that some sudden chapters will slow down the pace. I skipped through the chapters about the mortal world.

You should run away from the shanty town as soon as possible. Since it is dangerous, it is normal to save money to practice and then change the environment. Going outside to do martial arts is a bit invincible.

The protagonist has a very deep background. Why should he create a heretic golden elixir (fake elixir)? Wouldn't it be better to directly combine the golden elixir? I can't think of the meaning of forming an external elixir for the sake of water words?

Shui, there are a lot of descriptions and psychological activities, and if you can't write about feelings, don't write about it like a clam girl. It's because he likes you, but you don't like him. Why are you so entangled? You leave it there and give her things, and you give her exercises and you don't know how to reply to her feelings and friendships. You don't like the friendship, and you act like you owe him, and you are nosy and asking for trouble.