I Become a Great Writer in the Great Ming

I'm still waiting to see the shocking part about Tianlong Shaolin Temple. You asked someone to ghostwrite your book. Reality is so different. My subscription and monthly pass are nothing.

It is about the Three Kingdoms, not about Liu, Guan, and Zhang. If other tasks are omitted, the width and breadth of the era will be lost.

Why don't you just write the original owner's wife to death? It's just a matter of a few words. If you insist on marrying someone else and having a child, and the protagonist has never been married, and then wait for this to happen, who would be disgusted? The most outrageous thing is that he still recognizes his cousin. Can you help if you have any difficulties later? Haha, it made me laugh!

If you want to read this book, first read Chapter 29. After the protagonist's wife ran away and married someone else, the protagonist went up on a pole to recognize his cousin and give her money.

There are many geographical errors in The Romance of the Three Kingdoms. And many battles are based on the cases of Zhu Yuanzhang's wars at that time, or even directly copied. Isn't this old Zhu Le happy? Are the surviving princes and princes at that time happy? And there are many flaws, such as being hypocritical to show the kindness of the emperor's uncle, and almost being a demon to show Prime Minister Zhuge's wisdom. There are also military mistakes, such as fighting in front of the battle. How can those who have experienced military affairs think about this? These must be considered, otherwise it will be self-indulgence.

Let me explain it. Protagonist 28, married but separated from his wife during the war. Due to the plot arrangement, the wife did not die, but was raped by soldiers and bandits, and was rescued by a fisherman, so she gave birth to a child with the fisherman. The child is over one year old, with a small head and a big belly. The fisherman and the protagonist's wife are also very depressed (see the author's original text for details). Then, here comes the problem. The author felt that this part could be written as a conflict plot, but found that there was no need to write it, so instead of forgetting the character, he asked the protagonist's wife to come to the house with her child, not knowing what she wanted. This, I want it. It refers to many things, what the author wants, what the protagonist wants, what the wife wants. The author probably didn't want to change it, so he hurriedly explained it, but there was a problem with the logic. What the protagonist wants is not to get entangled and not affect the follow-up. Because he is not the type he likes, he recognizes his cousin and sends him away. What does the wife want? Have no idea. A letter of divorce, rectification of name, or help to improve the family situation? After all, the wife came with a sick child in her arms instead of by herself, so there was obviously something wrong. But the protagonist gave up. I can accept everything else, but I can't accept this. Some people say that the protagonist is handled well, and some people say that the protagonist is kind, but I think the protagonist has a poor character. You don't have a legitimate divorce. The protagonist's wife is a shady character and a hidden danger. Forget it if you didn't help your wife's family improve their lives, at least save the child. The author himself wrote that his wife is the person that the protagonist misses heart and soul, and has deep feelings. If your protagonist occupies the magpie's nest and makes a fortune, he can simply send her away. It doesn't fit the identity and character of the protagonist at all, and his temperament has changed drastically? The reputation is not good either. It is still a bit trivial and I am too lazy to say it. I can only say that the author likes to write a tragedy and indulges it. The author yearns for a better life, especially a life of fame and fortune, and does not want to be burdened. He also wants to create a flesh-and-blood protagonist, but he cannot do so. In fact, the supporting characters are also very stereotyped, with no highlights. The only highlight is copying books to show off. However, over time, people cannot be retained. In addition, the author's spiritual world can be seen through the protagonist, so I will omit this.

I deliberately looked through the comments section of the author's previous book. That book was also patched after the protagonist was cheated and later scolded by readers. Once is a coincidence, but doesn't twice mean that the author is good at this? Be careful later that the author also gave away his wife after time travel.

You can write Romance of the Three Kingdoms, Water Margin, and Journey to the West in the early Ming Dynasty. The authors of the first two books were from the late Yuan and early Ming Dynasties. The protagonists can barely pass it. The author of Journey to the West was written in the middle Ming Dynasty, so you can also write it. However, the author of Dream of Red Mansions and Liaozhai both wrote in the late Ming and early Qing dynasties. The background era of these two books is different from that of the protagonists. Rather than having the protagonist write these two books and then heavily adapt them, it would be better not to write them. The Legend of the Condor Heroes also needs the protagonist to adapt it. This book disparages the Song Dynasty and praises the Mongolia. The protagonist writing this is equivalent to being in the Ming Dynasty but his heart is with the Mongolian Yuan Dynasty. Jin Yong's novels are probably like this

Can someone who wrote novels in ancient times be called a literary giant? Aren't you being discriminated against?

If you don't know how to write a love line, don't write it. Apart from the love line, the whole book is really good. However, at the beginning, the main character is set up to be in love with his lost wife and is looking for a virtuous wife. Then, within the next 20 chapters, he will marry a teenage girl. His character is not likeable when he comes out. It is really a failure. It is as bad as rat droppings in a pot of good porridge.

In ancient times, when it was written about shooting a vulture, Quanzhen Taoist priests were not allowed to sacrifice you to their ancestors🙀

Can someone who writes novels be considered a literary giant? 😰

The IQs of all races are similar. Although each civilization develops at a different speed, once a backward civilization acquires an advanced civilization, it will rise in an instant. For example, Jin, Mongolia, and Manchuria all rose from slave societies to world powers in just a few decades. During the Ming Dynasty, there was a large-scale exchange of ideas between China and Europe. In the Ming Dynasty, a very personal theory of righteousness such as Xin Xue was born. This theory happened to be extremely suitable for European feudalism, which led to the rapid rise of Europe. And individualism happened to be in extreme conflict with the Huangquan system, which led to the decline of the Ming Dynasty.

It's difficult, the author picks and writes what he likes, for example, using the cuckold plot to drive readers away. As the saying goes: An Neng flatters his eyebrows and bends his waist to serve the powerful, which makes me unhappy.

When the chivalry and feelings of family and country in the style of "The Legend of the Condor Heroes" collide with the technological differences and civilizational competition in "Guns, Germs, and Steel", and are placed in the Ming Dynasty, a special time and space where imperial power was highly concentrated, the sea ban and the opening of the sea were fiercely contested, and the exchanges between the East and the West were beginning to emerge, a very tense ideological collision would burst out. On one side is Guo Jing's traditional view of chivalry of "a great chivalrous person serves the country and the people", the code of conduct of Jianghu sects who "will gratify with pleasure", and the Confucian ethics of "loyalty to the emperor and observance of etiquette" of scholar-bureaucrats; Above the court, the modern financial system was in tit-for-tat conflict with the Ming Dynasty's "emphasis on agriculture and suppression of business" policy, and the autocracy of the monarchy and the concept of "sovereignty resting with the people" were in fierce conflict; in the arena, traditional martial arts masters sneered at the "side ways" of firearms, but they were under the power of hot weapons. He had to face the soul torture of "whether chivalry can defeat guns"; in the folk land, the modern hygiene concept of "germ prevention" impacted the feudal superstition of "witchcraft to prevent disasters", while the idea of "everyone is equal" set off huge waves in the strict hierarchical society of gentry and clan. What's even better is that this collision is not a one-way crushing - modern ideas will encounter acclimatization in the feudal soil of the Ming Dynasty, and the traditional order will quietly fission under the impact of new things, eventually giving birth to a unique story that is not only full of passion, the rise and fall of dynasties, but also full of civilized speculation and human struggle. I can help you come up with a specific opening plot and put this collision of ideas directly into the characters and events. Do you need it?

The writing is not smooth at all, with all kinds of headlines, and the plot is just a waste of time to make up for the word count. In fact, it is just writing a storybook. The main line is obviously very clear, but it is interspersed with all kinds of messy narratives. Even if you write a storybook, you can't write it down clearly. Such a good topic selection is wasted. I subscribed to a few chapters and read it, but there is no attraction.

There are no big poisonous points, but there are constant small poisonous points In the beginning, I have to write four major masterpieces. Book friends in the comment area will tell you that the Romance of the Three Kingdoms and Water Margin have been around for a long time. People started writing it in the late Yuan Dynasty. It was published in Hongwu four years ago. It may have spread in a small circle of friends. You still want to write it. What are you going to do? Living in your shadow?

I read it in one go, the pace is quite good, and it is definitely at the fairy grass level if you are interested in literary novels. As for the first wife and little wife that many people criticize, there is not much description in the article, just a short paragraph. It doesn't matter whether you read it or not. After all, this book is not about romance. We want to read a novel by a literary hero. If the author writes it, that's fine. We have to pick out minor issues in the comment area. Is it disgusting for readers who have never read it? 😆🤔🤔🤔

Everything else is fine. Writing about Red Mansions in the early Ming Dynasty 🤭🤭 Cultural workers must be literate

The younger brother who came out of nowhere is too much. Hey, I spent 18 yuan to subscribe. It's not worth it for me to watch. "Fu Di Mo" and the male protagonist Gen's servant in the early stage are like the Gen family. There are no rules at all. I really vomited. Can you get a refund?

I've been looking for a long time but I can't find the button to block the author...

Sooner or later, I will let you know what it means to be a slave on behalf of a master. There is no distinction between superiority and inferiority. Human desires are endless. When the time comes, the servant will treat himself as the master and sleep with your wife and daughter. You will understand.

There are too many ineffective plots, and the main line of the plot narrative cannot be grasped. It is just a novel at the beginning, and the rest is as boring as a primary school student's composition.

There are many poisonous points, such as a lot of historical errors and omissions; he likes to use modern values ​​​​to criticize the ancients; his title is based on Qing palace dramas, either "adult" or "slave"; his etiquette is also based on Qing palace dramas, and he kneels at every turn; the most poisonous thing is that he will not change it even if readers point it out. Those who can bear it can watch, and those who can't bear it can just leave.

After reading it for so long, I actually prefer the first chapter. In a small courtyard with a patio, a mother and daughter who wash clothes are cooking porridge at the door. A father and daughter who sing songs downstairs are going out. There are also a landlord who sells cooking cakes and a scholar who makes a living by writing for people. I really like the atmosphere of this ancient market. The protagonist tells stories and lives his own life in this market, just like traveling through the Qingming Riverside Scene. It's a pity that there is no such detailed description later.

I don't know what I'm writing, and I don't know what the readers are here for.

I'm disappointed for the second time, maybe it's not up to par with the author's brainwave The first time was the dragging of the plot in the early stage, and then it was skewed This time it was the inexplicable overseas founding One word for Zhu, it's screwy, very screwy. It says to go to Shoufu, Prince Road is also paved, why don't you go overseas at once? Picture what? Where does your population come from? Where did your skills come from? How many generations do you want to colonize a raw land? How do you want to write about it? It's so screwed, it's screwed throughout the whole article Bad review

I'm a part-time writer, and my occasional small achievements are just a flash in the pan. Don't mess with me, thank you.

A poor man who writes market novels, a person who is willing to fall into disrepute if he can't stand on the stage, anyone who associates with him is ostracizing himself from others. This is the attitude of ancient scholars, especially the scholars of the Ming Dynasty, towards novels.

When Hongwu wrote Dream of Red Mansions, were you mourning Yuan?