In the Apocalypse, I Draw a Card Whenever I Win

At the upper limit of the deck, it is difficult to give up drawing zombie cards when the card drawing mechanism is not clear.

Then your cheater is too hard to stretch, too strong to beat or pull out. The weak ones can be beaten, but it's useless if they are whipped. 😅

Write less about feelings, don't write if you don't know how to write. The woman is always thinking about feelings at the moment of life and death. If she doesn't quickly solve the predicament, she is thinking about how her junior fellow students are doing and how her senior classmates are doing.

Don't be afraid if you lose, just surrender. If you surrender, you will lose half, but you will win the other half. Win half of it is also a win👍👍👍👏👏👏👏👏

The subject matter is okay, but the content is unsatisfactory. The author should keep up the good work.

It seems a bit confusing, a lot of the dialogue is inexplicable and has no connection at all. When two people enter the battle together, they start to brag about each other in business. What are they bragging about? At least let me see it, whether it is seeing the opponent's numerical value or trying to figure out the appearance. The subject matter is attractive, but it makes me uncomfortable.

The rules are too complicated, unnecessary, and it is not a real game. This is reality. Even if it is gamified, there is no need to turn the game into such a complicated situation. There is no way in the game. Technology does not allow us to limit the conditions through complicated rules. But the reality is different. If you make it so complicated, it will be too confusing to read.

In that Special Card Bureau, if you don't want the protagonist to go in, why don't you just say that the protagonist is afraid of going in and exposing some information and becoming a tool? Why is it interesting that from the Special Card Bureau to the latest chapter, it has been said openly and secretly that the Special Card Bureau treats the people at the bottom like cattle and horses and the top management sucks blood, wants the resources in the Special Card Bureau but looks down on the Special Card Bureau?

I like the subject matter very much. I could totally delete it, or focus on the description. It would be more drama. So disgusting

I feel that the real world story line is a bit empty. In fact, we can set up a main plot similar to the Lich King. For example, the main plot of the Taiping Heavenly Kingdom and the Abyss. The official cooperates with the Ming Dynasty to fight against the orcs or the void. Then there is no description of the real terrain, which seems empty. For example, there are buildings with stilts on the mountain tide, and building cards are dropped to build certain strategic terrain advantages for confrontation. The protagonist himself You can have a plot direction, and then use several story lines to intersect to describe the changes in the world. You can also write a little bit about the revival of spiritual energy. The hostile camps and cooperative camps that broke out in different places are different. There is no way to write about the people and things that change due to the change of the protagonist's scene. In fact, you can write some town construction cards to build the base area, and you can also write some business cards, such as alchemy skills to show the new world trade lines. Trade lines are still very important in cooperation. Of course, this is just my personal opinion. I feel that space is blocked compared to when I was writing about Invincible Heroes.