Unparalleled in Splendor

Hey, the rest of it is too confusing. I feel like I'm reading an outline and it's boring.

Awesome, I ordered two books and didn't even get the guaranteed monthly pass. Why don't you two send me your blessings

When watching The Immortals of the Great Zhou Dynasty, I was quite looking forward to Xiao Rong's attempt at fantasy. I looked forward to seeing what kind of wonderful fantasy Xiao Rong could write. The first volume of Xianli, after reading it, this is the flavor. I really like it. The first volume is quite amazing. Whether it is the main plot or the daily emotional drama, it is very comfortable to watch. The writing of "Zhiguai Fantasy" does have a flavor of the world set in a Chinese fairy tale. Later I saw the author saying, "Some people are attracted by some plots, but it is inevitable to leave because of other plots." At that time, I felt sorry for those people, because I really felt that the writing was very good, and I also agreed with Xiao Rong's words. After all, there is no way to satisfy everyone, but everyone can be well. As I read one volume after another, I gradually became confused. As for the fantasy power system, the first three realms were written in an interesting and three-dimensional way. As the plot progressed, the combat power system collapsed a little. At that time, I thought it would be okay to focus on the monsters. After all, the monsters are not as strict in the power system as those in upgrading fantasy, so it is still acceptable. But after seeing the elements of monsters and monsters in the back, only a background board is left, the power system is completely collapsed, and only simple numbers are left in the five, six, and seventh realms. There is no sense of comfort in the fantasy aspect, and it feels dispensable whether the protagonist is upgraded or not. On the one hand, it is the fantasy feeling of getting stronger little by little, and everything is destroyed by being cheated. A moderate amount of cheating can enhance the feeling of pleasure, but being too invincible will destroy the fun. On the other hand, the fighting is not interesting to watch. In many cases, it just goes by seconds and there is nothing to watch. As for the emotional drama, after reading the whole book, the most impressive thing is the first one or two volumes. These two volumes are the best written about the emotional drama between Liu Hanyan and Li Qing. Later on, it felt like it was either required by the main plot, or something popped up from time to time. Most of the things were mentioned in one go, and most of them were taken out after not seeing each other for a long time. The male protagonist's emotional focus is passive. Other than the other female characters, the Queen of Zhou probably has the most scenes, and this is the only emotional scene that can be seen later. The other characters, Su He, Wan Wan, Xiao Bai, etc. Are just like the background. Su He is just a tool in the front. Xiao Bai, except for the plot of getting along with each other at the beginning, is just a background in the back. It's just that this person is there. The emotional drama is really disappointing. Chaotang still appears in fantasy, but it is definitely not as focused as before when writing history. This is normal. In many cases, the fantasy court in this book does rely on the power of heaven and earth like a deus ex machina. After all, it is a fantasy background, so it is understandable and it can stand up. However, at the end of the book, fantasy collapsed, a lot of emotional scenes were cut off for the fantasy stage, and the court made a lot of concessions for the fantasy. But as a result, the fantasy depiction collapsed terribly. The whole book is not fantasy, emotional but not emotional (only compared to the previous emotional portrayals), and court is not court. It's just three different things blended together. "It is inevitable that some people are attracted by some plots and leave because of other plots." I didn't expect that I would be like this. I wish Xiaorong to write better and better. Goodbye.

If I don't open a new map so quickly, it will be over in a month.

After reading Chapter 20, I don't want to read anymore. Let's not mention the old clichés of salt. In it, the protagonist is killed once, tortured and threatened. Just because she is good-looking, she can be the heroine, and is dominated by her lower body?

Let's write back to the style of Xiaoyao and Ruyi. These two are my favorite historical novels.

Brother, let's write fictional history!

It's a good read of alternate history and daily life, but I always wonder what you're doing with your fantasy cultivating immortality.

The first part is okay at first, but then I can't stand buying salt anymore. I have no identity and background, so I go to someone (the setting is a local emperor) to sell the craftsmanship, and ask for 30% of the price, and still bargain. (This is to deal with a hundred households making things difficult for me.) Oh my God, is this really a great writer?

The plot is too poisonous. After reading a few chapters, I was controlled by the beautiful woman in black robe.

Why does this thing keep cutting books? It seems that it has been kept for the past few years.

In Chapter 14, the poisoning begins. The salt production technology uses more water, and with this technology, I think I will kill people and get goods after I know it. Who will sign the contract honestly and fulfill it? At the very least, I have to find out what is going on. Moreover, the protagonist did not say anything or hinted, so he took the initiative to be submissive and resolve the conflict. The setting of the protagonist here is Southern Xinjiang, a wild land.

In both directions of this book, I feel that there is no sense of writing. The plot is boring and there are a lot of female protagonists, but basically none of them have attractive qualities or distinctive images. If the author can read this article, I personally suggest that if the author publishes a new book and prefers to write plots, 3-5 female protagonists are enough. Try to write with characters who can get along with each other on a daily basis. It needs to be more exciting, and then the direction of cultivating immortals is too open. It feels like the protagonist becomes invincible without doing anything. The heroine and cultivation are not very attractive. The last few books are almost like this. I think Ruyi and Xiaoyao are the best. At least when I read them back then, I thought they were very good. The recent ones are like useless and a pity to be discarded.

The biggest problem with Xiao Rong's recent books is that they are "not watery". In many places, it feels like they have been written in small outlines. If you want the characters to stand out and the plot to be fleshed out, you have to put a lot of thought into it. If it is caused by the pressure caused by the amount of updates, I personally would prefer that the amount of updates be smaller and the plot be more complete.

After reading so many books about Duan Xiaorong, I still feel that The Little Scholar and The Young Man are the best. The rest are a little less interesting. Many of them are high-end and low-end. I suggest that the plots be polished and polished.

Reading Xiao Rong's novels always feels like reading adult fairy tales. Suffering is temporary, the process is joyful and satisfying, and the ending is beautiful.

After two months of reading it, I came back and finished reading it. How should I put it, several of Xiao Rong's recent books are really not quite right in the middle and late stages. Senior Sister is a little better, but the plot quality of the other books is very poor. But the reason is not the "water" that everyone complains about, but the shortness, or it can be said that it is not "water" enough. Let other authors write your plot framework. The number of words may not be doubled, but you just wrote it as dryly as an outline. I said at the end of the last book that this book is still the same. After coming to the capital, the plot is the same as cheating. Can you write more about daily life and flesh out the plot? Anyway, now there is AI and there is atmosphere writing (vibe Writing), you can let AI help you enrich the content, and then check it yourself, updating 6000-8000 times a day. In this way, your plot advancement will not be slower than now, but the content will be much more substantial, readers will feel comfortable watching it, and your own income will be high.

I don't know if the author can see it or not. I have read The Scholar and the Young Man for a long time. This book has a big problem. The character of the protagonist is not well established. The mainstream nowadays is the self-centered protagonist, but there is a certain bottom line. Why is Han Li still popular now? The plot of that book isn't that great if you look into it in detail, but his character is very suitable for the public. Just read what you wrote from the beginning, there are a lot of poisonous points. . .

It's too watery. I feel like it's hard for this book to become popular. Still no book can surpass the scholar.

All I can say is that the plot is embarrassing, the plot is a bit toxic, and the characters are disgusting. . .

Is he only responsible for the beginning and will be replaced later?

It was basically ready to be finished. I originally planned to watch the ending, but then I thought about it, it was unnecessary.

I went and finished another book. I haven't even started reading yet, haha

I feel that the settings of the books in recent years are pretty good, the writing is easy, and the plots are pretty good. However, I just feel that the plots cannot be developed. Some of them are obvious copies and can be passed in one or two chapters. Especially after changing the pictures, I feel that the outlines are simply expanded and the books are finished. Moreover, the training system is a bit similar, either using drugs or belief to enhance strength. It is too simple.

Congratulations on finishing Da Da Da. A new book will be released in July.

I'm pregnant with the book in October, and I calculated with my fingers that the due date of the new book is almost there, and the author is about to give birth...

Let's get back to business, it's not easy to write fairy tales and fantasy 🙂

In fact, I don't think it's necessary to write the 1/4-length ascension chapter at the end, or I might write a new book specifically about the post-ascension chapter.

It's the end of July, will there be any new books? Hope it's fictional history

Where's the new book