The Forbidden Zone

The owner of the barbecued pork restaurant asked Jiang Jin to close his eyes and eat barbecued pork, so Jiang Jin ate it, and as a result, 20% of his SAN value was instantly deducted. How to say it? I really don't have any vigilance at all! According to the boss, the barbecued pork was contaminated. Logically speaking, this should be within the warning range of the death knell, but the death knell didn't sound. So, what is the problem? According to the system, Deathstroke should be absolutely loyal to Jiang Jin. As a result, Deathstroke just watched Jiang Jin eat a piece of contaminated barbecued pork, which was... Very strange. Anyway, either the system lied, or there was something wrong with Deathstroke. Could it be that when Deathstroke wanted to eat the crystal of resentment before, Jiang Jin had to feed it to Deathstroke? Otherwise, as time goes by, Death Knell will lose his loyalty to Jiang Jin? Or perhaps, Deathstroke was arranged by Jiang Jin to attack its former owner, which also caused Deathstroke to reduce its loyalty to Jiang Jin. They are all quite magical. Let's talk about the owner of this barbecued pork restaurant. If you say he is an NPC, you can only say that he is probably so. Because I have a feeling that this boss actually knows that he is an NPC and that Jiang Jin is a reincarnation. There is a high probability that this boss was transformed from a failed reincarnation, and he cannot say anything unnecessary. If you say something unnecessary, a "cleaner" will come out and deal with it. After all, the crazy old lady before seemed to realize something and was taken away by the cleaners the next second. This shows that NPCs should not be self-aware. Once your self-consciousness awakens, you can't talk too much, otherwise the cleaners will show up. The owner of the barbecued pork shop is most likely a person who was transformed from a reincarnation and became an NPC. He may have long recovered the memory of being a reincarnation, but he must pretend that he has not remembered it in order to avoid being taken away by the cleaners. Now facing Jiang Jin, the boss can only serve as a slave of the system to fulfill his profession as an NPC. I wonder if one day in the future, this kind of NPC transformed from a reincarnation can regain its identity as a reincarnation and escape. ——I am "Golden Flash 4", an old reader from Baidu Tieba. My original Baidu Tieba account has been canceled and I am now leaving my own footprints here.

"The Forbidden Zone" by Huozhong is undoubtedly the best among rule-based ghost stories in recent years. With its exquisite settings and suffocating atmosphere, it completely drags readers into a twisted world governed by "rules". The story structure of the novel is very exquisite. Multiple events seem independent, but in fact they are undercurrents and interlocking. As the main line gradually unfolds, the outline of a huge and gloomy "forbidden zone" gradually emerges. The "forbidden zone rules" set in the book are the biggest highlight of the whole novel. The rules are cold and almost cruel, requiring the characters to wander on the edge of strictly observing and breaking them. These rules not only create a highly tense living environment, but also add a unique logical charm to the story, making the sense of terror not only come from the unknown and the threat of death, but also from awe of the rules and psychological oppression. The rhythm of the story is just right and relaxed. There are suffocating depressions that make readers feel suffocated in the endless speculation; there are also instantaneous shocks, like unexpected electric shocks that make the heart stop. The protagonist's struggle to survive in a desperate situation, and his unraveling exploration of the deep logic of the rules in order to survive, form a fascinating main line. Although it is a rules-based novel, the characters are not simple tool men. Their fear, despair, struggle, and the occasional flash of humanity in extreme circumstances all add a touch of reality and warmth to this cold and cruel world. The protagonist's psychological changes and growth also add more layers to the story.

Okay

"In-depth book review on the film and television potential of Huoda's new work "The Forbidden Zone"" 😏 😏😏😏😏😏😏😚😚😚😚😚😚😚 The popular "Forbidden Zone" takes "rules-based horror" as its core and constructs a logically rigorous law of death. Its high-concept setting is a natural fit for film and television adaptation. The following analysis is carried out from the three aspects of narrative innovation, technology implementation and market adaptation: 1. Narrative innovation: fragmented rules and dynamic cages Deconstructive narrative: The rules text notes, announcements and other forms (such as "Visitor Code" and "Employee Code") are naturally adapted to the environmental narrative lens. The truth can be pieced together through visual fragments such as surveillance screens and broken documents, forming a "Mistake by the River"-style "terrible" psychological oppression. Multi-power game: The conflict between "obeying the rules to strengthen the cage" and "breaking the rules to cause mutations" in the story can be designed as a modular dynamic decision-making system in "Many Evil" - character actions affect the effectiveness of the rules in real time, forming an "AI Warden"-like adaptive terror logic. 2. Visual technology: Industrial solution to supernatural phenomena Concrete rules: Referring to scenes such as "Chainsaw Dismemberment" and "Film Shooting NG Death Resurrection" in "Hell Cinema", particle effects (such as the DARK MAGIC material library) are used to transform text rules into visual curses: 1) Space distortion expresses the paradox of "forbidden areas"; 2) Dynamic text flow tracks characters to create a sense of suffocation.        ：""——（）， 3. Market disruption: theme fusion and audience fission Censorship avoidance strategy: Replace violent displays with "rule logic", such as "Killing City" which uses the good and evil of human nature to explore the nature of unsolved cases, which not only complies with policy requirements but also deepens the theme.         ：（""），""，124.1% Interactive film and television experiment: Referring to the online betrayal mechanism of the Steam horror game "Soul Society: School Grudge", a branch plot is developed: the audience votes to decide whether the character breaks the rules, triggering different horror endings, and enhancing the sense of participation. Use logic as a prison and use visual jailbreak - when the text maze of "Zoo Tales" collides with the absurd shots of "Haichi Dream Core", the rare gene of regular horror films is formed here. If the "imaginative scale" and the "censorship red line" are well balanced, the myth of "Mysterious Resurrection" may be recreated and a new era of Chinese horror can be opened. Come on, come on, look forward to the early film and television version of "The Forbidden City", preferably the anime version 😚😚😚🌹🌹🌹

A novel that involves the horror of reincarnation and is similar to Infinite Flow. The style of the work belongs to supernatural horror, suspense reasoning, and combat. In any case, it is still an area that Huozhong is good at, and I believe that I can achieve good results in the future. But one thing is certain, Huozhong's own writing has a characteristic, that is, he will create some good characters for many supporting characters, but then he will ruthlessly "consume" them when necessary. So you must be mentally prepared for this😯

I have always liked horror and supernatural novels. Even after so many years, I still think that Your Hell Apartment and Hell Cinema are among the best high-quality works in the supernatural copy genre. Both of these works could have gone down in history, but in the end they collapsed due to various personal problems. So after hearing that you wanted to reset the cinema, I came here specifically to write a long review and give you suggestions on the remake. This suggestion essentially only has 2 points, but if you can do these 2 points, it is basically enough. Let me summarize the core of these two points in advance: The focus of the cinema should be copy design and horror, and other things can only be touched upon, and must not overwhelm the guest. 1. Don't focus on improving the protagonist's abilities, spend more on designing copies and a sense of terror. Now that supernatural dungeons have been circulated for so many years, popular books basically have one thing in common, that is, props, abilities, and talents are just additions, and cannot harm the ghosts, or have a direct impact on the dungeon. This is the setting of the early stage of the movie theater. The reason why everyone reads this kind of horror supernatural novel is because they want to see the terror and despair brought by the ghosts that cannot be resisted. The movie theater only used this setting in the early stage, but the popular supernatural copy story carried this setting through to the ending. In the final analysis, the core of the supernatural dungeon stream should be the design of the dungeon, rather than constantly trying to improve abilities and worldview to make characters stronger. In fact, the early setting of your cinema has already been perfected. For a supernatural dungeon, what readers love to read is the early setting of the cinema. Players do not have any abilities, props, abilities that can affect the dungeon and ghosts. They can only give themselves a limited chance to save their lives. In addition, there is no need for any settings to improve the player's ability. It is purely based on the dungeon design to attract readers. This is also why many well-written articles in the supernatural dungeon stream are eunuchs, because this setting looks simple, but in fact it is very demanding on the design of the dungeon. After many authors wrote a few good dungeons, they lost inspiration and could not write the plot, and finally had to write the book eunuch. You have a talent for writing dungeons, and the supernatural dungeons you wrote are very good. If you are willing to put all your efforts into conceiving the dungeon, and let the early settings permeate the whole text, and don't let other settings take over the spotlight, the cinema remake may be able to return to the position it once held as a masterpiece. In supernatural copy streams, what readers want to see is horror after all. By the way, in terms of copy design, I really admire Tomato's "Horrifying Nightmare: I Have a Pair of Ghost Eyes" and "Midnight Nightmare". These two books are by the same author, and the readers of these two books he wrote are very highly rated. Ghosts are very smart, and they are excellent supernatural copy articles that are constantly fighting against the strange and very scary. I think you can refer to this idea. 2.Emotional line (key points to note) To be honest, I don't think your emotional drama is poorly written. Although most authors say that your emotional scenes are terrible, in factWhether it is a movie theater or an apartment, the early emotional scenes you write for the male and female protagonists are all excellent. Ying Ziye and Li Yin in the apartment are still Wen Yufan and Ye Xiang in the movie theater. Even now, their early shaping seems to be the benchmark for romantic romance dramas in supernatural dramas. They could have been representative of the excellent emotional lines in supernatural dramas, until you wrote Ziye to death, replaced Yufan's status as the heroine, and allocated it to the second male lead. In the early stage of the movie theater, Yu Fan and Ye Xiang, the two experienced the dungeon together from scratch, supported each other, and trusted each other. Whether it was interaction or shaping, they gave people a good impression. They did not take up too much plot space and would not dominate the dungeon plot. Even now, I have not seen better male and female protagonists in the supernatural dungeon stream than Yu Fan and Ye Xiang in the early stage. This is why readers were so angry when you assigned Yu Fan to the Marquis, because the character you wrote about Ye Wen was really good. No reader in the early stage of the movie would not support the two of them being together. But after you assigned her to the Marquis, the emotional line of the entire book was ruined, and the excellent character Yu Fan once created was destroyed. Why readers will support Ye Bai in the later period is not because you wrote Ye Bai so well, but because you destroyed Yu Fan's once excellent character creation. The Ye Bai you wrote is cliche, boring, and nothing new. It is a completely bad character design and plot. But because you wrote Yu Fan, who was originally a perfect and excellent heroine in the early stage (and later became the second female lead), it became worse and worse. This made the Ye Bai you wrote fresh and refined. Sister Bai, who was a close sister and senior role in the early stage, was really not suitable for the male protagonist in the later stage, and the character design was not innovative. But the fact is that Yu Fan in the early stage is the best female protagonist you have ever written. No reader watching Infinite Liu will not like this calm, smart, and mutually growing and trusting female protagonist from scratch with the male protagonist. So I feel very regretful. You could have written a pair of male and female protagonists that can be used as a benchmark for the love line in the supernatural dungeon stream, but in the end the entire love line was ruined. If after the cinema is reset, if you can maintain the early shaping of Yu Fan and Ye Xiang, I hope you can keep the two of them together, so that Yu Fan can gradually develop feelings for Ye Xiang and respond to Ye Xiang's feelings in the dungeons again and again. I think all readers in the past thought it would have developed this way. Don't do orthopedics on the protagonist, mess up the relationship, etc. These are niche after all, and your writing will only discourage readers who don't like these contents. Although ordinary and normal emotional dramas are bland, they will never go wrong. Remember, the emotional drama is always just a supplement to the supernatural novel, don't take over the main role. If you can read these carefully and listen to my suggestions, that would be great. Finally, Ye Wen was my favorite pair of male and female protagonists in novels. After you removed it, you used various plots to make Yu Fan The design completely collapsed, which I have not been able to let go of for so many years. Obviously, there is no supernatural dungeon series that can compare with Ye Wen in the early stage. It is obvious that Yu Fan was so good in the early stage, why can't he write it honestly... I am really sad.

How could there be so many people deliberately trying to hack you? It's just your former readers who are angry at you.

Is the new cinema opening today?

I still like the author's unruly look. Where has your lofty ambition gone? Don't listen to those harem stallion lovers, you have to turn your articles into art

The ancient god of supernatural literature, the founder of infinite supernatural flow, little zhtty I always thought that you had become a great god, but I didn't expect that you could hardly keep level 5 Tianhu played badly in the beginning, but he is still a talent

I have read a lot of popular books, from the Death Curse Island and Strange Horror that I saw when I was a child, to The Apartment and the Movie Theater later (there are so many flaws that I can't stand it anymore), and I have read online articles for twenty years now. I have read more than half of this book. Let me talk about what I think is a very intuitive poisonous point in the content and the reason why I have persisted in reading most of it. The following only represents my personal opinion, and contains some spoilers that will not affect the reading experience. The poisonous points of the plot setting are "deliberate": 1. For example, turning off the light with light sensitivity to obtain a hidden profession at the beginning is actually a tolerable cheating link. However, several consecutive copies of the rules and ghost stories have greatly strengthened this sense of deliberateness. Moreover, this cheat is too tool-based and customized, without any character growth, plot foreshadowing, and even an exclusive cheat. It means that it weakens the protagonist's wisdom and bravery, just like a child picking up a hero-level AK and easily killing terrorists. Readers who are looking forward to watching the supernatural are actually not satisfied, and even want to laugh; 2. For example, the heroine Liu, I agree that Huoda has not written any embarrassing plots where women are strong men, and I have no opinion on this character at the moment, but this character has progressed too quickly with the protagonist in the plot. , So fast. In the first battle, Human Torch and Vanguard used their combined attack skills and took a bag of energy amethysts (those who have watched it will know the corresponding plot). Then I would like to ask where the remaining margin is. Is it too lowering the readers' expectations? 3. For example, the protagonist's team, the leader and nanny who fell from the sky, in such a world full of mysterious academic powers In a world of quantity, the barriers between people should be thicker. At least, I mean, the protagonist shouldn't start to act like "what's the matter, brothers" before the protagonist has investigated the whole story between the group leader and the previous team, and just drag the family with them to form a team. Under the guise of supernatural and infinite flow, we should first be a plot novel that develops steadily, right? The classic official plot of Poison Point: I want to say that as a child from a family within the system, when I observe powerful people doing things, they actually follow at least two basic laws: stance and favor. Decisions made based on these two basic laws also have their own sense of belief, which is at least persuasive. The protagonist Tuan of this book always gives me a feeling of exchange of interests and the law of the jungle in Huo Da's writing. Positioning as a victim, and repeatedly uttering the inner cry of "I am persecuted because I abide by principles and justice", it is very embarrassing. Not being political is also like being political. If you really want to write, you can create a tragic character in a large space, and then go to the knife, use profile to write these things, don't focus on the protagonist, especially an adult police protagonist who was born within the system, it is quite a drama. Too many poisonous cameos: My partner and I both like to read supernatural novels. I showed her a chapter titled "Ghost Eye Yang Jian", and we both frowned and complained (actually, the content of the copy was okay, but the poison was on the surface). And that was an early dungeon. Although the Ghost Controller couldn't kill ghosts, he could easily confront supernatural beings and was no longer a human being. How could such a dungeon be placed in the second dungeon and even Xiao Yang was saved by the protagonist? Even if there was, it should be a later stage. The acceptance rate in the early stage is really not high. The following is the reason why I can continue watching. The single copy design is still excellent: This is Huoda's consistent advantage and the reason why readers are still willing to believe it. I won't say much more. The social background design is relatively interesting: a world polluted by horror movies gave birth to people with supernatural abilities who can fight ghosts. Mixed in the social environment where ordinary people live, many cultural differences and sparks of a scary atmosphere can be collided. The couple's two-pronged sword: It's quite interesting. Everyone likes revolutionary love, and it can also make the characters' social relationships more complicated. A rare type of copy: strange rules stories, especially those with so many strange rules, are difficult to write and very challenging. I have the impression that the copy design of a convenience store worker can be said to be the benchmark for this book at present. It not only has the original novel background, but also an original copy of the rules, and also created characters (Wu Ge, the man from the Chenxi team). It can be said that it is enjoyable to watch. I still hope to create more original characters and original copy content. You can use the background of the story, but don't overdo it. I will talk about whatever comes to my mind. I hope that the fire will be fueled and we can create another classic.

You can express your opinions, suggestions, etc. Here

Wasn't this guy a great guy before? I remember he started writing books when I was in high school. They were very popular at that time. How many years have I been working now and he is still writing? Shouldn't we have wealth and freedom long ago?

The pace of "Under the World" these days is depressing. Tinder, you should be lucky that "Hell Cinema" was written ten years ago, otherwise the criticism of the plot of giving away a girl would be ten times or more than "Under the World" now. That is a devastating blow, and it will be difficult to recover from a lifetime of writing online.

I really can't stand it. I feel something is wrong if the knocker is raised as a ghost slave. But you are also trying to maintain the balance of strength between the two worldviews. Okay, it's your turn! But how could it be so crushing in Fujiang? So many people are so determined and can easily carry the charm. He appears and leaves mysteriously in Junji Ito's works, but he appears completely defeated in you? You think cross-border lawsuits are difficult to fight, right? At first, you said that those people who turned from pink to black were too extreme. I thought you were right. Now, do I think you are worthy of saying such things? Are you worthy of saying that this novel is your masterpiece? You've learned a lot over the years, right? Is the problem with your heroine just death/replacement? You just selectively ignore junk emotional dramas, right? Novels from decades ago used this emotional routine, but you still use it now! What exactly did you self-examine and correct? Have you read the heroine's appearance yourself? Hey, don't you think it's strange? There is also PVP, which I choose to ignore. "No matter who it is, I will make them... Regret messing with the bloody team!" Is this a line that can be thought of in 2025? ! You really made me laugh! I admit that the heroine's hell apartment and the early hell cinema are really awesome, but the sexy operation is not repeated, don't you think it's outrageous? Also, even if you put these issues aside, can your book be considered a horror novel? It's really not possible to rewrite supernatural or fantasy novels. Anyway, you wanted to change in the first place. Or, You will be in a tepid state all your life, just stay well!

Is tying the new book to this one an attempt to lower expectations?

How did you get so angry that everyone in the comment section was trolling you 😁

Is it endless, this kind of prequel and sequel, endless, no more new books? Is this the requirement from the starting point or the editor? A clean and tidy ending is not just bad money, right?

Tinder boss, please return to the way you wrote about apartments before. There is no need to follow the trend. Your comfort zone is to fight wits and copy each copy. What are you writing now? The imitation is like feeding the apartment to AI and the AI ​​will write it on its own.

What is Cthulhu Literature? I think there are three important elements: 1. Human beings' deepest fear is the fear of the unknown. Unlike when facing beasts, nature, and murderers, people clearly anticipate the possible dangerous consequences (but they don't know whether they will happen). The Cthulhu element emphasizes the fear of the unknown. People can only feel that something is wrong in the dark, but do not know the nature and possibility of unknown dangers; 2. The insignificance, despair and self-destruction of human beings. The essence of Cthulhu literature is science fiction, and humans are only an insignificant part of the universe. In the Cthulhu worldview, what humans face is not giant beasts, natural phenomena, or high-tech aliens, but an "indescribable" existence. Human power is useless and human efforts are meaningless; 3. The curse of knowledge. The more awake you are, the more dangerous you are; the more stupid you are, the safer you are. Any attempt to understand the truth and solve the problem will only create bigger problems. There is a volume in the popular "Hell Cinema". I don't remember the details. The general plot is that the protagonist group enters a mansion to play the role of administrator. After various information searches, they think that there is a zombie imprisoned in the basement, so they use various methods to test and determine the identity of the zombie. In the end, the group is almost destroyed because of the meaningless test. Because the person imprisoned in the basement is actually another actor who has important information, and the harmful sneakiness has already been mixed into the protagonist group. A classic to "modelled" plot, a group of people come to an unknown place for various purposes. As time goes by, they discover strange places and gradually get closer to the "truth". But the portrayal of Huo Da is very good, making people feel despair and fear. Because the reaction of the protagonist group is very normal, their various attempts are very decisive, and there is no fault. But this kind of effort had the opposite effect. [Put yourself in the reader's shoes, the ending will only be worse] Why am I opposed to Huoda's deliberate introduction of Western elements? Because the cultural contexts of China and the West are completely different, it is difficult for Europeans and Americans to understand Chinese people's fear of ghost money, paper-tied people, embroidered shoes, and red lanterns; Chinese people also cannot understand Christians' stress towards the devil (on America's Got Talent, a performer performed a walk with folded limbs. Although the Chinese audience also expressed fear, American guests were so frightened that they prayed to God, and some even fainted, because in Christian culture, twisted joints are a sign of being possessed by the devil). Therefore, my point of view is that Huoda is capable of writing Chinese-style horror and Chinese-style Cthulhu, but he may not be able to write Western-style fear well. Even if you can write it well, it won't bring the same response.

No, are you warming up for the fair? It doesn't really make sense, right? Are you one of the Four Heavenly Kings of Qidian?

Is it because we don't even have the writing power of Hell Cinema to publish a new book? If you can't open a new book on Tinder, just tell me, can you?

Let's first discuss a core issue: whether the author wants to write a horror thriller with an infinite flow, or a horror-oriented infinite flow. These two writing methods are different. The former focuses on whether you know or not, and the latter focuses on whether you can do it or not. 1. The issue of san value, I don't think it is a replica of the redemption coupon mentioned by the author, it is the basis for activating skills. Take "Mysterious Resurrection" as an example. If the ghost master's skills are used too much, the ghost will resurrect. The ghost master doesn't know when the ghost will resurrect. The unknown is the scariest thing. In this book, everything is quantified, from not knowing to being unable to do it. The uncertainty of the protagonist using a skill to fall into the deep world has turned into a calculation problem of how much san value the protagonist can use before falling into the deep world and whether he can solve the ghost calculation problem. This is a question of whether it is possible. This is how Infinite Horror is written. This is also a kind of horror, but it is not a supernatural thriller. I think it is necessary to blur the sanity value and not let the protagonist know how much the sanity value is. The level of sanity value is revealed through side descriptions (the protagonist's body alienation, personality changes, etc.) In a dehumanizing direction. In addition, items that increase the san value are too easy to obtain, making it more difficult to obtain these items. 2. Occupation, I think there is also a problem with the choice of occupation. The description of the hunter in the article is too specific to ghosts, and it is an impossible occupation. Rather than knowing the species, let's take Yangjian as an example. The ghost realm in Yangjian is very strong, but it is not specifically aimed at ghosts. He also needs to understand the rules of ghosts first. Hunter's skills are specifically aimed at ghosts. There is a saying that all fear comes from insufficient firepower. As a hunter, the protagonist has various skills against ghosts, knows his own sanity value, and has various supplies, so he can directly become Ultraman to fight small monsters. You should choose professions that are not good at frontal combat but are also weird and powerful. 3. The above suggestions are all written as horror thrillers with unlimited flow. In fact, the author can write the second kind of pan-horror unlimited flow. Don't be constrained, make a bold attempt, but write it in the introduction. The author has been writing books for a long time, and actually has a large number of specific fans who love to watch horror atmosphere. If you write this kind of passionate unlimited flow, you will be scolded, so open a small account to write.

Career follow-up in other regions will be compiled based on the situation

Summary: The author is purely writing himself to the climax. The protagonist group and the decent (human camp) are all on the roadside except the protagonist. They can be killed as much as they want (named the former Nirvana leader and his son, so I won't go into details). The blood lord and his several broken shoes are really like treasures. Elaboration: There are 147 chapters left, I can't stand it. At the end of the writing, the author reached a climax. There is no logic at all in what is written at the end. It was mentioned in the beginning that the hierarchy is strict, but later in the writing, level 4 placed a soul mark on level 5 and directly enslaved Bai Yewei. Okay, I'll just take this as the author's trick for the Blood Lord. Later, I made a mistake that the wife of Lincoln, the world's number one reincarnation person, had 6. As a result, when entering the dungeon, the return stone was not one in each person's hand, but all in one person's hand. After entering the dungeon of Silent Hill, he died. Then the lv5 strength was half dead without even seeing Alessa. When he met the blood lord, he found out that Xia Yu had killed his son and wanted to kill her. However, Bai Yewei suppressed her. The trump card at the bottom of the box was to steal two reincarnation stones from other people's reincarnation watches and then become a slave. I wrote this plot just to upgrade the Blood Owl Lord to accurate level 5. I entered so many dungeons before but still didn't upgrade. Then I went to Silent Hill and killed a few monsters to get the props for advancement. Pure bullshit! The author also likes the kind of bus with a poisonous character. Xia Yu thought she was lucky when she missed the key of the first reincarnation sister Zhuge in the early stage. Later, the most powerful villain, the old nuclear energy, surrounded and killed Lincoln's eldest son, and let her pick up the head again. The old nuclear energy surrounded and killed Lincoln's eldest son. Can it be her turn to pick up this head? Even if Xia Yu picked up the head, why would she run away as a level 3 person? Do old-core people eat dry food? Also, Lincoln, the world's number one reincarnator, was killed by the old nuclear leader with one hand, which was funny. With this strength, he directly killed all the reincarnations above level 4. Who can stop the old core?

To be honest with you, these operations for the extra prequel are the ideas given to Tinder by the wise idiots in the book group. The first is to build momentum for the new cinema and increase discussion, and the second is to lower your expectations. Your current reaction is what we expected, because only in this way, when the new cinema is launched and you find that the quality is so high and the contrast is so big, you will be surprised. The new cinema is almost here now, and the time is almost here. Don't scold, let's discuss the new book together.

I finished writing the first team battle of Wei Lv, and I suddenly took the initiative to write a long review of the team battle. If there are many people who read it, I will add a long review of the three or four volumes later. It involves spoilers, so those who have not read the book should be careful! ! ! Deleted review of Anti-Prison Fire, let's talk about the advantages of this volume first, because most of Fire's books are about games between humans and ghosts, and there are very few games between humans. There are more team battles in Devil's Apartment, but they are all a mess. Let's compare Nisan's big team here. The first advantage is reasonable potential setting. There is a huge gap in strength between the two teams of Nirvana and Bloody. To win the team battle, cheating alone will definitely not work. The choice of battlefield is particularly important. The almost unsolvable meme of the human head balloon has greatly narrowed the strength gap between the two parties, preventing people from seeing a purely one-sided crushing game like Ni San. Back then, the gap between Fallen Star and Exorcism was larger than the gap between humans and dogs. It is hard to imagine that this is a big group that has been foreshadowed from the beginning. The information advantage obtained by entering the capital in advance, through some coincidence and luck, made Nirvana's victory not unexpected or outrageous. The second advantage is to make use of strengths and avoid weaknesses. One-on-one combat is actually okay. When writing about many-on-many battlefields, it is quite fragmented. It feels like it cannot be connected into a coherent battle, or the large group becomes a one-on-one regional battle (Ni San). The battle between Jiang Jin and Han Wei was very good, but the group battle between Yu Tianlun and Zhou Chen was much worse. Next, let's talk about the shortcomings. Don't write about intellectual battles when it gets popular. I'm really scared. First, Jiang Jin gives away his life. This is the second most speechless paragraph in the whole volume for me. Why should a lv1 hunter chase a lv3 psychic? Jiang Jin doesn't know the difference in strength. Don't you, Yu Tianlun, also know that? Can you be convinced by just retaining your strength? If it weren't for the blood lord's order to capture alive, Jiang Jin would have cosplayed with Louis XVI. A blind AOE will knock Jiang Jin unconscious. Is this right? Qin Mei later showed that one person can destroy Nirvana. You didn't retain your strength. Looking back at Yu Tianlun who agreed with Jiang Jin's decision to pursue, I doubt that you just wanted Jiang Jin to die. The second one is the most speechless part for me. What on earth do you think about the setting of not planting soul marks during the internship period? I have tolerated this setting. Why can an internship period contact the branch leader of the wormhole team that you caught? Can you even communicate with me? Are you worthy of the word Xiao in your name? You are called Bloody Piggy. Looking at the performance of Bloody Piggy and Yu Tianlun, I have no expectations for Mrs. Abstuff not reporting it. Third, the human head balloon is too tool-like. It is almost only used to kill people in the bloody team. Then it traps people in the room to increase the advantage of Nirvana. There is no plot such as using rules and balloons to set traps. Of course, it may also be because the balloon is too unsolvable. Finally, let's talk about the character Shirakawa Rin, a very qualified traitor who has always betrayed the enemy at critical moments (Three Kingdoms has too many episodes of killing traitors). In addition, she is used to show the stupidity of Blood Piggy (sitting at the same table with Xiao Dai). Finally, this character is mixed with too many personal things about his daily life. In addition, Zhou Chen, the top love brain, has nothing to say. Without this shortcoming, Nirvana would not survive. To summarize, this volume of team battles can only be said to be quite satisfactory, and it can be regarded as a Tinder-style team battle. However, it is really difficult to write a team battle in which the strength gap between the two parties is too large. You have to write a team battle in which the weak defeats the strong. Next time, I hope there will be a team battle with similar strength that can use the dungeon rules.

The new book "Abyss Film Schedule" is now on the shelves. Everyone is welcome to come and watch it.

Did Tinder not even consider the low-level issue of publishing a book? Can you tell me the exact time next time a new book is released?

It's great for the review 🙂