American Comics: I Can Grow Superpowers

This is a terrible book. It took 250 people to write all this plot. It's full of plot holes, as if the author was afraid people wouldn't be able to find him. He also casually reveals his identity to others, especially when he is weak and has done bad things.

Absorbing the power of two Infinity Stones and then charging headlong into Wakanda might not be enough to defeat them. Figure out the plot yourself.

Single update? How dare you? This young comrade isn't proactive enough!

Why not absorb the super intelligence? Is it because the protagonist's high IQ makes him unmanageable?

The problem is that the author tries to portray the protagonist as a villain, yet spends a lot of time trying to whitewash their evil deeds in a roundabout way, which is incredibly awkward. A word of caution to future writers: the more you write, the worse it gets, especially after it's published. The author seems intent on disgusting and poisoning the reader.

The boss's inexplicable rebellion—was it to see how the protagonist grows, or what? The writing was inexplicably frustrating. And the haphazard spatial sealing—after all that time you've been training in space, shouldn't the Space Stone's power be a high priority? Instead, it's like a spineless coward.

I didn't want to watch anymore when I saw the indiscriminate killing. It's not that I'm a saint or that I can't stand killing, it's just that you only need a face to kill someone, and I can't stand it. Put yourself in that person's shoes, if you were that passerby and you met a protagonist, and he killed you just because he looked at you, would you like that kind of person?

Develop the leader into a good ally, then inexplicably induce a dark personality in him. The good personality dies, the dark personality takes control and rebels, and then the protagonist kills him. (I was poisoned to death that way.)

This kind of writing is the most disgusting. Ordinary people, villains and supporting characters are killed at will, but when it comes to the good guys, they are all treated like babysitters. Either write a protagonist who is a lone wolf or treat everyone equally!

The initial approach of taking the lead was too hasty; the leader was given his real address directly, which was tantamount to knowing the protagonist's true identity. Crucially, the protagonist did not take any countermeasures and let the leader go back to the protagonist's house alone, which was a major flaw.