
Ghost Gate Coffin
鬼门棺
- Status
- Completed
- Length
- 1.6M Words
- Genre
- Urban
- Subgenre
- Urban Superpowers
- Updated
- 10mo ago
- Source
- Qidian
Synopsis
313Chapters
0Votes
42.4kRecs
171.7kFans
More by this author
In booklists 3
Mingde Inn
Coming and going, stopping and moving on, travelers on life's journey, passersby in this world. This little inn is quiet and humble. Those who are fated to meet are welcome to enter. Let's chat and share our thoughts in comfort. Friends from all walks of life are welcome to stay at this inn!
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Reader comments 51
Translated by Google Translate














Very traditional supernatural novel
It's the traditional kind of protagonist who is very useless and doesn't understand anything. Then there are powerful relatives and friends who know something and various riddles. Do you still write novels like this in this day and age? Just what to watch on Douyin "My family has been selling glutinous rice for generations, because my grandfather said that glutinous rice can ward off evil spirits. One day, my grandfather came back after being outside for a long time. He was covered in blood and dragged the body of a black dog back. He tinkered with the black dog's blood: "Guawazi, I originally thought that if I didn't teach you these skills, you would be able to avoid these things. "…
Some thoughts on this book
Not looking for trouble, I voted specifically for the comment. As I read on, it didn't attract me at first. I think some of the settings and systems in this book are pretty good, and they remain true to their original roots, but they also have new twists. The writing was very attractive to me at first. The three-party melee, the confusing camp, the strange ritual, and the mysterious postman reminded me of the books of Cong Xin and Chunfeng. I was surprised that Blind Hou changed the style of writing, but after reading it, it became boring. Let me tell you a few things that I felt were wrong when reading the book: 1. I always felt that the writing style had declined, and the content was a bit more streamlined, like a narrative. From a visual point of view, maybe as a reader, what I want to see is "the protagonist is in action", but what I see is "the author is telling me that the protagonist is in action", which makes me not so immersed in watching it. 2. The writing style is a bit intellectual, a bit silly, or too down-to-earth. I remember that a blind man can write about a smart person, and even someone who is not smart can write about a person who is unclear and powerful. However, many of the characters in this book are doing actions that are inconsistent with their image. The protagonist, cousin, and buddies are all stereotyped. They don't look very much like the heir to the coffin shop, the special department, or the rich second-generation college student. On the contrary, the third uncle is more fitting, with a casual personality, and occasionally appears to be serious and wise. 3. Some connectives are used abruptly, and the scene changes are too strange. Just like the previous sentence, changing some to a little will make it appear more formal, and adding one after the scene transition will make it appear smoother. In the article, I feel that there are quite a few paragraphs like this that make me jump a bit, not so smooth connections and short sentences that start on a new line from time to time. It is like a speed bump on the road, which does not affect driving but always makes people slow down and bump. That's about it. I don't have any objections to the plot and setting, and I can't think of anything better. Authors with imagination are worthy of admiration. I just hope that the design is more reasonable and the writing is smoother. In my humble opinion, if there is any problem, change it, and if there is no problem, add more encouragement. It will not be built brick by brick overnight.
I gave up, I really can't stand it anymore
I held myself back until I read more than 90 chapters. I comforted myself by saying that the protagonist was a fw in the early stage and could understand it. The more I read, the more frustrated I became. The more I read, the more I felt like a clown. This is so different from the previous two books. I even wondered if someone else had written it. Nan Beng
What you said in the comment section is true, and I can't stand it anymore.
It's still a somewhat good work at the beginning, but various problems are completely exposed later on. The most obvious problem is the supernatural background. The protagonist and Western methods are completely hand-to-hand combat, which seems to have nothing to do with supernatural beings. It feels like the urban warrior king ten years ago. Secondly, the protagonist's subjective initiative is too poor. He is completely led around, which is not fun at all. Third, there are too few supernatural beings. From the moment the little fat boy ascends to immortality, I feel that the whole plot has completely collapsed, and the ghosts that follow have no sense of ghosts at all.
Shennong is coming
1. The author wants to write about the protagonist slowly growing up, but he always encounters high combat power and several levels of crises. He is passive throughout the whole process. Isn't it frustrating? He is either playing soy sauce or waiting for others to save him. The rest of the book is the same as the previous book, with infinite leapfrog fights (I gave up the previous book for this reason); 2. The rise of Dongda? The writing is bad to the core 3. This kind of subject matter, between copies, daily life, basically an ambiguous plot with a woman, is out of place
Gone
The setting is very good and attractive. There is a supernatural revival, the door of hell is wide open, and then it is full of emotional ambiguity. The more you write, the more obscene and the plot becomes more and more clumsy. I can't finish writing about the things in my crotch. I suggest you just change it to an emotional novel.
The author has really made no progress in writing books in the past few years. Apart from the excellent setting, the plot arrangement, enjoyment, and reading experience are really useless. After all, I have written several million words. Why can't I improve on my old problem? As the protagonist, he doesn't look like a protagonist at all. The plot is nothing but digging holes. Several plot points are meaningless. The protagonist has integrated so many evil things and still gets crushed everywhere. And the cliche background outline is instantly recognizable.
Not a bad start. But the current plot is too retro. Written 10 years ago. Everything must be done in a small way. . Is it okay to have a bigger layout?
Goodbye
I suggest the author stop writing about other things and just write about urban emotions! A good spiritual practice, it's all about ambiguity, it's an ambiguity with the person who almost killed you at the beginning, it's an ambiguity with your sister, even if you're not your biological sister, haven't you ever seen a woman in real life? Don't miss any of them! Can't you write the role of a sister well? It really needs to be cool and ambiguous, and logical and ambiguous!
Sorry, it's a big lump. It grosses me out.