The Tang Dynasty’s Music Examiner

Can we be more romantic and talented? The majestic book, with its emotional pull with several female supporting characters, coupled with the author's classical Chinese skills, really feels like reading a play before. It is difficult to write a heroine in a historical essay. The romantic elegance of the Tang Dynasty, the poets, wine beauties, generals, ministers and talented men are all indispensable.

Some people always say that Wu Zetian returned power to the Li family. When did she return the favor? Wasn't it taken back by the Shenlong coup of the Li family?

I don't understand whether the protagonist wants to usurp the Tang Dynasty and become emperor or dominate the world. If he wants to help the king win the throne and rule the world, the article repeatedly hints that the protagonist is rebellious and reveals his disdain for the royal family. If you want to usurp the Tang Dynasty and become emperor: Looking at the overall situation, Tang Zuo only lasted for more than a hundred years, and it was a time of prosperity. How to usurp it? This time you are not from the Tang Dynasty. Generally speaking, it seems that there is no legal principle at present. Your surname is neither Li nor Wu. Besides, a cousin like King Shou and an aunt like Concubine Wu Hui, I think they are already extremely good to the protagonist. If you don't support King Shou, or if you support King Shou as a puppet to usurp the throne, in terms of human ethics and morality, the protagonist can sit at the same table as those relatives of the Southern and Northern Dynasties who usurped the throne, and he will be sprayed to death. This time it is not the unrelated emperors of the Yuan and Wei dynasties, nor is it the brother-in-law of the Jin emperor who lives in Jiangzuo. The Tang Dynasty is powerful all over the world, what about all the nations coming to court? Even if you prevent the Anshi Rebellion, can you manage it better than the Kaiyuan era? Unless King Shou is extremely sorry for the protagonist. But if you write the longevity king as a good boy who obeys the protagonist's words, then from a feudal perspective, you really have to dedicate your life to such a king. You can usurp such a king. . . You are worse than the Sima family Can't understand Can't understand

This book is definitely not as good as the author's previous books. The plot is too slow and too watery to be interesting. The layout is too small and the main plot is not clear. I gave it up.

I feel sick to death when I read Chapter 36. I worked so hard in the beginning just to escape from the master's house and avoid trouble. I can already walk away. Where are you dragging me? Then I was betrayed by the master's stepmother and my relatives were captured. Now I have to plunge in again and it's just a pure sand.

The author's books are very sophisticated and cite classics, but they are too literate, which leads to poor readability. However, no matter how much you cite classics, it is still a novel. If the readability is poor, your grades will definitely not be good.

It's been more than 500 chapters and I'm still writing some disgusting stuff. Are readers paying to find disgusting things?

This book could have been renamed The Troublemaker King of the Tang Dynasty. Xie Lulang of the title had to write one million words before he formally addressed the title. He then spent less than ten chapters hastily talking about it and then quickly skipped it, and was about to start a new story. So brother, does your book have a central idea? When writing about Li San's rebellion, it is better to write about the business power. He sold insurance and arranged a temple partnership and Zhou Yong was gone. The money for water transportation was handed over to Wang Yuanbao. How can we restrain Wang Yuanbao without writing and not be afraid that he will take his property and return to Beimen? There is also a Weaving Workshop that disappears as soon as it is written. You can't just click on the upgrade and forget about it like playing a game. What I like to read more is that you describe the changes in yourself and the surrounding environment from the perspective of a small character under the guidance of the protagonist. This book is particularly short of writing and is all used to make trouble.

My first impression after reading it is that the author has a strong foundation in classical Chinese. Throughout the text, the text is mixed with white, and the reading has a sense of rhythm and beauty. In other words, the dialogue lines have a lot of charm, but if you try to use them in vernacular, they lose their charm. Secondly, it has a rich reserve of historical knowledge and a very detailed description of the style of the Middle Tang Dynasty. At present, I feel that the author's writing style is excellent, but there is indeed a reading threshold. This threshold lies in its use of language on the one hand and plot development on the other. It is semi-literary, uses uncommon words, and makes reading difficult. It is more like a long stream of water for readers to feel, rather than directly stimulating emotions. In other words, if you read too much, your brain will be tired. Coupled with the author's writing, there are too many descriptions and too many details, which makes it feel unfluent and slightly dry. In other words, be patient, it is of the long-lasting type. Anyway, it depends on what you like, this book is quite unique.

The author, this book has written more than one million words now, and it has not even made it clear about the main plot. Is it the rebel who will rise to power, or will he turn the tide and become the savior of the Tang Dynasty? He has not given a clear hint, and the main theme is not clear. How can there be a long-term sense of anticipation? It is recommended that you write a good story, develop your career and accumulate strength, and don't mess around. Some authors insist on exporting opinions or showing picture scrolls of various aspects of the Tang Dynasty in their novels, putting the cart before the horse. People don't care and just want to read wonderful stories. If you want to set up a trap for Li Linfu in the latest chapter, then write it in one go. Write something else in between. It is obviously a small climax, but it breaks off in the middle. How can this be so exciting?