
Swordsman, Is My Golden Finger an Evil God?
侍剑者,我的金手指是邪神?
- Status
- Completed
- Length
- 1.2M Words
- Audience
- Male
- Subgenre
- Eerie Mystery
- Updated
- 1mo ago
- Source
- Qidian
Stats
1Monthly votes
12.3kRecommends
29.4kFans
490Chapters
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A few simple thoughts after reading
I have completely finished reading this book. After reading it, I found three problems: First, it can be seen that the author intends to build a very grand world view and background, but due to the writing skills, the overall feeling is awkward and a bit literary; Second, I don't know what others think, but in my case, the words "Gongsun Xuanyuan" and "Diga" in the article feel quite dramatic to me. Needless to say, the former is strange enough to appear in a Western fantasy novel. Even if the author may have foreshadowed it, it is not echoed until a small part before the end (it can even be called scrawled). It is really difficult to satisfy readers in an online novel. The latter makes me feel that it ruins my personal reading experience. It does not mean that it cannot be abstract or amusing, but it is the icing on the cake based on the unified style of the previous and later texts. The overall style of this article is quite serious, and the name Tiga gives me a somewhat nondescript feeling; Thirdly, could you please ask the author to not be so procrastinating in the emotional drama? If you want it, don't, especially before the "social butterfly fiancée" appeared. There was already a perfect sleeping goddess and the clean and independent Jane Eyre. These two may be more suitable choices for the protagonist's other half, but they still have to be entangled with the fiancée. If that's all, that's it. After all, it's okay for a man to stick to all living beings for a woman who devotes himself to himself, but the ending has a twist and says that the fiancée's soul comes out and tells the protagonist that he doesn't need to be bound by her, and then the protagonist marries Jane Eyre with peace of mind. So what's the point of going around in such a big circle? Why not lock it in from the beginning? This article is not without its merits. The main characters in the article are also somewhat remarkable, and you can see the protagonist's mental growth. The plot also describes the two reversals of the identity of the gods in the protagonist's dream. Overall, this is a work that does not hide its flaws. The seemingly grand world view and superficially royal plot cannot conceal the distortion of the writing style and the awkwardness of the emotional drama. If you can tolerate the above shortcomings, you can barely read it.
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The protagonist of a Western fantasy novel is called Gongsun Xuanyuan
The protagonist of this book does have a refreshing feeling. In terms of personality, it has a sense of immediacy like the protagonist of the Japanese manga Asasi. The other female supporting characters say that the protagonist is particularly clean and pure. The protagonist himself also behaves relatively plainly, or stupidly without a God's perspective. The overall impression is that of a teenager, and the shaping of the world view is very flavorful. But I really can't help but tell you what the author is thinking. If you are not pursuing fast-paced pretending and slap-in-the-face fun, but pursuing a slow-burning and plain atmosphere, then let me ask you a Western fantasy novel. Name it Diga after a name similar to the Magic Network or the Internet. When pretending to be a god and saying your name to the bishop, you name it Gongsun Xuanyuan. Do you think it still has this atmosphere?
Overall it's good, but the relationship between the protagonist and his family is really bad.
I skipped through it, but I read the original version, so I should be qualified to find fault with it. However, I personally feel that the protagonist is really not a likable protagonist, or the author's explanation is inconsistent. At the beginning, the protagonist explains that he does not want a title and does not want to fight. Later, he complains that his father gave up and he is as capricious as schizophrenia. This is really not a place that people like. A qualified protagonist should be confident and firm, whether he is cunning or aboveboard. Then there is the communication between the protagonist and his family, which is really stiff. What's more, he didn't actually ignite where it should have burned! ! The foreshadowing of the Twilight Princess's arrival was quite good. Just when the reward was about to come, the whole plot should have suddenly exploded, but it was gone after just one chapter? !
The author's writing skills are not good, or in other words, the author should be relatively young, so the protagonist he writes seems very childish and stupid. Not a mockery. Up to now, it is impossible to tell what the main line of action of the protagonist is, whether there is any plan for this main line, and how to execute it. There is clearly an optimal route, but the point of view is deliberately blocked and written like a fool.
The main character is a bit stupid, but the rest is okay
Some thoughts and guesses about the atmosphere of this book and the logic of character behavior (only personal thoughts and guesses, please do not take it seriously. You can refer to it based on your personal feelings and clarify your doubts based on your own experience)
From the last book to the present, when I saw the title of this book, I thought it was a Western fantasy novel. I was a little surprised that the author suddenly changed his style, and I hesitated whether to read it. But after reading it for two days, I realized that although the details were somewhat different from the previous book, the atmosphere in this book was actually very similar to the concepts revealed. The author may indeed describe a bit too much about daily life and the characters' words and deeds, which has little effect on advancing the plot, and some readers may not be interested. But I personally feel that these descriptions are just right and not lengthy. They allow me to understand the characters' personalities and motivations better and make them feel vivid to me. This is one of the author's writing styles. To be honest, the author's last book touched me because of this style of writing. Some of the author's ideas are reflected in both books. For example, Broughton's attitude towards gods is that everything human beings should build with their own hands, rather than praying to gods and Buddhas. Even after learning about the existence of gods, his attitude towards the gods did not change much. It was more like equal "friends", respecting each other, and the awe of those who hold the power enough to change human society and expecting the other party to only watch humans develop in a certain degree of safety and not to use this power to overly affect human society, rather than the belief or fear of believers in gods. (Although I personally think that if the achievements of the Seven Gods are true, there is nothing wrong with believing in them, but it is understandable for the character of the protagonist) However, compared to Lingya, who was relatively divine in the previous book, Broughton is obviously much more humane, and Broughton has relatives, friends, and even a girlfriend. Compared to being directly selected by Gaia after the death of the first life, the plot begins immediately after time travel and becoming a little girl with no worries. For Ling Ye, who has a relatively clear "mission", Broughton has his own life for seventeen years after time traveling. This also makes Broughton unable to behave like Ling Ye, and he will not be as capable as Ling Ye, and he can always make rational decisions, or the best decision for the overall situation and mankind. Therefore, it is normal for some of Broughton's behaviors to seem "irrational", which is determined by his environment and personality. As a time traveler, Broughton's subconscious concept made him feel that his father, who was almost crazy and demanding on his family for the sake of illusory gods and doctrines, was an unfit father without seeing anything extraordinary. His father's abandonment of him and his emphasis on his brother also made Broughton feel alienated from the family from the bottom of his heart, causing him to run away from home to study elsewhere. It can be said that love, especially father's love, was largely absent from Broughton's childhood. But Broughton is his father's child after all. His food, clothing, and even the expenses and opportunities for him to run away from home to study were all given by his father and his family. Maybe his father was not qualified, but his father did not hurt him. Both harm and favors exist. Because of this, Broughton seems a little paranoid and irrational about matters related to his father. Even though he has some understanding of his father's behavior after being exposed to extraordinary and family responsibilities, the paranoia he has cultivated since childhood cannot be eliminated in a day or two. As a child who was "given up" early, when facing his brother, Broughton actually had an inferiority complex in his heart of being treated as a "waste" and an unwillingness for his brother to be taken seriously. This inferiority and unwillingness turned into Broughton's competitiveness towards his brother. Therefore, Broughton did not want to gain power through his brother, nor did he want his brother to know that he had extraordinary power. On the one hand, he didn't want his brother to know that he "shyly" turned around and picked up the power that he once despised (although Broughton didn't know the existence of the extraordinary at the time); on the other hand, the childishness in Broughton's heart made him feel that if he told his brother that he had extraordinary power based on his own strength, it would be the same as a young child showing off to his elders that he had achieved perfect scores in addition and subtraction. And his brother also had an almost jealous emotion towards Broughton, which originated from his father's "tolerance" towards Broughton. It can be seen from the book that the elder brother is the "only successor" to his father, so it can be said that the elder brother spent most of his childhood in the shadow of his father, and he must not relax for a moment, because he is the heir of the family and has to bear the responsibilities of the family. But Broughton can do what he wants to do without having to bear these responsibilities or being harshly criticized by his father, because Broughton needs to be protected, "an ordinary person who is different from himself." With this kind of inner comfort, the elder brother could feel comfortable dedicating his childhood to this "responsibility that only he can bear". If Broughton also mastered extraordinary power, this inner comfort and slight sense of superiority would collapse. This is why the elder brother had such a big reaction to Broughton's contact with extraordinary things, and why he felt that Broughton could not have extraordinary power. Facing his fiancée, it is actually to be expected that the protagonist will react so strongly against his faith. It can be seen from the protagonist's attitude towards faith that even when the protagonist has no awakened memory, the modern three views still play a role in the protagonist's subconscious, and the priority is far above the common sense of this world. Since the protagonist can have a quarrel with his family over faith issues when he has no awakened memory when he was a child, it is natural that he will not accept marrying his fiancée, whether in name or in reality, because he insists on modern views on marriage. This is actually in line with the image of a seventeen-year-old boy who "grew up in a somewhat imperfect childhood environment with modern concepts. He is a little paranoid and a bit strong, but he will stand on his own stand and do his best to deal with the suffering he encounters and do his best to be kind to himself without harming himself or the people around him." Writing this, I will mention Gongsun Xuanyuan and Dijia again. In fact, the article mentioned that there are Chinese names in this world, that is, the country isolated by the sea, so naming Gongsun as a god is not really a big deal. The main reason is that there is too little foreshadowing in the article and no vaccinations are taken, which really ruins the atmosphere. But considering that the protagonist's name may be related to some of the protagonist's settings, and in order to have a sense of substitution, the protagonist cannot be a foreigner in his previous life, so if you want to manipulate the name, there is no way to let the name appear here, so I am not unacceptable. As for Tiga, this is purely the author's personal taste, but it is not impossible for the protagonist's character to do such a thing, and although this is indeed a bit dramatic, for me personally, this feeling of finding a guest character in the article is already a kind of fun when reading this author's article. One more thing, the author's article is really not suitable for such a royal title, it is easy for people to misunderstand, so let's change it (
No malice intended, just out of curiosity and wanted to ask the author.
In the chapters where the protagonist says his name is Gongsun Xuanyuan, does your collection and other data fluctuate greatly? I jumped to watch it, but it was still quite out of character, and the sense of immersion was almost gone. Will the data be stable after it is put on the shelves again? I read in the comments that you are an old author who has been writing books for more than ten years. It's impossible that you don't know such poisonous points, but you still write it like this. You should have your own writing logic and thinking judgment about the market. But I see in the comment section that you always explain the inevitability of these poisonous points by spoiling the settings behind it. You can't lose confidence in your core settings. Finally, I still want to say, if the data is not good, can I insist on finishing the book?
It is understandable to be stupid before the age of seventeen, but it is incomprehensible to be stupid after awakening the memory of the past life. The more you look at it, the more stupid you feel, and it is a bit delicate and artificial. It is not like a big man. After all, you can be regarded as a person in two lives. I still want to do things, I think, I think, but I just don't understand. There are so many mysteries in my family. Oh, I just don't want to understand. Don't worry about it.
The biggest problem with this book is the protagonist. I really don't understand what kind of protagonist the author wants to create. He looks like a giant baby.
Sorry, not to my liking. The pace is slow. The most important thing is that the protagonist is too ordinary. The protagonist is not beyond the world. If you remove the golden finger, he is just like an ordinary citizen with a monthly salary of 5,000. Ordinary people who become mentally disturbed after winning a million-dollar lottery. Too bland.
Fairy grass before whitening, poisonous grass after whitening
The plot before the identity was cleared was very good, and although the protagonist occasionally showed his stupidity, it was still acceptable. However, after the Wanqiao God Religion was cleared, the series of church operations and interactions between gods and men were completely unbearable to watch. The author does not have enough experience. He probably never even served as a team leader when he was studying. The operation of the church is still essentially a process of managing people. It is not called management by allocating power to others and saying that I am equal; it is also not that all one's resources are only linked to a self-service vending machine and weirdly only treats people who know each other (people who have friendship or only have a casual relationship). ) Is open to passers-by and allows them to freely recruit people. The power and privileges of a true God church are only open to a small group of private individuals who have no special contribution and have just met. This is like telling the emperor and eunuchs that the key to the treasury has been given to you. Pay two coins for whatever you want. Remember to bring your relatives. What's the difference. Do you think the ultimate gain from this is justice and piety, or a group of privileged people who have grasped (Eunuch Bingbi) + (Minister of Imperial Envoy) and a group of exploited people who call you sb? Don't say that the Seven Gods don't need faith, so it doesn't matter. Gods who really don't need faith will kneel down and lick every wage earner they know like a treasure? In the early days, there were only a few or dozens of people you could lick. After the faith is established, there are hundreds of thousands or millions of believers. How can you still communicate with the dozens of people in front of you in the current way? Are you going to pretend to be aloof when the time comes? What do you think a normal mind would think about this god?
The protagonist is really stupid. Is he really a person who has lived through two lives? He is just a 17-year-old childish ghost in the second life...
The gentler the person, the more lonely they will be
I really like the author's quiet and gentle writing. The atmosphere is very quiet and elegant, with a hint of death, which reflects the self-destructive tendency behind the male protagonist, just like a god in a dream. The more we love humans, the further we stay away from them, just as Broughton has always thought - if there is no god, the only thing humans can rely on is themselves. This is also the contradiction in this novel. Remember at the beginning of the novel, Broughton saw the memory of Twilight Princess. It was depressing, dull, and sad, so much so that he was severely depressed just by looking at it. What on earth had he experienced that could make a god like this? And why are Olivia and humans so far away and so close? I think Olivia and the male protagonist have the same idea. They believe that human beings will always be separated from gods, or that all righteous gods are like this. The specific details will depend on how the author arranges it later 😢, but both of them give me the feeling that it will be a sad ending. Let's talk about the beloved ones, Jane Eyre, Father Daniel and Kevin. All three of them are very pure people, but also very lonely people. Jane Eyre is very simple. The male protagonist establishes a deep friendship with him after talking to him as an equal, and he can be regarded as his only friend. In my opinion, Helen was not really her friend, even though Jane Eyre thought she was. Her existence had a purpose from the beginning. Although she just wanted to be with Jane Eyre at first, the hesitation of Jane Eyre's invitation on the way back to school made me feel a crack. Daniel is an even more pure person. He appears twice, and both times he sacrifices his life for ordinary people. Apart from being noble, I can't think of any more appropriate words to describe this practitioner. Even if he enters the valley of the valley, he still maintains independent thinking in front of the male protagonist and god. As a knight who converted to the twilight, Kevin saw the sincerity of dedicating himself to save the world, and the innocence that refused to bow to power, and established his direction in the twilight valley. I also feel the subtle meaning of wind and rain behind the words. The Holy See's motives were not pure enough from the beginning. Although it is understandable, it feels more like outright exploitation. I have always believed in the god who symbolizes dreams and harvest. It is hard not to feel scared when I see the dusk that represents the end and the end, the extremely terrifying combat power, and the powerful weapons readily available. For a country, using force to break the law seems to be a destined outcome, not to mention that the golden tulip that symbolizes dusk has become extinct from this country. Finally speaking of Theodore, I really like what netizens said about the siege in the paragraph. Theodore envied Broughton's freedom, and Broughton envied Theodore's love. From Theodore's visit, we can feel his concern for his brother and his tenderness in the dark. But the demon in my heart is him, the knot in my heart is him, and the apex of my heart is him. Awkward family ties will eventually break out one day. So, the gentler the person, the more lonely they will be, and the more hurt they will be in the end. 😢May everyone have a gentle ending
It doesn't feel like the protagonist awakens his memory halfway through.
The protagonist has been in this world for 17 years and awakened his memory a year ago, which means he grew up like an ordinary person for 16 years. It is known that there are churches all over the world, and the protagonist's father is a fanatical believer. The protagonist was influenced by what he heard and saw before his memory was awakened, so he shouldn't be so repulsive. Or is it that some major event happened in his childhood that changed his views? Has atheism been engraved in his bones? It's not like he started to reject it after he awakened his memory. The protagonist's father took the church to Kangkang It's only chapter 14, waiting to see if the author will recycle the foreshadowing.
Neither Chinese nor Western, fighting each other It was a bit interesting at the beginning, but it was pure garbage at the end. The problem is that there was no sign of changing players or AI. It's very simple that it doesn't look good from behind.
It has been more than two years since the time traveled. The protagonist is surrounded by dangers and could die at any time. He knows that there is a transcendent, he has money and connections, but he does not pursue the transcendent and become a transcendent. The protagonist wants to lie down and eat, but he has to intervene in danger. The protagonist is timid and ignorant. I really can't stand this kind of protagonist.
The unfavorable protagonist
Too Buddhist, too indigenous, too naive, too passive, too lacking in exploration and enterprising spirit.
Aboriginal pig feet covered in traveler skin
The indigenous pig's trotters wearing the skin of time travellers. I don't know if it's because of the author's lack of skills or some setting. The pig's feet don't behave like time travelers at all. When faced with various things, they are basically like a water mill turntable. No one can push them and they can't move at all. They don't have the initiative and exploration of time travellers. Except for the pig's feet, the world view is pretty good. If the initiative ratio of the pig's feet is modified, it is still possible to become a top-quality masterpiece.
The protagonist has obviously suffered from supernatural phenomena and still doubts and questions God. The writing is so stupid that he looks like an enlightened native.
Many book friends do not accept cuckold plots, this is not good
Regarding the matter of marrying a social butterfly, many book friends do not accept it, and the comments in the comment area are all 🐢, this is not good. Angelita is a good girl, and she is a perfect match for the protagonist Broughton, so she doesn't need to worry too much about the future. It's just a cuckold, life is heroic, no big deal. Only by letting go of one's heart and putting on a cuckold can one march on the song and bravely face the world of the grass-roots team
I don't hate the good characters, but this kind of petty bourgeoisie-style charity plot is very tiring to watch. If your understanding of religion and the economic model of the European Middle Ages is too shallow, there is no need to write about something you are not good at at all.
The author's handling of the emotional aspect is really bad. He wrote about getting married and engaged from the beginning, and I was disgusted by the constant hesitation. Can't you just order another one?
The suppression of combat power is too deliberate, turning the protagonist into a coward who refuses to listen to the bastard chanting sutras no matter what he sees.
The screen name Diga is acceptable. The name of the god is Gongsun Xuanyuan, which is really difficult to explain. I am not saying that Aragami is the holder of the rules. Your name has nothing to do with your divine power. Is this a set up?
What's wrong with this book?
How come there are so many chapters with confusing logic when I read around 50? One moment he said he wanted to break off the engagement, another one said he would not regret it, one moment the barbarians attacked the church, and another one said the barbarians and the church were not directly hostile.
The author completely let himself go
I obviously feel that the author's writing is not bad, but I just can't read it. I think the poison resistance is actually quite high, so I can read it as long as I don't bother with the assembly line.
I don't understand, I don't have to endure hardships, I'm a bit of a literary youth
My review of this book is shit-flavored chocolate
How do you still have the nerve to write when your writing is so bad? My evaluation is to send me the 700,000-word manuscript and I will help the author make corrections 😭
There seem to be some minor problems at the moment, but the overall rhythm is still very good. You can feel that the author wants to write a complete story and a complete world with a long main line, multiple branch lines, and multiple foreshadowings. However, I personally feel that there are still some small problems, such as some past relationships, such as the conflict with the father. This has not been fully explained to the readers at present. It is in a state that the readers can understand but cannot be substituted. This derives from the attitude towards relatives, including the mother and other characters who may appear in the future. I think that the young life can be retelled through some memory tests, from fighting against the father to studying. This part can easily solve emotional problems and can also insert new characters. There is also the issue of the proportion of the description of the extraordinary and the secular world. At present, the mortal world completely provides the background and cover for the extraordinary. What the protagonist does is to dig out the secrets of the extraordinary in the secular world. This will make people feel that this is an extraordinary world without the feeling that the extraordinary is hidden behind the scenes. This is not a big problem, but I feel that it is not consistent with the world view that the author wants to express. Regarding the change of the protagonist's state of mind, in the dream, he went from not daring to hold a sword to directly holding a sword on the stairs. This process change is a bit too rigid. I did not see what the protagonist went through to change his mind. It does seem a bit like being tempted by an evil god () The time traveler is indeed a must-have for writing novels now. Most people don't like to read indigenous people. However, when the author writes about Awakening Su Hui, it is best to make the decision based on his original personality and memory, because he has lived in this world for the first half of his life. So, it is best not to blurt out the knowledge and memory about the earth. For example, when you get the network card and log in and the "holographic projection" pops up, you can put these contents in your mind and just think about it in your mind. To say so much is just nitpicking. The author's writing is still very good. The above is just my personal opinion. Keep up the good work, author.