Book of Yin Life

The first part is basically a supernatural plot. The updated four chapters briefly broke away from the gloomy background and started writing humanities. Only then did I realize that the author is also good at writing people. The positions of the main characters are all tenable, especially the part in the hospital. It is a mixed bag of emotions. The male protagonist's inferiority, jealousy, and feelings of loneliness mixed with hatred are written. I understand the truth, I have self-esteem, and I also understand the benevolence, righteousness, and morality, but together with the hatred The low self-esteem spreads out, but he cannot control it. The male protagonist, who has just escaped from death and terror and returned to human society, is like a wet drowned dog. He looks at his father, stepmother and family of three alone without anyone to care for him. Thousands of emotions are lingering in his throat, and it is difficult to express them. I don't use any Chinese accent, but I feel that it is in place, and the writing style is even more dank. When I read that part, I always felt like someone stabbed me with a knife, which made my heart hurt·jpg

The book you wrote, author, is so beautiful! I want to support you! 🙂🙂🙂

I can write thousands of chapters about the protagonist's environment and conditions without cheating. The pace is slow and melodious, a bit depressing. The writing is very good, but the world view has not been spread out at 150,000 words. I'll start writing quickly and this book will be fully booked.

As the title states, I have a special preference for folklore/exploration/archaeological novels. My first novel was Ghost Blows Out the Lamp, and I also read Notes on Tomb Robbers from the same period. Such works are relatively rare in the later period, and can even be said to be rare. The source of the large vat mentioned in the early stage of this work is the ancient Yunnan period, and various All kinds of ghosts and gods in the underworld are the original products of chaotic time. The author also mentioned that in ancient countries like Luo and Ba, the main plot is to find the ghost king's coffin so that the ancestors can finally rest in peace. The exploration plot seems inevitable. I really want to see the blood corpse tomb, the bronze tree, the blue-eyed fox corpse, the insect It's hard to find such ancient products as Valley Man Chrysalis, with plots that are full of evil flavor. Although themes such as Ba Snake have been rampant, the location of the protagonist is really suitable. In the bottomless abyss pit in the uninhabited mountains, the male protagonist climbed down alone to look for the coffin of the Ghost King, but accidentally fell into it. Behind a certain cave, I saw a huge snake slough with no trace of its strength or tail. There were ancient hieroglyphics and bronze sacrificial vessels on the walls. Occasionally, whispers that seemed to be human voices could be heard in the cave. As long as it was lit, you would see weird "horns" with twisted human shapes climbing on the cave wall.

The protagonist is not likeable. What I want to see is a protagonist who is calm and decisive enough.

I have the same problem as Lord Buddha. The ghosts are very well written, but the characters are not so good. The emotional scenes are even worse. Li Hongye's love story is really awkward.

I didn't read the content, but the introduction seemed a bit wrong. Why is there something wrong with the "giant blood-sucking monster snake"? Only small creatures suck blood, and huge ones swallow people whole.

There is probably no way to fill the pit of outside righteousness, so I just hope that Dao Moli will let her accompany Ran Qing to see the outside world. Ran Qing told Li Hongye earlier that it was a bit puzzling that he had no romantic feelings for Mo Li. He and Li Hongye had some unspoken ambiguity at most, and it was Mo Li who had been with him through life and death. How could a teenage boy have such a long-lasting love for the ignorant and secretly in love with Bai Yueguang? It's a bit deliberate for the sake of being bloody. Now that we have written about the moments when Ran Qing fell in love with Mo Li, let's not make the story about Wen Qing having a stomachache.

Logically speaking, after the protagonist catches a trick every time, his abilities and strength are also improved, but the next time he goes there, he is always overwhelmed, and then something that is not in the book appears, making the reader unable to feel that the protagonist is improving, has no sense of security, and everything is over the top. The protagonist's ability to cope is not right in the book. It would be better to have a little more relaxed life between each incident, rather than one incident after another, which becomes more and more difficult and depressing, with ups and downs, which some readers of Headwind Bureau cannot accept.

Brother, do you know what it feels like for a Liupanshui person to read your novel? I was still working on the elevator floor. 😭