Witch: Conquest of North America

This book is still so exciting and upsetting. I actually feel that Americans are really like this.

It feels quite nerve-wracking, but writing about America feels quite normal.

Wow ha ha ha ha ✌︎˶╹ꇴ╹˶✌︎

I feel that the author still made the same problem as before, writing that the protagonist is always a wage earner. Even if the protagonist becomes an alien god, he still has to slowly climb up. From a migrant worker to a high-level migrant worker, the previous book could have used the various mysterious societies of the Witch Church as a springboard to write stories between the mysterious societies. Focusing on the identity of the witch, the author focuses on narrative description, but the author focuses more on describing how the protagonist climbs from baron to marquis. He is restricted everywhere and cannot escape from the shackles of the earthly framework. There is no feeling of belonging to different dimensions of alien gods. If this book only changes from the story of promotion in the Middle Ages to the story of promotion in America, and the early descriptions in this book are rougher and jumpier than the previous book (the previous book was very radio-based, this book is even more jumpy and very rough and succinct). These are your shortcomings as the author. If you want to really make progress, you can start by learning how to polish your own sentences, make the narrative coherent, and incorporate scenes and actions when necessary (I believe the author had a picture in his mind for the last witch, but what he presented was just the basics of who did what. Many times the reader is not clear). Then, breaking out of the plot framework of promotion story, mystery and indescribable horror will always be the main theme. The protagonist does not need to make a jump in earthly status, such as "from employee to boss, to leader of a certain chamber of commerce alliance." These are not important to the protagonist of the Outer God. If these are used as a reflection of the protagonist's progress, this will undoubtedly reduce the protagonist's status to a "human" (the person here is not a physical person, but a social attribute state). I think the protagonist of this book needs to be more outside the social constitution and get rid of the social attribute of "human". The author's advantages are actually very great. He has a lot of imagination and is endorsed by a complete power system in the previous book.

Witch, her name is Alison, you can tell who wrote it without looking at the author's name 🙂

Alison and the Little Black Goat

The epilepsy is refreshed every day.

The plot is too scattered and confusing, there is no sense of expectation for the follow-up, and the character description of the protagonist is also very vague.

Author, you write well. What a beautiful state of mind.

Is this protagonist a god or an ordinary witch? It was said at the beginning that it was a wounded god, and the introduction also said that he was retiring in North America. Why is this so confusing and contradictory? Are you going to die or retire? If she were an ordinary witch, her conversations with other people and gods would be too pretentious. If it were a god, it would seem too low.