
Republican China: The Outlaw Literary Tyrant
民国之草莽文枭
- Status
- Completed
- Length
- 2.2M Words
- Genre
- Urban
- Subgenre
- Urban Life
- Updated
- 1mo ago
- Source
- Qidian
Stats
625Chapters
0Votes
27kRecs
85.1kFans
Tags
Synopsis
More by this author
In booklists 2
Great Historical Fiction
It’s so hard to find historical novels that are both good and to my taste these days, so I’m putting together a list of the ones I enjoy.
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LD Collection
Saving for myself to read, saving for myself to read, saving for myself to read, saving for myself to read, saving for myself to read, saving for myself to read, saving for myself to read, saving for myself to read, saving for myself to read, saving for myself to read
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Reader comments 31
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I'm asking a question, don't scold me. Judging from the author's writing, as long as you don't gamble, don't do drugs, work hard, and work hard like a cart driver in the Republic of China, you can have enough to eat and money to buy meat for your sister. Is this really realistic?
If it's not a system, it's not heaven. The literature of the Republic of China cannot touch the line, so isn't it just like substantive literature? It also has more Internet red threads than physical literature How well you have to write to get ahead... My head is really strong, I admire it
Personally, I feel that the starting point for the protagonist of this book is too low. A rickshaw puller who has never read a book suddenly understands English and can write. This kind of plot does not stand up to scrutiny and feels a bit like screening readers. Logical readers generally run away after seeing the beginning.
The end of Chapter 198 makes me want to abandon the book. It's a bit disgusting. The previous plot with Hu Shi is also disgusting. After all, everyone knows what a jerk Hu Shi is.
A bit interesting, but not very tasty
In fact, there are a lot of things that can be written in the literature of the Republic of China, including interesting stories about the battles between some masters during the Republic of China, as well as short stories about literati who underestimated but respected each other. Personally, I think it has nothing to do with the local military and political affairs that are difficult to write about in the Republic of China. Writing about military and political affairs is actually a lazy way of writing. I don't want to look up information, and laziness becomes a habit. I write more and more afterward. If I don't write, it is easy to cross the line. The writing of the Republic of China requires writing strength, that is, to write about the background of the time. On the one hand, the people at the bottom are bullying and fearful of the weak, and are insensitive to the "small". On the other hand, it is necessary to write about the sense of fragmentation between the old and the new that young people are awakened by the impact of the new culture under the influence of the new culture, as well as the ideological and physical collisions between the masters overthrowing the old houses and building new ones. At present, it seems that the taste is bad. The author wants to be lazy. Once he wants to be lazy, the plot of the grandfather and grandson looks very inconsistent, like a water figure. The plot is too abrupt. Whether it's the original song or something else, it doesn't fit the background of the time, so it looks weird. But anything else that's "original" won't be so abrupt.
This is a capital trash book. Being a literary figure during the war is worthless, especially praising the rotten scholar Hu Shi is disgusting.
The book is actually quite good. The current monthly pass is only over 100, but the quality of the book is worth more than ten times the monthly pass. However, there is a reason why it is not popular. Because some places are really poisonous, and the author insists on poisoning them. The first wave of poison was when Miss Yang, who played the erhu, left her grandfather behind and left without saying goodbye. The protagonist is looking for someone inexplicably. In the 1920s, the war was raging and there was a huge crowd. The protagonist was rich and wanted to find someone, so he paid someone to find someone, instead of the protagonist looking for him alone. He also willfully criticized the human traffickers. Could the bad guy who did such bad things be a person? ! The protagonist doesn't pay any attention to personal safety! Later, the protagonist became very rich, and donated tens of thousands and hundreds of thousands, but he didn't have a bodyguard? Not to mention the 1920s, even in the 1990s, New Oriental's boss Yu encountered several violent robberies. Nothing happened to the protagonist, all because of the protagonist's halo. The other is excessive involvement in other people's emotional lives. In particular, the emotional issues between Liang, Chu, and Lin. It's none of your business. It's really annoying. The author keeps writing. What's the picture?
What a waste of time for a literary giant. Ever since Mo Yan won the Nobel Prize for Literature, I think that's all the so-called literary giants are.
No, bro, can Lu Xiaoman be the heroine? How horny is the main character? Lu Xiaoman not only spent money lavishly and was carefree, but also seemed to be giving them opium. I think the protagonist is really crazy
A rickshaw driver who also writes an encyclopedia? Is it bad to be a reader?