Ah? Are They All Real?

I found this book during my daily recommendation. Because the setting is relatively new in the past year or two, I quickly read all the existing chapters. I learned about the author's previous books from book friends' posts, and learned that the author came to Qidian from other websites. The setting of this book is similar to the previous book "Those Big Shots Are All Me". I thought it was old wine in new bottles, which was not very interesting. However, judging from the recent chapters, the author's updates are decreasing, but his writing style and conception have obviously improved! Especially at the end of Chapter 135, the writing concept starts to amaze you! If this paragraph in the next chapter can well take over the context without violating it, it will undoubtedly be a highlight! Only then did I realize that maybe the author was hiding old wine in new bottles. The platform went up a level and the wine became more fragrant as it aged. Thousands of sails are passing by the side of the sunken boat, and thousands of trees are springing in front of the diseased tree; finally, I hope the author can persevere, carefully consider the writing and plot, and gather tens of millions of fans to become gods!

With a slightly potion ritual promotion setting, there are two things worth watching. One is the identity "onion" peeled off layer by layer to appear in front of people (to save the world), and the other is the "Shura field" from the iron law (love) of the God King. The promotion ceremony of the return of the new path is the plot line of this book - the historical tour of the great existence, letting the restless remnants completely rest, and dying for the fallen existence. It sounds like the story of God removing evil in religion:-D. The emotional line is not satisfactory, no matter which side you choose, it will be both sweet and bitter. The heroine has to endure the loneliness and pain of her lover leaving, while the hero's kind character cannot ignore the scumbag's behavior and feel guilty. Love is the reluctance of parting and the pain of loss. Love is the constant feeling of being short-changed. If you had known this before, why did you do it in the first place? Even if everything stems from original preference and malice. It is a pity that there are a few stories where the non-protagonist God chooses the king (I miss Violet), and the original ending of suppressing the girls is somewhat inconsiderate to the goddess's emotions (maybe I am still in the League of People and have no respect for "mother")

After reading it, the early part was quite interesting, the middle part was average, but the author lost control in the later part, and the ending was quite hasty. Drive high and go low, if the author can really polish it, it might really become popular. You can take a look!

It's probably the same as the book "These Big Shots Are All Me", where the protagonist is infinitely elevated on the background board, making it all the more exciting. When it comes to writing about actual on-site operations, it can't support the character at all, it's very hollow.

"A child's top fantasy about death is probably to imagine a scene where their parents kneel in front of the corpse and cry. What will they think when they see my corpse? Will they regret it, feel guilty, will they regret suppressing me and scolding me in that way? Maybe every East Asian child has thought about this question. Guilt is the heaviest shackles that parents put on their children, and children want to use the most extreme methods. The shackles are tied back to the parents. But what happens after death? Will the fantasy scene appear? The story of Nezha gave the East Asian children an answer. Even if Li Jing saw the resurrected Nezha, it was just a cold remark.

Really, what you are writing now, author, is not interesting at all. It is too watery. The protagonist is working as a nanny and planning to become stronger at the same time? To be honest, a witch and a prophet can sense the protagonist. Are those ancient bosses and gods blind?

This book seems to have no flesh-and-blood characters at all, even the protagonist. There is just a person who wrote the book stretching out silk threads to pull the puppets one after another. It is formulaic and routine, cold and dead.

This book is seriously watered down, and I feel like the author has nothing to write about. The current general direction of this book is Shura Field.

When I read Chapter 383, I kept being ambiguous and saying that I was sorry for them. The most important thing was what was the protagonist doing? There is no Shura Field, and no at-bats. Are you going to be Shimizu Bun until the end? How to get people to pursue him? Moreover, none of your heroines have their own characteristics. I have read so many chapters and none of the heroines impressed me deeply.

The protagonist gives me a feeling of being both strong and weak, both wise and confused. . . Propose a conjecture and then quickly deny it, always avoiding the correct answer. And every time there is a slight hint of identity exposure, it stops like an inch, highlighting a bloody plot that you will know immediately but suddenly pass by without you knowing for various reasons. This scenario even occurs many times. Every time I use the excuse that I have been inappropriate in the past. Anyway, it seems frustrating to me, so I'd better read some cool articles, at least I won't be depressed. By the way, the plot about childhood sweethearts is also unpleasant to watch. The plot about hiding each other's identities really makes people want to die.

It's midnight. It's a forced anime plot. No one's foreshadowing is so hard and sensational. It's so fucking historical.

This is not reality, this is a work of fantasy. Don't worry about your mortal power. To be honest, many copies are pretty good. You can write about friendship, responsibility, or love. Or you can simply travel through time and space and write dozens of chapters about daily life. As long as the sugar content is enough, I believe there will be no criticism from readers. It is normal for harem novels to design daily copies specifically for the heroine. But you are always thinking about the grand narrative. Just be grand. It's cliche and vulgar. Look at the comments section and see how many people think this paragraph is well written.

There is serious water filling, a lot of nonsense, and the plot is dragging. It is recommended to save more before reading, otherwise you will not know what you are watching. Come on, author, you must be like this.

After reading the last few chapters, I feel that I have lost the desire to follow the story. The whole book is about supporting the protagonist, including the heroine, who is all for Moen. Her identity has always been concealed. Except for the protagonist, the other heroines seem to be just tools. After writing a plot, they basically ignored it. It seems that the whole world was originally created for Morn, and the villains are just to highlight the protagonist's shortcomings. There are too few shining points about the protagonist himself. The whole book is full of the protagonist's arrogance, whether it is towards the heroine or others. For the heroines, you will only use their curses and find excuses to hurt them again; for the enemies, no matter what you do in front of the protagonist, you will be tricked and appear to be a clown. It is like playing house. The protagonist can slowly let you play if you are interested.

What the hell are you writing? Why don't you write a new book and let others read your old book? It's so obscure and difficult to understand. Md found history in gold.

It's rotten. The previous one was about trying to prevent the original destructive side from annihilating the world. This one has turned into the protagonist's bad taste and original jealousy to pay tribute to the protagonist. The protagonist is too addicted to the toys she created, and she uses all means to make him understand that all the worlds and sentient beings are just things that she can make and repeat at will. They are not worth cherishing. It's too disgusting and too deformed. God and the king are the only ones. It's nothing different from the novel about destroying the world for love. Life is just their fun, toys, and NPCs who witness their happiness.

I originally thought that this instinct was a little different from the previous one, but the protagonist shrank at the last minute and wanted to run away at the last moment. Alas 😐 How about playing with the readers?

Looking at the name and cover, I saw that it was from next door. After reading the first chapter, it looked so similar to these big shots. In fact, it was me and Xixi Dog who came to preach?

Can you stop committing the literary youth syndrome? I know you like to play grand narratives, but it's not that exciting and it's far from the narrative feel of the arc of gunfire next door. Can you write about what you're good at? Many chapter updates are just for the sake of word count. You can basically understand the content from the beginning. You turned on the automatic subscription for half a month, but you didn't even finish a single story? Think about it carefully and analyze it. I can be regarded as an old reader who came from the cat side and has ordered all your books. Can you please stop doing this kind of thing that disappoints me? If you feel like you can't stand it anymore, you can write more about Shura Field, which everyone loves to watch, and no one will say anything.

The latter part is not good at all, don't read it. The better the writing in the front, the more rubbish it will be in the back. In the front, a lot of space is spent writing about loving and being loved by various goddesses, and being a savior. However, in the last few dozen chapters, Yuanchu pops up and tells you that this is all a game, and the goddess is a toy. Then the male protagonist and Yuanchu are not described much. They are together, which is really amazing to me🤢.

Emmm, what can I say? The literary youth disease is too serious. It's okay at first, interesting and fresh, but for the crazy routines later, it's no problem for mortals to pray, and it's no problem to answer prayers, but you are in the extraordinary world, and the protagonist has leveled up. It's really not possible to have a sense of ritual. Can't you use more like a lion? Also, water is not the problem. The problem is that you don't poison the water.

You can look at it in the early stage. The more you write in the middle, the more it collapses. When it comes to being stripped of the vest by the Prophet Sequence 0 and causing the destruction of the world, you can directly abandon it. The protagonist said that he was still too weak while pretending to be a slap in the face with his old identity, but he refused to quickly upgrade the New God's Path sequence (the author's fault) ps: The protagonist is really weak, with no combat power at all, and relies entirely on shaking people.

The characters are too thin and the plot is too routine. It looks like an invincible flow, but in fact it is not. There is no battle of wits and courage, nor the exhilaration of all kinds of crushing, and the cycle of pretentiousness. Typical open high and go low

The writing is so bad, even the pretentious scenes cannot be written, and it is written in an awkward manner. There is also a problem with the plot design. As long as the world view is deeper, the protagonist will not know anything. The protagonist has lived so many eras in vain. He will always only know the fluff of each era. He is plotted against every day. The villain will only shoot cold arrows and will not directly rush out to face him.

I read it again, and the more I thought about it, the angrier it became. This one is a little better than the last one. I don't think the ending is bad, but it's a good meal. At the end, you have a bowl of sweet porridge, which really makes you feel a little nauseous.

The early stage was good, the middle stage was okay, but the later stage collapsed, the plot collapsed, the combat power collapsed, the outline collapsed, and the ending was forced to end. Can you be worthy of us readers?

The relationship between the God-Kings is very attractive to me, but the ending is too hasty. There should be some Shura field plot before the original plot, and then it keeps emphasizing that the God-King is the only one. However, apart from the protagonist, the only God-King relationships with names are Aurora and the White King, the God of War and his son, and the last three pairs of unknown God-Kings. I feel that there is a split between those who follow the iron law of the God-King and those who do not.

Author, why don't you write an extra chapter or an epilogue? Basically, it can be said that more than 80% of readers will definitely not be able to stand your ending. Author, this is really a bad ending. In fact, it is understandable. After all, the author's chess is too big, the layout is too deep, and the foreshadowing is too long. It is difficult to wrap up the story to perfection. The more I look at the end, the more I feel that the author will not be able to wrap up the ending. So I have already been mentally prepared for the ending to be unfinished, but the ending is still painful to read. But if the author writes some sweet and daily side stories about the God King, or explains the direction of the world from now on, writes some short stories, etc., It can actually make up for it a little bit. But the author simply ignores it and gives a very poisonous finale. Is this because he knows that his writing is broken, and then he is embarrassed to face the readers and chooses to just start it? I don't want to be too aggressive, let's just describe it like this. The author invited us to have a meal of delicacies from the mountains and seas first, then suddenly took off his pants on the spot while we were not paying attention and sprayed him with lightning speed💩, and then ran away without wiping his buttocks or wearing pants! ! ! ! Do you think this gives people more lasting appeal? ? I'm really pissed off. Forgive me, I don't mean to attack the author. I really like the first and middle stages of this book. The first and middle stages are all about how the author redeems the heroine who has been hurt. The main theme is that there is no abuse at all and the protagonist strategizes. The man and woman finally get married. It is very satisfying. But readers will find that the author is starting to lose control of the plot after about two or three hundred chapters. Stop reading it immediately. You will really vomit blood at the end, and the later stage is when the protagonist begins. When I came into contact with the secrets of this world, I began to deviate from the original intention of redeeming the heroine. The entire book began to lose its combat power, the world view was chaotic, the characters began to blur, and the plot logic became worse and worse. And I really don't understand why they keep recruiting new heroines in the later stages. Multi-female novels are fine in themselves, but the author's writing skills must be controlled. The characters of each heroine must stand up, and the whole plot must be smooth. Multi-female novels should not be stud novels! ! Hey, it's hard to describe in one word

Isn't this a complete denial of everything written before? It's just like all kinds of fantasy dreams that finally wake up. It's too bad. The author has no narrative ability at all. Why not change the track and write romance? Many plots just skip the ending. Xx is going to Shanghai xx has arrived in Shanghai xx is about to attack the city xx the attack on the city is successful

A novel by 🌿🥚 recommended by 🌿🥚