Dragon with a Thousand Faces

Being fooled into it by the word "easy" in the introduction, I couldn't stand the first few dozen chapters. Same as most works nowadays. If you want to add some depth, you can only write it in a very vulgar way. The plot follows the trend and makes some empty touching and ridiculous darkness and justice and cliché "resistance". The main character admits his cowardice on the surface, but his immediate action performance is so disconnected. He just relies on a little bit of barking, thinking that the poor light can fool him, and piece together a story that seems good. In fact, judging from the paragraphs and comments, even the audience does not buy it at all, and the comment section does not even cooperate with the low-level emotions. I'd give it three or four points out of ten.

When I first looked up, I had the same feeling I had when I saw the curling blade sword many years ago. There were many selves. In the end, the most ordinary and ordinary self achieved the ultimate peace that countless powerful selves before me could not achieve.

Mad Lich has been around for ten years, and it really shocked me at the time. Now that I see that the protagonist of Squirrel is still the chuunibyou who screamed with a holy sword ten years later, I can't help but feel a subtle feeling of wanting to complain but also feeling sentimental (ﾟ∀.)

Starting from the Crazy Lich, the collection was called up 1

You and I, who wrote "Release That Witch", are both old-timers who rested on their laurels. They were lucky enough to write a hit book and then stopped growing. The more new works they write, the more people will nostalgic for the past. Perhaps you all should systematically learn how to write articles and experience the society of the new era, lest the remaining thoughts and auras be eroded by your own writing skills. Leave some auras for yourself and learn how to write articles. Maybe the remaining auras can shine with the brilliance of the old era with your writing skills as you grow up.

The introduction says it's relaxing, but it's actually the kind of desperate salvation flow. The first Goldfinger is a very classic character inheritance, a very classic person who wields a sword like a god to protect the weak. This kind of thing is very bitter and hateful when you hear it, and the second one is the same, A brave man died fighting to protect the kingdom. The capital of the country is not there yet. It is said at the beginning that inheritance will affect the soul, and later it is said that there is also a choice of fate Not to mention that there is an exploding demon at your feet at the beginning How can this be easy? The author also likes to write a very long dungeon. The first story has been put on the shelves before the BOSS is defeated, and it is very procrastinating to write about 10 chapters. He also likes to compress the time. From the beginning to the end of the boss, it took less than 15 days . These two separated feelings together give people a very impatient feeling The title is very bitter and hateful, and it is not easy at all.

It's not that I can't accept sadistic writing, it's that I can't accept that kind of fantasy writing that uses a light-hearted and humorous language system as a guise to actually show suffering and hatred. Of course, we cannot accept the behavior of selling dog meat to others.

Starting from the crazy lich, the special police eunuch of the Dragon Kingdom, the crazy knight eunuch, and the National Sword Master are all unfinished. How can I still be alive to write about the interaction between the left and right brains in the next three levels? And you have had a problem since the beginning of Crazy Knight. As soon as you can't write the main line, you will start to set up crazy water for various reasons. Chapters and chapters of lengthy explanations will not advance the main line. At the end of Juggernaut, there is a section where you must be right, the reader, as if someone is deliberately punishing you if you have less money. The novel setting and smart protagonist are your strengths, but as soon as you start to talk about the grand narrative of the fate of the race in the later stage, you start writing a long article. Is it true that you are not aware of it? In the later stage, Mad Lich's battle with Zero God was a bit interesting, and then it was all anecdotal until the truth was revealed at the end. If you don't have that ability, don't talk about grand narratives. No one stipulates that your protagonist must be the boss. Can't you create another Big Brother-type tool? The protagonist is a staff officer and double-spend red stick. What readers want to see is Yang Wen-li on the battlefield, not Reinhardt in the court struggle. Use your strengths and don't get sick, okay? It's better to find a class if you keep throwing yourself into the street like this, right?

The reputation of Haohoumi, who was at the same time as you, can be said to be ruined. Eunuchs are eunuchs, and they run away. But you are still different. In short, choose to believe it.

Boring, the author is seriously affected by the international political spectrum.

The layout and settings of Squirrel's book are too far-reaching It makes it really uncomfortable to read chapter by chapter It may take dozens of consecutive chapters to make a plot point clear After reading more than 400 chapters, I started reading it I thought it was okay before, but I don't know why it is so serious like "How Am I Still Alive". Is this a new trend in online novels recently? The first few levels must be crushed to death, and only after a lot of branches have been crushed can you go up a little bit? When I watched "How Am I Still Alive" before, I felt that the pressure level in the early stage was too serious If the pressure is so serious at each level, will the writing power really be enough to write in the later stage? As expected, the battle force began to show off... Xuanjian next door also had serious level pressures, but they were capped at the beginning and only had five or six levels in total. This pressure was enough. Why are you still alive? In the eleventh-level combat power system, I don't mind if you have to write hundreds of chapters at the first level. I'll read as much as you write The problem is that you have to write hundreds of chapters at the first level at the first level. Don't let it go too fast later. If you really write thousands of chapters at the eleventh level, then this is also a feat But when I first had a lot of thoughts and ideas, I was so stressed that I wrote every level in a flourishing way. There were various settings for upgrading to the second and third levels, various professions and skills, all of which had to fill in each other. In the end, hundreds of chapters were added The next step is to add hundreds of chapters It's awkward if it's too fast It's not that you can't downgrade But the author must consider downgrading in the early stage, or making a level so grand and detailed Can you guarantee that the subsequent levels will be equally detailed and grand? Of course, it is difficult for novels to describe the combat power at the same level in the early and late stages But it can't be too different, right? When I read novels and write reviews before, I always felt this way That's what I said I'm not afraid of squirrels. If you write too much, the setting will be long, but I'm afraid that if you write half of it, the setting will run away before you use it up This is the case with the Crazy Knight, this is the case with the whole people, and this is actually the case with How Are You Still Alive The world view of your books, according to The level of detail in your writing at the beginning, even if it sounds ugly, is that you have the potential to write three to four thousand chapters But every time you write a few hundred chapters, you stop it How am I still alive? I was very surprised at the beginning when I followed this book. Although the early stage pressure was much exaggerated compared to the whole people, the unexpected pace did not suddenly accelerate I even wrote more than a thousand chapters But later After going to Wanjing and Siberia, I felt like it was over. The plot is about to collapse again, and it's about to start super-accelerating again I guess the idea I prepared at the beginning is almost written As a result, the acceleration becomes more and more exaggerated It feels like the worldview outline I wrote before burning, and I am speeding up to write an ending and give an explanation, so as not to be a eunuch. I can only say that the look and feel of this book is about the same now The first few hundred chapters, I read it in one go and it felt okay, although it is still a bit overwhelming, and the zz color written in some places seems to be really the flavor of the zz game between various countries in the story compared to the Crazy Lich. It is more like a forced and sudden zz color sublimation that is not in line with the plot of the story. But overall the flaws are not hidden It just feels too uncomfortable to follow up After reading more than a dozen chapters at once, I still feel stuck on the same plot point I can only say that it would be best if you could write more about this book At least write out the worldview that you have prepared for so long, and write it out completely It's really an idea Time has run out and I can't hold it back Instead of accelerating the completion It's better to pause Go back and write a few chapters of the Crazy Knight to change your mind Then come back and write a few chapters of this It's all a Western fantasy anyway This way you can adjust your creative inspiration Maybe it will allow you to write longer this time.

This book is too heavy on fatalism and lineage The protagonist is guided by the so-called incredibly powerful entity to do things step by step. From career, to abilities, to partners, to "daughters", and "apprentices" are all arranged. His own efforts can be ignored, or simply said that there is no effort, and he will just sit back and enjoy his achievements. This is not a person, it is an empty shell. It's okay when it's weak in the early stage, but it gets really boring later on.

Brother, I've read more than 300 chapters, and the time in the novel is less than 2 months. It's easy to get frustrated when writing like this.

Generally speaking, an author's writing skills improve over time. How come you, Squirrel, can't do as well as the other one? Have you exhausted your talents?

Almost all kinds of beast girls cannot escape the clutches of the protagonist 🤓

The last book was a smooth one, so let's trust it this time.

The author has really never read what he has written. He just writes wherever he thinks, regardless of the contradictions←_←

I don't want to find fault with you, but the recent narrative is really no different from boxing. The federal refugees fled to Glory City, and no one was willing to give them much help. The protagonist suddenly became bitter and resentful, thinking that if he didn't help them, he would kill all these old nobles. What kind of narrative logic is this? If you are a high-level executive of the Refugee Federation and are unwilling to provide assistance to refugees, then you are indeed inappropriate. However, the old nobles of Glory City and the vested interests of the Mage Alliance are unwilling to rescue refugees. Why do you have such a big problem with them? According to the narrative logic of the modern West, not paying taxes does not mean that some of them outsiders have not provided any help or taxes to the Federation. Even before the invasion of the stone men, the two parties were even hostile. The author himself also pointed out that the current strength of Glory City is limited, and there will be a big crisis in the future. There will be too many refugees to save it. Why in the author's writing, the protagonist even becomes a little hateful towards them? I think the normal logic is: unite most people and rescue refugees to a limited extent, because the protagonist's paladin ability is that the more people support him, the stronger he becomes. This logic barely works. If you have to stand in this boxing perspective, the glory will be evaporated and it will be too empty. . How much is it capable of doing? I feel that the overall perspective and narrative logic are too big a problem. .

After reading today's update, I suddenly realized that I had no patience and decided to delete the book I am also an old fan. I finished the book Sword Master and the last book which was so bad at the end. This book even lost the only advantage of a good start. It is a never-ending running account. The protagonist is on the way to wipe the ass of the previous generation. The background is strong and there are some hooks, but after more than 300 chapters, he still has to deal with these FW nobles in this small third-rate country. It can only be said that Squirrel's writing has become worse and worse since the beginning of National Sword Master.

It seems that the idea of ​​being the most crazy is not nonsense. This golden finger, the environment, and the original character of the protagonist make it impossible not to suffer from schizophrenia. In addition, with this kind of start, intermittent normality and continuous madness are almost the foreseeable future. And different personalities go crazy separately. 😁 In the early stage, you are normal and have normal outlook on life. In the later stage, you will be stimulated by various things and go crazy.

I had only read the author's Crazy Lich before, and I felt that the pace and writing had deteriorated a lot. . .

There are probably too many female characters in the work that is not yours. The only male characters are yourself (heroic souls Suen and Kuku) and the pig who is the first heroic soul heir. Although I know this is a characteristic of your Squirrel works, you, a member of the Machine Tribe, wrote her as a female. I can guess the rest of the plot, and it will probably involve going to the ruins to rescue the machine tribesman. Then there is probably only one machine clan member left, and she wants to revitalize the clan. And then to integrate into human society, in order to integrate into human society, they will put on anthropomorphic skin. Then a character with a beauty-like appearance and a mechanical personality.

My favorite book is Sword Master. At that time, my writing skills had not deteriorated too much. The settings were complicated but not bloated, and a new fantasy world appeared on the page. When it comes to "How am I still alive", there are too many rambling self-talks. One thing is often explained in detail more than ten times. This character says it once, explains it to another character and repeats it again, and explains it again when upgrading. . .

It's getting uglier and uglier. It's not that the story isn't good, but it feels like there are more and more settings when you get to Monk. Each chapter is a new setting. I'll talk about it a lot, and then the protagonist will upgrade and get equipment. You have to fight. The plot advances very slowly. There is no useful content in each chapter. After getting an improvement, I started to talk nonsense. For example, because of a, I improved b, and then c improved, and then I got d. After reading a lot of upgrades, I feel that the protagonist is very strong and invincible, but the result is actually just okay. Let's play through the chapters for a long time. Guess how you explain a, explain b, explain c, explain d. All of them I got more or less improvements, and then there was an exaggerated attack effect. Finally, it shocked others how the protagonist did. What a future hero, what a strong man, To be honest, it is not as good as the plot of the Paladin Heroes. The plot, battles, and interpersonal relationships are not as good as before. It can be seen from the monthly pass that it is already in the middle of the month with only 300 chapters. It is almost on the roadside. I started to get monthly passes from others to support this book.

I think it's actually pretty good-looking. It should be pretty good if you follow it up, but like me, I'm just reading it now and it's not bad if I read two to three hundred chapters in a row. The advantages and disadvantages of setting the number of authors are also disadvantages, because if there are too many settings, there will be some problems of contradiction, overestimation, and procrastination. It also depends on the reader's preference. Personally I quite like it, as long as the writing can be more humorous and easy to read.

It's really good to read. I didn't have a good impression of Kuku, the kobold heroic soul, but now I like it more and more. It's so well written that I will give this book a monthly pass every month.

It is very jumpy and often jumps suddenly to another point in time, which makes people confused.

The Eunuch King has been polluted and can no longer be the same as before. Entering the system and thinking that it can change the system, in fact they influence each other, just like Cthulhu. The current article is a bit disgusting and I hope you don't read it.

The sense of fragmentation is too strong. All kinds of crises are solved by the protagonist, and everyone else is just like decoration. Even if other people are still shitting on the protagonist's head, the protagonist still has to consider some bullshit unspoken rules of aristocracy. Speechless.

Let's go to Beifeng and learn the chicken restoration technique.