Resurgence of Ming Dynasty, Starting from Nanjing's Accession to the Throne

Nan Ming is difficult to write. In other words, any historical novel is difficult to write, especially Nanming. Without him, people nowadays can't understand it. The once top-level palace politics has turned into a personnel transfer mentioned in the history books; the crystallization of the collective wisdom of countless geniuses has turned into an inconspicuous policy adjustment in the history books; before the hanging sword falls, countless accumulated feathers will be scattered into the pile of old papers, and no one will care. The Southern Ming Dynasty was in chaos. These are messy. There were chaotic fights at the top, the Ming army killed people indiscriminately, the bandits killed people indiscriminately, and the Tatars even killed people indiscriminately. It was as chaotic as the Republic of China. You won't think about the impact that Apocalypse or even any exam during the Wanli period would have on history. In fact, most historical fiction writers don't think about it either. After all, if they could understand this, would there be any need to write novels? But to put it bluntly, this is still writing a novel. If the characters and plot of the novel are well written, it can be called excellent. Excellent writers may not understand history, but they must not understand character creation and plot advancement. Character creation, even the protagonist, can be made into facial makeup; or it can be simply sketched with two strokes, giving people the impression that it is a pure tool role (such as Yao's writing of Lu Weiqi). As for the plot, it's all full of tricks now. Fortunately, Tusun is an excellent creator. The characters stand up well and the pace of development is wonderful. Even more fortunately, Cusun is deeply involved in history. The most valuable thing is that Tusun's writing skills and writing style are both excellent. I used to think that the people above were too ungrateful. It wasn't until I watched an interview with the young marshal when he was old. He said that Feng Yuxiang was cruel, that he killed Yang Chang by throwing coins several times, and that he personally comforted Mrs. Yang after the murder, that I realized that these people were also real people. It is already difficult to write about living people in scraps of chickens and dogs, let alone in the temples and temples, between the two temples? When Yao wrote about Chongzhen, it was an ordinary stubbornness; when he wrote about Huang Daozhou, it was an ordinary remonstrance that could lead to death. It has been used since Tai Shigong. It is not an exaggeration to say that it is a routine. But the author is not biased. You can see living historical figures in his writings. Mu Zhai Yaocao is no longer the King of Qin in the traditional narrative; Du Yunxi has lost the Gu family's love house and Wu, and is closer to the image of the Ming and Qing Dynasties; even if the first volume of the History Department failed to appear, you can still outline an ideal politician from the comments of others, who is not like the general prejudice of the Gu family, and has thrown away the perfect person in Donglin's narrative. In order to shape these characters, I used all my brushstrokes and lines to illustrate or exaggerate; and then through the recycling and reversal of foreshadowing, I shaped the characters and advanced the plot, which is breathtaking and has completed the task of the novel brilliantly. As Jiang Yueguang said, one is not in a hurry, hunting cattle across the mountains, and wants to become a famous minister of the ZTE; the other is in a hurry, limited by others, and needs to be able to maintain his authority. Another example is drinking opposite each other by the river. To the south, the emperor and his ministers are in harmony with each other, and are young and energetic; to the north, Qiu Ba is acting mischievously, and is arty. As for the good writing style, it is obvious to all, but it is trivial.

At present, it seems that the writing style and historical material storage are very solid, and it feels like reading a history book, so everyone's blood pressure is high, haha. The history that has happened cannot be changed, and everyone knows that so many biographies of this era are just little girls who can be dressed up by others. At this point in reading this book, I have obviously read into it, so I feel depressed and have accumulated a lot of blood in my chest. Everyone is also longing for some relief. Now that the emperor has charged in this chapter, we still haven't seen any obvious military changes or morale enhancement. It was probably more of the suffocation caused by Nan Ming being rotten to the core. Maybe the buff of Emperor's Charge cannot affect everyone, but it will at least affect the generals who rushed in and the generals who prepared the groundwork, and will affect this contact battle. I look forward to the author's accumulated experience and brilliant writing. Let's see how Emperor Dingwu can stop the Eight Banners from going south and the Left Army from the west, and gain a breathing space to clean up the old mountains and rivers from the beginning.

The writing is quite good. At least it has the value core of Chinese classical novels. Benevolence is the core. It is understood that governing a country does not rely on killing people. In the chaos of the world, it does not rely on the so-called rapid advancement of science and technology (science and technology cannot advance by leaps and bounds with one or two sentences and one or two hints), but also by the improvement of the system. And reform, the needs of the market are the fuel that promotes the rapid advancement of science and technology, nor does it rely on subversive reforms to achieve a rich country and a strong army. In a dilapidated situation, strong medicine may be counterproductive. The more you make trouble, the more the country will perish. If the emperor can do everything, what do he want his ministers to do? The emperor itself is imperfect, and authors are rare. Come on, write well, you have surpassed most angry youth authors.

I know the author wants to write a protagonist with a growth trajectory, but the current protagonist is too stupid.

Your writing is very interesting. A novel must be step-by-step. Except for some cheating or cool writing, no one can master it by taking a normal ordinary person as the protagonist. The author's writing is very logical and consistent with the characteristics of a person. This is very rare. In all novels, as well as cool writing, you can see the remnants of feudal autocracy floating in the text, because the emperor cannot be proficient in everything. , There is no such thing as an emperor who is wise and gifted by heaven. They all become wise kings through continuous polishing and training. I don't think any modern person has the ability to govern a country, especially ordinary people. Even if you have experienced the information explosion, you are just talking about being awesome. Any mature person will know that it is difficult to do things in practice. However, most novels basically assume that an ordinary person can do anything if he becomes an emperor. Understand, as if the emperor is omnipotent, this is actually the myth of worship of autocratic totalizers in the bones. No reader can understand how precious it is to be tolerant when having supreme power, and how important and meaningful it is for an era where the system is a feudal monarchy. But the protagonist is the protagonist after all, and there must be something different about his appearance. After this period of growth, , I believe that the protagonist will bring us different senses to the readers in the next performance, which may be what these readers who are looking for fun are looking forward to, so it is also very important. The author's rhythm is actually quite good, but it is not well coordinated, and there is no need to write a special chapter to clarify. It is enough for you to write your own novel. I also have some humble opinions on governing the country. It is good not to bother and govern by doing nothing, but in troubled times In , an effective administrative machine is very important. It is a necessary condition for effectively mobilizing and integrating resources to withstand the coming storm. The protagonist has just arrived at the end of the Ming Dynasty and does not have the ability to build an efficient administrative machine. The protagonist is also unskilled in this aspect of government affairs. Therefore, when your emperor does not know how, the importance of your ministers is highlighted. To highlight the importance of your ministers, you Watching the War between Chu and Han, Liu Bang is also very frustrated as the protagonist, but this does not cover up Liu Bang's charm in employing people. There are still some cool points, but some of the cool points are strategizing and winning thousands of miles away. This kind of fun is even more advanced, so we can speed up the timeline, speed up the protagonist's growth, and try to make the process of the protagonist's growth as short as possible. After all, many people are really pursuing the fun, and we can't ask for it. Authors go to generate electricity for love, so grades are also important. Writing a good book is important, but making money is also important. Only with incentives can you have the motivation to do things. The same is true for governing the country. I once had the honor to work with some local officials to promote policy reforms. Monetary incentives and profit sharing are the fuel for policy promotion. They are also important factors for the success of the reform. Whether everyone in the system can benefit from it, the system Whether outsiders can get convenience, these balances are the same as the balance between cool points and logic. Only when you get money to write novels can you have the motivation to write more and better. The same is true for policy promotion and reform. Ordinary people make up the majority in this world, and there are only a few who have the spirit of scholar-bureaucrats. There are even a few who are willing to sacrifice for this country and generate electricity for love. I hope this little tip can help the author, and I wish the author a lifetime of writing.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ Does not mean that the protagonist is so white, but if the protagonist wants to revive the Ming Dynasty, then it is a bit wrong for the protagonist to be so white.        ，，，， But if you say that your protagonist doesn't know much about history, government, military strategy, or technology, then if you say that this person can save the Ming Dynasty, then I think it's a bit unsatisfactory. If this is the case and still successful, then I think this lucky king in history is not bad at all. At least he comes from a clan family, has a team under him, and also knows some power struggles. In this way, a novice is shaped into a person who successfully turns the tide in the end. Is it even worse? Are they more open-minded than those who know everything when they first come here? It's just a bit of personal opinion, just forget it if you don't like it.

Travel through the Southern Ming Dynasty. If you don't have any plug-ins, you'll die. Jiangnan landlords are powerful, corrupt and incompetent. The majesty of the imperial court was completely lost. Officials are colluding with each other. There are no good ministers in power and country. There are no henchmen or minions outside. Local generals are only trying to protect themselves. The people are even more miserable. The court had no money or food. The handle of the knife is not easy to pick up either. Under such a situation. If you don't cheat, you will die no matter what.

The author's writing is very emotional, and there is really a sense of despair of "crying at the end of the road"

The author writes very well, the characters are not stereotyped, and the protagonist does not have a vision of God. Anyone who has read the memorials of several famous ministers in the late Ming Dynasty knows that all the ministers in the late Ming Dynasty were loyal ministers of the public and loyal countries. On the surface, they served the king for thousands of miles, seeking nothing for themselves, and they knew all the plots behind their backs. It is precisely because of this superficial skill that for kings, it is difficult to distinguish between loyalty and treachery, and it is difficult to recognize talents. No one will say on their face that I am doing it for personal gain or party struggle. Many novels about emperors do not handle this well. They give the protagonist a God's perspective, and this book handles it very well.

The protagonist is really a novice, worse than a junior high school student, so he wants to change history? Just dream.

The author knows the history of the Southern Ming Dynasty very well, but does not understand politics. Peace talks are a dead end. The emperor has lost the authority of the central government, so you have to carry the flag. What kind of flag?

A freshman has no social experience and no memory of the original owner. He may not be able to read traditional Chinese characters, read sentences, or ride a horse. He also knows nothing about the history of Nanming. What is the difference between this person and the original owner Zhu Yousong? Is the author here to be funny?

Everything else is fine. At least ten people should go out together. This way at least safety is guaranteed.

These officials in Nanming are so weird, they fight with each other, and their blood pressure goes up!

Some people write excessively and brainlessly, but if you increase the difficulty too much and go through it with a pure whiteboard, you won't be able to make a comeback, but it will appear to be brainless.

The protagonist is designed to be silly and stupid, and there are also historical characters, so just watch it if you are not afraid of the effort.

It feels like the author's original intention was to write about an ordinary person who grew up in Nanming's blood-pressure-inducing environment, and to write about the chaotic dancing of the demons in Nanming from a first-person perspective without opening the fog. But that was Nanming... Not to mention that the insects in the court were disgusting to watch, and he didn't have enough insight or historical knowledge. It was impossible. Being able to break the situation in a mud-like environment in a very short period of time... Even if you are lucky and spend a few months cleaning up the court, you will have to face the hellish situation of the defense line collapsing instantly and the Qing army moving south... This is not a problem of writing ability, but a problem of subject matter. If the time is moved forward a year and a half or if it is switched to the Shunjun camp, it still feels like there is still something to be done. At this time, we can only let the author have all kinds of adventures, which will embarrass both the author and the readers 😓

Such a useless protagonist? There is no sense of excitement, no sense of involvement, no support for the building that is about to collapse... . Come on, it's hard to sign a contract. .

After reading this book, I became interested in this time period in Nanming. Illnesses come and go like a mountain, and they go away like silk threads. There is not much time left for the protagonist.

It is very difficult to ascend the throne in Nanjing. Those bad people in the southeast are stupid and arrogant 😜

The author has rigorous research and concise language. I support the author. Please update soon (Happy)

A very good article has just entered the palace.

Hahahaha, a book is really published Call the author 🐉🐉🐉 I hope more people will become fans, the author is very thorough in writing books

The author's entry point is very good. I have read a lot of novels about the late Ming Dynasty, but I don't understand the position of those people in the late Ming Dynasty. Please update it quickly.

Are you still updating? Are you ready to enter the palace to purify yourself?

It's a bit uncomfortable to get it right in one step, it's just a matter of a few words! You were reborn in the late Ming Dynasty, then died, and died miserably. A modern person who passes by as a loser is looking for death

Guguquagga, a tribute to the legendary hunter