Jinting Han People

Originally, the history of the Jin Dynasty, especially the late Western Jin Dynasty, was very high-pressure. The author basically copied it and also made it even more high-pressure. He asked the protagonist when he would take action and said that he was waiting for the world to be in chaos. When will the world be in chaos? (According to history) It's about ten years away, and I'm already a little bit blind when I see this. This is the disadvantage of being too historical. Once I know that more disgusting things will happen later, and the protagonist has to endure it, I really feel a bit trapped in a cocoon, trapped in the shackles of so-called rationality To be honest, the common idea of ​​​​hiding one's strength and biding one's time for the protagonist in online articles is that it is impossible to write a hero. Who doesn't know not to do things that are uncertain? But if you say you want to be the hero that everyone expects, then everyone expects you to dare to brave the world's disapproval and do what others cannot do, instead of digging deep holes, hoarding food, and waiting for the enemy to crash into your iron wall! When Chen Sheng and Wu Guang revolted, it was just a desperate attempt. Who would have thought that the words "Qin Dynasty has been suffering for a long time" in the world would attract so many heroes to join forces, and they could conquer eight states all the way. Emperor Wu of the Han Dynasty is still "eating blood to this day". The protagonist of this book now has the airs of a small-town moral model. He will be devoted to some lofty ideals, and will be angry when he sees the unfairness of the world. However, when he is moved, he will still work and live step by step, as if ideals and the world have nothing to do with him, and even gold In the Great Tribulation of the Valley Garden, the hero's almost only heroic deed has become an embarrassing footnote to his youth and frivolity. The character of Lu Zhu is also used to remind him of his "immaturity" all the time. So where did this bravery and his simple moral values go? In the novel, Liu Bei also planted vegetables in the yard, but he dropped his chopsticks when he heard Cao Cao talking about the heroes of the world, because he really had great ambitions. Is the protagonist ambitious? I don't know, but if he has, he'd better act quickly, because this book has already reached more than one million words. Do we need another five hundred thousand or even one million words to drive the artifact? Then I really don't know what to say Lastly, let's put it on the back, it is not neutral or objective, it only represents personal reading experience, not reading suggestions, all book friends can read at your own discretion

Let's talk about the conclusion first. In the plot related to Green Pearl, the characters are accurately captured and well-shaped. The plot design is also relatively smooth and harmonious, and the theme has always been consistent with the previous article. The uncomfortable part does not come from the purely bad parts such as idea design or technical problems, but from the content, through the final failure of the rescue plan, the psychological flaws of the protagonist Liu Xian are exposed to us. But what I want to say is that the flaws in this part of the mood are the only way for the further shaping and development of its characters. I will next demonstrate this point of view and use this as a basis to try to analyze some controversies worth discussing about the Green Pearl plot. Some people may say that the uncomfortable part is Nok Joo, but Nok Joo's image, character and actions are basically not positively shaped and described before the end. Is it the attribute of his broken shoes that makes him disgusted? I don't know much about it so I won't go into details. We will start with Liu Xian's three experiences of violence in his childhood. The first time was when the person he met for the first time, Wang Fu, was killed in front of him; the second time was when he encountered his father's atrocities against his servant Lai Fu. In these two violent scenes, the power that used to rest behind ordinary daily life reached its limit, and finally exposed its ferocious minions in reality - but this was completely ignorant to Liu Xian. He only knew that outside of the daily life that he could not control, heterogeneous forces were approaching him step by step, turning his beloved neighbors into monsters one by one. While he was helpless, the third violence befell those closest to him, but unlike the previous time, he understood not only the external causes of the incident, but also the internal causes of the human heart from the persecuted Zhang Ximiao. Although he was still powerless, he finally saw the sad trajectory of the executioner's knife. At the cost of this tragic tragedy, Liu Xian understood that the mission—responsibility—given to him by his mother meant using his own strength to overcome and reverse the influence of history and power on his head, and to protect the people around him, which required that the traces of his own experience and will to power be engraved in history. This is the true meaning of "not wasting time". And just when he was complacent, the fourth violence turned into blood and slapped him in the face in an unexpected and absurd way, leaving him in a state of embarrassment. The contemptuous words, the blood in the cup, the numb face, the depressed figure, the thorn of revenge... Such a tense mental image was engraved in Liu Xian's heart. It was rekindled by Shi Le from the sticky daily life of Luoyang, and he burned uncontrollably towards the power that caused violence. But at this time, Liu Xian was not really aware of this matter. He was still closed in his morality about responsibility and in the tragic night of Zhang Ximiao's miscarriage. In the general case of the former, Liu Xian has always been committed to being a giver and protector. However, due to his repressed experiences since childhood and his current environment, he rarely opens up his thoughts and will or penetrates deeply into the hearts and lives of others. Instead, he acts as a depressed and silent father. , Abiding by the obligation of protection from his mother's will; but this kind of mental isolation and depression just reflects the arrogance hidden in Liu Xian's bones, inverting the moral obligation of responsibility into a "beautiful soul" who only does what he thinks is right and only firmly grasps his own certainty. Among the peculiarities of the latter, the trauma of violence has always troubled him. The article mentioned that Luzhu's unfortunate life and desperate spirit reminded him of his mother, and a leap to save the past and take action to change everything emerged spontaneously. The urgent pursuit, the obligation of responsibility, the arrogant justice, the flame of revenge, the admiration for beauty, the restless ambition to fight heroes... These complex and contradictory wills and fantasies completely fascinated his mind, making it difficult for him to maintain the illusion of a free giver, and making the action of saving Green Pearl a hasty action of a conscientious person based only on his own initiative. But all this was completely shattered in the exchange with Lu Zhu again. Liu Xian was astonished as if he had just woken up from a dream that he knew nothing about Lu Zhu. He could only reluctantly say "help him realize his dream", an extremely self-centered and embarrassing and incomprehensible request to others. The only good thing was Lu Zhu's understanding and the protagonist's virtuous man who made his conscience finally pass through the narrow door. This embarrassment continued after the brief excitement of Xian Yi and Ang Ma: after all the thoughts that confused his mind receded, the inner images of Lu Zhu and A Luo that Liu Xian had never really understood emerged. It is precisely because of this that some people commented that the emotional drama in Chapter 32 was awkward, and I found it difficult to express it. Embarrassment is inevitable, and the reason is that there are many illusions here - there was no acquaintance between the two before, so how can it be called an emotional drama? As for why some people say that Liu Xian, a native, is as shy as Brother Chu in front of Luzhu, I can only think about it again: his fantasies and excessive self-awareness about others are shattered before the other person himself. Is there anything more embarrassing than this? But what made Liu Xian feel the most absurd and painful was Lu Zhu's confession and the following plot. In Lu Zhu's confession, he felt that although the all-encompassing power and suffering had been temporarily repelled, he still looked at Lu Zhu who was deeply bound in this social structure, but he could not do anything about it; in A Luo's questions, he surprisingly reflected on the conflict between duty and responsibility, and the blindness and insult caused by blindly insisting on the categories of giver and recipient. And in the matter of recognizing relatives and reuniting, which he considered to be the most correct thing, this embarrassing pain was torn to the greatest extent: the harm caused by the human heart and the world was preserved forever, distorting all things that were natural and reasonable, and became a new form and structure of this evil world. Just as Zhang Ximiao's dying instructions could not resolve Liu Xian's boundless confusion and hatred for his father, Liu Xian also realized that people can't understand and redeem each other - because everyone has different scars in life. But at this moment, the boundless sea of ​​suffering turned everything upside down, allowing Liu Xian to personally experience and comprehend the unfinished last lesson from Li Mi: This inability to truly understand and redeem, this suffering of denying will, is the opportunity for us to understand each other and recognize each other. Whether he is a "beautiful soul" like Liu Xian, a careerist who is completely evil and perverted, or a cynical hermit who judges everything, they are all trapped in their own isolated legitimacy, unable to understand and face up to this kind of suffering and incompetence. It is the unity of the extremely dark black and the extremely pure white, which is the last language of our mutual forgiveness. How can we truly change the world and save the common people? So Liu Xian chose to start from Wubao under his rule amidst this "uncomfortable" incompetence, and endure the suffering of the next severe winter with him. So is there any pattern in Liu Xian's performance in this plot? That is indeed not the case, because this is the path he must take to grow. As for whether this lesson about suffering and failure is better understood by the protagonist because of his extremely high talent, or whether it is made more vivid and profound by his personal experience, I can only say that it is a matter of opinion. Finally, we can find that what may be uncomfortable about this plot is largely because the shaping of the character's long thinking is contrary to our reading habits of online articles.

What the author wants to write is very clear. It is nothing more than to say that the founding of the Jin Dynasty was unfair, and the change of power was a moral sin, and the struggle for power and gain; but to be honest, the root failure of the Han Dynasty was the aristocrats, and the fault of the Jin Dynasty was the enfeoffment + the aristocrats, not what the author calls "breaking trust in the world." Since the late Western Han Dynasty, the aristocratic clans have controlled key positions in the central government and annexed land in local Jiewubao to form a manor economy. They have continuously eroded the power of the central and local governments and eroded the economic foundation of the dynasty. In the end, it was difficult to form a strong central rule under Emperor Qin and Emperor Wu of Han. After the fall of the Western Han Dynasty, Wang Mang failed to implement land equalization. Emperor Guangwu of the Eastern Han Dynasty did not solve the fundamental problem. He could only maintain the system through marriages to win over powerful families, which laid the foundation for the collapse of the Eastern Han Dynasty. In the early Eastern Han Dynasty, the population was greatly reduced due to wars, so land annexation was not serious, so the problem has not yet been exposed. The reason why the eunuchs and relatives became powerful in the late Eastern Han Dynasty was because the powerful officials of the gentry eroded the imperial power, and the gentry and clans colluded to control, inspect, and conquer important roads and eroded local administrative power. Eunuchs are rootless people whose source of power is imperial power. They are the natural allies of the emperor. The emperor needs relatives and eunuchs to balance with the scholars: the disaster of the party is to suppress the scholars. There are countless records of the evil of eunuchs in the history books. Is that because it is the scholar clan who writes history. For example, in the Jingu Garden, the beautiful Shi family can eat and roast human flesh. Isn't it difficult to write down these noble clans? None of it is fun. There is a moral utopia in the author's mind, as if Liu Xian is a morally perfect person, and if he sits in a high position, the country will be at peace. The noble families no longer regard the family as their fundamental interest, but the world as their fundamental interest. They no longer annex and fill the land, and they no longer control the channels for power advancement. Everyone is selfless and does not have second thoughts. Is it possible? It was not until the Five Dynasties and Ten Kingdoms, when warriors rebelled for hundreds of years, that the noble families gradually died out. China then ushered in a new centralized dynasty, the Song, Ming and Qing dynasties, but the noble families changed their appearance and became a civil servant group.

After Shi Dakai left the Taiping Heavenly Kingdom, he could have gone to Anqing to establish a separatist power. The battlefield in Hunan and Jiangxi was dominated by Shi Dakai's old troops. Sitting in Anqing and continuing to fight against the Qing Dynasty can also consolidate Shi Dakai's appeal and compete with Hong Xiuquan for legitimacy. But Shi Dakai insisted on taking a detour to the south of the Yangtze River and moved to Sichuan to establish a base. As a result, he led the 200,000 main force to break away and fought for 6 years without winning a single victory! Why? First defeat: Political failure. Detouring to the south of the Yangtze River, we left the Yangtze River coast on the anti-Qing front line. The soldiers and people of the Kingdom of Heaven were disappointed with Shi Dakai. Second defeat: strategic failure. Historically, the new dynasty conquered most of the world before occupying Sichuan. Why? Since ancient times, Shu has been a place that is easy to defend but difficult to attack. When the North, the Central Plains, and the Yangtze River are still uncertain, it is strategically uneconomical for a large army to attack Shu. Three defeats: Logistics failure. After Shi Dakai failed politically and completely cut himself off from the Taiping Heavenly Kingdom system, he was unable to obtain logistical supplies from the base area or military intelligence, which turned into a rogue warfare model. At this point, no matter how brave and skillful Shi Dakai is, he cannot change the situation of not winning a single victory in 6 years. Looking at the protagonist of this book, the author's choice is so similar to Shi Dakai's choice! Politically separated from the front line of fighting against Hu in the north. Political failure. Strategically, during the great war in the world, use all your strength to attack Shu. Strategy failed. In terms of logistics, they carried 200,000 people and fought for 2,000 miles without a rear base. They gave up the legacy of the Eastern Jin Dynasty that could have digested unity and became a de facto refugee army. This level of difficulty is at the Long March level. Hey, this makes me feel that Liu Xiang's soul traveled through time to Yan Xishan, and then in 1936, Yan Xishan led the Jin army and some people to abandon Shanxi and go to seize Sichuan. Ridiculous! ! !

In the past two years, the inexplicable theme of the Two Jins, Five Grains, Five Hus and Sixteen Kingdoms has slowly become popular. I like historical novels very much. Unlike the poorly written Song, Ming and Qing Dynasties, the Five Hus and Sixteen Kingdoms and the Five Dynasties and Ten Kingdoms are really heroes. If you don't read the novels and study the history books carefully, you can understand them. However, there are few good articles. However, the novels I read in recent years or this year about the two Jin Dynasties include Le Huma, The Clothes Are Not Nandu, The Long Sword of the Late Jin Dynasty, The High-Grade Hanshi, and The Story of Youlin, all of which were good, until I clicked on this book one time. This book is different from any of the books I cited above, but I have to say that it is similar to "Sui Luan" by Drunkard Master. A person is not destined to do a great cause, nor is he destined to be a skeleton background under the throne of heroes. He must have experienced things that no one can do. In the end, thousands of reasons push him to take on some kind of major responsibility. If a person shoulders and completes responsibilities that others cannot bear, then he is a hero. Back to this book, I have read the end of the Sima Wei Rebellion, and I can only comment on the previous articles. The author's profound writing skills are like fine wine, and he narrates Liu Xian's growth and experience. Until now, I am impressed by the author's portrayal of Jiang Wei, his description of several teachers, and his multifaceted expressions of Sima Wei, the prince, and the Jia family. Especially the ending of Sima Wei, which I just finished reading, is really regrettable. It also changed my feelings about this straightforward record of history in history books. As I said, the outcome of an event is not destined, but driven by thousands of reasons. A straightforward historical record hides the stories of many people and countless people, but you can get a glimpse of it through the heroes written by the author. In fact, the author's writing style is really commendable. This combination of literary youth + traditional literature + Internet literature is really difficult to control. Excessive literary youth will appear to be frivolous and ridiculous. Traditional literature often has a strong personal style and is sublime. Excessive Internet literature will be intellectually dull and tasteless. It is really rare to have a good combination. Therefore, I cherish reading this book. To give a few examples (not disapproval, just personal opinion), the very popular "Jianlai" hopes to write thick articles full of literary youth atmosphere, but in fact it is more of a futile moaning. The style of "Historical God Ji Yu 2" is a typical Internet literature. It likes to write about certain important events with a heavy emphasis, which is weird. There is a sense of relaxation, but with this oily aura, I bet that the protagonist of his little book would never survive seven days if he returned to ancient times; in addition, the author is afraid of water. The article "Shao Song" is indeed one of the peaks of historical writing in the Song Dynasty, but the new article is full of preaching and sword-like moaning, which really makes people doubt that he has exhausted his talent. Finally, the author's subject matter is really great. The Shuhan Group is full of a kind of idealism that is different from traditional feudal society. Especially in the Chronicle of the Three Kingdoms, from the incredible meeting of Liu Bei's five tiger generals and the four prime ministers of Shu to Jiang Wei until their helpless withering and death, people can see the beginning of a certain ideal until it is shattered, like a moth flying into a flame, or like a foolish old man moving a mountain. This is very cruel. I should also be a literary youth, I like the story of the Three Kingdoms, I yearn for the old style of the Han and Tang Dynasties, and I long for every ideal to be realized. Finally, I hope to see Liu Xian become a great man and grow into a hero who takes on responsibilities that no man can bear.

People who read this book will be suffocated. The first and middle parts are spent in intrigues with hypocrites and real villains, coups and backstabbing. It's still reminiscing at every turn, and the rhythm is dragging. However, there are only a few books that can be read in the historical area. This one is just digging for gold from shit. You can still read it while holding your nose.

The writing of this book has the flavor of prose. When I first read it, I almost wanted to read it. However, I couldn't resist my general curiosity about An Le Gong after Liu Chan. I was also attracted by the author's solid writing skills, so I settled down and read it. I'm about halfway through the process now. Historical texts written in this style really have a unique flavor and are easy to sink in, rather than looking at God's perspective and frequently making dramas like many historical texts. In addition, the most important thing is that this writing style is very consistent with the romanticism of the Shu Han Dynasty. The love of the Shu Han Dynasty is well described. The male protagonist's tenacity, father's guilt, mother's love, Chen Shou's twisting, and Li Mi's determination all made me vaguely see the shadow of Liu Guanzhang... In short, it is a good book with an alternative style. Friends with historical romantic feelings can read it.

The writing is clear and clear, and the introduction is sonorous and powerful, with the sound of gold and stone. Between the lines, I feel the loneliness of the Three Kingdoms era when heroes emerged in large numbers, and the shame of China being usurped by despicable villains. After reading the generosity and tragedy of history, my heart is filled with regret and loneliness. It is truly a masterpiece in the historical area.

Let's talk about the review first: This book is so good, so good, so good that I, a bookworm in the history area for ten years, couldn't stop reading it. It is not a refreshing novel in the traditional sense, but it writes so well about the style of the times and the growth of the protagonist. It not only respects the historical facts, but also really writes about the romanticism of the Han Dynasty at the end of the Western Jin Dynasty. Some of the junk books in the Qidian Historical District should really kneel down to this book. I have finished reading in a few days and am almost catching up with the update progress. The author will update it quickly. I will give you all the monthly tickets. I can only say it is a blessing! Color! Color!

Unification from north to south is a historical trend. In the 5,000-year history of Chinese civilization, there is only one example of unification from south to north, Zhu Yuanzhang. Even though most of his talents and his subordinates were from the south, he still insisted on going north and eventually swept the world from north to south. During the nearly four hundred years of history of the Northern and Southern Dynasties, when the South was the most powerful, even though the North was divided, the Northern Expedition still failed. During the Western Jin Dynasty, the southern region, including Yizhou, was still very backward economically and culturally and did not have the strength to compete in the world. Even if the economic and cultural center of gravity later moved to the south, such as the late Song Dynasty and the late Ming Dynasty, the south was still unable to compete with the northern cavalry. Although it is fictional history, it cannot violate the laws of history. Therefore, the so-called strategy of advancing eastward and northward made by the protagonist makes people doubt his strategic planning ability.

The intense and sincere emotions intertwined between people in the book make me feel burned by the words even though I have only a limited understanding of this period of history Every time I finish reading, it always makes me want to make a phone call with my family, chat with childhood friends whom I have not greeted for a long time, or raise my pen in doubt late at night I think these most intuitive touches are exactly the meaning of us constantly looking for books to read.

It's very well written, very well written, very well written. Without rebirth and time travel, there is no sense of immersion. This novice is really not happy to enjoy it.

Sichuan. Chengdu Prefecture Today is the first day of the Yuan Dynasty. Snowflakes finally fell from the cold sky for a long time and soaked the earth. Early in the morning, I discovered that the city of Chengdu was wrapped in silver and looked quite plain. Today, Liu Xian, who has been busy for a year, is sitting in the pavilion and looking at the children playing in the courtyard. They are his son and daughter. At this time, he subconsciously smoothed his beard, then looked at the courtyard with a smile, and then said: "Be careful, don't slip." The people in the courtyard who heard him smiled at him, and then saw the door on the side of the pavilion open, and a woman pushed another A handsome man walked out slowly. Liu Xian heard the figure and was about to get up when he saw the woman saying, "Husband, don't move, I'll come." After Liu Xian found a posture to sit down again, the wife pushed another person to his side, and then the lady slumped on the bench and breathed heavily. Liu Xian laughed and looked at her, and waited for her to catch her breath before saying: "Shangrou, you are a bit out of practice." Hearing this, Cao Shangrou immediately stared at her and said angrily: "Yes, how can I compare with you Liu Biji, you are so majestic, you can ride a horse and fight, and you can fight at the bottom. Planting vegetables and gardening." Seeing that the two were about to fight again, the man in the wheelchair immediately said: "Okay, okay. Madam has kept the house and home in good order for so many years, Huaichong, please stop saying a few words." Seeing that he wanted to retort, he immediately said: "Let's talk. , Now that Madam is over forty, please stop irritating her." The two of them looked at each other, and Cao Shangrou said, "Zhaorong is right, what's the use of teasing me, you won't let me go to the school field!" Liu Xian understood what he said, and he immediately slapped her. Haha said: "Okay, then when spring comes in March, you will go to the school grounds with me." Cao Shangrou snorted twice, and then replied stiffly: "Just go! I'm still afraid of you!" At this time, Li Zhaorong and Liu Xian looked at each other, and then they burst into laughter. But Cao Shangrou said: "Liu Biji, stop reading. Why are you reading in such a good weather? Come and play chess with me. I haven't played for a long time." When Liu Xian heard this, he looked at her and realized that she was serious, so he got up to get it. However, Li Zhaorong glanced at the maid next to her, and then pressed his arm with his hand. After a while, the maid brought the chessboard and chess pieces, and after ordering people to arrange them, they all retreated a few steps away. Then Liu Xian made the first move. Cao Shangrou was just playing casually at first, and even teased Liu Xian about his chess skills. But as time went on, Cao Shangrou became silent, frowned slightly, bit her finger and held her chin, and began to think seriously. After one set, Cao Shangrou's fighting spirit was directly ignited. She remembered that when she was in Luoyang, she was invincible and never missed a few times. She couldn't believe that Liu Biji's chess skills improved so quickly when he was defeated by her in Luoyang? So under Liu Xian's doting eyes, Cao Shangrou shouted like a little girl for another round. By the way, Li Zhaorong, who was watching the show, was also dragged into the chess game. She wanted to fight two against one. Li Zhaorong knows her husband's chess skills best, and she has also indirectly witnessed the growth of her husband's chess skills. So after asking Liu Xian for permission with his eyes, Li Zhaorong joined the chess game and dealt with Liu Xian together with Cao Shangrou. However, neither of them was a match. Li Zhaorong was willing to give in, while Cao Shangrou was anxious and confused. Finally, after two rounds of chess, Cao Shangrou got up and wanted to go back to read a book and meditate. Liu Xian followed her and was just about to ask her to push Li Zhaorong back to the house. But Li Zhaorong said with a smile: "Let Madam go back, I am here to enjoy the breeze, don't worry about me." At this moment, Liu Xian's five-year-old son Liu Yi came over and squatted down opposite him. Liu Xian looked at him and said, "What? You also want to imitate your mother and play a game of chess?" Liu Yi heard this and looked at his father, stared at it and then said: "Didn't my father say that I should learn the six arts of a gentleman well? Nowadays, children I'm still waiting for my father to teach me." When Liu Xian heard this, he slapped his forehead with the book and said, "It's my fault that I forgot about this. In this way, you will be enlightened. I will arrange for someone to teach you. How about it?" Liu Yi's quirky little eyes rolled and he said, "I will do what my father said, or I will go find my mother." Liu Xian laughed and nodded to express that he would do it. But just when he thought his son was about to get up and go find his sister to play, he didn't move. Instead, he said, "Father, let's teach me this chess skill first." Liu Xian was stunned for a moment, then raised his hand and said, "You're not..." Before he could finish his words, he saw his daughter running to Li Zhaorong. So Liu Xian put down the book and began to explain the game to the two of them. After Liu Xian thoroughly taught Liu Yi, the father and son began to formally play chess, and then Liu Xian began to instill military ideas in his son and interpret the chess game on war and other things. While talking, Liu Xian said casually: "Yi'er, who do you think is the most capable person in the world today?" Hearing this, Liu Yi stared at the chessboard, then grabbed a chess piece and dropped it with his hand before saying, "My child thinks that father's problem is a bit big." Liu Xian said with an ovation and asked: "What do Yi'er think?" Liu Yi then said: "My child thinks that this is a big problem. Today, no one is the most capable. From the time when the child could speak to the time when the child can run away, no one in the world has earned the most, so how can he talk about being capable?" Liu Xian laughed and asked again: "Then. Yi'er thinks who will be a famous general in the world today?" Liu Yi tilted his head and thought for a while and said, "If my father wins the world, he will be the uncle of Shu Han. If my father does not win the world, everyone will be a famous general." Liu Xian said oh and asked: "Why?" Liu Yi played another chess game, then stood up and looked at the courtyard where it was going to snow again, and said: "My mother told her child that during the Three Kingdoms period, Wei dominated the world. , The leader of Wei is admired by the world, Jin follows Wei customs, Jin respects the history of the Three Kingdoms, everyone can leave his name. Now that the Hu people have entered the Central Plains, no one can rule the world. If the descendants are counted, there will be no one who is a famous general, and everyone will be a famous general. " Liu Xian nodded when he heard this and asked: "What if there is someone who unifies the world, but not my father?" Liu Yi smiled immediately after hearing this, looked at his father and said, "The boy will study and compile history and sing praises for the winner." When Liu Xian heard this, he remembered the time in the Chang'an wine shop and the past events in the suburbs of Luoyang. He was a little emotional that his son was only five years old and made such remarks, and he was still trapped in his identity. This son is extraordinary and there is hope for his successor. He, Liu Xian, can rest assured and strive for a better future for the people of the world.

Guanzhong. Xiayang County Liu Xian, who had been busy for a whole year, finally had time to sleep for a full night. Today I got up early and exercised, then had breakfast under the care of Li Zhaorong, and was about to get up to go to the county. Then he heard rapid footsteps outside the door, followed by a familiar voice arriving first. "Lord! Urgent report from Luoyang!" The person who spoke was He An. Liu Xian smiled when he heard the words, sat back and looked at the door. Then Heo An and Zhang Gu appeared in the main room one after another. He first gave them a glass of water, and then took the secret fold from He An's hand. His brows began to furrow as he watched, and then relaxed at the end. Zhang Gu glanced at him and asked, "What did Madam say?" Liu Xian ignored him and was sorting out the messages in his mind. Zhang Gu thought he hadn't heard and was about to call him when Heo An motioned for him to drink water first. After a while, Liu Xian subconsciously picked up the small pot and was about to pour himself a cup, but found that it had reached the bottom. He laughed dryly, poured himself half a cup, and drank it all in one gulp. He then looked up at the two of them and said, "The situation is quite stable, but we have to hurry up." After hearing this, Zhang Gu and He An's expressions did not relax, but became even more nervous. It turns out that from the time Liu Xian entered Xia Yang in the first year of Yuankang, until the banditry was eliminated in March, Liu Xian was actually prepared to die in office. At least in the first year, he was not in the mood to make any bold idea of ​​entrenching himself here and then raising troops. However, in the third year of Yuankang, Xin Ran was sentenced to death by King Zhao, and Zhang Xiu was abandoned. Everything changed. King Zhao Sima Lun began to serve the people diligently, and actively went to counties to travel to understand the situation in Guanzhong and even the border, and took the initiative to show his favor to Liu Xian. In the spring of the fourth year of Yuankang, Liu Xian heard that the county magistrate in the neighboring county was robbed and killed by the Di people, and they looted the county. When it was almost the beginning of summer, he heard that King Zhao had begun to train troops and forge weapons on a large scale. He didn't know what he thought about letting him take over the next county and parachute the county magistrate. Fortunately, in the past few years, Liu Xian was quite familiar with whether he would go to the neighboring counties to meet with them on official business to discuss the matter of resisting the barbarians and resettling them. I was very happy when I took over the next county. No one knows what Xia Yang was like before and what he is like now. At the end of the fourth year of Yuankang, Cao Shangrou came with a small number of servants and told him something. The number of people in the court who were dissatisfied with the queen was increasing day by day, and several living princes were also active to varying degrees, with King Zhao being the most prosperous. Only then did he understand why King Zhao suddenly changed his character, and the co-author wanted to get him on board. That night, he heard from Cao Shangrou that the queen would occasionally target the surrendered families such as the Sima family, the Cao family, the Liu family, etc. He suddenly felt that now that he had gained a foothold in Xia Yang, it was time to think about how to gain a foothold in the possible troubled times in the future. The next day he discussed with Cao Shangrou and felt that now he needed to make friends to win over his own people, and train private soldiers to build up his strength. It's a pity that she is too far away from Luoyang and can't seem to grasp the information at any time. However, Cao Shangrou said that if Liu Xian could trust her, she would be willing to set up an information network for Liu Xian in Luoyang. At this time, he realized that Cao Shangrou had nothing to do because of his absence, so she could only take care of the food and clothing of the family at home every day. When she had nothing to do, she would read the books left by Liu Xian. Not to mention reading a lot of books, she was at a level that could compete with Liu Xian. Later, because of her special status as a member of the Liu and Cao families, she suddenly discovered that An Le Gong was a very wise man. Faced with a lunatic like the Queen, Cao Shangrou no longer lived in seclusion, but learned to go to tea parties and dinner parties in various government offices to have relationships with the wives. Now that Empress Jia has become a public figure because Cao Shangrou has become a public figure, she has united a group of ladies and did not take the initiative to provoke her. She simply allowed her to learn from An Le Gong, which can be regarded as an interesting thing in Luoyang in the past year. This kind of letting go has led to more and more indulgence in Cao Shangrou's supervision, otherwise she would not have been able to run out to see Liu Xian. In this regard, Liu Xian kept praising his wife. When faced with the lunatic Queen, he really couldn't do what his wife was like. In the spring of the fifth year of Yuankang, Liu Xian, who was recruiting talents step by step according to the plan, received the first secret letter, telling him that the information network had been formed and that no one would dare to touch the Anle Palace by the middle of the year. Although Liu Xian was worried about whether Cao Shangrou said this because he was afraid that he would be too preoccupied, he ultimately chose to believe in his wife and go ahead with the plan. In the sixth year of Yuankang, in the next county next door, the elderly county official went to Chang'an to report his work and told King Zhao that he was going to return home. Seeing that he was panting for half an hour after taking a step, King Zhao agreed to his request and asked him to recommend someone to replace him. This person recommended Liu Xian without hesitation. Originally, King Zhao felt that Liu Xian's special status meant that he could not really become big, so he wanted to wait a little longer and find someone close to him to let him go. But before he could find out anything, someone secretly contacted him to submit a letter to crusade against the dictatorship of Queen Jia. At this time, he had to focus on the struggle. Who doesn't want to sit in that seat? He also wants to imitate Sima Wei and fight with the Jia family. Time passed quickly, and as winter was approaching, the Hu people began to raid frequently again. After several county officials reported frequently, King Zhao looked at the situation in Luoyang and couldn't spare any time. He couldn't help but think of Liu Xian. In the end, he could only agree to hand over the county to him and entrust him to stop the Hu people's invasion. This time the cat stole from the orang. Just when King Zhao was leading the trend in the court, Liu Xian began to openly recruit government officials and secretly train elite soldiers. At the beginning of the seventh year of Yuankang, Empress Jia used all her evil tricks to force King Zhao Sima Lun and others to surrender. Although Empress Jia killed several princes and shocked the court, the turmoil ended. When he turned around and wanted to vent his anger on the Hu people, he heard that a few days ago Liu Xian and several border counties sent out surprise troops to scare the Hu people back dozens of miles away and did not dare to invade. Then, in the eighth year of Yuankang, Liu Xian had already taken care of four counties. Then King Zhao was transferred back to Luoyang. The reason was that Empress Jia heard that King Zhao was training privately. But in fact, she heard wrongly. What she heard was that King Zhao sent out surprise troops to suppress the Hu people and retreated for dozens of miles. Queen Jia was afraid that it would be difficult for him to take root, so she quickly recalled King Zhao and sent Sima Yong, the king of Hejian, with the purpose of completely solving the problem of the Hu people. After arriving here, Sima Yong not only did not govern any barbarians, but instead sent special envoys to and from Luoyang and Chang'an every day to inquire about the direction of the court. This resulted in an environment where there was almost a power vacuum, and Liu Xian quietly used Xia Yang as his base to start radiating the intelligence network in Shu and Luoyang. It was not until the middle of the ninth year of Yuankang, that is, a few months ago, that Empress Jia secretly eliminated the prince, and King Zhao imprisoned the emperor and deposed the Jia family under false edicts. After three months of bloodbath, it also aroused everyone's thoughts. Then Sima Yong and other Sima family descendants began to raise troops and act in the name of Qingjun. This gave Liu Xian a closer goal. Until the end of the year, Liu Xian secretly returned from Shu, and the drama of the Sima family fighting at the same time was performed every day in Guanzhong, and the world seemed to be really in chaos. Then Liu Xian received a letter from Cao Shangrou, telling him that the emperor might be dead, and now it was just a drama of the Sima family holding the emperor hostage to order the princes, changing the king's flag every day. Cao Shangrou bluntly told him to take care of his health in the letter. In fact, the implication was that he could wait for the opportunity and the time was about to mature. On the first day of the tenth year of Yuankang, there was no celebration inside or outside Luoyang City. Every house closed its doors tightly for fear of being accidentally hurt. In the Anle Palace, under the domineering governance of Cao Shangrou, Anle Duke Liu Xun became more and more honest, and everyone in the family respected this young lady. At this time, Cao Shangrou was sitting in the courtyard, drinking tea soup, warming her body shrouded in cold air. She was in meditation just like Zhuge was alive. She was quietly listening to the sounds outside the courtyard, thinking about how her husband in Xia Yang should take the next step. As time went by, the Sima family finally disappeared, and Sima Yong entered the palace and became the Taiwei. Cao Shangrou knew that Chang'an was empty, and it was time for her to take action. So when spring revived, Cao Shangrou, the queen of the Cao family, wandered between the back rooms of the new power structure. Liu Xian, who was far away in Xia Yang, gathered the most useful talents among the Liu, Cao, and Sun families in the past eight years, and began to hide in the Gobi to train private soldiers. Yuankang changed his name to Yuan Yongning in the tenth year of Yuankang. Cao Shangrou, who had been in Luoyang for a long time, took the place of Lu Gong and began to organize women to play cards and have tea. She completely integrated into the Wei and Jin customs, causing her brother to exclaim that she should have been allowed to remarry in the first place. However, Cao Shangrou sneered and replied to her brother that the court had changed to Yuan Yongning, so naturally she had to keep up and learn to have fun. At the border, Liu Xian was riding a tall horse, and running beside him was Li Zhaorong, the third daughter of Duke Li Mi of Wuyang, who was dressed as a man. In the distance, Zhang Guhe'an, Li Sheng, Li Ju, Lu Quyang, Sun Xi and others were riding horses to inspect the soldiers training for large-scale martial arts exercises. The moon hangs high above the head, translucent and everlasting.

I'm halfway through it now, and the overall writing and logic are okay, but there are a few plot logic problems that are too big to complain about. 1. Jinguyuan robbed the green pearl. For people like Lu Zhu, there is no difference between Shi Chong and Liu Xian. They are both superiors who get whatever they ask for. It can be seen from Luzhu's attitude at the beginning that she does not dislike Shi Chong, because for someone like her, she must find someone to rely on. Then the problem came. Liu Xian kidnapped her from Jinguyuan in the name of rescue. But firstly, the green pearl did not need to be rescued. People like her would not be able to live for a day if they were truly free. Secondly, the green pearl had nowhere to go after being robbed, so it could only be attached to Liu Xian, then Liu Xian's behavior is essentially robbery in the name of liberation. He actually doesn't care what Lu Zhu thinks. He just wants to capture a beauty. This conflicts with the image of benevolence and righteousness displayed, and gives people the feeling of hypocrisy. 2. Reject Zhang Bin's surrender. This area is a bigger problem. First of all, a talent of Zhang Bin's level must carefully understand all aspects of the other party's information before seeking refuge. He will only go there if he is sure it is worthy of seeking refuge. As a person who is determined to restore the country, he must make use of talented people according to their talents, rather than turning them away based on just a few words. When Liu Bei was first invited to Sichuan by Liu Zhang, Pang Tong made a plan to attack Liu Zhang, but Liu Bei did not adopt it because it was not in line with benevolence and righteousness. However, there was no news that Liu Bei alienated Pang Tong because of this, nor was there any news that Pang Tong left Liu Bei because the plan was not adopted. Now the protagonist wants to drive Zhang Bin away because of his unkind strategy, but Zhang Bin runs away. This gives people the impression that either Liu Xian has no tolerance for others, or Zhang Bin has no sense of people, and does not look like a wise king or wise minister at all, which is completely irrational in logic.

I can't read the Aboriginal history. Because history is the past. The past is fixed. Everyone who looks at history should be like this. How can we accept that the past is false if there is no assumption? Time travel is different. You can see at a glance that this is assuming that someone wants to be like this. If someone wants to do that, how will history change. In this way, there will be more interest in traveling through history and it will be more attractive. I really don't know what to think about writing an indigenous protagonist. After reading the preface, I understand that the author was more moved by himself. . Big taboo. It's better to keep a diary. . Don't write good material if you haven't thought about it well. You can write other writing exercises. A waste of a post-Three Kingdoms theme

I once vowed not to shed tears for any Qidian author, but today I was brought to tears by the update of Jin Ting Han Yi.

It's still fun to kill people with long swords in the late Jin Dynasty.

The only true god of Damen Studio, the alternative among lazy dogs, the pride of Brahmin, the young master! Returning to the starting point of his loyalty again!

The protagonist written by the author is an indigenous person. I understand that it can be understood as a parallel time and space, traveling on another timeline. Almost all of the first 2 million words of this book are about the Eight Kings Rebellion. Then the question arises. The protagonist can be said to be a variable in the original history and an in-depth participant in the Eight Kings Rebellion. It can be said that the protagonist in this book is almost a model worker and a heavy participant in the Eight Kings Rebellion. As a result, the timeline was exactly the same as the original history. What was supposed to happen still happened, and even the time did not change. Then this is a huge bug. The protagonist is involved in everything, but in the end there is no change in history. There is a word called the butterfly effect. The protagonist is not an insignificant pawn. So many things have passed, but there is no change at all? Is it possible? Many things can lead to completely different results with just one thought. As a result, the protagonist appears as a variable, and history actually goes in exactly the same direction. Then can I understand that the protagonist is basically insignificant? Is the villain too strong or the protagonist too incompetent? Based on the current performance, can the country be restored? Maybe in dreams. However, it is indeed a good book, but the more I write about it, the worse it becomes.

It is obvious that the mother can be portrayed so well, but when it comes to his wife, Princess Luzhu, there is basically no description. There is basically no interaction except for looking beautiful. She also risks her life to save Luzhu. At this time, what is the difference between Luzhu and a stranger? This is definitely not what a politician should do. Liu Xuande's wife was detained and knew that she could not be beaten, so she could only endure it. You risked nine sets of elimination games to save a strange woman. Such a portrait would really turn into a martial arts novel. And I feel that the author wrote about the princess and Lvzhu just to open a harem. If he couldn't bear to describe it in a long way, he would just collect a lot of female vases like Wan Tianqing and then unfinish the story.

When Liu Xian came to the foot of Mount Tai, looking at the banners rolling in front of him and the ministers standing there, he suddenly realized that the days of cavalry and swordsmanship were gone forever, and the East China Sea Jieshi and Shu Plank Road in his memory were also covered in dust. He listened to the drumbeats, but his heart was as calm as water, and nothing could make him stir up trouble again. He took a gentle breath and let it out, feeling an indescribable sadness in his heart. "Lord, the time has come." The minister said. Liu Xian realized what he had said, but seemed to just sigh - "Go up the mountain."

I once vowed to protect my mother and the people I love, but I was wrong. In fact, my ability can only protect a few people. The sadness that was suffocating him could no longer be suppressed, and rushed out at once. He hugged A'luo tightly with all his strength, tears streaming down his face, and howling like a helpless child. Time became extremely long at this moment. Many years later, Liu Xian recalled that moment. Countless people shuttled around them as if they were nothing. In the dim sunset and among the crowds of people, he held Ah Luo in his arms, like an eternal rock in the flowing water.

Now that I see it, I really like this book, but there are some things that I really want to talk about. I really don't want to say it. Please don't scold me. This is just my personal opinion After reading the book now, I really don't care about it anyway. I can no longer see such a trace of heroism in the current Liu Xian. Zhang Hua said that he is not sure whether he is a dragon or a tiger, but I really can't see the appearance of a dragon or a tiger in the current protagonist. I can't see the shadow of Han Gaozu, Han Guangwu, and Han Zhaolie in him. You can't see the boldness and magnanimity at all. The heroic spirit of his childhood has disappeared without a trace. After Zhang Ximiao's death, I don't know if it is an illusion. He seems to always analyze others when he sees them at first sight. I even feel that he is not as heroic as Shi Chao, Sima Wei and others now. And for some reason, I always feel that there is a sense of depression in his bones now. The pictures he imagines when reading are always gray...

When I arrived at "Ji Han Zhang Wu", I touched the boundaries of web writing techniques. Many writing methods consume too much energy and time. Although there will be different reading experiences, the input-output ratio is indeed very low. This kind of realistic feedback has caused the online writing industry to be limited to a single writing technique, which restricts the extension of the literary value of online writing. In the past twenty years, I have been nesting in my own mountain, immersed in my own world. Even when creating online articles, I never consider the market factor, so I am often out of tune with my peers around me. I am a person who likes to be alone, but I know that I have to leave my mountain and change my mental state. So, the challenge of the next book is not actually the book itself, but my own mentality. I am going to start trying commercial writing. Whether it can be done or not, I'm not sure. Hehehe, this is what's interesting about this world.

Once is destiny, twice and three times is path dependence, then I can only ask you to leave my bookshelf

When I saw Zhang Bin recently, I felt a little familiar. Then I thought about it, isn't it Huan Wen? He has a changeable personality, and he can't live with his old self. His growth path is exactly the same. Moreover, the villainous Confucianism of this moral gentleman is not as good as Shi Le or Liu Cong. In my opinion, the protagonist's character is now the same as Wang Yan's.

In the mid-1990s, archaeological experts discovered an ancient tomb at the foot of a hillside in the suburbs of Nanjing, Jiangsu Province. After some rescue and protection excavations, they discovered that the ancient tomb was a large tomb of a prince from the Eastern Jin Dynasty. From the epitaph found in the tomb, it is known that the owner of the tomb is Wang Bin, an important minister of the Eastern Jin Dynasty. This person's identity is not simple. He is the cousin of the powerful minister Wang Dun and the prime minister Wang Dao, and the same father and brother as the governor of Jingzhou Wang Jie. In the tomb, in addition to the tomb owner Wang Bin, experts also discovered a female mummy. They later learned that the female mummy was Wang Bin's eldest queen, Danhu. At first, experts could not figure out why Wang Bin, an important minister of the Eastern Jin Dynasty, was buried in the same tomb with his eldest daughter. Although joint burials were common in ancient times, they were limited to burials between husband and wife, and there were almost very few burials between fathers and daughters. Later, archaeological experts came up with the answer after careful investigation of the tomb coffins of the father and daughter. It turned out that the tomb coffins of Wang Bin and his eldest queen, Danhu, were both filled with the same kind of items, which were called "Five Stone Powder". This is a powerful medicine recorded in history books that was refined in an alchemy furnace. As for the refining method of the item, we will not mention it for the moment. The point is that after people take this medicine, it will make people very excited and glow with unprecedented vitality. Subsequently, archaeological experts immediately conducted tests on these five stone powders, and finally found the content of mercury in them. Some people may know that mercury is a heavy metal element. Excessive consumption of mercury can cause great harm to people, especially women, and can directly cause a woman to lose her fertility. Looking at the epitaph, we learned that Wang Bin's eldest queen, Danhu, lived to be fifty-eight years old. According to the living habits of the ancients, this age in the Eastern Jin Dynasty more than 1,500 years ago should have had three generations of heirs. Therefore, experts speculate that Wang Danhu may have taken an overdose of Wushi Powder, which ultimately led to him losing the ability to have children, so he remained unmarried for life. From the five stone piles piled in the tomb coffin, it can be seen that the two father and daughter did not leave this strong medicine until their death.

I just read the first 20 chapters, and the writing style makes me feel comfortable. However, after reading the author's reviews of the previous book, I found that there are many faults, and the author has a strong literary and youthful temperament. Is this a common problem among good writers? Will this be the case for the sequel to this book?

All six monthly votes were cast. Great support from the author. The writing is very delicate, which makes me feel like I have returned to the war-torn era of the Eight Kings Rebellion