Contemplating the Divine in a World of Demons

Reading the synopsis gives me the feeling of an American Supreme Court judge judging a Tang Dynasty peasant.

The protagonist, in another world, uses a visualization method specifically designed for cultivating with particular deities to visualize all the gods of the native (world) (or rather, N gods, since the author only gave a few examples). (Other world → native world, specific → N gods)

I visualize the gods, and all beings visualize me.

Judging from the synopsis, it's clear the story will be delayed. These days, overly powerful plot devices are a major no-no in novels; is the author going to write about countless Chinese gods and Buddhas with supernatural abilities?

From a cultivation perspective, this kind of method is illogical. The purpose of visualizing deities is to use the illusory to cultivate the true; the principle is to strengthen one's spirit by visualizing false deities, the key being to strengthen oneself! Visualizing a whole bunch of deities—are you trying to develop a split personality?

The Great Kun Dynasty—just seeing the character "Kun" makes it unbearable to look at. 🙂

In this situation, unfamiliar deities, or those not promoted by the dynasty, would likely be the focus of suppression!

As a religion with global reach, God must have some kind of magic power, according to a fantasy version of the story.

The satisfying feeling isn't quite there, and the "golden finger" (superpower/cheat) feels a bit weak. I came here hoping for Erlang Shen, but this writing is only passable. Sometimes the descriptions inexplicably sound like empty talk. The realms and other aspects aren't even properly developed. If the "Syracuse" book is about the Celestial Hound, this Erlang Shen is even worse.

You almost got sexually assaulted by that demoness. Then visualize the Buddha of Joy, the Yellow Emperor, and Pigsy (Zhu Bajie), and then...