I Plant a Sacred Tree in Tokyo

The biggest problem with behind-the-scenes streaming is the positioning of the protagonist. So far, almost all the behind-the-scenes streaming that I have seen have not dealt with this problem well. That is to say, the protagonist is infinitely downplayed in the plot, and there is no detailed description of the hidden development and preparation. Once the hidden plot is insufficient and crowded out by the uninteresting main line and various supporting characters that constantly appear, it can be said that it has almost no impact on the plot until the end, making it more and more boring to watch. This book is almost the same. It's a little fresh in the early stages, but becomes more and more boring later on. I hope the author can write something different in the next book.

This is another book that I no longer have the desire to follow. I plan to keep it for now, either until it is finished and read it together, or else forget about it. When I first saw the title of the book "I Planted a Sacred Tree in Tokyo", I clicked on the details and was introduced to the behind-the-scenes, only my method. Attracted by association with Naruto. There are times when I can't stop chasing, but now my enthusiasm has run out. Chapter V has ruined a whole chapter of Desolate Skull, and it's really hard to return the favor without having a complete plot of Onmyoji. Then let me talk about the biggest attraction that attracts me. The behind-the-scenes drama is about hiding behind the scenes and watching group portraits perform differently in a world of great conflict. And now I feel a little disappointed😔, this is not a group drama, each character is portrayed only once, it is thin and random, there is no deep character, it is a group drama, it is better to say it is a unit drama, each unit has a short story, after the appearance, you take the money and leave, I don't know if you have children at home who have watched too much. Group drama, guarding military bears and pangolins. You should have a name that readers can talk about and remember after finishing the book, and you, so far. . . . It's time to get serious. No character has been deeply explored, and no character has seriously faced the tide of the times before and after the extraordinary world in the book. Mikotian: If I dig deeper, I don't want to see my brothers suffer, nor do I want to see my brothers drive a Land Rover. When the Inari god returned to his family, many things were different, including a sudden change in status. It is possible for sisters to grow apart. This is a possible line. The wife who was marked by the curse of tongue has long had no relationship with the master, but it is only because of the children that she has always settled down. But now the power structure of the Nagisa family has actually changed. Based on the relationship between the two sisters, the wife's natal family is also Chinese. In this case, it is also possible to sideline or kill Nagisa's father and become the female head of the family. The head of the Nagisa family, he did not cultivate successors like the Chinese. The attitude towards Nagisa Ichiha mentioned above is actually not much better. One possibility is that he has a son outside. Due to the fact that the Chinese wife did not explode, the bastard whom I never looked at has now turned into the Inari God. The two sisters are as close as compatriots, so the future family succession will be a big problem. Monitor: As a strange woman who pushed back when she was a child, the drama now is really hard to describe. Digging deeper, as a precocious woman, I know that I will definitely marry You, so for the sake of future children, the You family must be Xinhua. I can accompany Youyou Yun Yehe, but the child cannot. This is a very logical woman's thinking, so she can play a lot of iron lady dramas around this point. The husband is an innocent man on the surface, and the sister-in-law is a nympho who stares at her husband. For the sake of the future, she will definitely not be as mediocre as she is now. In addition, she is a breakthrough point for Yu. It is easy for the politicians of the island country to play tricks on her. Yu is an onmyoji and it is difficult to make calculations. The women around him are very observant and difficult to make calculations. The background information in the previous article is that the monitor's parents do not get along with each other. This is the biggest calculation point. For example, it is not too simple to make a game to let his parents find a new love. How old is the monitor, and how old can his parents be? As long as the life is lost, there is a line in Qiong Yao's drama that says, "Thousands of mistakes are my fault, and the child is innocent." If you want to scheme against the monitor's family in an ordinary family, it's not too easy. There are risks. You Yin Yangshi's strange methods can be separated by a layer of monitor's skin. If you are lucky, there should not be too few people who take advantage of the monitor's parents. Then the drama of the strong-armed girl class will be worthy of a book. Police Yihua: Needless to say, this one wants to play the role of Conglong. As a result, it is now silent and quiet. Such an obvious personnel change, Amaterasu descendants return. If you are willing to write a drama about the prime minister's department, Yihua can also establish it. There are all kinds of other things, but there is no such thing. Every character seems to have been paid to be a friendly guest star in the unit drama, appearing once and leaving no trace. The characterization is more perfunctory than perfunctory. Each character is too thin to be remembered. The old eunuch is in the trash, and those who have read his books will also remember Wu Xiong and pity. This is a group portrait. It doesn't matter what the pangolin is called, but no one will forget the pangolin. This is called a group portrait. I hope the author will give more thought to the characters he writes, and stop playing the "Busushima Yako" routine, using famous characters to mix in, but not having any interaction with the world. He has stitched together a bunch of famous anime characters, but none of them have a little bit of relevance in this world. His shining point, looking at his name can only remind people of his past, what's the use of it, you are just entertaining the character itself, there is no other highlight, you are too lazy to shape it, just pick it up and use it is the biggest failure of your group portrait, and it is also the biggest manifestation of your lack of care about the character. You don't shape it, you just pick it up and use it. . . . . . . . . . raised, angry and disappointed

Kind of reminds me of Tokyo on a Rainy Night without a Knife, it's too strong, 🔪

Are you going to have a battle with Gods? Dust release or Susana?

It feels good so far, but personally I am pessimistic about the future.

This behind-the-scenes scene is so crazy... When he meets a girl, he performs all kinds of cerebral palsy operations. The girl's emotional line is so super redundant! The excess is not a girl's emotional line! It's so outrageous that the protagonist can't help but do all kinds of facial expressions~

Chapter 23: This bet made my scalp numb, and my IQ instantly dropped to the center of the earth. ******** Additional comments on May 30th. Overall, this book is good. Except for my complaint, everything else is pretty good. The subject of the behind-the-scenes mastermind is really out of date. It is rare to find a good idea. Please support it.

It's endless, right? Readers have reported how many times the plots of Busujima and Komuro Takashi are disgusting, and they still use these two things, which will only make people more disgusting as they watch. How many times have I said, even if you can't change it, just speed up and let them die, just go to hell, the kind with no soul, don't let his face pop out, especially Komuro Takashi, who is trying to use them to recreate Sasuke and Naruto. Are they worthy? Recently, it's difficult to stitch up One Piece, and it'll be awkward

You've already written about Brother Yu, why don't you hurry up and bring up the battle at the entrance 😂

Having a harem is actually not a big problem, but the key point is that these harems do less and get more. The protagonist has to work hard to plan and the subordinates have to work hard. As a result, these harems get new things again and again. Once or twice, they show that chickens and dogs ascend to heaven, which can be regarded as showing off to the protagonist. It would be a bit disgusting if they also received new characters every time the version was updated. After all, they have made it clear that they appear less and contribute less. Not to mention the protagonist, the familiarity they give readers is not comparable to that of the following tools (Kafka, Takashi, Luffy, Miss, Kamijou, etc.).

The protagonist hides behind the scenes, wears a vest and forges spiritual energy, and the myth is revived. However, almost 700,000 words have been written, and several years have passed in the book. However, the current events have been limited to Japan. All the myth revival events and vests are all Japanese. All other countries in the book feel normal. Except for America, who symbolically sends a wave fleet, there is no movement or description in other countries. It is as if there are only two countries in the world in this novel, Neon and the United States.

Regardless of the author or the studio, this book is a group drama, but it has no ability to depict characters at all. It can only use some existing anime characters to make up the number, so that the characters can stand up a little. Among novels of the same type, it is considered to be the lowest level.

Just like in Parasite, no one with a name died after a battle. No matter how weak you are, as long as you have played more roles in the past and have a name, you can still survive. The names of the dead ones are only known later in the review stage, which is also difficult. The only person who died in more scenes before this was the werewolf. I thought it was the beginning, but I didn't expect it to be the end. You have captured several cities, established warlord regimes, and attacked each other. The intensity of the war has increased. Isn't it faster than playing house? The protagonist can create a bunch of extraordinary things just by throwing them out. I don't know the reason why the author unlocks the blood of extraordinary extraordinary people with names. In a big battle, if a few famous people are killed and a few cities are captured, the authorities will have a sense of urgency and be able to carry out more radical extraordinary experiments and produce more artificial extraordinary beings. Wouldn't it be more conducive to the protagonist's upgrade? Tokyo is now blessed by gods and sacred trees. It's like opening a safe zone, and you can have a sense of urgency with a hammer. The big-headed soldiers are like this. Every time they are sent to fill in the line, the gentlemen in the rear safe zone have a lot to think about when eating and drinking.

This author is good at everything, Qun Xiang also writes well, but he just doesn't know why he insists on making emotional scenes. It doesn't matter if he gets scolded, it's just forced writing 🤔

The author is really a legendary anti-stress king. After the mid-term writing collapse, the readers who hated it were scolding the readers who liked it, but the author deleted the follow-up outline without deleting the existing chapter content, maintained two updates a day, and rebuilt the follow-up complex. Although the character creation and plot quality have declined, it was written smoothly and smoothly without any surprises or unfinished work. The follow-up did not forcibly cut off the Poison Island plot but rounded it out. This was a stroke of genius, the plot took off immediately, and the characterization was superb. It was really not easy to get to this point when the comment section was full of boos and questions. The current plot is considered top-notch among novels of the same type. As long as you give the order, I will immediately make you the best brother behind the scenes in Tokyo.

The core of behind-the-scenes streaming lies in high level of skill and being able to control everything. All the foreshadowing is to enhance the protagonist. No matter how awesome or cool the characters are, they are all there to bolster the protagonist. All the plots are foreshadowing the protagonist, and all the awesome characters are used to give the protagonist a foothold so that he can advance higher. He has done everything that can be done to him, and done all the things that can be done to him. This is the feeling of being a mastermind behind the scenes. Don't even think about writing about group portraits! In fact, the behind-the-scenes mafia flow is never a group portrait, but an ultimate highlight of the protagonist! For example: in each stage, a vest is used to show off and cause trouble, and when exiting, the next vest is set off. The last waistcoat sets off the protagonist, and a few super high-end words. (It is recommended to refer to Sosuke Aizen in Bleach and Pluto in Super Beast Arms)

It's really a bit of a house game. Compared with reality, where some capitalists raise direct descendants in captivity and extract blood for blood transfusions to extend their lifespan, the capitalists in this novel simply look like good people. Ordinary people would feel murderous even if they took a knife, but the protagonist is extraordinary. These European and American capitalists and Japanese chaebols who have the power to control the army actually do not take action against the protagonist.

The starting setting is very good, a classic time-travel start, with some parallel characters added, and then some outstanding original characters gradually appeared, but after reading the latest chapter... Overall, it starts high and goes low The story line basically started to be watery after the appearance of Hinata's clone. The author became obsessed with group portrait writing, casting the net everywhere without logic. The main line was written as a branch line, and the branch lines were treated as the main line. Foreshadowing, and then branch plots are strangled directly. I have no idea what the point of writing branch plots is. You can foreshadow and write group portraits, but can you not be so watery, portray so many characters and then write them to death? Do not extend and refine so many characters in front of them, and constantly add new characters. It is already fighting for water. After the Jonin, the whole book starts to become a fog I don't know how to write the main plot, right? Which ninjutsu blood successors were released on which continent, which stage of each ninjutsu blood successor was unlocked, which skill proficiency levels were maxed out, how the birth/battle/death of clones and extraordinary creatures improved the sacred tree and the protagonist, what is the advancement speed, and can it be quantified? , Can you tell these in the main plot? Add more ninjutsu according to local conditions, fire escape to the Middle East and Iraq, treatment to the government and hospitals, water escape to pirates, ice shield to the big cousin, chakra and wisdom to animals, don't Every time, the protagonist's avatar must give orders to go to war, strengthening the weak and weakening the strong. No matter how peaceful the country is, there will be dual governments, not to mention those countries with stupid ideas. The more you write, the more petty and petty you write. You can build a country and reincarnate the dirty land. For a small town doctor, if the situation is bigger, if you put it into Asan Buddhism and try it, will you be able to fight internally immediately, and then attract foreign covetousness, which will lead to external struggle, and become a pot of porridge? Can the proficiency of the Reincarnation in the Dirty Land not be improved fast enough?

It can't be you, the author has written a bunch of books about eunuchs, Tokyo, and Naruto😡

The worst thing about this novel is that it is not ruthless enough. The supporting characters will die when they are useless. I guarantee that there will not be so many people scolding you. It seems that there are many things to write about with the supporting characters, but in fact it has fallen into a quagmire and it is difficult to struggle out. People like the new and hate the old. If you are willing to give up, how can you gain without giving up? In addition to the main characters, there are about 5 main characters left, and the others can be discarded. A supporting character will die in about ten chapters, and then a new character will be introduced. Or if you have good writing skills and have outstanding supporting characters, then this character must be retained. The others are really just new skins, there is no need to keep them. There are too many characters appearing, and there are also characters who have appeared for a while and disappeared and reappeared. As a result, I was tired from going to work every day and had to go back to the book to find the setting of this character. It was very boring to read. In addition, the characters that appear have been finalized, and it is difficult to change them no matter what. As a result, your book only has a main line and no branch lines. You can only move forward and cannot extend other paths.

When I first read it, I saw a column written by Busujima in the comments section. I couldn't imagine how such a pure otaku character could be so bad. Didn't the protagonist end up opening a harem? Wouldn't it be over if she was tied to the protagonist? Now that I see it, I didn't expect it to be so poorly written. Can Busushima, a character who purely satisfies male fantasies, be able to develop the Sharingan?

It has more than 2.6 Million words. After the protagonist gradually disappears and loses his participation in the plot, continuing to write about foreign myths can no longer make up for the aesthetic fatigue, unless writing Eastern myths to attract a wave of popularity. And the two-dimensional fan fiction part that originally had the best reading experience cannot keep up with the current expansion of combat power, so not much can be written. Now that the ending is complete, there is still a beginning and end. If you continue to write hard, there will be a chain collapse later.

To be honest, after chasing it for so long, it's getting more and more rubbish! I wasn't moved at all by the pursuit behind the scenes or by the protagonist! I walked to the stage and endured it! If you want to be the first in modern times, you can bear it! All the women the protagonist knows will win! Just write it like a fool! I don't really think that everyone is stupid! Is your family the only ninjutsu in the world? Are they the only ones you know that are great? You're still behind the scenes, why don't you just come out and show off? Wudiwen is better than you at least.

This Abe Seimei incident, I can only say that there is a lot of thunder but a little rain. Abe Seimei, who looks awesome and coaxing, seems to have a big fight, but in actual operation, he failed to kill any extraordinary unit on the island country. In the end, he was persuaded to retreat by the protagonist who popped up like a deus ex machina. It can only be said to be anticlimactic. The entire incident was a cosplay of Su Nuo, and why did Takashi Komuro pop up again in the end? Does the author really not read the comments at all? Don't you understand at all the readers' dislike of this character? This guy is not likable in the original work, and it is even less likable in the writing of a fan like you. Let him die early. Don't think about using Busujima and Takashi to reproduce Naruto and chase Sasuke. No reader will expect this kind of shitty life. These two guys are not worthy!

It's getting boring. The behind-the-scenes story has given itself the identity of an onmyoji in the front. I guess the author also wants the protagonist to participate in the plot and avoid being invisible to the protagonist, but the things the protagonist does are all boring things. The behind-the-scenes is not completely behind the scenes, the plot is not exciting (referring to the recent events, which are anticlimactic and weak), and the protagonist's battle as an onmyoji is not there (in my personal opinion, the protagonist is like a tool to attract birds), so he taught an apprentice, and the apprentice's character was not established and was very flat. Give me a situation where all the NPCs are lamenting that the protagonist is so strong, so awesome, and a descendant of Onmyoji with a legacy, but when asked what the protagonist has done - they are all auxiliary, the kind where the protagonist's name can be deleted if another NPC comes over. Also, the protagonist has to worry about his boyfriend going to school, which makes no sense.

Almost all the pitfalls laid out before have been filled in. The Nine-Tails, the Great Tengu, the God Space, and other gods have not yet been written. The final plot used to complete the story is still the inexplicable Diablo. I wonder if the author will regret that the new book is on the market now.

Let's do another behind-the-scenes story. The father-in-law with the sword is the originator, and you are the king. It's not as exciting as Na Lao Shi Zi's The Fourth Natural Disaster.

Seeing the end, my Busujima-senpai ahhhhh! , Does the author have any resentment towards the senior sister? She died so miserably and was not resurrected afterwards. Takashi Komuro also became unknown after the death of the eldest lady.

If it has been completed, it is recommended to change it to the completed state.

The writing is really good! It just ended a little too quickly, I still want to watch Gundam Space War or something like that.