This Lich Needs More Money

Let's talk about the shortcomings first: There are many small bugs, 1. The private space was originally said to have energy and quality restrictions, so too many things could not be stuffed in it. Even gargoyles could not be stuffed into it to serve as mobile guards. As a result, the corpses of gods and various things were stuffed directly in the private space. There were no restrictions but no relevant instructions. 2. Timeline bug. Since time travel, some known historical events have changed in time. At first, I thought it was a deliberate foreshadowing, but I waited for a long time without explaining it, and did not leave a few more foreshadowing words such as "something feels wrong" to indicate that the protagonist is aware of it as a response. It wasn't until the final battle that a sentence that took up two lines was mentioned during the battle. It's hard to accept that this kind of writing was intentional. It was more like simply forgetting and then making up for it at the last minute. There are also some small bugs, such as the appearance of a guild leader in the exiled kingdom, but the gods don't seem to know how to let it develop. Even though they have just started to get tentacles, they say they need to hide it to prevent inspections by gods, etc... Although they are not big enough to affect the plot, if you notice it, it will affect the viewing experience and the sense of immersion. Plot, 1. The explanation of certain actions of the protagonist will appear after a considerable period of time. For example, after the completion of the creation of gods in Alchemy City, the remaining alchemists were dealt with, and it took more than ten chapters to explain why they did not stay. It took so long to answer the question, which also affected the impression. There were quite a lot of people walking around that place. 2. The early plot development felt like a sudden change in style after Alchemy City. I originally thought it was about scientific research and experiments, and lords farming, but it turned out to be a traditional Long Aotian witty version, solving problems in various places and leaving connections. In the final upgrade route of the general attack, the scientific research part at the beginning became only scattered content. Even the mercury servant who spent a lot of pen and ink in the early stage was not mentioned again until a long time after the Alchemy City chapter, and there is no ending. I can't say it's bad, I'm just wondering if I decided to change directions midway? As a result, many contents are significantly different. Characters, The rest is that the character creation is high and low. One moment it is very charming and the next moment it seems to have been downgraded. It is a bit forced to promote the development of the plot. When the Elf Queen first appeared, she said that she had been well managed for a hundred years, but she turned out to be a naive vase. Later, she said that the good governance was due to the dedicated assistance of another elf. The Queen of Roses appears as a wealthy woman, with ambitions to be the dominant one, but as a result, she almost becomes a lover, and everything depends on the protagonist's opinion. It was not until the final shaping that the character was perfected and the emotional line was appropriate. At the end of the appearance of the gods, the God of Alchemy and Talos are still online. Others such as Shar, Zariel, Tiamat, Lovita, Paluliel, Cyric, etc., How powerful the foreshadowing is, and then they all become tools to set off the protagonist's wisdom, and they are crazy. There are also characters that cost a lot of pen and ink in the early stage and will be thrown away after use. Characters that are originally thrown away after use require a lot of pen and ink to describe. I spent several chapters writing about a half-dragon killing a bunch of legendaries, devouring them, and evolving them to avoid them, just to introduce Tiamat and the ability to weave fate. But I spent so much time writing about a tool character who would have no follow-up after death. As a foreshadowing of the creation of a god through alchemy, Naomi, the character who leads to the Time Dragon, the power of destiny, in the future after Harvey's death, is written about a contract with the protagonist and about healing the heartache. However, in the end, it is thrown away after use. There are a lot of things that are left unanswered in the final ending. Where has the Mercurial Spirit Servant evolved? How is the president doing? How about going to give Shadow Druid extreme haste? What is the relationship between the patterns on the protagonist's Golden Throne and the patterns in the Kingdom of Giants? What happened to Curse Lovita? ... It's a pity... Although it seems to say so much, it is actually a small problem, but I can't help but think about it when I watch it. Let's talk about the advantages. The main plot is very clear. Several map plots go round and round and are finally combined and strung together very smoothly. This is also a big reason why many minor problems can be tolerated. The main plot does not collapse, and other problems are more or less tolerable. The first chapter, Alchemy City, was written in great detail, and it felt like the beginning of an epic. I thought that the whole chapter would follow this style, but it was a pity that the whole style of the story changed later on, but it was not a big problem. The understanding and explanation of fate and the prophetic mage system in this book are the biggest highlight and the most exciting part of the book, which adds a lot to the whole story. Especially the story about Mr. Fortune, I would call it the climax of the book. Personally, I feel it is more epic than the battle between dragons. There is no weakness in the front, no increase in strength and connections in the back, but a feat that is worthy of being recorded in history as a mortal for the first time. It also contains the sadness of the protagonist as a human being who has dissipated in the past, and the image is also fuller. To quote a comment, "I am not sentimental, but the traces of me as a human being in the world have faded." In general, the faults do not hide the advantages, It is like a piece of sweet watermelon with a few extra seeds. It is delicious, but it is troublesome to spit out the seeds, so I simply swallowed them all. This book is a good work if it loses its head and ignores some details. Personal rating:7.5

It was so satisfying that I kept reading it like I was constipated every day. The senior brother in the second chapter and the holy king in the third chapter are all as charming as the protagonist. The protagonist does not have an excessive golden finger, but has human flaws, whether it is his greed for money and his obsession with becoming a lich or his last escape as a human, which makes him more real. Especially the ending of Chapter 3. It would be okay to change the title of the book and make it a tragic ending.

I feel that the combat power is not very rigorous, and the combat power system prioritizes serving the plot, but the plot promotion is somewhat straightforward and far-fetched.

It's been a long time since I've been able to read a novel in one sitting. Either I got tired of the repetitive routines and changed to another novel, or I just couldn't stand it and changed to another novel. This book is not watery at all, and the routines are not repetitive. It is a really good book. I have to say that the shortcoming is that I feel that each climax is not high enough, but if it is really high enough and requires many chapters to set the stage, it may be watery.

Overall, it is a book worth reading. However, the author's worldview setting needs to be improved and is not well developed. The nine kingdoms are a bit confusing and unequal, and the power system is also a bit unhealthy. It is recommended that the author read the experiment log of Squirrel's Crazy Lich for reference.

The early stage is very interesting, keep reading

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Chapter 299 mentioned that the last time the protagonist and Mr. Fortune competed in prophecy two hundred years ago, the result was that Mr. Fortune lost his name to the protagonist. Chapter 303 said that the protagonist and Mr. Fortune were both a crappy mage and a noble young master, but the Elf King before It is said that the protagonist was trapped in Red River Town four hundred years ago. According to old Pete's memories, it should be the place where the protagonist started his adventure. However, there is a difference of two hundred years, and the protagonist abandoned the power of prophecy in the third hundred years of his life. This time does not match up. I wonder if the author did not arrange a timeline when filling in the past experiences of the protagonist (in the first chapter, the real name was revealed to the Supreme Judgment)

You can write that the dwarves are no longer as brave as they used to be, and do not have the courage to stand up again after being broken. They are seriously injured and escape. Then the dwarves bring the lich and elves together to fight the dragons, and finally kill all those who believe in hell. Although the plot is cliche, there is no big problem. You can also write that the dwarves felt that they couldn't cure Ryan, and they couldn't cure you. The explosive seeds drove away the dragons, and the dragons went to kill the nearby human lords or elves. They devoured them infinitely and then gained the power of hell. Nb, and then were overthrown by the lich. Then they studied the corpses of the dragons and were inspired to come up with some new technology. In the end, you wrote that the little dragon man defeated two legends in one night and wiped out the dwarf mission by eating meat for a few days. You also made the dwarves look like they were mentally retarded, and just put the money in a certain place for the little dragon man to get it by himself. Well, maybe there is no need to give this money at all and let him go wherever he wants You write this, you Tiamat is so awesome, why don't you go to the main plane and cause earth-shaking and fame, and stay in the first level of hell as the dragon goddess?

The work of the Elf Queen and the mutation of the little dragons have obviously collapsed. Many book friends have pointed out that there is a problem, but the author does not listen and insists on going his own way. I guess there is no outline at all here. The author wants to write one point at a time and let it go completely. All logic and rationality are lost. What I regret is that I didn't read the comments section first before subscribing, which was a waste of time and money. Subscription has been stopped, removed from the bookshelf, gone, gone.

It was really difficult to see the little dragon people. Not to mention the setting of DND, just read the second setting in the novel, which laid the foundation for more than a hundred legends. A five-color dragon mother who was originally just an ordinary person and was only blessed with weak divine power was able to kill two people in one night for more than ten days. These two legends were the second child and his captain of the bodyguard, one of the nine kingdoms. Although "parallel import legends are also legends", normal legends have been killed like pigs by a little dragon who has only been blessed for more than ten days. I really don't know what the gold content of legends is, and it is "closest to God". It really makes me sick. When I think about the money I paid to watch this, I feel just as uncomfortable as eating it

It's not that the combat power has collapsed, it's that the writing skills are poor, because it starts as a legend, and the level is not clearly stated. It feels like there are three levels: mortal, legend and god.

Black-haired, black-eyed boy → Lich

When I saw the death of the Dwarf Iron Fist legend, I felt that the author was very perfunctory. Did the author use AI to write it after it was released and force the plot to kill? Every legend is like a parallel import. It can't do anything. If there are a lot of people, it will become a waste.

A mortal who was blessed by the Lord of Hell directly became a quasi-legend. He first defeated the king who had become a legend for a long time and then faced off against the Elf Queen and the protagonist who had several artifacts. As mentioned earlier, a legend with artifacts is equivalent to a human god, and the protagonist has a golden throne and is also a strong one in the legend. However, he was still being beaten. The Hell Lord quickly blessed two more and directly unified the world. It was really a trick of wisdom.

What a waste! Just for the sake of being an apprentice, you have read dozens or hundreds of chapters. Why don't you read a book?

It's hard to imagine the author's recent mental state. I'm not smart enough to give readers such an abstract job, but I want to know why a half-dragon can kill a dwarf bodyguard. He is just a half-dragon who has transformed into a dragon and cannot even match the weakest dragon. How can he kill an elite group of dwarves with the Gate of Hell, and can his magic resistance stop a legend who wants to escape? As a result, the legend couldn't escape because of the Gate of Hell, so he was killed by the half-dragon. But the half-dragon was just a weak dragon who had just transformed into a dragon. Did he have the rank of a legend? Can he kill a semi-legend or with the help of the dragon mother who has weak divine power? Why can he kill a legend who wants to escape? Ah, relying on the Gate of Hell, I understand, but why did he attack the dwarf camp directly? He even killed the Hand of the Empire. He could do it with the demons and legends he had just devoured. It was so funny. He didn't even have a legend but relied on the ability he just devoured to kill an old legend who could survive the battlefield. It was so funny. The sentence "the weakest legend is also a legend" is very funny. It is also funny that the protagonist reincarnates into a lich. After all, reading a lot of books and doing research is not as good as eating. I spent some money to see it now. Can the author reply to readers? If the author likes to be silent, then continue to be silent.

When I saw the Golden Throne chapter, I couldn't understand it at all, so I killed several alchemist masters and turned them into skeletons. In the case of the complete collapse of the alchemy city, the exodus of alchemists is correct, but the alchemists who can survive on the legendary battlefield are at least high-level and legendary. Then the protagonist directly kills these people, leaving nothing behind, neither enslaving nor turning them into controllable lichs. In the situation of lack of money, the protagonist, a lich, is obsessed with gold coins and wealth, and as a result, he directly kills his own financial resources, which has never been seen before. The alchemy golem master who was killed was a member of the Council of the Nine Powers, a legendary alchemist, and his knowledge and technology about golems were at the top of the alchemy field. And then he touched the realm of the gods even though he was so hung up. Then he killed people directly without thinking of enslavement control. Why are all the alchemists who escaped are legends, right?

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After chasing it, I suddenly found that the author wanted to make changes, so I ran back and read the comments, and then I understood the problem Theoretically, it is reasonable for the protagonist to obtain a private space + 6 million wealth + an additional legendary ability After all, the efforts of Alchemy City are all to make the president become a god and become a wishing machine, and the wishing machine has been "sealed" as the biggest reward. Jincheng is not very interesting But it is indeed the end of the first volume. After so much foreshadowing, this receipt looks a bit pitiful. The coins with legendary abilities must be used by others, giving people a second-hand feeling. The wish should belong to the protagonist, and while chatting, it becomes an opportunity given by the gods, and the protagonist has to use this opportunity. Helping the gods to seal the Alchemy City, the 6 million wealth obtained through begging seemed a bit insufficient compared with the previous prices As a wish for a whole volume, only this worldly thing was exchanged, which made the supposed climax seem ordinary. It can be seen that the author has already explained in the previous conversation with the teacher why he cannot choose to become a god, but The fact that the Alchemy City is sealed should not account for the protagonist's wish As a researcher of the soul, the money can be given to the protagonist as an incidental gift, and the wish can be considered in terms of ability. Even wishing for a living metal creation that can reproduce, deform, and perfectly embody all swallowed metals may make it look better.

Everything else is good, but the prices are a bit exaggerated. They can easily cost tens of thousands of gold coins. It feels like just pulling a dog out on the roadside can bring out thousands of gold coins. Is the gold content of this gold coin too low or is the world rich in gold?

Let's talk about Alchemy City first. In the article, the 2 and 6 seats of the Alchemy Council are all legends. It also says that there are nearly a dozen people in the Alchemy Council. Does that mean there are about ten legends? The legendary peak of the Speaker is almost close to the god. In the end, the road to becoming a god went astray and turned into an artifact, which can be regarded as a god level in a certain sense. Elves, although they are addicted to magic, this negative initial stage not only does not weaken their combat power, but also greatly enhances it. The elves should have about ten legends similar to those in Alchemy City. Alchemy City is thinking about becoming a god, and a group of elf elders work together to spy on the protagonist's past, and then the protagonist's counter-detection turns out that the magic circle cannot be closed. Can't they just destroy the magic circle or destroy the structure or something? It's like the peak round of the Olympic shooting finals. Some players can't load bullets, and the B box has been lost. Then the Elf Queen brought a group of semi-legendary elves with shared abilities, and encountered the Gate of Hell on the way to negotiate with the dwarves. A group of minions came over and tried to break out instead of crushing and killing them all. She also said that the queen couldn't leave because she wanted to protect the remaining elves. Please, you guys have been shared with legendary abilities, so you can't beat the minions? Queen, you have such a hard time with a double legend? Four high-level Balrogs came out from behind, and the Queen's team was in immediate life-or-death crisis? This team of elves with legendary abilities are all babies holding the queen's lap? Then the protagonist came out, and with 5 million gold coins and some consumable and recoverable power of destiny, he was easily killed. The Elf Queen, one of the nine top powers, leads a team of subordinates, but her combat power is not as good as the protagonist's power of destiny and 5 million gold coins in a few days. Later, the negotiations are tens of millions and hundreds of millions. If the combat power has not expanded dozens of times, the protagonist can defeat dozens of queens. Is the Elf Queen so rubbish? She is also a legendary ranger, legendary mage and double legend. Then there are the dwarves, the prime minister (chief executive) and the country's first warrior. People who have fought their way up from a small soldier are able to govern the country and fight bloody battles. There is no wisdom in reading the whole article. You are being ignored by the protagonist and you are about to immigrate to Alchemy City. You are still working together with the people from hell in Alchemy City. How can you immigrate when the place is in chaos? What's the point? The country was going to be destroyed. He also made enemies with his rude words to the dragon man. The enemy came and came with a second-in-command from a rich country. He didn't have any magic equipment or scrolls on him. He relied on recklessness to attack people and didn't even test it. Then the combat power is also very weak. He was instantly killed by a legendary dragon man that was born, and he didn't even use his legendary ability. The people who were killed at the bottom of the war had no fighting skills, vision, or strategy. Why didn't this dwarf destroy the country? The top combat power is so weak. People with legendary abilities can still be restricted by the terrain. The Rhine is also blocked by the desert. With such weak combat power, it should have been bulldozed long ago. To summarize In an extraordinary world where the strength of a force has collapsed and power is concentrated in individuals, the imbalance in the top combat power of the nine kingdoms is so great that it is even questioned why some countries can exist. Yes, it is the dwarves. The strength of Alchemy City is quite reasonable as one of the nine major forces. The level logic is very good as seen online. After one hundred and thirty cards, it plummeted. The elves, dwarves, and Rhine were too unbalanced. Two, the legendary's combat power collapsed. The author said that the legendary is also called a demigod. The Elf Queen brings the elves who share legendary abilities, and fights a team of minions instead of just cutting grass and opening up Wushuang? She is a double legend, how many fire demons can she fight without falling into crisis? Third, if the battle scene collapses, the author will not write about the head-on battle between the legend and the legend. The above-mentioned descriptions of the elf legend, the ranger, the legendary mage fighting 4 Balrogs, and the dragon man fighting the prime minister of the dwarf kingdom are all described in a single and illogical way. There is no problem in the first hundred pictures. They are all about the protagonist's legendary fighting non-legendary, and this is the magician Tajia's sneak attack, etc., So it seems to be fine at first glance, but it falls apart as soon as I write it.

What are you writing? A veteran legendary monk is still the Hand of the King, and a peasant soldier who was blessed by the Dragon Mother and turned into a dragon to seize pseudo-legendary knowledge seems to have not yet been gifted. , Killing the former is like killing a dog. I killed several legends, especially a veteran monk from the Hand of the King. He was also a general. Your description of his fighting qualities and his identity are in no way a thief. Then why did you say that the legends are so awesome? The main character is so awesome even in the legend of ginseng water. Later, I will write a peasant soldier who was blessed by the Dragon Mother, turned into a dragon and gained a pseudo-legendary knowledge to become a legendary peasant dragon. It is still a half-baked legend that requires energy or it will die suddenly. He actually killed a general because the Hand of the King still has some legendary soldiers. So awesome, let him be your protagonist. The protagonist's legend is mixed with water. Although it is awesome, it can't be compared with the regular legend. This dragon is a half-baked dragon. You wrote something so awesome for him that it shattered the previous strong character into pieces. You killed a King's Hand and you are still an old legend. And the legendary soldiers you wrote about before?

I just saw about 130 and wanted to ask if it looks good in the back? I think the first 80 chapters are particularly good, but in the end (in my opinion) it gets a bit bland, especially around chapter 120. I think about it but I can't bear to give it up, but I don't know if I should continue reading... I'm just asking you for your thoughts. I'm not saying that I have to argue over whether this book is "good" or not.

Since the protagonist's resurrection. Plot advancement. It feels like jumping left and right. The author feels like he is writing at a loose pace. The content is here for a while, and the content is there for a while. It gives people a not very coherent feeling. Now that's all I see. Resolving the bloody battle is the main mission. There are also a lot of side missions. Help the God of Alchemy become a powerful god and save the Queen. The Kingdom of Lane is in turmoil. Summoned by the Lord of the Dawn, the Elf Queen wants to meet the protagonist, two apprentices, and the Alchemy Association before she becomes a god. The plot begins to unfold. Not like before. They are all written content by content. The plot feels very incoherent. It feels like this is the author's first attempt at this kind of writing. Hope it all comes together in the end. Fill in all the holes.

Speaking of which, did the gold consumed by the protagonist simply disappear out of thin air? The permanent and continuous decrease in the amount of gold circulating in the plane will have a great impact on the economy, and it will soon collapse. The goddess of trade should kill him directly. If you don't want to add a setting, the gold earned by the protagonist through trade can be used to cast spells. After the spell is cast, the gold will not disappear, but will lose its magic power. It must be circulated again to replenish the magic, and returned to the hands of the lich through trade again before the spell can be continued.

I have read hundreds of chapters of "This Lich Needs More Money" and would like to share my thoughts after reading it. This book may be a bit old. Internet memes such as lich and adding money have become too popular, so when I read this book now, I always feel that it is a bit out of time. I have not systematically understood the dnd system, so I found it a bit difficult to understand when reading this book. The power system and career system cannot be effectively reflected. The Lich itself is a legend, and the enemies it faces are either crushed or crushed. It cannot reflect the differences between low, medium, high, weak legend, strong legend, god, etc. Levels. The profession system is even less obvious. The difference between professions is just the difference in legendary favors. It should be a wonderful and complex culture in another world, but the result is not as impressive as the diversity of races. Overall, in the first hundred or so chapters, this book failed to expand the worldview of another world. It's not so much an alien novel, but more like a Western fantasy-themed online game novel. Generally speaking, this book so far has not been too formulaic. The Lord of the Morning and the Lion Empire are not simple villain templates, which I am more pleased about. I also enjoyed watching the post-marriage comedy of the Headless Horseman and the Bone Dragon. The members of the Mourning Poets Society are all well-characterized. But so far, the key drivers of many plots are extremely beautiful women, and they have an ambiguous relationship with the protagonist, and are suspected of having a harem, and the protagonist himself is a lich and greedy for money... This is a bit cliché. Also, the upper limit of the IQ of the characters in the book often depends on the upper limit of the author's IQ. The destruction of the Alchemy City in the first major event, and the elven-dwarf war in the second major event. The upper-level leaders of the four forces (Lane, Alchemy, Elves, and Dwarves) generally have low IQs. For their positions, they can even be said to be immature. In terms of shaping the character, it is actually quite a failure. The protagonist himself also had hundreds of years of experience before becoming a legend, and then he was reincarnated as a lich. But from some of the protagonist's words and actions, we can't see the calmness that has gone through the ups and downs of the world. Not only the protagonist, but also other characters who have experienced hundreds of years of baptism, all have the same problem as the protagonist - the setting does not match the actual behavior. In terms of creative thinking, the application of the Cloud Soul Box and the transformation of the alien skeleton are slightly new, the artificial soul has yet to be developed, and the Golden Throne can only be regarded as inexplicable. Krypton gold strengthens ordinary spells, what's the point? Can you crush mortals who can already be crushed by virtue of their legendary rank more thoroughly? Those who can't be beaten still can't be beaten. The existence of this Golden Throne is not as good as the protagonist's own prophecy spell. The die of destiny directly replaces the result. It is indeed a bug, and it is more like the author himself cheating. In my opinion, this book "This Lich Needs More Money" is a relatively ordinary, slightly innovative Western fantasy harem novel in the traditional humorous style, without any nutritional value. After reading "The Experimental Diary of the Crazy Lich", I unconsciously compared the two and felt that "The Crazy Lich" was superior overall.

I read about the Mechanical Master a long time ago, but I didn't expect there to be a new book.

The quality of the book must be at least passing. Not bad. Mad Lich is about 80-90. This book is almost worth it, probably around 80. There are not too many books over 80. The writing may not be to the taste of some people. But the ending is very satisfying, which is a big bonus. It's not like many books that dig deep in the front and write grandly, but can't wrap up the end at the end. There are too many bad endings at the beginning. Originally it would have ended with the very epic Arthur Slaying the Dragon, but the protagonist is just the puppet of fate just like the previous hundreds of years. Meeting the goddess of fate later will make up for the regrets of the past.

Why does Ryan want to preserve his history of selling ditches? As you all may not know, the reason why Ryan was able to survive from the clutches of the demon dragon was because he sold his goods to the dragon. Ryan couldn't stand the dragon's brilliance day and night and found an opportunity to run away. The dragon never forgot this, so he wanted to arrest Ryan on a large scale. (Unofficial History🤐)