You Won't Even Call Me Sir!

The novel should be renamed so that you don't even want to call me Holy Mother

I was so hurt by wine and sex [shyness] that I was so haggard [my soul was out of body]. From today on, quit drinking [struggle]​

It seems that something went wrong. The author later revised chapter 44, but my chapter review seemed to be in the revised section, so I was "deleted." Apologize to the author🙂 [Original post] No, this also deletes the comment? I just said in Chapter 44 that the female supporting character's appearance was too sudden, and I didn't say anything else. So is it deleted? Then if you can't stand others chirping, you might as well just set a fan value of 100 before you can comment 🙂 I'm leaving, okay. . .

I finally found a kind-hearted protagonist with a personality I like, alas. Can you really find an audience if you screen it twice like this?

The writing is pretty good, and the logic is reasonable enough. How can I put it this way? The protagonist's talent ruined the entire book. I can't say it ruined it. I can only say that this talent limited the framework of the book to a small group of people. It doesn't mean that if you ask the protagonist to do something "fourth natural disaster", you will drag down the protagonist's moral standard. Just a little bit higher than ordinary people is fine. Most of the readers are ordinary people, not saints. If you set the moral standard of the protagonist too high or extreme, it is just disgusting. The most important thing is that you are not writing a short novel, and the protagonist is not an important supporting role in a certain paragraph.

It is recommended that the author leave a single comment. Some readers' comments are truly speechless. Writing on the blackboard has nothing to do with Our Lady.

The moral level of the protagonist is very high, no problem. The author also wants to describe a world with a high moral level, which is okay. But the problem is, the moral level of reading is not that high, and the moral level of the real world is not that good either. This will be very fragmented and make readers feel hypocritical and fake. If the world view, writing style, and imagination are amazing, you can ignore these problems. But if you obviously can't reach this level, there's nothing you can do about it, and your results will be poor. As for online writing, if you can't be amazing, then you can only follow the trend. If you want to go against the trend, then go for it.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​                                 I found out through the comment section that you, the author, have not realized your main shortcomings after reading several books, that is, you have a vague habit of abusing the protagonist. Don't mention to me that the protagonist's strength has improved very quickly, because it is even more excessive to have to be wronged even if you have strength. I will list a few points based on the content of the previous book. The first point is also the most important point in my personal opinion, and that is the emotional drama, whether it is a vigorous life and death together, or a plain companionship as before, both of these are considered a kind of romance, but author, why can't you think of writing about the protagonist being plotted and forced? The second point is also related to the first point, that is, the protagonist is too kind, or the author did not consider the feelings of the readers in reality when writing some content. The protagonist forgives his Taoist companions over a long period of time, but what about the readers? The reader looks at all this as a bystander, without the buff blessing of the Taoist companion. In addition, for the reader, this is a very short period of time. It is impossible to forgive the other party when they don't like it. At least my personal journey is that the protagonist was wronged and chose to compromise without venting. The third point is not so complicated. It is the author's writing problem. The first is the rhythm control in the general direction. When the protagonist needs strength, you write about reality. When the protagonist has enough strength, you open a new dungeon. The dungeon is not good enough because of the above two points. Realistic people show that you basically don't write. As a result, although the protagonist has strong strength, he is not happy at all. Then it is a matter of details. It is okay for the protagonist to like cats, but you should not blatantly write that the protagonist is a cat slave. I am right to me. My pet is also very good, and sometimes I let it do some outrageous things, but I will not put myself in a lower position than my own pet. By the way, I would like to add that it is the protagonist's daily habits, which would be too polite to everyone. Cultivation is cultivation, but you have also abandoned the strong character that a strong man should have. Although it is not a poisonous point, the details are really not handled well. Finally, it is the problem of adjectives. Adjectives are also part of the details, but why should I mention it separately? Because I really have had enough of the adjective "profound". The expression is profound, the eyes are deep, and the corner of the mouth is curled up into a deep smile. This is really a bit... Forget it, it's not good to curse people, I still have some quality. That's all I have to say. I feel much more comfortable speaking out. I wish the author can make smooth improvements in the future and the new book will sell well.

No, the protagonist knows what the world he is in is like, how can he dare to show his specialness at home at will? Aren't you afraid that God thinks that the protagonist's special characteristics are beneficial to human development and slices up the protagonist for study? For artificial intelligence, using one person to benefit the whole world may not be so difficult to choose, right? The key is that it still has a criminal record! So? Can you see this? Gone.

I don't quite understand why the protagonist's upgrade ability is always used to upgrade finished products? With Tiandao's relatively large productivity as the backing, upgrading the production of finished products would be more efficient with upgrading production tools. Secret brain, AI host, metal smelting equipment, material analysis instruments... After these things are upgraded, they should be able to greatly increase the protagonist's analysis speed and utilization of materials from other worlds. Materials science can take off directly. Upgrading the tools produced by the upgraded equipment should be far more powerful than directly upgrading ordinary items. Even if you upgrade a hammer, the weapons produced by this hammer will definitely be more powerful than ordinary weapons. The production equipment in this high-tech world background will definitely be more productive than a hammer. The ai host and assistant brain are even more important. The improvement rate of such high-tech items after upgrading is simply not comparable to that of cold weapons. The protagonist is not a single soldier, so why does he always want to sacrifice the good for the weak.