The Millennium's Great Director

Just focus on writing a story with Sissi as the sole female lead; avoid any ambiguous relationships with other girls; focus on the sweet daily interactions between Sissi and her boyfriend; most importantly, portray Sissi's personality realistically; a lot of people will definitely read it; at least I'll subscribe to the whole thing.

You can either be a jerk or a pure-hearted guy. If you're going to be pure, then avoid getting upset. Arranging a movie for your girlfriend where she's dating someone else, with a two-year gap in between—do you really think an international director has to be devoted to you forever?! Don't be afraid to call yourself a simp when writing about single female leads.

Sissi

Who do you think is suitable to be the female lead? Leave your choices below. The one who receives the most votes will become the female protagonist of this book. Ahem, personally, I'm quite fond of celestial beings.

#NewBookReview##BlowingTheDing# A novel by a Chinese entertainment director. The story begins with interactions with Jia Zhangke and Wang Xiaoshuai through DVD sales, reminiscent of "The Literary Era." Acting and filmmaking then take on a more understated, almost ethereal quality.

Are entertainment novels now incapable of being written without Liu Yifei? 😅 Nine out of ten entertainment novels on Qidian feature these two as the female leads.

Having read over 300 chapters, this is probably the most useless protagonist in entertainment novels. In the early 2000s, he had billions of dollars in cash flow, various copyrights, and abundant resources, and was several years ahead of iQiyi, Youku, and Tencent Video. Yet, he was terrified of them!

I spent over twenty days of my free time searching for information on thousands of female celebrities, and compiled the following comprehensive list, categorized by age group and tier (first, second, and third tier). I've tried my best to correct any instances of falsified birth years found among the female celebrities.

The more I watch, the less I expect. After Pirates of the Caribbean 2, which grossed a billion dollars, there should be corresponding feedback. What's strange now is that they just collect achievements without any plot points that elevate their status. It feels like they're just making movies, releasing them, and then making more.

From an investment perspective, Wuershan's Fengshen trilogy is utterly worthless; it was a garbage project from the very beginning. This has nothing to do with whether it's a good film or not. The very existence of this thing is quite intriguing.