
The Great Taiyin Emperor
洪荒之太阴帝君
- Status
- Ongoing
- Length
- 265k Words
- Genre
- Cultivation
- Audience
- Male
- Subgenre
- Mythic Cultivation
- Updated
- 2y ago
- Source
- Qidian
Stats
0Monthly votes
1.6kRecommends
25Fans
92Chapters
Tags
Synopsis
Reader comments
Readers also read
Qingfeng Daojun
Become a Dragon King from West Lake
Mortals: as Mortals, the System Is Broken!
Mortals: Start with the Heavenly Bones
If You Are Already an Adventurer, Who Should Work Hard on Your Own?
Self-Cultivation of the Earth Immortal
I Am a White-Bone Spirit, a Natural Disaster of the Undead
The Artist Begins in Prison
Traveling at the Same Time: Great Love to the Heavens
Honghuang: Saving Jiejiao Starts with Me, Shiji
Shushan: Start Practicing with the Corpse Demon
Prehistoric: Beginning with the Apprenticeship of the Queen Mother of the West
To be honest, if you are afraid of changing history after time travel, it is the most nonsense statement, because the moment you successfully time travel, you are history, and there is no meaning of change at all. On the contrary, if you cannot change history, time travel does not exist because history cannot be changed. The moment you succeed in time travel, you will be wiped out by history.
First, I haven't discovered what path the protagonist can take until now. As a prehistoric novel, you should at least find out what path the protagonist takes! Secondly, Pigfoot thought he could know the development of some things in the prehistoric era, but if the prehistoric era develops according to the path you know, can it still be called the prehistoric era? As for his sister, who knew it was a pit of fire, why couldn't they be imprisoned and abort the child, but she had to send them to the pit of fire?
The main character is a man and his name is Wangshu. It looks weird.
The front is fine, but the later you get, the more poisonous points you get, and the protagonist becomes even more intelligent 😅
There is no heroine. Honghuang novels are still not as good as the heroines.
It's a ridiculous book. As a reader who has followed it since it first entered the new book list, I will briefly mention my opinion. This book has great advantages and disadvantages. Some of the words may have ambiguities or emotions. I hope the author will not forget his original intention and continue to write, even if it is for self-entertainment. I will insist on accompanying you to watch until you finish the book, even if it is unfinished or interrupted. Advantages: 1. Just looking at the quotation of classics, they are among the top new Xianxia books of the same period. Many old authors have similar religious and cultural accumulation, and they also try their best to turn the things in the Taoist scriptures into reasonable content in the novels, including the selection and description of the three corpses. They are also in line with the classics, and the use of classics and the design of the plot are integrated. This is very labor-intensive, and I admire the author very much. 2. The author tried his best to lay out clues and foreshadowing. For example, the first time he saw Luo Hou's demon dye led to the Black Lotus and the Buddhist incarnation, the flaw in Taiyin's destiny suggested that the protagonist was not so glorious and was leading to the endless sin plot of the third corpse in the demon world. Ji, etc. (Representing destiny or life and death, theoretically can be used to cultivate the Taoist method of arranging destiny and resurrecting the dead) basically gives a good answer to the protagonist's "prophecy" and his ability to "make the best use of everything", and even connects to the second biggest concern "returning to the past". And simply based on Wang Shu's familiarity with the Taoist scriptures, I feel that I really don't know the foreshadowing of those scriptures. I don't believe it. I look forward to the author's solution. 3. As a newcomer, the author tries his best to update steadily, and also tries his best to design the plot, so that the content of the book is not pure Taoism, and the characters (only Wangshu and Luo Hou) are not pure masks. He also tries his best to describe the conflict and the struggle between the Tao in his heart (much better than the ordinary white text, which is like playing games and just exchanging skills), and tries to depict the immortal spirit and human nature. And even if the results are not good and the evaluation is not high, I still try my best to write, which is worthy of recognition. Disadvantages: 1. The plot is well designed but the dialogue and action description are not impressive, the psychological description is almost nonexistent, and the lack of monologues causes a lot of information loss and character creation problems. It's not a mystery novel. I can't comment on the several basic description techniques that were abandoned before there was enough writing power, especially the several "retarded descriptions" in the middle until Huitian's self-exposure (if it weren't for the latest chapter, it would be a poisonous point). There are dozens of chapters that make people feel confused. 2. Hiding hidden clues in plot design is certainly a plus, but burying too many leads becomes a minus. Just talking about the latest plot, the "Tianzun" was killed three corpses and was judged as a "heartless and sexless demon". At such a critical moment of the confrontation in the demon world, Luo Hou easily figured out his temper in such a dangerous situation for a few days. Where is your Taiyin Bingxin Taoist method? When you reach "Bodhisattva", where is the basic Vajra Dharma of the Five Aggregates Empty in Buddhism? The ancient method of Taiyin Corpse Interpretation is one of the Taoist methods that best trains and tests one's mind and luck in rebirth. The relationship between Taiyin and the soul is second only to that of life and death. At this point, we still know a little about the three souls and seven souls. Where are your elixir and the accompanying death book spirit treasure? This is the most critical plot conflict in this article, and there are still a lot of blanks or "intentional" which is obviously very bad. 3. The plot direction problem. At present, it is known that Kaitian is limited to this point in the early and mid-term "luck is lost" and "only once". The most intense part of the plot is either to fight to the death with real swords or guns, or to be superior to the general trend. It is estimated that there will be no need for Kaitian. So how do you think about the way to make a comeback or use it as a way to get rid of the information gap? There are only the first few of the thirty-six magical powers. Without the mediation of Nuwa's sainthood certificate, except for the reversal of yin and yang and the shifting of stars and fighting, they are almost not qualified to participate in the decisive battle between the two Taoist masters in the past and the future. In the case that the higher the magical powers are obviously more difficult to practice, the choice of trump cards is very limited, making the unfolding of the plot a kind of torture. For example, Hongjun "can detect changes in history" and Luo Hou also predicts the future. Will the protagonist's acting and gambling be reflected in the future? What is written under this kind of thinking is "put yourself to death and live again", which is one of several types of plots that are difficult to write and easily criticized. If the author wants to use Huitian to rebel against the sun to explain the coming of future generations and thus lock the timeline and destiny, "the agencies are too clever in calculation" and "time and space have simultaneity and coexistence", then the premise of knowing the future is deceived is to borrow the sage's time and space constancy to suppress it. If other variables are not introduced, logically it is because Wang Shu wins, Wang Shu wins, forming a time and space paradox, especially Hongjun, who is also proficient in time and space and can intervene. He will not help Wangshu, and promotes the movement of heaven behind the calamity to create the last outlet of the innate yin-yang era. Wangshu can only rely on the operation of the other six (presumably the Taishang), and in comparison, Luohou's three corpses will not have any problems. The only information given by the author is that Luohou "indulged", which is obviously mutual acting, especially since the author spent so many chapters writing about Taiyin's destiny and Luohou's abilities and character. However, at this point, the author turned around and wrote about the three corpses, which made so much effort to alarm all parties and collaborated with Styx to design the "reincarnation" of the earth to gather merit and resources, but still fall into various directions? "Create a hidden path" or "kill two birds with one stone"? So what is the significance of Baoyue as the last emergency measure on the surface? Of course, the author has a lot of plot designs and reveals the secrets one by one, which is expected to be good, but the effect is obviously that the threshold is high, self-entertainment, and it makes people puzzled because: he was born one calamity earlier than the mainstream magical powers, and he was not dragged down by the ethnic group, and he did not go on the wrong path. Then, please ask about the luck and talent brought by changing the fate of "Ultimate Treasure Transformation" to the creatures + the one-time vision of the future + the extra time for the past n experiments + the mastery of some key original codes - the Tao of the Sun and the Moon covers thousands of ways and has a strong capital, which is reflected in the fact that in addition to Huitian, it also knows several other great magical powers. However, the level of alchemy related to practice is all external alchemy and other practice skills are not described. Hypocrisy + cruelty, but the positive ability is generally only capable of underhanded tricks (this is very good when combined with the shortcomings of Taiyin's fate). The problem is that Taiyin's "natural intelligence" does not have no chance to make up for it, especially if he is familiar with the three religious classics. Huitian consumes his luck so many times and worries about the future, right? If the author wants to write "the protagonist is unwilling to accept the catastrophe and has a bleak future, and goes back n times to finally find a glimmer of hope", which is obviously a classic theme, he will use a refreshing and passionate material that can be overwhelming and a tragic and comic epic in big space, but the beginning of the story is written as a villain's enlightenment + a suspected test of reality - even if there is a first-mover advantage, people will read it casually You can be overtaken in a corner with just one click, and even in the face of the "Tiandao", the reason why the two Taiyin goddesses were reincarnated for so long is still unclear - is it too much backlash from the use of heaven, or is it the end of the innate Yin and Yang era that destined the innate inheritance of the Lich to disappear, the sun, the moon and the underworld are turbulent, so that the Yin and Yang avenue changes, so it is necessary to divide the original moon into Taiyin, Shaoyin and other Tao gods and then die together? In the most critical Lich Tribulation, the protagonist has been powerless or even resigned to it until the last few chapters. This plot description is too similar to ordinary people facing certain events, and it is too realistic, so I can't comment.
The heart-to-heart chapter really stunned me. I instantly felt like I was not reading a prehistoric novel, but an urban novel.
The prehistoric version of Mary Sue! With this mentality, you will be killed by Yuanshi, Zhunti, or monsters! It is recommended to watch Prehistoric: Starting with Foolish Old Man Moves the Mountains!
The biggest poisonous point of this book is that it does not change the original historical development! Don't you know that the protagonist is making history?
Is Wangshu a boy? What an embarrassing name, Xiaoxian, Boli? Forget it, I can't stand it anymore
The last few chapters have been intermittent and I can't understand them...
I feel like the protagonist is a little unsteady, but no one is perfect. Sometimes he is too steady and seems lifeless.
This book was so boring, I had no idea what the main character was doing. . . . . . . The first dozen or so chapters are written in a fairy-like tone, but the protagonist becomes more like a pig later on. The personality gap is so big that I really don't want to type this anymore. . . . Generally speaking, there is no change from other books of the same type. If the protagonist is changed, this book will be different.
Actually updated every day😅
The writing is OK, but the character is completely out of character when he talks and thinks. It's like he's been possessed by a poison. It's not just a matter of facial expression, it's just neurotic.
The protagonist in the book also feels too entangled. He is afraid of wolves and tigers, he doesn't dare to do anything, he wants to do it but he doesn't dare to do it. . Also prevented the door from closing. .