Cultivating Immortality and Longevity, Starting as a Fisherman

About a hundred chapters in, I said that this book did not need so many vests on the earth, which was a big failure. This kind of routine was very novel when the author wrote it in the first book, and it was also suitable for the setting of the book. Now this routine is not suitable for the setting of this book. Secondly, many people have used it, and the author himself has not made a breakthrough. So now the author has given up after writing it. Now when it comes to the earth, it is just a simple sentence that extraordinary forces have brought it, and there is no distinction between this family and that family. The results of this book are not good. Roughly speaking, first of all, the author's writing style is relatively relaxed. After the plot, the story ends without development. Secondly, this kind of flow between the two worlds is often the earth. The extraordinary power is in the hands of mortals. They will almost certainly collide and transform the world more or less according to their own will and their own methods. But now the author has almost cut off the earth branch, which really doesn't make much sense.

The biggest problem in the modern world is that the author arranges for the protagonist to be the mastermind behind the scenes and fabricates myths everywhere like in the previous book. The problem is that in my opinion, the protagonist does not need to do this at all. The protagonist is actually doing meaningless things. Why don't you just say that you are a monk and say nothing else, or say that you have special powers or something like that? Now the protagonist has made up so many shells, but once you make up, you have to make up more to perfect. I think it will only become more and more tiring. What's the point? Just asking for trouble.

The big guys in the world of cultivating immortals have formulated a "Wandering Stone Plan". This plan is based on a secret space, with the best earth veins as the array, the best spiritual veins as the energy source, and the nuclear fusion golden elixir as the driving force. All the top masters work together to turn the secret space into a stone that cannot be digested by the evil god. Finally, the evil god excretes it as indigestible residue, thereby achieving the purpose of escaping from the world and wandering the universe.

， I have always felt something was wrong before. Has the author thought about which direction to take the writing? If your focus is on the plot of the world of immortality, then your writing method is too weird. If you want to write about behind-the-scenes, your behind-the-scenes elements are the things you control, people, and organizations that interact with each other and rely on these to reflect the content. There are too few of these elements. If you want to take into account the content of the Immortal Cultivation World, the progress of the Immortal Cultivation World should be slowed down and not pushed forward, and then the earth part should be more interactive and the protagonist's role should be less. Do you still remember the original Taoist Priest, what was his surname? You have compiled so many places now, Xiba, Neon, Nepal, and the East. You have to let them interact with each other. What I feel now is that I have been making up stories, and after finishing the writing, there are very few output elements. It is very tiring to read. After finishing the story, I went to the Immortal Cultivation World, and the progress of the Cultivation Immortal World was still being pushed forward. They were all stuck and couldn't take a breath, and they were already vomiting blood.

I was praised by the traffic police for wearing a helmet correctly on the road I will forward this to the comment area Please everyone be proud of me 🙂

Spear-bearing monk

The novel can be said to be anticlimactic. The beginning is amazing, but from the end it becomes a mess. It is far less beautiful than the original "My Lilliput". To show off to the people on earth, only the beginning is good. The cultivation in the world of immortality is like a simple novel that can be upgraded as long as the resources are padded... The content in Goldfinger is too unnatural and far inferior to the self-reliance and logical harmony in "My Lilliput"... Those buildings and partners , in fact, it can be the setting of the protagonist, rather than blindly relying on the setting of the Diaoyutong system. The protagonist only likes fishing🎣 because of the appearance of the system, and is not a real traditional person who likes fishing🎣, and does not know the meaning of the existence of the Diaoyutong system... That's it, let's abandon the book like this I hope the author's next novel will be good.

I just don't understand? Wouldn't it be nice to stay in the world of immortality? There are plug-ins and auras. If you have to go back to Earth, what is there on Earth? , Nothing! Then what's the use of going back? What else can you do besides go back and show off?

The more complex and rubbish it is, just write two or three faction vests. You have to open vests everywhere. Once you have the strength, it is useful to open so many vests. Once you open the vests, you will ignore them. The apprentices will always be garbage. You will not be like the previous book. By the end of the book, the disciples have just started to practice. If you don't write it, just write the rubbish point of opening vests everywhere. Can't two or three factions? Does it have to be open globally? Can't we just take it all 🐶? Where did you learn balance? It looks disgusting.

The writing of this book is meticulous, and I think I am the only one who can do it. As a result, Blue Star uses vests to do things everywhere, all relying on the aura of intelligence reduction, especially the real cultivator and fake cultivator. It gives me too strong a sense of the Lilliputian country. The author can't get out. In addition, Goldfinger is too strong. The protagonist does a lot of incomprehensible operations without the slightest crisis. This book is a book to read. You have to be a low-class food and grass to survive. It's a pity to throw away tasteless food