In Tokyo, I'm a Full-Time Artist

I really don't want to see the male lead inexplicably hiding himself (note: inexplicably, the author's reason is that he's afraid of being killed by the police, what kind of far-fetched excuse is that?), He can't even get a chance to grow up with the protagonist, become awesome and show off in front of others... (I know some people will say, if you don't want to read it, then don't read it, it's just that the beginning was really attractive to me, I don't understand this part at all).

I think you, author, must stick to your original vision in your outline. Don't waver because of a few reader complaints. Your writing is quite good; just pay attention to the plot's direction and avoid any plot holes or problematic elements.

Author, you said you'd cut it if the results weren't good, but you're padding the TV drama plot with too few updates and the story hasn't progressed in days. No wonder the results are bad.

It's okay to waver between several women; infidelity, one-night stands, casual sex—it's all acceptable, and it's logical for everyone to be purely sexual. But please, don't write it like a harem novel, where several women are all willing to share one man without any regrets. That's just cheesy wish-fulfillment.

Don't write so much about the plot of the drama. If you really want to see it, just watch the TV series. This feels like you're just padding the word count. 😓

To be honest, the storyline with that literary girl hadn't even started yet when I listened to the readers and went on to play the role of Zhi Shu, changing the outline.

I've read a book with a snow country setting before, but the protagonist was far too melodramatic and affected. The author deliberately tried to portray the protagonist's sense of "mono no aware" (the pathos of things) to make him seem like a Japanese writer, but ultimately, the protagonist was just a plagiarist. The protagonist in this book seems much more normal, at least like a human being.

Indeed, why hide one's identity? It's clearly an honorable thing! What kind of habit is this? I've seen several books like this, it's really uncomfortable. 😥

The book is alright, but it gets increasingly frustrating as you read on. The pretentiousness isn't satisfying enough; it's all so secretive. They even described a perfect mature woman character, but then they felt she was too old—why create that character at all? What was the point of spending so much time on her? What I find most unacceptable is the character of Kondo the Old Dog.

Author, you keep using TV series and movie plots to pad your word count, are you really that embarrassed?