This Movie Star Doesn’t Look Like a Good Guy

Protagonist Kindergarten Massacre Video

In the past, the routine of just rebirth entertainment stories is no longer interesting~ Now these are the only ones that are no longer interesting. More elements must be introduced to dig deeper into the advantages of ancient warriors. As an ancient warrior, the protagonist has given up the possibility of copying modern entertainment stories. The ability to improvise songs and scripts has nothing to do with this book. It can only be said that ancient times and modern times and urban rebirths have their own merits. It is purely different in setting. Back to the protagonist, his character is set up as an undercover agent sent by the imperial eagle dog to lurk around people in the Jianghu. The characteristics of the character are that he knows ancient martial arts, his level of ancient writing is better than that of modern people, he knows antique calligraphy and painting (otherwise he would not be able to please his adoptive father), he has good calligraphy skills, and he may be able to play national musical instruments, such as playing the flute or the guqin. The level may not be particularly high, but if he is arty, he should have a certain rank. He is good at sociability, has undercover experience, is good at figuring out the psychology of characters, and gives people a sense of being well-rounded and sociable during interactions. If he can combine modern theories to study psychology or micro-expressions, he can continue to explore his potential in this area. The protagonist here is different from Qian Qian's father-in-law next door, and different from Ding Xiu, the pure Jianghu person next door. Therefore, the character's ability must be based on a reasonable extension. He is not omnipotent, but good at learning, just a combination of ancient and modern ~ The character setting must be consistent and reasonable and cannot collapse. This is not a systematic novel. The protagonist's ability cannot appear out of thin air, and there must be a reasonable learning process. At the same time, the content of the work also requires the author to have a big imagination, smooth writing, and plenty of humor. The protagonist can be charming and the opponents cannot be obviously smarter. The protagonist has only had undercover experience, so he is better able to speculate on the psychology of this type of character. In addition, in the ancient environment, he had to do dirty work for others. Therefore, it is just that it is easy to play a villain. It does not mean that the protagonist can only play villains. He can also develop male protagonists with a dark style, such as Qiang Ge in "Hurry Up". Who dares to say that he is not the male protagonist? Moreover, this kind of role is not only about acting bad, but also about portraying the mentality of a little person who is kind-hearted but has reached this point step by step. It is necessary to give the protagonist a richer character setting. If the original plot is not enough to support this, the author must consider appropriate modifications. With such multiple requirements, it is extremely harsh for the author. In the past, if the maximum score for this type of work was 10 points, the maximum score for the current work has been increased to 100 points. With each additional setting, the difficulty of balancing the article increases exponentially. No wonder now there are only one world urban literature, entertainment literature, business literature, martial arts literature, and martial arts literature. Immortal literature is now in decline, and it really needs the organic combination of multiple elements to shine with new brilliance ~ This is the starting point of an old bookworm's view on the current Internet literature. As a new author, I might as well try boldly. From my point of view, the overall writing style is okay. There are occasionally some inappropriate words, but the content is not rich enough. I hope this will get better as time goes by. The author should consider "reasonable magic adaptation works", that is, the general direction of the plot remains unchanged, but the author's secondary creative elements are included in it. Give the author several TV dramas as reference for magic adaptation, such as "Wulin Gaiden", "Longmen Escort" and other period costume light comedies, which are very suitable for magic adaptation, or the protagonist participates in the performance and can use the identity of the participant to talk about the content creation and actor interaction. This is a major attraction~ It is best to combine the content of the actual entertainment industry with occasional revelations. Auntie Baibaibai next door is very good in this regard. Her works reveal that she is not an entertainment novice, but an insider or someone who has really been in contact with the entertainment industry. Therefore, the "entertainment industry truth" occasionally revealed is also a highlight that readers like to see. I hope the above suggestions will be useful to the author and broaden his thinking ~

If you write a novel, just write a novel. There is a female protagonist. Quickly kill your wife to prove it, otherwise this book will be sold out and the contract will fail!

This book is interesting, but prone to lawsuits. You use someone else's name. As long as this book becomes famous, it will be cool. If a celebrity does some public relations, your book will be ruined.

Why do I keep mentioning actors? The plot is good, but the promotion of the plot is awkward. It is completely possible for parents to be engaged in this industry. It is logical to have a chat, and then enter this industry. It is completely useless to have the identity of an extra. It is okay for a normal family. Whether you are studying in high school or a university studying acting. Everything went well At least the plot is normal and the story is lost. I repeatedly emphasized that I am an actor or an extra. I also read a performance book and emphasized it in two pages. I either look down on the extras or just make a living. I don't write about the hardships of small characters The idea is very good. I just use it as a practice and wait for the next one

Just because Kuangfeng became popular, you can't just write that you were shocked when you met Zhang Songwen when you were young. In the early 20s, you had not experienced the hardships of life. Where did you get such awesome acting skills?

Your choice of the heroine is too unpopular. This is the first time I've seen someone writing about Sun Li, although the character card doesn't show that she's the heroine.

Let me ask, I have read dozens of chapters. The protagonist is not from the world of martial arts. So does the protagonist know internal skills? Logically speaking, he should be able to do it. He cannot be unable to practice in this world.

Chapter 40: Fucked two girls, abandoned the book

This... Sun Li can't stand it anymore. Sorry author, my impression of her is that of an aunt. I can't bear it. I feel sick even imagining kissing her together...