King of Directors 2000

Elegance and atmosphere

I started skipping subscriptions because there was too much content in the series.

Write quickly, read it in one go, and contribute by getting a two-month ticket. Write quickly, write quickly. .

I don't deny Jackie Chan's achievements and contributions, but there is no need to let the protagonist rush to lick it like this. Jackie Chan, if you want to say that he has a certain influence in Europe and the United States, it is okay, but if you want to say how much box office appeal he has, it is really not the case. Jackie Chan can only have a certain box office appeal in Asia. The overall movie must be good for the audience to buy it. The word "Jackie Chan" alone is not enough to make people buy it, let alone the world. In a film that is distributed globally and earns foreign exchange, what do you ask China Film to invest? If you ask China Film to invest, can you not give them overseas box office? How about you just vote for it yourself? If China Film doesn't invest, why not let it be released? Even if you really go this far, if you register a company in Hong Kong Island and count it as a cross-strait investment, it's time for them to consider the overall situation and stability and unity. Don't keep wronging the protagonist. Besides, these will never happen. The overseas box office is good, and it is impossible for China to make it difficult for you to do such nonsense.

Just don't be too picky about the actors. Except for a few popular actors, most of them are lucky enough to have movies to film. How can they be qualified to pick and choose with the protagonists?

How did the author manage to make the protagonist watch a shitty drama while also looking down on other people's shitty dramas?

If it is well written, the biggest highlight is that the protagonist is neat and quick, and does not hesitate in doing things. As for the heroine, she must be a scumbag, but don't be clichéd. Many novels with multiple heroines have heroines with low IQs. In order to please the protagonists, they fly together or the heroines are like sisters and have children. The protagonists also love everyone. They can't let go of this one and can't let go of that one. Can a beautiful and rich female star be so humiliated? So disgusting…

The heroine Chen Haozhen is average in appearance, but the author's aesthetics are too weird. Yan Danchen is prettier than her.

When I was filming the first two dramas, the writing was pretty good, but later on I don't know why, but it felt a bit watered down. I feel that there is no central idea in what is written at the end. The protagonist makes a drama, and then produces five or six scripts for other people to film. He also writes in detail about the content of the drama produced by others and what the response was. The protagonist is more like a screenwriter and a film and television investor than the king of directors. Furthermore, the protagonist provided the script, and other people's filming was equally popular. It seems that the protagonist is not fundamentally different from other directors' filming, but the protagonist is lucky enough to be able to transfer (copy) the script. Since it is set that the protagonist is the king of directors, I feel that the focus of writing should be on the director's work, the front and backstage of filming and casting, the response to the protagonist's work, the improvement of the protagonist's director's status, the various subsequent effects of gaining honor and weight, and various stars rushing to film his scenes. You can write about getting rich, investing in and picking up girls, but I feel like you can just write it off in one go, and you can't really drive it. What's the point of writing about picking up girls over and over again? The few female characters written in it are just sidecars, not promoting the plot in any way, and their personalities are also vulgar and unlikable. The protagonist in the book has a concept that I quite agree with. Once he becomes a big director, actors who are not in his company will also rush to work in his films. So does the protagonist really need to sign various stars, and still think about arranging scenes for this and that? Because the main character had an actor signed, internal arrangements were constantly made for the following dramas. In fact, I felt that the leading actors chosen for several of the dramas were not suitable at all, but they still became popular in a routine manner. It feels like the drama came so easily, with a random director and a reluctantly chosen lead, and it still became a hit.

The source of happiness

After reading the latest update, I reviewed it from the beginning again and found that the protagonist is very ungrateful. For your first plot, Huo Siyan was hired by Dingda Hotel to help you find Yan Danchen, and then he helped you until the last role was not found. Then when you became rich, you neither found anyone to film Fenghua's self-made idol drama nor filmed your movie. Are you so ungrateful? ? ?

Internal entertainment is still internal entertainment without gods

The previous chapters were very well written, but I don't know why the author wrote the international chapter and I suddenly lost the desire to read on!

Personal feeling: This one is good, especially comfortable to watch 🤓

What movie did you choose? There are so many high-grossing movies that you won't copy? There is also always the inexplicable pretentiousness and youthful disease.

Isn't the main reason why the protagonist put so much effort into building a theater chain to avoid being manipulated and not to benefit from it? Now it's a bit putting the cart before the horse.

Is this also called IQ Online? A group actor writes a script to attract investment?

No matter how bad Dapeng's character is, he is just a villain.

Bland, too bland! I have the desire to read on, but I don't have the excitement of seeing a good book! Didn't see the climax! It's all bland, the filming is bland, there's no detailed plot, the emotions are bland, there's no emotion, it's just dryness, the movie is supposed to be a climax when it's released, but it's just bland!

In 2000, you make a literary film, find investors or distributors in Hong Kong and Taiwan, then find investors in Europe for production and distribution, and then operate the three major films, such as Best Director Film or Jury Prize. With such a reputation, people will look at you seriously when you go to Hollywood. Come up with another script, be it a literary film or a horror film, and make some achievements. At this time, Pirates of the Caribbean may ask you to direct it, because this is a commercial film, a producer-centered production, the director is the tool, the storyboards may have been drawn, you just start, and it's over, and you don't have the editing rights. There is only one name, three best directors, Hollywood's first magic blockbuster, Asian directors have entered the United States, Hollywood's diversity has been proven, let's hype it up, this is a pirate movie, a scam theme, no famous director is willing to make this, for fear of ruining his reputation, so it is reasonable for you to come here. This operation can only work for at least three years. In these three years, you can't expect to make money, you have to lose money. For the three major operations, you have to choose the year. You have to look at which year there will be Chinese judges. The judges must be well-known and powerful people, such as Zhang Yimou and Gong Li, who have done Venetian The judges of the Sri Lanka Film Festival can influence the film to win awards. The film is excellent, the judges can speak up, and everyone gives face. This is both inside and outside the venue. You need friends in Europe who have local investment and distribution to avoid learning this. Outside the venue affects those inside the venue. This is not an entertainment novel. If you make a good film and submit it for review, they will give you an award. You can sell the copyright and become famous. Are you kidding? Foreigners know who you are, right? Zhang Yimou, an internationally renowned director? Going to the three major awards, publicity is like going home? No one should be missing. The chairman of the jury, Jacob, said that this was political propaganda and he was not allowed to send it. If my father and mother were replaced, Zhang Yimou directly withdrew from the competition. This is Zhang Yimou, who was the chairman of the Venice jury. If nothing else, your domestic film needs to be censored domestically and it is going to participate in the three major awards. What next? How to send the three major registrations? What about the top three preferences? What are the review qualifications? There is also the problem of the subject matter itself. There are some subjects that you, a new director, cannot touch. If you want to go deeper, even Zhang Yimou can't do it. He will kill you lightly. He drags you down and makes you live or die. Do you have any tips? Don't talk about the reality, hide in the dust and smoke, and it will last forever. Maybe if you report it, the editor of Qidian will tell you that you can't write it, let alone submit it for review.

The biggest flaw of my own book is that the protagonist does not play any role, and blindly praises this and that high-ranking star, which makes it less enjoyable. The best Chinese entertainment movies are all self-written, directed, and acted. Don't think of the director as noble. After 2010, the director is just a tool, and anyone can be a hero. If the protagonist writes, produces, and acts by himself, I think it will be more satisfying. Except for the top few directors, I may have heard their names, but I don't know what they look like, like Jackie Chan, Stephen Chow, Wu Jing, and Jia Ling. If they weren't actors, they wouldn't be so famous at all. The author doesn't want to be in front of the stage but wants to be behind the scenes, so he might as well go into a factory to screw screws, so he won't know many of them.

Isn't the signal copied from a Hong Kong drama? I keep blowing it here.

The plot line of Hurricane Rescue is a fast-paced race against time, especially the action design, which is crisp and direct, while Jackie Chan's action style is more of a vaudeville comedy. If you don't follow the action design of the original film, you can imagine Jackie Chan fighting with someone while racing against time to save a girl. 7.8 It would be very funny if someone can stand up and continue fighting with you after beating you. If Jackie Chan changes his style, will he still be Jackie Chan?

I accepted Jackie Chan. After all, the international influence is there. I can't stand Zhang Ziyi. What does she have? Playing a heroic female police officer, are you serious?

The first 300 is pretty good, but there are all kinds of minor problems later on. The biggest problem is that the protagonist is a bit humble in the end. He has to deal with small things in the company by himself, and is invited to visit the thatched cottage. The relationship is also inconsistent, and the protagonist's strong character is not written well. Readers who are introduced to the protagonist feel instantly dropped and have a sense of gap.

No matter how you like Hu Ge, just go with him. Can an amateur negotiate terms with a big director or a big boss? Although I have a very good impression of Hu Ge in reality, this is a novel, and your status is so high and you are an amateur, but you are still licking him like crazy.

1. If you don't speculate in stocks or become an angel investor, you will never be able to withstand the advent of the capital era. 2. If you are afraid of trouble and do not understand financial knowledge, and do not make fluctuations, you can make much more money by holding certain stocks for decades than hoarding houses. Why compete with ordinary people for houses? This is very annoying.

The writing is okay, but I always feel that the protagonist is a bit low-key. The company he opened has expanded to such a big size, and he has to do everything by himself. The publicity is small, and he has to grasp it bit by bit. So isn't it equivalent to a waste of money? I didn't write about the temperament and feeling of a big boss after the middle and later became a big boss.

I feel very good about most of this book. There are only two bad points. The first is that the ending is bad. It can be finished within 3 chapters and I won't write it anymore. The second biggest power. At that time, you were the most important director in China Entertainment. Even though you were rushing to invest, you still didn't make anything. I originally approved of you having the four major harems and occasionally playing friendly matches, but she couldn't understand it. There are many advantages, and it is the best domestic entertainment article I have ever read. Except for the goddess Long Zhen, all the four major harems are considered top beauties, and the writing style of the main career and minor details is very readable. The rhythm is very good, and various movies are also talked about. TV series first, then movies, box office first, then awards, suppressing Korean entertainment's future layout, the author's writing is really good.

"Winter Love Song" has 40 chapters written from the beginning to the time it was sold out, with only a little bit of other plots interspersed in between. Hong Kong came to buy and write it once, Japan came to buy and write it once, Taiwan came to buy it and write it once, and Singapore, Malaysia and Thailand came to buy and write it once. Most of them were about prices and repeated words. The author is really amazing.