King of Directors 2000

I don't deny Jackie Chan's achievements and contributions, but there is no need to let the protagonist rush to lick it like this. Jackie Chan, if you want to say that he has a certain influence in Europe and the United States, it is okay, but if you want to say how much box office appeal he has, it is really not the case. Jackie Chan can only have a certain box office appeal in Asia. The overall movie must be good for the audience to buy it. The word "Jackie Chan" alone is not enough to make people buy it, let alone the world. In a film that is distributed globally and earns foreign exchange, what do you ask China Film to invest? If you ask China Film to invest, can you not give them overseas box office? How about you just vote for it yourself? If China Film doesn't invest, why not let it be released? Even if you really go this far, if you register a company in Hong Kong Island and count it as a cross-strait investment, it's time for them to consider the overall situation and stability and unity. Don't keep wronging the protagonist. Besides, these will never happen. The overseas box office is good, and it is impossible for China to make it difficult for you to do such nonsense.

Just don't be too picky about the actors. Except for a few popular actors, most of them are lucky enough to have movies to film. How can they be qualified to pick and choose with the protagonists?

How did the author manage to make the protagonist watch a shitty drama while also looking down on other people's shitty dramas?

If it is well written, the biggest highlight is that the protagonist is neat and quick, and does not hesitate in doing things. As for the heroine, she must be a scumbag, but don't be clichéd. Many novels with multiple heroines have heroines with low IQs. In order to please the protagonists, they fly together or the heroines are like sisters and have children. The protagonists also love everyone. They can't let go of this one and can't let go of that one. Can a beautiful and rich female star be so humiliated? So disgusting…

The heroine Chen Haozhen is average in appearance, but the author's aesthetics are too weird. Yan Danchen is prettier than her.

When I was filming the first two dramas, the writing was pretty good, but later on I don't know why, but it felt a bit watered down. I feel that there is no central idea in what is written at the end. The protagonist makes a drama, and then produces five or six scripts for other people to film. He also writes in detail about the content of the drama produced by others and what the response was. The protagonist is more like a screenwriter and a film and television investor than the king of directors. Furthermore, the protagonist provided the script, and other people's filming was equally popular. It seems that the protagonist is not fundamentally different from other directors' filming, but the protagonist is lucky enough to be able to transfer (copy) the script. Since it is set that the protagonist is the king of directors, I feel that the focus of writing should be on the director's work, the front and backstage of filming and casting, the response to the protagonist's work, the improvement of the protagonist's director's status, the various subsequent effects of gaining honor and weight, and various stars rushing to film his scenes. You can write about getting rich, investing in and picking up girls, but I feel like you can just write it off in one go, and you can't really drive it. What's the point of writing about picking up girls over and over again? The few female characters written in it are just sidecars, not promoting the plot in any way, and their personalities are also vulgar and unlikable. The protagonist in the book has a concept that I quite agree with. Once he becomes a big director, actors who are not in his company will also rush to work in his films. So does the protagonist really need to sign various stars, and still think about arranging scenes for this and that? Because the main character had an actor signed, internal arrangements were constantly made for the following dramas. In fact, I felt that the leading actors chosen for several of the dramas were not suitable at all, but they still became popular in a routine manner. It feels like the drama came so easily, with a random director and a reluctantly chosen lead, and it still became a hit.

The source of happiness

After reading the latest update, I reviewed it from the beginning again and found that the protagonist is very ungrateful. For your first plot, Huo Siyan was hired by Dingda Hotel to help you find Yan Danchen, and then he helped you until the last role was not found. Then when you became rich, you neither found anyone to film Fenghua's self-made idol drama nor filmed your movie. Are you so ungrateful???

Internal entertainment is still internal entertainment without gods

The previous chapters were very well written, but I don't know why the author wrote the international chapter and I suddenly lost the desire to read on!