Chinese Entertainment: I Am the Destiny

Entertainment writing is not suitable for starting a harem. Just because of the nature of the entertainment industry, if you start a harem with your front foot, you will either get raped or get hammered on your back foot. Human nature is like this, even if someone is as powerful as an emperor, it is impossible to guarantee that he will not be cheated. Entertainment articles are suitable for playing Neptune, having a conversation and breaking up after playing. Talk again, break up again. If you don't care about your heart, you won't be able to continue writing in the later stage. You can also choose a good "heroine" in the past to lose your heart, or the next "heroine" to lose your heart. If you don't lose your mind, you will always lose your kidneys.

So are the protagonists of entertainment articles now starting to capture works in the traffic era? I don't know the character at all, he looks really old

After reading this book, I suddenly discovered that Huayuwen, which was based on Qidian, has entered the "traffic era". From artists in the entertainment industry to stars in film and television dramas, from stars in film and television dramas to celebrities in the entertainment industry As expected, the creation of works is inseparable from the background of the times

The writing is so good, but you have to say that you don't want to write it. If you don't want to write it, then you can just write a crappy one. I accept that, right? You just stop updating it like this. I also subscribe with real money and silently support it. It's been moved off the bookshelf. I won't read it after you finish writing it, that's it.

Among entertainment articles, this book is really good. From the writing structure to the angle of entry, it can be regarded as a breath of fresh air in Qidian entertainment writing. Compared with other entertainment writers, Golden Retriever's strength lies in his understanding of the entertainment industry. This book is no worse than him. What is better than him is the creation of characters, which Golden Retriever almost does not have. I am no better than a bad author in character creation, character description and situation description, and I know exactly what paying readers want to see, but there are many common sense bugs in his article. This book deliberately creates an idealized fake entertainment circle that some readers want. This book has no problem with common sense logic, no problem with character creation, and the main line of the story is quite clear. The most valuable thing is that it does not cater to the "fantasy" of some readers. Maybe the author will compromise with these readers in the future, such as 85 flowers and single female protagonists. No matter what happens in the future, it is really not easy to write such a book without kitsch.

After reading Chapter 52, I discovered that the protagonist is a rich second generation. I instantly lost all sense of involvement. The key is not to make capital, but to be a minion. This, this, this, the author has the right idea!

The book Destiny has four main female characters. Reba is the most popular and top-notch one. Nazha has always been featured in Huayu novels because of her beauty. Zhou Ye and Cheng Xiao can be described as little fools. The composition of Qidian's readers is inherently biased towards the 85 Flowers group. Writing about the new generation of flowers is inherently difficult. The most famous ones now are Bai Lu and Zhao Lusi. Why are they these two? These two resistance dramas. You can review their works. Many works really rely on these two. Others, Yu Shuxin (average appearance), Tian Xiwei, Zhao Jinmai, Song Zuer, etc., All have works and reputations, but either they are not popular enough, or they have doubts about their ability to resist dramas. Yu Shuxin has no connection with me, and I don't know why she is so popular. You can discuss it.

It is purely written about traffic stars, rather than wearing the cloak of traffic stars. In fact, it is still about the development route of traditional actors. The traffic business line is written in a very novel and interesting way, and is unconventional.

It looks a bit boring, less exciting, and has no ups and downs. Whether it is the protagonist chatting with people or netizens commenting, it is like a robot having a formulaic conversation, formal and official, and not very popular. The feeling of fragmentation is also very strong. I often feel that the previous chapter does not follow the next chapter, as if I have missed a lot of things. I read this book after reading the character Kareba first, but it turned out that Reba didn't start to get a bit dense until more than 300 chapters in. I couldn't stand it anymore. Maybe it's because I'm old. I've never heard of or watched 90% of the movies and TV shows in this book, and I don't know many of the female stars. The sense of immersion is really bad... I stopped reading "Fashion Partners" when I saw it, and I couldn't understand what it was about... I didn't feel nostalgic after seeing this, it was tasteless, and it was a pity to abandon it. I've read almost 50% of this book. It seemed bland at first, but the motivation for me to continue reading was that I wanted to make up for the gaps in fashion traffic, and wanted to fill in the knowledge in this area. Other than that, it really didn't have much appeal. There is no lovable heroine, the character of the protagonist is not likable, and the main plot line is not clear. It can be said that there is no expectation. Apart from novelty, I have never read entertainment articles that focus on popular fashion. When I see a good book, I will unconsciously check how many chapters are left or what percentage is left to finish. I will be happy when I see a lot left, but I will be anxious if it is almost finished. And this book... I just feel it is so long, why is there so much...

Fengfeng has already entered, and Yuan Yuan is next.