Chinese Entertainment: I Am the Destiny

Entertainment stories are unsuitable for harems. Given the nature of the entertainment industry, if you start a harem, you'll either be cheated on or exposed. That's human nature; even an emperor with immense power can't guarantee he won't be cuckolded. Entertainment-themed stories are perfect for playing the "player"—dating one person, playing around, breaking up.

So, are entertainment novel protagonists now starting to target works from the era of internet traffic? I barely recognize any of the characters; I guess I'm really getting old.

Seeing this book made me realize that Chinese entertainment novels on Qidian have already entered the "traffic era". From performing artists to film and television stars, from film and television stars to internet celebrities Indeed, the creation of a work of art is inseparable from its historical context.

It's so well-written, yet you insist on saying you don't want to write anymore. If you don't want to write, you could just write a terrible ending and I'd accept it, right? But you've stopped updating. I've been subscribing with real money, silently supporting you. I've removed it from my bookshelf. I won't read it anymore once you're done. That's it.

This book is truly excellent among entertainment novels. From its writing structure to its angle of approach, it's a breath of fresh air in the genre of entertainment novels on Qidian.com. Compared to other entertainment writers, Da Jinmao excels in his understanding of the entertainment industry, which is no worse than this writer's.

I only realized the protagonist was a rich second-generation when I got to chapter 52, and I instantly lost all sense of identification with him. The key point is that he doesn't work in the capital, but instead becomes a lackey. This is amazing! The author has a brilliant idea!

The novel *Destiny* features four main female characters, but only Dilraba Dilmurat has real popularity and is a top star. Gulnazar, despite her stunning looks, has always been relegated to the sidelines in Chinese entertainment novels. Zhou Ye and Cheng Xiao can be described as relatively unknown.

It's purely about popular celebrities, not just about using their fame as a facade to depict the career paths of traditional actors. The storylines about these celebrities are fresh, interesting, and unconventional.

It's a bit boring to watch, with few exciting moments and no ups and downs. Whether it's the main character chatting with someone or netizens commenting, it all sounds like a robot having a formulaic conversation—formal and official, and it doesn't resonate with many viewers.

Fengfeng has already gone in, and Yuanyuan is next.