The Immortal Gourd

1. First of all, the threshold for entry into classical immortality novels is relatively high and requires a certain foundation in Taoist culture. This premise will dissuade 90% of novice authors 2. Classical immortality novels often have a story-based nature and often have no protagonist in several chapters, but for the sake of storytelling, they have to be foreshadowed in advance. The main line of human flow is to gain benefits from killing monsters and then upgrade... In this way, the cycle only revolves around the protagonist 3. Classical cultivation of immortals, magical powers, and magical powers all rely on enlightenment, and practice revolves around the Taoist heart, while mortal flow is simple and crude, relying entirely on taking drugs and spiritual stones. In short, being rich💰 You can keep cultivating 4. In the classical cultivation of immortals, there is the theory of destiny (this thing is destined to me, it is not me, others can't figure out the secret for a lifetime, and when I meet my treasure, I throw myself into my arms), the theory of cause and effect (the originator of Shushan), and the ordinary people have a much stronger sense of being involved. It all depends on the golden finger (everyone feels that I can have sex with me) (To a certain extent, mortals have a certain degree of fate, which is contrary to the theory of fate.) Everyone who is a bully in society feels more sympathetic to the mortals, and maybe one day they will change their destiny 😭

I think the completeness of the story is a very important criterion. To be honest, the score of this book is just like this. Xianxia is not easy to mess with, so it is better to use this story as a stepping stone to build a reputation. Don't write it too long. After all, too long stories will make the author uncomfortable if the score is not high. It just so happens that the ultimate goal of this book is not mentioned at all. Think about it carefully and write a medium-length story to build a reputation and have a better starting point for subsequent books. . . (I really don't want to make this suggestion, because I really want to read a well-written long Xian Gourd novel) My own thoughts, just suggestions

What is the protagonist doing? It doesn't feel like a fish in the water, but like the water next to the fish. Do things with a hammer and a stick. What's more important is that there is no priority. I think it comes one at a time. This is the first time I have seen this kind of writing. You are going down the mountain for the blood of the beasts. Whether you are looking for an old man or in any other camp, you must follow this path. As a result, the protagonist seems to be based on this, but it is indeed not based on this. I could have gotten up and gone to the mountains in the military camp, but it ended up taking more than ten days, and then I took action when the Hundred Birds Temple came. I had already collected the animal blood. You can go back, but because you forgot, you were dragged into doing the formation again. I don't know how to say this!

The writing style of Senkyu-ryu is very good, and the characters and backgrounds are logical. So far, because the plot text is too short, it is impossible to tell what the sapling is made of, but it is worth reading for the flavor of sword-fighting. It can be said that it is a book that lovers of Senkyu-ryu can't let go of their expectations. In addition, there may be some things that other comrades don't like. First, the protagonist is biased towards indigenous consciousness. Although I have never known what the problem is with this, it seems that many friends don't like it. It may be because they feel that it is not the substitution of modern people. The second is the plot arranged by the author. The protagonist is ordered to go down the mountain to collect the blood of ferocious beasts, but he confusedly follows the army to eliminate the treasure-stealing monsters, which highlights the problem that the protagonist has no clear goal. Well, the plot has just begun, the story has just begun, and I want to write The growth of the protagonist is really understandable, but it is also easy to annoy people. After watching a fairy tale like Shushan, people still expect a protagonist who looks like a man, and a man should have the advantages of keeping promises, having lofty ambitions, and having clear goals. The main character didn't do a great job. In general, it is still the beginning of the story. Many of the so-called poisonous points are not really poisonous points. Even if it is an online article, you always have to be patient. I am very much looking forward to the subsequent performance of this book. If I want to rate it, the total score is five stars, and I will give it four stars (I also want to give extra points to half of the emotional fans). Finally, I hope that the author can survive the difficult initial stage, overcome all obstacles and achieve great results. I particularly like a line from Toad's poem: The energy of the dragon and tiger is brewed in the cave, and I will walk through the eight wastelands if I step on the clouds! I borrow flowers to offer to the Buddha and give them to the author. It takes a thousand days to tame a dragon and a tiger. The eight wildernesses are infinite in my heart. I wish you success in stepping on the clouds!

The book is okay, except for the long-winded explanations, soliloquy, and inner monologues. I really don't have the patience to read them, and it feels very strenuous to read.

There is no natural temperament of a time traveler, but there is an aura of aboriginal people 😂😂😂😂

Isn't this the game account of the male protagonist Akagi before he traveled through time? Akagi is so beautiful. It's a pity that the girl from Erlongan became a part-timer. She repaired the palace and fully equipped it with migrant workers.

Shiratori? A hundred birds live! Toad trumpet?

Eunuch toad! ! ! I also know how to change my skin! ! !

The main character is written too frivolously. . . Like a little gangster