No, Even a Gentleman Should Be Careful

First of all, I am not a follower. I am not an old reader of Xiao Rong. This is the first time I read Xiao Rong's books. My personal taste is quite mixed and I can read anything. As long as it is a good book, I can read it regardless of the subject matter. This book was read from the first chapter to the present (it took about ten days, and I basically stayed up late every day to read it). Although there were some parts in the middle that I felt were poorly written (especially the part when I first arrived in Xunyang City and established a relationship with my junior sister), the overall impression was quite good. Although some parts are not very logical and some are not explained logically, I think the author's writing style still supports part of the story's conception and gives the book some flesh and blood. Since this is a harem article, I have to mention the girls. My personal ranking is basically: Rong Zhen ≈ Xiu Niang > Junior Sister = Miao Si (although this should not be a character in the harem, but the character is quite good, so I ranked it here.) > Li Guo'er > Ye Weila = other female supporting characters.                                       Rong Zhen's History of Women There's not much to say. It's a very lovable character. It would be better to have more words to foreshadow that her natural stance is the same as that of the protagonist. Maybe the author is better at writing tsundere? Anyway, what I'm most looking forward to right now is the plot with Rong Zhenji after the protagonist's waistcoat is stripped off. Xiu Niang initially ranked even after Li Guo'er in my mind, because I always felt that a girl who had been practicing swordsmanship in the mountains for more than ten years, and even became a virgin, had a low self-esteem like a white-haired slave girl, which was quite disconnected. She had a weak and kind temperament, was nostalgic for the protagonist, and even felt guilty in her heart. There is no problem with these characters. But when you introduce yourself to your sweetheart's personal maid for the first time, you should not use the word "slave". This is an excessive inferiority complex, especially for a top swordsman, which is a bit unpleasant. But I couldn't stand the plot of Xunyangcheng's reunion with the protagonist, which brought back Xiu Niang's sincere, hot and lovable character. I can only say that the author still knows how to write, so now Xiu Niang's ranking here is almost the same as Rong Zhen's.                                                                                                                                                                                    Junior Sister, Little Junior Sister. Miao Si (Mo Jing), I personally like the happy enemy character, although here I am more of a tool person who promotes the plot. Li Guoer, there are only four words to evaluate her, and she has a promising future. Ye Weila, feels more like a hobby of the author? Or a sudden whim? However, as a reader, I still understand the birth of this character very well. After all, after arriving in Xunyang City, I did not force unnecessary descriptions on this character. After talking about the female characters, let's talk about the protagonist of this book, Ouyang Rong. Having read books for so many years, I personally think that as the protagonist of a harem novel, the thicker and fuller the protagonist's character, the easier it is for the girl to act like a tool (my junior sister once made me feel this way). This balance is difficult to control. The protagonist needs to be outstanding, but the girls around the protagonist cannot all look like accessories. This may be the most difficult thing to control in harem novels. But for Ouyang Rong, my personal pain point is not here. In my opinion, Ouyang Rong from Longcheng County is more like a gentleman. On the other hand, I feel like Ouyang Rong from Xunyang City is a bit like a hypocrite. It's not that Ouyang Rong from Xunyang City did something bad, but Ouyang Rong from Longcheng County makes me feel more sincere. Talking about the plot, my overall feeling is that some small fragments are very well written, even accurate to a certain sentence or a certain paragraph, which gives people a particularly wonderful feeling. But the overall emotion was too fragmented and too fragmented. What was supposed to be an explosive plot had a lengthy foreshadowing, but it was not strong enough at the moment it broke out, and then the emotion broke off. The above only represent my personal views. I think the author's writing is quite good, and the girl is also very unique. Rong Zhen is the most lovable tsundere character in the harem novels I have read in the past few years. I wish the author will get better and better grades and write better and better books.

How can I put it this way? It's a common problem among Qidian authors. The logic is clear. However, the climax plot is not handled well. It is even said that the author does not handle it as well as the author of Tomato. When it reaches the explosive point, it will be revealed to you smoothly. It will not procrastinate and will not hold you back for a long time. It can obviously arouse the reader's emotions. The peak, but I always like to have diarrhea when writing the plot's breaking point. It doesn't matter if the pace is slow. The key is that you have to handle this well. Also, you can be sentimental in harem novels, but you must be responsible. This is what many people like to read. This is also where many harem novels are poorly written and criticized. Just remember You must be responsible, and there is a first-come, first-served principle. Basically, readers will not say anything, especially if the previous section is not handled well, most people will run away due to these two reasons. I can only say that come on, the previous episode of diarrhea is like a threshold and many people are stuck there. Don't let others regret ordering the whole book. Ben, speed up the pace appropriately and don't use so many rhetoric. Internet articles are not afraid of being uneducated, but afraid of being unhappy. You know, the core is a refreshing point. No matter how fluent your logic is, as long as it is not trivial, there will always be readers who will pay for it. You must expose the tipping points of your plot to make it interesting. Really, come on.

The author's writing is good, the descriptions are great, and the characters are fleshed out But I don't understand why the protagonist is so twisted? Looking at the introduction, I thought it was a fun article. As a result, the more I watched it, the more I realized that the male protagonist is a true virgin and selfless. Our Lady said, put the people first in everything, and put everything about yourself and your own people aside. In addition, after the male protagonist traveled to this world, he had a little junior sister whom he secretly loved, and a white-haired lolita who slept with him every night. She also always thinks about leaving them behind and going back to her previous life, saying that she is homesick without even writing down the reasons. Or maybe the male protagonist feels that his bond in this world and the female protagonist he knows are not as important as going back to take the postgraduate entrance examination?

Overall, the plot of this book is pretty good, the writing is excellent, and the foreshadowing and background are intriguing enough. But so far it's about 40% plot + 30% daily life + 30% pure word count. And it's the kind of word count that's perfectly fine for one glance and ten lines. For example: Suppose you want to write that the protagonist went to a teahouse and drank a cup of tea. Most people will write: the protagonist walked into the tea house, went up to the second floor, ordered a cup of tea and finished it The author might write: the protagonist walked into the tea house wearing a green suit, walked slowly through the noisy lobby, walked up the wooden stairs to the second floor, and the old stairs creaked under his feet, but the protagonist did not pay attention. After going upstairs, he slowly sat down on the familiar seat by the window. The protagonist raised his hand to ask the waiter to order a pot of tea. The tea was poured into the celadon tea cup, and white smoke came out. The protagonist was silent for a long time. A green willow tree outside the window grew toward the sun. The sunlight passed through the willow tree and the window and sprinkled on the table. The protagonist held up the celadon tea cup with his left hand and took a sip of tea. After a while, the lobby downstairs was still noisy, and the scholar in Tsing Yi was no longer in front of the table. Orz In short, this book has a feeling of being tasteless and a pity to abandon. I read the first stop at the Buddha in one sitting, then kept it for a few months, and then read it in one sitting. The plot basically didn't change much. After reading two chapters, I just want to pay for one chapter. You are a royal thief. Putting aside these complaints, the book is still okay, but it is a torture to follow more chapters, and the experience may be better after reading the whole book.

Becoming a Shennong for the first time: It's a good book, but I don't recommend you to read it, or I don't recommend you to read it now. After reading Chapter 83, I found the plot and characterization of this book very interesting. However, the shortcomings are very serious, the plot is extremely slow, and the important characters have too few scenes. This extremely slow advancement reminds me of Banana's son-in-law. Even a little slower and more spread out. Before writing this paragraph, I skipped 150 chapters and read the latest 20 chapters. The main plot can be said that except for repairing the broken wings, other major conflict points were rarely promoted, and even the interaction between the male and female protagonists was basically unchanged. ps: If you are a very patient reader (more than 90% of bookworms), this book is a fairy tale. It's hard to imagine that it's still a novice village now. In my opinion, if the book is not finished in a hurry, it should be completed in 700-800,000 words. With such a long length and such a scattered plot arrangement, it is not difficult to imagine that the author forgets the previous part of the writing and slowly wears away his enthusiasm), just like the son-in-law. Updates are getting shorter and harder. The final result is probably a bit more pessimistic about The Eunuch and a bit more optimistic about the ending, which will take more than ten years. Given that the author has a complete work of one million words, I will probably be slapped in the face, and I sincerely hope that I will be slapped in the face, because this is indeed an interesting book. Hope he has an end. See you in one year

The author's writing is fluent and the characterization is excellent, but the narrative rhythm is really lacking from a reader's perspective. The infatuated white-haired lolita is a lovable character, but it is not without reason that some readers are annoyed by it. The author whetted the reader's appetite in the foreshadowing, making people want to read down. However, he spent too much time describing Ye Weilai, who was not helpful in advancing the plot, making the readers unable to see the unfolding of the plot. This caused some readers' boredom to be projected onto this excellent character and turned it into a poisonous point. It also made the first two hundred chapters loose and slow in my opinion. I hope the author can learn from experience, balance the main plot and daily rhythm, and write better and better.

The book is a good book, but the plot is not compact enough. The climax of many events was set up for too long and made people feel too bland. I still hope the author can write the events more compactly.

Dear readers, according to my calculations, Xiaorong already owes 282 chapters of updates, and it can only be more, not less. Before calculating, I suggested that he send the notice I wrote, but he refused righteously and said he would try his best to repay the debt I hope Comrade Xiaorong takes care of himself. The revolution has not yet succeeded, and comrades still need to work hard. Readers and I should take good care of our health. When Xiaorong comes ashore, this debt will be paid.

1. Let's talk about the author's strengths first: The most attractive part of the previous book Sword Girl was that Qing Jun found the protagonist to kill Da Li. The typical husband-chasing crematorium was very captivating. I think the author's ability to depict short-term plots is on par with current greats. This book is remarkable in terms of the emotional portrayal of the male and female protagonists and the villain's strategic design. It can be said to be excellent if not perfect. 2. Next, as a personal reader, I feel the author's obvious shortcomings: long-term plot characterization and single-chapter plot rhythm are failing.                                           Let's talk about the previous book first. After the protagonist entered the Southern Territory, I felt that he just wrote whatever he thought of, and kept fixing the settings for fear of loopholes. As a result, the plot of the Southern Territory, as a short-term plot of finding a wife, almost took up half the book. Especially with Su Xiaoxiao, there were too many scenes, which made people feel that the theme was very confusing. Others said that it is not unreasonable to simply change the name to Fox Fairy Lady. I believe that more people are attracted by the title and the heroine at the beginning. Attracted by Qing Jun, the author's last book did not have a harem in the label, but I feel that the author should have wanted to write about a harem. However, in the Southern Region chapter, readers like me thought that the character Su Xiaoxiao, who was a supporting role, directly stole the main role, which is extremely unsatisfactory. Even if the label card says Su Xiaoxiao is the heroine, it conflicts with the title. For a harem novel, unless the heroines are all sword fairies, you can't play my wife of the sword fairy. Secondly, regarding this article, let's not talk about the three golden chapters. Let's just start with the introduction of the world view of the protagonist and the supporting characters. It takes twenty chapters to set the background before entering the main plot. This is an extremely discouraging operation. No one wants to know all the background knowledge and characters when they first enter the world you set. The background of a big world view will be continuously improved as your main line deepens, let alone the first twenty chapters. Nearly half of the words are: no impact at all on the main plot, too redundant dialogues and descriptions for the protagonist and supporting characters. The character's personality should grow with the story and not be immediately full of strength at the beginning. What's more, the protagonist's humorous personality reflected in repeated jokes is too repetitive, which leads to tired reading. To play jokes, you have to combine the stories of the protagonist's experience to play just the right jokes. Playing without getting into the story will become boring. Regarding the handling of the plot in the middle and later stages, from the time of building the canal to the replacement of the current female fairy, the author has made some improvements, but not much. I suggest the author finish writing a chapter and read it to see if there is a complete story and plot advancement, and how to enrich the plot in the process of advancement. The most important thing to consider is the fullness of the characters. The most important thing for a novel is to tell a story well and control the rhythm of the story serialization. When multiple stories are connected in series, they become a complete big story and world. The author's emotional portrayal should be used on the blade, not the handle.

The writing is good, but the author's narrative problem is huge. It foreshadows a series of floods and floods, and then the opening chapter is full of nefarious descriptions of the female characters. It feels like there is no female character who can't write a book. The first thing she does after taking office is the old-fashioned bully blocking the road and slapping her in the face. You will eat the floods, right? Still the same problem, an extremely excellent novel, with routines and routines, pretense and slaps, female characters and female characters, an excellent fantasy book to read in your spare time without thinking. But once I think about it, there are problems everywhere. When you encounter an author with excellent writing skills, you don't have to worry about poor writing skills. However, when you encounter an excellent author, it is very disappointing to find that the same thing is still the same.

I like the author's writing style better. The male protagonist is not a scumbag and the female protagonist is not a tool. The emotions are written delicately and the food is delicious. I have been reading online articles for more than ten years. At the beginning, I was a staunch single-woman advocate. For example: watching Jiang Li and Qin Yu's reunion in Tomato's "Star Change" made me read the whole book; watching Xiao Wu and Tang San in "Douluo Dalu" made me read it many times (the fact that the third young master of the Tang family is now bad does not mean the popularity of the book at the time); watching Douzi's Trouble in "Ascension of Evil", Mo Ye Bu Ting and Su Jing tricked each other and gave out sweets, making their aunt roll over on the bed and laugh... Later I started to see a After reading some excellent harem novels, I discovered that what I like is not necessarily a single heroine, but a lovable heroine in the work: for example, the gentle and strong Tang Yue in "The Age of Innocence"; for example, the quirky Moye Buyi in "Ascending Evil"; for example, Xie Xiaoxian who dares to love and hate in "The Earth Master"; for example, Zhang Yahan in "Hidden Killer"... There are too many to mention one by one. But I think Yang Xiaorong should resonate with this point ( Let's talk about the male protagonist, let's give a few counter-examples: "The Best Servant", the male protagonist is still flirting with other girls on the way to save the girl, and he starts flirting with other girls when he gets aroused. This kind of thing doesn't work for me. It's a huge bummer. The lack of responsibility of the male protagonist really makes me uninterested. Speaking of the book "The Gentleman", the male protagonist is more likeable, responsible and enterprising. He takes responsibility for the girl when he flirts with her. I won't treat myself poorly if I show my sincerity, which is a big plus for readers who read Shuangwen. I hope the author will continue to do so! There are other points in this book that I appreciate. The author will not write about the inner activities of the male protagonist, which is a plus. He is loved by the three women. I didn't write about the male protagonist's inner thoughts when I was giving the sachets to each other. This was very smart, and it was a little smarter than when I wrote "The Lady" (once I wrote it, I might not be able to save the book) Let's talk about the female protagonists in this book. Little Junior Sister: First Love Girlfriend series, a typical girl, the parents of both parties hit it off immediately, and they get along with the male protagonist for a long time. This is basically the type of female protagonist that every harem novel must have. Xiu Niang: How can a male protagonist in a harem novel have a child bride? Although the character has been fleshed out a lot recently, she still lacks a bit of an independent personality. The story of Xiu Niang and Ouyang Lianghan's childhood can be written more in the later period, otherwise it would be a bit weak in the early stage because of the child bride's status. Li Guoer: To borrow the words of another book friend, the future is promising Rong Zhen: I like the author's portrayal of Rong Zhen very much. I just want to see if the ending can be smoothed out. The male protagonist's entanglement and alienation towards Rong Zhen are very well written. He is naturally hostile, and the male protagonist's vest has some misunderstandings with her. Therefore, all the descriptions of being with Rong Zhen are just blank descriptions. The male protagonist is struggling and is afraid of not being able to repay her. Rong Zhen has good intentions, but is also afraid of the consequences after Rong Zhen learns the truth, so he simply doesn't describe the male protagonist's psychology at all, and deliberately lets the male protagonist escape from this problem. It seems inexplicably sweet. This is actually the performance of the male protagonist in the novel who is responsible, rather than all kinds of sperm deceiving people first and then taking off their vests. This kind of writing will only do nothing. It makes me feel sick. Finally, Yang Xiaorong is a good author and has ideas for writing books. The book may not satisfy all readers, but this author's book makes me feel comfortable. The male protagonist has a sense of responsibility, the female protagonist has a personality, the writing is smooth, the group portraits are good, the sex is just right, and the abuse can enrich the character. But! The writing is indeed a bit delayed. It's not that we don't like to read long content, but we are afraid of slow updates and poor ending. I feel that there is at least half of the main plot content in the back. Is it possible to consider not adding the heroine and wrapping it up later? Come on, Yang Xiaorong.

I have caught up to the latest. The main emotional line is too slow, and I keep adding branches. It is too watery. I have been reading the latest 100 or so chapters. I can know the content of each chapter just by looking at the title. Many good books are watery. You can extend the main story line, especially the recent ones about water's dizziness. I also gave you a monthly pass. The author should work hard.

The overall plot is well written, the daily writing is good, the ideas are clear, the plot development is clear at a glance, there is a clear outline, it is good-looking and eye-catching, I watched it all night last night and went straight to 8 a. M. But the specific process is very strange and abstract, very retarded, and can even be described as child's play. I have questions on my face, and the ending is also full of thunder and rain, and I feel like I squatted in the toilet for half a year and ended up with a fart. There are also feelings. After reading more than 200 chapters, there are still lovers who end up not getting married, which is very sad.

"The County Magistrate's Personal Expert" 😠

The few chapters that have been released recently are about the Zhutang Peach Valley test. It makes me feel really uncomfortable to read it. It feels like I was writing an English composition in junior high school and split I'm into I am. Almost one chapter is about describing the time of entering and exiting the valley to compare talents and the dialogue between the supporting characters is not very relaxed and interesting, but feels tedious. Also, the description of the bottle is indeed 'very delicate', but it's not the bottle that interests me! ! ! Finally, it's a cliché. It's too short, too little plot advancement, it's too slow, and maybe there's too little going on. If I keep playing like this, I'll really have to keep up with the book for a long time. I really don't want to die. It's too little, and the progress is too slow. There's nothing I can do about it.

No, he was so handsome from the beginning. Why did he become so handsome later on? . . .

The previous writing was pretty good, but when it came to the Sword of Eternal Life, it became more and more watery, and it felt slower and slower. The main plot was a bit slow, and I was writing some boring things. I beg the author to be faster.

It's still watchable, the plot is very good, and the IQ is mostly online, so it's worth watching. I personally think that the real and fake Ouyang Rong is a bit witty. There is obviously a better way to deal with it. I have to show off to the extreme and reveal it at the last moment, which almost overturned... In addition, I am not sensitive to the possible underage plot. You can say that the fourteenth century in ancient times can already marry, but the question is are you an ancient person? Why are you, a time traveler, joining in the fun? The protagonist is pretty good at this aspect 😥 . Well, just my personal opinion

I started reading "Sword Girl". The male protagonist of that book would also avoid feelings, but when faced with Su Qiaoqiao's love, he would face his feelings and attack bravely. The protagonist of this book has always been passive about feelings. Xie is like this, and so are other characters. Moreover, being with Xie is too abrupt, without any buffering plot in the middle. After returning, they will be together directly, which is too blunt. I hope that in the future, we can be more proactive when dealing with issues between men and women, and emotional issues, and stop being so ambiguous, and stop being so green tea. Occasionally, green tea can add fun, but green tea all the time makes people sick! In terms of emotions, the author completely used events to push the male protagonist away, and he did so passively. He never said that the protagonist took the initiative because of feelings and triggered the incident. This gives people a feeling that the protagonist is very strong, but the audience feels very frustrated. Of course, I don't want to see the protagonist's domineering spirit show up, and all the beauties from all walks of life are worshiping this kind of rubbish and cool plot, nor does it mean that the hero is blindly attacking. Female video authors can both attack and suffer, and their writing is also very good. But as a male author, do you only write about feelings? The author should know that "The Best Housekeeper" is a model of harem literature, and the author should also know how the male protagonist of that book treats relationships. Since it is a model, it must have its merits, and I won't go into details. I feel uncomfortable after reading it for so long, but I can't explain it. At first I thought it was just because of the slow update, but today I finally know where the discomfort lies. I hope the author doesn't mind if I don't complain.

All new readers who come to read this book should go as far away from the author as possible. This damn eunuch is hopeless.

I started reading Junzi in my third year of high school, and I found a book that was very good and I really wanted to read it. I had already finished Dragon City at that time. I was really excited to read the Dragon City chapter and I really liked it (although I was almost persuaded to quit the first chapter at the beginning). I continued to read it and read the Great Buddha. Although I often see readers scolding Shui Wen in the comment area, and sometimes I also scold him, but it was really interesting to watch and follow up to the point where the Ding Sword emerges from the Buddha and kills people. I was bored recently, so I went to read Sword Girl (I was a little embarrassed, and I didn't have money in my pocket to read the pirated version). I found that not only is Junzi updated slowly, but there is also an unfinished Sword Girl 😭[fn=12 ], looking at the story line introduced by Junzi, I am really afraid that the author will write that Sword Girl is already a middle-aged uncle, and I am no longer an innocent man 😢, just like the Dragon Clan in Jiangnan, I hope Sword Girl can have a good ending, and I can also join the passion when I am still in the second grade 😁 Finally, I wish Junzi a prosperous future and more than 10,000 per day

I was attracted by the little princess in the introduction. After so many chapters, the little princess in the second stage is far away The part about Dragon City is very well written. What is written about entering Xunyang City is slow and slow Write a chapter with a dialogue and a chapter with a different perspective Of course, some people must say that it is just foreshadowing the plot, but I want to say that there are not many updates every day, and the plot is not pushed at all When will it reach the second stage This period of time is better, at least there are more chapters than before, but there are too many side characters and I can't find the focus. By the way, is the main plot about accompanying the little princess to register? During Dragon City, I thought it was about farming, but in the beginning, it was about plotting in Xunyang City Now there are more romance elements, but the point is that the plots of various types are too fragmented I hope it will get better and better before I review it, come on, the author. Adjust and streamline the narrative method and rhythm. It's okay to only rely on the climax to attract people once or twice, but it will be tiring if it is too many.

The front part is pretty good, with a lot of foreshadowing, which makes it more attractive to me. But later on, an age-old loli appeared, with a loli personality, and then there was a sex scene. I couldn't stand it anymore. Moreover, when the plot reached a critical stage, I began to write several chapters of daily plots from the Loli perspective. This kind of plot arrangement was very disappointing.

The plot is so slow. The daily routine is pretty good, but can the plot be pushed faster?

🤓

When you grow up, you will be a little rong, and then you will be a little mute. Be careful if readers send you blades.

Cheers to the author, there will be more collections, more subscriptions, and more income. I wish you can get out of the circle 5 soon.

I didn't have a guy, but I wanted to pick a wheel that was bigger than the wheel, but as expected, it got crushed 😊

They are all my wife😍😍

I hope Xiaorong will update three times a day in the new year