My Enemies Have Become My Companions

I think the quality of this novel cannot be better because of this label. It is a martial arts novel about gratification and revenge, with a little bit of bad taste in training enemies. The subject matter itself is very novel, and the author's writing style is also unique. I also feel pity for the little fox in the novel, but how can he be classified in a light novel? Do you know how I found this book? I wanted to read some Japanese light novels or anime, and among a bunch of campus romances, I suddenly came across a light novel that didn't look like a romance novel. I clicked in to read it out of curiosity. The title of this book is Tang. When I first started reading, I just read this book with the idea of ​​seeing how Xiaobai writes martial arts light novels. I can continue watching it because I am concerned about where the little fox will go in the future and whether he will be treated well by the male protagonist. Who knew that the author's writing was sharp, and he wrote about the grievances of the little fox being left behind, the confusion of being trapped in the enemy's house and unable to see the future, and the protagonist's slightly perverted but very enjoyable desire to possess and control the little fox and other good women. When the middle cult found the little fox, I thought the little fox would run away, but when he reported it to the protagonist instead, I suddenly realized that the little fox had almost been transformed into his shape by the male protagonist. Although the other female characters in the novel are not as deeply portrayed as the little fox, I think it is mainly because the little fox appears longer and meets earlier, so the portrayal is deeper, rather than the author's lack of writing power that cannot portray the Taoist priest, master, and heroine brilliantly. This book has a lot of fun and benefits, as well as a plot and a portrayal of the character's psychology that gradually changes as he gets along with the protagonist. You can see the character's mood at that time from the small things. For example, the little fox is no longer afraid of the protagonist hugging him to sleep at night. For example, the little fox begins to dare to make requests to the protagonist instead of being obedient like when he first came here. In this book, I can find the strange feeling of having a little girl growing up and falling in love. It feels like getting married first. It has the feeling of late love, but it is more delicate than those written by female channel authors. The female protagonist is not mindless but helpless. The male protagonist is not a mating machine but gradually falls in love with this poor egg who was the enemy in the past life while getting along with the cute little fox, and is determined to possess her. This book may not reach the heights of JX masters and Guan Guan masters, but I think it is still a good book worth spending money to read. I am very happy to follow the book during this period, and I sympathize with the author's plight. I will give you all the monthly recommendation votes I can give. I also hope that the author will not supervise the book or the book will be unfinished, so that the book can be launched smoothly, so that we can be lucky enough to see the ending of the lovely characters like the little fox. This is my biggest expectation for the author.

Heart line ceiling. It is no exaggeration to describe the heroines as each having their own merits. Each character is very fleshed out. Enemies turn into lovers, this is the seventh type of love! Without spoiling too much, I can only say that the author has a very good grasp of this twisted emotion, and there are also various palace battles + Shura fields (50% depends on Da Yin). The main thing I want to complain about is the plot. I don't have a good grasp of the map, and I missed something as soon as I left the capital. In fact, entering the underground palace has already begun to take shape, and the transition is very abrupt; the underworld chapter is somewhat passable. When he left the city, he was chased by Magpie Pavilion and collapsed. I always suspect that I missed Chapter 10, resulting in no idea of ​​the new pictures, and a lack of environmental description and foreshadowing. At the same time, the growth of force is not smooth, and the sense of fracture becomes more obvious. "Xi Que Pavilion Chase: Why was he suddenly seriously injured by a group of minions who were killing him in front of him?" "Exterminator: Huh? The big boss that has been prepared for so long is just sent away like this?" Fighting Wu Buyu: What, I am the best in the world? When did the hero lose his heart? Ah, win? What's the point of winning the sword? Isn't it still the best to be beaten?" Then it's crazy. Originally, this aspect was very good in the early stage, and there was basically no redundancy. Even the settings such as Yin Yang Jue of Hatred and Infusing Qi were no longer mentioned after ascending to the fourth level; but later on, various inner demons and obsessions unfolded along with the map. Taiyi swore to ask God to support the anvil, and every word was messed up. Usually I would crush him with one finger, but suddenly a big boss came and I was seriously injured. There was no sense of pressure from an imminent storm, it was quite sudden. The only reason why I can't beat it: the plot requires it. In general, the normal process is a big picture. I usually brush up my favorability of NPC tasks, improve the details of the map, follow the guide to clear one or two small dungeons, and finally defeat the bottom boss. After finishing the game, open a new picture and continue the main story. This book is just a small copy, with no cause and effect connected in series. If you encounter one on the way, you will read it casually, and it will introduce a bunch of unsolved mysteries. Although the details are true, the author's grasp of the overall situation still needs to be strengthened. In fact, if you don't know how to write about big events, you can write less, and it would be nice to have a more cheerful atmosphere. This is really a bit like picking up sesame seeds and throwing away watermelons. The level of martial arts has not improved after 800 chapters. The meaningless battles and bluntly added settings have taken away the emotional scenes that it is good at. I have read the latest 600 chapters so far, and I couldn't bear to abandon the book because the emotional scenes were so good. This is truly a deep responsibility for love!

Chapter 61 and the part about the little fox not wanting to get pregnant can at least filter out a lot of people, including me in fact, but I still kept reading, maybe because I wanted to see the little fox really fall in love with the protagonist later on, but I was still a little disappointed in the end. In the end, the heroine's feelings towards the hero were mostly submissive (after the little fox fell ill in the scene at Yintai Temple, I even thought a little too much that this character has actually become a know-it-all Submissive, there is no self-puppet anymore, maybe because there is nothing left, but the male protagonist. Unfortunately, the male protagonist's world includes her, but it is not just her... Of course, this is just a personal opinion, don't comment if you don't like it) The male protagonist is actually very twisted, inexplicably twisted, and the tone of the article is mainly twisted (and it seems that the emotional development of the male protagonist is inseparable from coercion??) But at least he has feelings, he can pity, You can love, but the twist of actually being able to love is still a twist after all. I have read a novel before, where the protagonist rapes the female protagonist, acts as a cauldron in the middle, and then becomes so strong that he falls in love with her in the end. (Personally, I feel that what the male protagonist does is similar to this, but more emotional 😰) I actually hate the development of relationships such as rape and coercion. Because I am a law student, I always think of those female college students who were abducted and trafficked. A case of being a daughter-in-law in a ravine, being forced to give birth to a child, and finally accepting her fate to live in a mountain village. Of course, reality is reality, and novels cannot be confused with novels The author's writing style is very good, at least he has certain literary skills, and he writes with heart. This is a good place, and it is one of the reasons that supported me to continue reading. Unfortunately, the subject matter is too niche After thinking about it, I finally have to say one thing, sadness. . . I feel like most Chinese people don't like it very much. (All words are purely my personal feelings, personal understanding, personal opinions, don't criticize if you don't like it. After all, there are a thousand Hamlets for a thousand people, you say you are right, and finally give the author a thumbs up for his writing style)

Among the authors of harem novels, they are among the best at writing. I hope the author can continue writing.

Brief comment: The writing is good but the overall impression is average. The literary youth is heavy but not to the extent of illness. The ending is a bit self-explanatory and the stomach ache is slightly severe. The heroines have enough tension, but the plot logic is poor. The main thing that kept me reading was my emotions. Sometimes the transitions are messy, and sometimes they are well cut, with more of the former and less of the latter. The combat power system is very vague, and the various settings are too mixed and there is no system. The system of cultivating immortals and practicing martial arts are sewn together side by side. Cultivation of immortals seems to be of high quality, but the illusions that confuse the mind, the paper-cutting of adults, the universe in one's sleeves, and the supreme forgetfulness of love, the actual combat power is not very good. There is almost no correspondence between the realms of martial arts, Taoism, and Buddhism. Some nouns are never explained, as if they are implicitly known by the readers. I thought it was just to set up suspense, but in the end, I completely expected the readers to guess, such as Changsheng Bridge, Jianjia, and Wuming. Although I can basically guess it, this is a problem that the author has to explain. In addition, there are a large number of plot designs that are not explained and require readers to figure them out. The problem is not whether these plots are easy to guess, but that the author seems to have no intention of explaining them at all. 1. When Xiao Min kidnapped Xiao Yin back to his home, why was he immediately found by someone from the Demon Cult (according to the previous article, it is speculated that the protagonist revealed it to the Demon Cult) 2. The protagonist knew in advance that Damin would bring poison to see her, but when Damin was poisoned, he did not know about it and had no relevant psychological activities (brain is that the protagonist knew about the poisoning part of Er Min according to the steps of the strategy at the beginning, and pretended not to know p ua Damin) 3. The ghost king Deng Ai has been waiting for a move from the protagonist, but he didn't say what his original strength level was. Naturally, he doesn't know how effective the two victory-hating gadgets are (it can be seen that the author's combat power system is completely insensitive) 4. The Taishang Wangqing in Taihua Mountain is the method of becoming an immortal. As a result, Master Da Yin has been able to ascend and stay in the world for Taoist companions. Have you forgotten your love? Or can you become an immortal if you don't forget your love. (The idea is that she forgets her feelings if she doesn't practice Taishang) 5. I don't understand Zhou Po's operation of removing the protagonist's lower body and ego. Why does the protagonist lose part of his ego when he glances at the monument? Why does the protagonist lose the remaining ego after the demon pill is broken. 6. Wasn't the protagonist's first life a "perfect archive"? Why was it written as if there was only Zhou Zhou in the later life? 7. When Zhou was trying to break his ego, the protagonist was completely surprised by Zhou's actions. He looked helpless and even begged Zhou to let him go. In the end, he said that Tushan was his back-up, keeping his ego. (It feels like the author often deliberately conceals the psychological activities of the protagonist in order to achieve the effect of narrative trickery. I just want to say what it means.) There are also some plot holes 1. The Qianhu sister of the Jinyiwei who disguises herself as a man turns out to have a sister who is a spy for the enemy's country, and the sister knows the sister's identity. Isn't this character conflicting? 2. The protagonist stabbed himself in the side with a knife, made multiple wounds on himself, killed twenty-one people in a row during a battle, and was cut to the bone of his arm by a knife. As a result, the protagonist automatically refreshed his status the next day, and nothing happened. 3. The Lin Mansion teamed up with King Jing to force the Queen Mother and ordered the protagonist to be imprisoned by the Qintian Prison. The Qintian Prison asked the protagonist about rebellion, but the protagonist really did not deny it and said how he could not rebel. The author dropped his book bag a little at first but not completely. He turned over and over just those few words, including "Uneasy" and "Snow Mud Hongzhao", I don't know how many times I used them. The first volume didn't look good to me, mainly because the protagonist was too fragmented and chaotic. The system design is that when the heroine has a high negative emotion towards the protagonist, she can reward the infuriating energy and transform it into the alien infuriating energy absorbed by the star-absorbing method. The protagonist's method requires the protagonist to transform the enemy into a Taoist companion. During the dual cultivation, the Taoist companion can maintain emotional oppression and add the dual cultivation effect. As for the protagonist, he enjoys it but feels guilty. To put it bluntly, he is disconnected, hypocritical and animalistic. At first I wanted to analyze the protagonist's psychology in detail, but in the end I gave up because the more I studied, the more I felt that the protagonist jumped around repeatedly. Finally, let's evaluate the harem separately Xiao Yin: Objectively speaking, Xiao Yin's personal shaping is quite good, although I like the sense of sadness too much and feel that it is a bit acclimatized in the ancient Chinese context. In addition, the emotional shaping of the protagonist himself at the beginning of the book is relatively poor. For example, "Although Xiao Yin killed me once, because I hurt Guo Zhou, I will treat Xiao Yin better this time." This logic is very abstract. It's not that it can't be explained that he has reflected on his past actions because of guilt, but the author just didn't explain it further and just mentioned it a few times, which makes the logic very strange. Similarly, when Da Yin recruits the protagonist, the protagonist is inexplicably obsessed with Xiao Yin. It is obvious that the protagonist has just experienced a non-existent future (being chased by Xiao Yin), and then maybe he feels a little guilty because of Zhou, and because of his lust, he is attacked by Xiao Yin? This emotional context is inexplicable and shallow. How can one be favored by someone who is being hunted? It was clearly written at the beginning that the protagonist hates this, but the other question is still the same. What have you two been through? Xiao Yin was captured just because he said "I am your concubine"? The emotional foreshadowing is obviously lacking. And the ego of the protagonist in the underground palace later is not Zhou? Why don't you mention your obsession with Zhou here? To be honest, Xiao Yin's portrayal is pretty good on her own, but when paired with the protagonist, she feels awkward. The more sad and aggrieved Xiao Yin writes, the more abhorrent the protagonist's behavior is. The protagonist always has the luxury of the superior, and always maintains his oppression of Xiao Yin. As for the occasional sweet words to relax, it is just his own pity, because he is confident that Xiao Yin cannot escape from the palm of his hand. It would be okay if the protagonist simply took pleasure in oppressing Xiao Yin and enjoying Xiao Yin's grievances, but in the end, the protagonist felt that his harsh words were too much? This seems to be very hypocritical of the protagonist. After all, no one is forcing the protagonist. It is the protagonist who oppresses Xiao Yin from beginning to end. Some people may say that the protagonist never beats or scolds her, but mental bullying is also bullying, and some punishments do not require physical harm at all. Da Yin: This character's b-squares have been dropping since he came on the scene, and his stance has always been directed at the protagonist. He was directly written as a clown. He is very angry, holds grudges but not gratitude, and uses vicious methods, but his fighting ability is too weak, his mood and concentration are too bad, and he is a complete Taoyuan. If placed in other books, it would be difficult to imagine that this was the method used to write about the harem. Zhou: As for Zhou, the writing style is too literary. The so-called first life is covered by clouds and fog. I can understand Xiao Yin's emotions, but I really don't understand the emotions of Zhou and the protagonist. The protagonist clearly regrets and feels guilty for breaking Zhou's sword in his previous life, so why does his behavior remain unchanged in this life? Xiao Min: Compared with the previous ones, she is the most normal female protagonist, although the protagonist always kisses the male face after makeup. Damin: A bonus who is responsible for the sisterly bond with Xiao Min. He is a poor tool with few scenes. Widow Lin: A vase with wife attributes. To put it bluntly, why does the protagonist have to start by hating the heroines? Just because of the system and techniques? The system only rewards five to ten years of infuriating energy at a time. If you kill someone and absorb it, it will last for more than ten or twenty years. As for the skills, if you kill a person who hates you and only give two true energy, it will only take a hundred years of true energy. It is just a matter of killing a few more people. If you really want to level up and kill someone, it's much faster than playing with your emotions. Even if you need a system to transform the alien energy, it doesn't necessarily require a technique. The double cultivator does not need to oppress the heroine to gain true energy, but the speed is slow. The question is, does the protagonist have a sense of urgency at the moment? Not at all. So this setting gives me the feeling that it is pulling and pulling, and it is too purposeful. So I can feel the emotion, and this emotion keeps pushing me, but I can't understand the origin and purpose of the emotion.

After reading more than 400 chapters, the emotional line is too stretched and twisted. Jian Jia and the male protagonist have experienced so much, and they obviously opened up their hearts to resolve the estrangement in the underground palace. In the end, there is no progress in the relationship. Xiao Yin is still passive and submissive, and Da Yin is portrayed very well. The author said that it will get better as time goes on. The plot is at least halfway through now, and the other female protagonists except Da Yin have not changed much. In addition, how will the subsequent plot of the daughter be arranged? I hope that it will not take over the heroine's plot. I personally don't like the plot of giving birth, but if it can be included, it will be a different matter. 😍

If you want to see a normal love harem, go now. But if you want to see the harem twisting in the complicated emotions of love, hate and fear for the male protagonist, and at the same time the male protagonist's emotions change between pity and love for the harem and manipulation of training tools (the essence of the protagonist's "system" is to use the harem as a furnace), then I recommend reading it. There is no big problem if the plot is at least 40,000 to 500,000 words. At the same time, the references to Buddhist and Taoist classics also show that although the author is writing a harem novel, he still put some effort into it, which is quite good. Then again, as the main part of the character and emotional creation, the author is quite provocative. The protagonist is a very contradictory existence, switching repeatedly between being a good person and being born. And because of the cultivation system, although there is true love/affection in the plot (the master/the princess), it is a very twisted love - a love based on hatred. So if you want to see a general love story, run away. The harem each has its own thoughts. When it reached 40,000 to 500,000 words, the princess, master and young hero were well written. But seeing that there are more female supporting characters than I can count on one hand in the character list, to be honest, I doubt whether the author can avoid facial expressions. As for simply accepting a harem to help with cultivation, the author also wrote in the article that the male protagonist hopes to have "love" for everyone in the harem. So we have to look at the subsequent development. The main reason I write so much is because I can't stand it any longer and am so twisted. But I may continue reading and add some more later.

It's a shame that this book is classified as a light novel, it's better than many martial arts novels. The emotional line is extremely well written, and the main story is top-notch. In addition, the writing style is also ranked among the top in the online literary circle. Liang Cao + is not an exaggeration, Xiancao -. Emotional line: The lines of Xiao Yin, Dayin, Minning, and Master are extremely well written, among which Xiao Yin is the best, but the line of King Annan is too simple. King Annan is okay, and Zhu E's change process The problem is too big. It should be written in detail. It can be considered a heroine anyway, and it only needs to be added 2,000 words. But as soon as the topic changes, the strategy is introduced. For such a believer-like heroine, the author should be able to guide her easily. Content: The author and the readers did not connect with each other in the first dozens of chapters. The psychological descriptions came out, but the readers did not think well. The quality suddenly increased after the Underground Palace Line, but the quality dropped again in the later period of the King Annan incident. The author is too tired to write a book. If he is in good condition, he writes a masterpiece, but if he is not in good condition, the quality will be poor. Except for the heroines of Da Yin and Ming Ning who appeared in the early stage (these two are almost interesting), the heroines in the later period of Annan King are not very good. Therefore, I read it from the beginning to the later period of King Annan. As it gradually transitioned from an ordinary book to a masterpiece, the pent-up emotions exploded directly. Disadvantages: Is the main line pushed too fast? Why do you feel that many lines are almost boring? Another problem is that some heroines don't write enough about their psychology of hatred, and later they only write about their hatred, but not the reasons for their hatred. I saw that in the later stages, they forgot why the heroines were hating. A typical example is King Annan. When the heroine is hating, you can focus on her psychology. When the heroine's hatred is mentioned in the later stage, you can elaborate on it, otherwise you will forget it. As the saying goes, I could have adapted to the darkness. If I had never seen the light, if this book had always been a straw - I will never give any suggestions. That is because the author's writing power is limited, but the author did write the fairy grass level and maintained it for many chapters. So now I feel a pity when I see many female protagonists in the later period. I feel that the author can write better. The author has brought it out, so why not write it in detail? The hatred is not written in detail enough, and the strategy is not written in detail enough. A little more detail can improve it to a higher level. Of course, the author does not have to force it. Many authors insist on striving for excellence. In fact, striving for excellence is similar to what the author writes when he is in good condition. But if you struggle with a few words and paragraphs, it will become more and more difficult to write, and there will be interruptions and unfinished chapters (represented by "deserved"). I am still looking forward to the subsequent plot.

I just ordered the book and am almost halfway through it. Overall, the author's xp is too niche. Many people don't understand the equation of hate and love. It's also weird to turn negative emotions into spiritual practice. The male protagonist has to deliberately abuse the female protagonists, and then train them all their lives to only hate. It's just a piece of wood that has blossomed. This setting is really not suitable for writing like this. There are not so many SMs, and it is difficult for most readers to feel happy...

I have only read 50 chapters so far, but I feel that there are always small details that are not in place, which makes it a bit uncomfortable to read. I am afraid that after a long time, I will not remember it, so I gave 100 points to comment first. The first thing is to take away Yin Tingxue. You, a member of a hundred households, took away one person who wanted to ransack his house while his superiors and colleagues were watching. Moreover, you had secretly learned martial arts from this unfamiliar leader not long ago. You took the person away without having to take care of him. This is a big problem. There is still Chapter 48 to kill Yuxiuzhuang. Dozens of your Jinyi Guards arrived at the door of someone's house in a hurry, and the nurse shouted that you are not allowed to bring weapons near. Don't you, Yuxiuzhuang, have a few informants to report the news outside? The person who came out to talk was not even the housekeeper or the head of the house, and even the guard at the gate knew that there were tons of things being unloaded inside today. You, the Zhuangzi, were ruined. The most important thing is that the nursing home dared to stop Jinyiwei Qianhu without informing the inside. Not my brother, who are you? The owner of the house knew that something was going on outside and didn't want to step in personally to delay it. So he was ready to fight? Then I ask you, then I ask you, you have white gloves and black gloves. After the fight, the protagonist said a sentence followed by a memorial and a reward, and sent all the brothers away. The protagonist is also like this 👍 In short, if you can bear it, you can watch it. If you can't bear it, it's early.

This book is full of allusions. I really can't understand it without any culture.

Several public accounts that I frequently use to recommend books with multiple female protagonists have rated this book as one of the best or second best of the quarter. The only problem is that this is the author's first time writing in this genre, and the book recommenders don't dare to push it, otherwise it will basically be the best of the quarter. But so far, I feel free to read the novel. I personally think it is a very good work. The more you write, the better

It made my heart surge. I haven't felt this way for a long time. Just like watching Battle Through the Sky for the first time many years ago, I am very happy.

The feeling of being lovable but unable to help but want to bully🙂

I have read a lot of harem novels, and there are only a few that are non-toxic and have delicate emotional descriptions. This is the one I want to read. I have limited financial resources, so I will give you some food money to support it.

The writing is quite good, and it really felt like I was filming a blockbuster movie. There are not many descriptions of the world view or information, and they are interspersed in bits and pieces. It is natural and there is no deliberate feeling. But this Qi setting is a bit stiff, and Goldfinger feels like it's too open.

The emotions are very delicately written. As a sentimental person, I feel very deeply. However, I haven't read much about sadomasochism, but to be honest, I have never resonated with the author. I really can't stand it anymore. The protagonist is so nervous. Then the rest is a bit of a mess. Compared with the emotions, it is out of date. No wonder it is placed in the category of light novels. If it is written as a drama, it is just a mess. It is a bit messy. What is the combat power? The protagonist's main plot and past life are not clearly explained in Yunliwuli. The protagonist's sense of urgency is also very strange, coming and going. This may be related to the fact that the plot arranges a period of flirting and flirting between the main line and the daily routine. The contradiction between the main line and daily life is really strange.

Two votes have been cast. Come on, author

First of all, I have never been an author, but I want to say, is it difficult to write 100 chapters a day? It's not that I am being unreasonable. After all, I said at the beginning that I have never been an author.

End of each month August starts with the 387th floor

I'm so tired from reading this book that I'm going to complain about it. I have reached chapter 307. Except for Ming Ning, none of the other female protagonists are sincere, let alone Zhu E. She is the result of pure demon sect brainwashing and identity worship. The male protagonist looks like a trainer throughout the whole process. No matter how much the author defends the process of first hating and then falling in love, in my opinion, it is Stockholm. I really didn't have the courage to continue watching it. The subject matter itself was very interesting, but the writing style and character design were awkward and awkward. I still wanted to watch some love dramas where the relationship between men and women develops normally and equally. Finally, I would like to give you a piece of advice based on my personal opinion. If you want to write a story about hating first and then loving, don't make the status of the male and female protagonists unequal. Otherwise, no matter how you send candy later, I will feel that it is the result of the male protagonist's pua. For example, the little fox, Nu Guan and Zhu E in the book. Especially the little fox, who obeys her words and lowers her eyebrows and nods. Although she looks docile and obedient, it also conceals her true face. Which gentleness is pretended and which is true feelings? I can't tell the reader, it's like there's a thorn stuck in it, and the character's personality makes it difficult to trust no matter how much love is said in the future. This can be regarded as a point of abandonment of the book. The author's writing style is still good, and the emotions are very delicate. I can only say that it is suitable for the right people to read. Come on, I look forward to your next work.

After reading almost 400 chapters, I felt like the male protagonist was suffering from schizophrenia. His IQ was high and low. He planned everything for a long time and wrote about how smart and smart he was. Finally, he released An Hou directly from the underground palace without any back-up, and the male protagonist continued to be her dog. As for his personality, he is purely bully and afraid of the strong, with no personality charm at all. In this life, Xiao Yin did nothing but had her house confiscated, and then the male protagonist kept bullying her. Da Yin antagonized the male protagonist several times in the early stage, but never to the point of breaking out. She was even willing to help the male protagonist and summon Min He's soul. The real reason she wanted to kill the male protagonist was in Chapter 55. After the male protagonist's master influenced her, she planned to kill the male protagonist. But it was only two times, and they were all played out in just one sentence. The impression given to me as a reader is that she poses no threat to the male protagonist at all. The male protagonist will only show off his power in front of the big and small Yins. The male protagonist's master wants the male protagonist to become a monk. The male protagonist will just gently expose it and say that he will be a slave, and there will be no follow-up. There is also Queen An, who has been disgusting the male protagonist, but in the end, the male protagonist can only lick her. The result is that the image of the male protagonist becomes a bully and a loser who is afraid of the strong. The male protagonist tortures Da Yin without any threat. The hero almost killed King Annan and Queen An, who had always been disgusted by the hero, so the hero could only act like a coward and lick these women obediently. The strong draw their swords at the stronger, and the weak draw their swords at the weaker. The male protagonist does whatever he wants, just like a naughty child running rampant under the protection of his parents (the author), but in essence, he is just a coward who only dares to bully the weak. ………… Second supplement: Is it necessary to write about the four loves? A bit ex. I clicked on this several times and couldn't stand it.

The book is quite good. Don't listen to some random opinions. No one will really read it until you listen to it. Most people won't comment after reading it. Survivor bias. Only when things are forced will you get things done.

I was tricked into the comment section. The writing is not ugly, but it is quite strange and makes it uncomfortable to read. Almost all the characters in the book are naughty people. The male protagonist is portrayed as a hard-hit person. He has a gentle mind like a woman. He loves and cares for someone at all times. He feels bitter about the sins of his previous life from time to time. He is also keen to replace communication with sudden and forced kisses (really kissing out of nowhere, the tyrant is a man). Forget it. The most unacceptable thing is that the male protagonist has obviously had a fight (with a previous life), but he is passive again and has no initiative at all except to attract girls. I can only say that the comment section is quite strict, but this type of book is indeed rare. Let's have a brainwave with the author, and you will probably find it interesting.

I believe that I, like many people, saw posts saying that this book is non-toxic, and also saw people saying that this book is not good-looking, but someone commented below that "you will know after you read it." Then I read it, and I saw Chapter 450. To be honest, it didn't look good. The more poison points you read after paying, the denser the poison points became (emphasis added: the poison points are dense), so I was so angry that I abandoned the book. The following are the poisonous points that I personally think: 1. The male protagonist is poorly portrayed, he has a nagging character who is born and humble. The early tone of the book is about forcefully accepting girls. Logically speaking, the male protagonist should be stronger. Even if he wants to become gentle, he won't make a 180-degree turn and become a licking dog with caring eyes. But in the later stage, the women were all jealous and vying for the upper hand. The male protagonist tried his best to coax the women. He would only be strong in front of the big and small Yin, and he would not have the majesty of the head of the family in front of other women. In the early stage, the fox was like a concubine and how she succumbed to the male protagonist. In the later stage, the male protagonist was like a concubine and how she succumbed to other female protagonists. 2. The branch line is too lengthy. The branch plots are described in great detail, like a manual. Various settings, environments, characters, and their personalities are described in great detail. There are more than a dozen chapters in length. But it has no impact on the main plot. In Confidence, the male protagonist has not become stronger, the female protagonist has not increased, the relationship has not deepened, and some female characters have not even been seen. Then the main plot only has a few chapters, and this one is over. The writing and ink are far less than the branch plots. 3. I especially like to write about enlightenment, enlightenment, and Zen. In fact, this kind of thing is very boring to us. Even if you tell us, we won't understand it. I came to read the novel, what kind of enlightenment do I want? I want to be happy, can you make me happy? If I want to be educated, can't I read textbooks? 4. The combat power has collapsed, and the male protagonist feels that he has been stuck at level 4 for a century. Before abandoning the book, the male protagonist was still at level 4, and when he first entered level 4, the protagonist could hit three. After reaching level 4, one level 4 plus level 5 could seriously injure the protagonist? 5. Train women in the early stage and train men in the later stage. To be honest, the early stage is just to train Xiao Yin. Then he conquered a queen. Be stronger with them. But then the male protagonist is all kinds of flattering and flattering. In the Shura field, he is afraid of saying the wrong thing or making someone unhappy. If you were the male protagonist in this kind of environment, would you be happy? I personally feel that this kind of plot is extremely unpleasant. I am holding up 5 o'clock. In the early stage, when I enjoyed watching it, I would also vote for the author, and I was very willing to support the author, even if it was a little bit vicious, I would get over it. I write reading points not to disparage, but to enable many readers like me to avoid novels they don't like. After all, this is the starting point, it is paid, and the money cannot be refunded. Many readers are students and spend their parents' money. Only by listing the poisonous points in the book's post in advance can we, the readers, better screen the works. This is my original intention to list the poisonous points of this book.

In fact, I haven't understood the stories you wrote since the protagonist started entering the world. From time to time, a new name will appear, and what is being fought, because I can't understand what is being fought. I just read it at the speed of light and then look at the emotional line.

The good ones of the genre of creation novels can leave people with deep impressions and reflections, while the bad ones are just eye-catching "spiritual snacks" like pornographic news. But it is undeniable that the upper limit of this genre of novels is very high, the impact is profound, and the stories are shocking. Starting from "Low Dimensional Game" and "Raising All Humanity", Creation Stream slowly came into the eyes of book lovers, but gradually these two novels fell into a dilemma, yes, a dilemma that makes people want to curse. The author's settings for these two books are too big for the author to control the beast. The author of "Low Dimensional Game" initially had a flood of ideas and bursts of inspiration, but in the end he began to deal with it slowly. Some characters and plots were just summarized in a few strokes, and finally ended hastily, which is disappointing. "Raising All Humanity" is also a highlight at the beginning, but after the setting of the fourth natural disaster (player) is introduced, it gives people a different feeling. They are shooting themselves in the foot, creating nesting dolls one after another, opening up new worlds in various ways, and giving the protagonist the ability to create the world but not the power to create the world. Although the creatures he created will worship his own power, the protagonist is a weakling. I also feel that this is a Dihua text. There are too many bugs, settings have been added randomly, and various magic modifications have been made. And now I see you, the author, starting to write old-fashioned Internet articles from before Qidian, and I feel deeply uneasy. How many novels on Qidian's monthly ticket rankings stand out with new themes? Why do only a few of the top 50 novels catch my eye? I'm tired of those crappy novels, which are nothing more than a few routines. Some people try but in the end they return to their old routines and follow the old path of their "predecessors". I hope the author will not go down this path, open up a new path, or recast the creation flow path. Let this stagnant pool of Internet literature breathe new life into

This book is really good, the author must not cut it😭

I have read more than 300 chapters. I feel that there are too many emotional lines, too messy and complex. The main line is not obvious. It seems that the male protagonist is indecisive, giving people a sense of déjà vu in a romance novel. The female protagonist appears all at once in the early stage, which makes it look like a stereotype. The relationship between the male protagonist and the relationship is also somewhat embarrassing, especially when the little fox is pregnant. The whole relationship between boyfriend and girlfriend was so confusing to me. Why not write about the little fox gradually becoming more and more concerned about the first palace position, and always stressing that she is a concubine? How about letting the male protagonist emphasize that you are my thing, which is more intuitive. It seems that there is a deep hatred, and in the end, it just slaps a date and the story is turned over. It is as unclear as falling in love with a primary school student.

I just read part of it at the beginning, but there was nothing else. This literary youth is a bit serious. There is no need to go through so many twists and turns in the writing of this kind of subject.