Immortal Leader, Please Stay.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​OUTOUT THE THREE-Body Problem In the article, losing luck is basically equivalent to life and death. So there's no point in talking about morality. If you are talking about morality internally, there is no problem. But this applies both internally and externally. Don't you have the ability of a saint to control the heart of a saint? The feeling in this article is that you only respond when others hit you. When they don't hit you, you are like a leek trying to grow. Gee, I don't know what the purpose is for such an idea. 🤔

The writing is quite interesting. If you like to hunt for treasures, kill people and feed on the weak, you can turn right and say goodbye. If you like to eliminate demons, protect the Tao, cultivate immortality and cultivate virtue, I highly recommend it. It feels like it is still too rare to see a protagonist who is free from the secular world and looks like a fairy.

The main storyline and settings of the game are indeed similar to "Chess". In the early stage, I also had some of my own creativity, and it also has a fairy-like feel. Somehow, as I wrote it, it changed its flavor, the fairy spirit was gone, and I became an ordinary fairy. Not to mention it's a bad street, but it's also a waste of time.

Is this really something written by a writer who has a million words to complete the work? I was immediately persuaded to quit after reading a few chapters, and there is no sense of involvement at all.

The author's skills are good, but the words are a little short. When you see the five-square flag, you want to fatten it up and then kill it. Come on!

Good guy, if a passerby invites the protagonist to dinner on the roadside, the protagonist will give you a safe house charm. The good brother's house has nothing. Jiuchuan: I am a big injustice.

To be honest, there are too many scenes with this flying sword, and it's not likable. I think it's better to be more obedient and dumber with the weapon. Is a weapon that thinks too much still a good weapon? What if one day you let it kill someone and it can't kill you? Just imagine, when life and death are at stake, you want to chop someone, but the sword has its own thoughts. Do you feel like crying?

Three sentences made the woman spend thirty-eight thousand for me "Beauty" "Are you good at driving?" "You hit me so far"

When I saw Daqian, I stopped looking at it. I just wanted to say how more than a billion Chinese people accepted the feudal and backward ideas of the imperial system and still became subjects with peace of mind.

The more I write, the more boring I become. The whole story of giving away treasures is different here and there. After the relationship ended, he boasted that he was good at farming. What's the point of writing it like this to the players? You can just write about time travel.

It's best not to write about the heroine. You can't control it. Don't overturn it.

I feel like the front and back are not written by the same person 🙂🙂🙂

Why do we have to forget the modern times when cultivating Taoism? There are a bunch of books on the chat group for cultivating immortals. Those who cultivate immortality are still in modern entertainment. You are so unqualified. You are another person who gives up everything for Tao.

To be honest, this book does not combine the two worlds very well. It is completely like the classic Liaozhai Xiaxia, but it insists on being a "player". The key point is that there is not much ink about the original world, and it is not written at all. It is better to write about this world from the beginning. Realm, purely like a fairy tale, there is no need to write about the hot summer. Since it has been written about the hot summer, it must have his pen and ink, and there must be people who can sing and cry to deal with the national crisis, and cultivate themselves as mortal immortals, rather than personal birth, and the boundaries between the hot summer and the Qing Dynasty. Anyway, the more I write this book, the more biased it becomes.

Now things have changed, players are gone, and the real world is no longer mentioned. So many interesting supporting characters in the past are gone, and none of them are impressive now. The important thing is that the taste has changed, and there is no longer the style of Ke Qiyuan.

After reading more than 90 chapters, I feel that the writing is stingy. You wrote it from the perspective of a single person playing the game. I feel like there is a problem. In analogy with reality, there are about 7 billion people in the world. Even if only 100 million people enter the other world, it can cause earth-shaking. For example, a top-ranked country can easily pull out hundreds of thousands of troops. After entering the other world, there is no gunpowder to make crossbows. Etc., And martial arts skills are not one-off. You can randomly distribute some basic skills in large quantities. In the name of the country or nation, you can set up hundreds of thousands of fully armed martial arts legions that are not afraid of death. They will then attack cities and plunder land, plunder a large amount of skills resources, and burn the whole world if there is no moral integrity. It will not be like now, where players have no sense of existence at all.

Dude, after reading Chapter 55, I want to ask if that woman will appear later. I feel that the plot of this woman written by the author is too embarrassing. It made me sick with embarrassment.

Very comfortable rhythm, food and grass. Just stop copying poems and stop spreading rain everywhere. You are not a Bodhisattva and just go around giving alms. And no matter how good the story of the fairy sword falling into the mortal world sounds like, can it compare to a world where there are real immortals? This pretense is such a failure.

Ke Qiyuan and Xiu Xian started from drilling wood to catch fire, and added systems and players, and ended up with a nondescript book.

I don't understand, and I don't dare to ask, where does the protagonist's money come from, except for the ten taels of silver given by the water ghost scholar at the beginning, and I don't see the protagonist making money.

The reality is gone, the players are gone, the product is wrong, and now it is just an ordinary novel about changing maps and gaining experience. It feels like someone else is writing it. The text was alive before the meeting with the Taoist monks. I was alone on the road to immortality. I slowly created the skills, spells and weapons by myself, which gave me a strong sense of immersion. After meeting the monks, you fell into a low position. You are not a member of their sect. As for being a personal nanny for dozens of chapters after meeting, you were a bodyguard to eliminate demons and then sent fortunes, swords, mind skills, and flying swords. Now you are helping to investigate cases. They are the protagonists, are you Goldfinger? The world depends on you to protect it, beacon of humanity, right? Wasn't it all about slow-paced protagonists' enlightenment? After so many years, you have been the only one who has practiced correctly and you haven't discovered that you can absorb spiritual energy by yourself? It's no better for you to start a sect yourself and teach the correct methods of cultivation and let the apprentices do the work than to do these trivial tasks yourself.

I liked it a lot at the beginning, but then it became less interesting. The writing was pretty good, but it wasn't what I liked anymore. After seeing my friends meet for the last time, I skipped through some of the later ones, and it felt like it wasn't interesting anymore.

The author is not suitable for writing emotional dramas about girls. When I read chapter 53, I found it a bit toxic. If I keep writing like this, I will give up.

Do you want to introduce the realm? The Dragon King's Dihua Guidihua, what realm are they in? There are so many monsters, and century-old monsters, big monsters, monster kings, and four thousand years of Taoism. You can give me a standard. The protagonist has thirty years of Taoism, a divine sword, accumulated internal strength, and sword power. It can hurt the thousand-year-old tree demon. How about the comparison between this Taoist practice and that of monsters? Sometimes I look really confused. Besides, those monks in Yunxu Mountain, when they were removing demons, even had one year of Taoism. So could they be fighting monsters who also had one year of Taoism? How much spiritual energy will they be rewarded once they enter Taoist Mountain? How many years of Taoism can they practice? How can they replenish their consumption? There are a lot of holes left unfilled.

Add more details

The further you go, the worse it gets. It's better to stay alive for a hundred million years than it is to live for a hundred million years. What a better book to start with. Alas.

It's so bad, it's starting to get unfinished. I was so surprised when I first saw it, but now I'm refining some kind of magic weapon. Ordinary disciples beating up powerful people are laughing to death.

Chicken ribs are tasteless and it would be a pity to throw them away

The rest of the movie seemed to be unfinished, mediocre, a lot of plots were missing, not coherent, and a lot of foreshadowing felt useless.

It started well, but started to falter. It draws lessons from other books, but it is obvious that the author's accumulation and writing skills are not enough. Daqian couldn't connect at first, and there were many places where the transition was too abrupt, or even not explained directly.