I Have a Clone in the Fairy World

I still can't stand it. When writing about cultivating immortals, don't include science fiction content. I can't explain it no matter what. Astronauts can see light paths in space, and when they think about environmental protection, they want to remove carbon dioxide. Even if you have a little knowledge of physics and biology, you won't be able to speak so freely. Cultivation of immortality is a matter of imagination, but why do you have to use some modern vocabulary to create a science fiction flavor and open up a new era of interdisciplinary subjects of immortality and science? When readers say they are addicted to drugs, there is probably something wrong. But when the author doesn't just ignore it and instead uses satellite images to explain it, something must be wrong.

The most annoying thing is the spiritual power recovery article. Seeing the spiritual power recovery makes me sick. You hide it very well. It really makes me sick.

The author is not kind, all the wonderful parts are cut off

Updates are too slow. It used to be at least five chapters, but now it's basically two chapters. Occasionally, updates are interrupted. I'll delete them when I forget.

If I want to give you money but don't want the middlemen to make the difference, why don't you start a book club?

Update soon. Nice writing.

The reason why this book was criticized at the beginning was that it was impossible to understand the reader's thoughts from the author's perspective. I agree with the author that the beginning of this article is indeed logically correct. The leader of a country hoped to summon a useful divine beast as the foundation of protecting the country at a great cost, but in the end he summoned a useless remnant soul and lost all his money, so he became angry and became murderous - very reasonable, from a practical and logical point of view. But the problem is that reader logic and reality logic are two different things. It does not mean that a novel that is very consistent with reality will necessarily be good-looking, at least for online novels. The beginning does conform to the logic of reality, but it does not conform to the logic of the reader. The so-called reader logic means that the reader is attracted by the title and introduction of the book and has certain expectations about the book. This expectation reflects a certain need of the reader and is also the motivation for him to open the book. If the content of the book deviates from his needs, he will give up without hesitation. The problem with the beginning of this book is that it goes against the reader's logic. Let me recount my journey. Before I clicked on this book, based on the title and introduction of the book, my expectation for the novel was "this is a development novel", and my expectation for the novel was "I hope to see the protagonist use his golden fingers and advantages in the real world to develop in the extraordinary world." In response to this expectation, I hope that the novel can bring me a sense of "security": the protagonist must develop safely, so that in the extraordinary world, the protagonist can use golden fingers to prosper, and in the real world, the protagonist can use extraordinary power to game the world - this is my need and motivation to click on this book. But this need for "security" is destroyed in the first chapter. I clicked on the first chapter and saw that a kingdom force that had been violated appeared on the stage. According to my reading experience, I judged that they should be good teammates for him to develop safely in the future - but after turning two pages, I found that my good teammates actually wanted to kill me? And not just one or two, they all wanted to kill me. Finally, the eldest princess interceded for me and brought me some "security", but then she turned around and wanted to kill me again - WTF? Isn't this just a mental explosion? The key is to deduce based on the logic of the plot design that these people are not enemies but teammates - are these just teammates? All cold-blooded and violent? Pulling someone over after a disagreement makes me look like a human being or a ghost, and you don't even apologize and you want to kill me? As for you guys, it's fine if I don't take revenge in the future. Do you want me to hang out with you in the future? What a hammer! ---------- So you can see that the "safe development" I originally expected was completely destroyed in the first chapter, so my motivation to open this book was naturally gone. The author patiently explained to us that "these people are so violent because they are angry." Yes, this is very realistic logic, but again, reader logic and realistic logic are two different things. I have seen many books like this, with plots that make readers dissatisfied. The author stands up to explain the logic behind it, hoping that readers can understand it, but it actually has the opposite effect. I think one of the reasons is that the perspectives of the author and the reader are different. From the author's perspective, he is standing in a God's perspective, and everything he sees is the overall perspective, and everything is clear. From the reader's perspective, we only stand in the protagonist's perspective, and we see what the protagonist sees. From the author's perspective, he has mastered the psychological logic and behavioral motivations of all characters, and believes that the actions of the supporting characters are reasonable; from the reader's perspective, we only care about what the protagonist sees and feels, and the inexplicable behavior of many supporting characters seems to us to be mentally ill. From the author's perspective, he can empathize with all characters; from the reader's perspective, we only empathize with the protagonist, other characters? It's just an NPC that takes advantage of the protagonist's halo. You can't give it to you but don't want it. From the author's perspective, he buries a lot of logic and foreshadowing in the details, hoping that readers can discover and understand it; from the reader's perspective, we only look at the protagonist, and many paragraphs where the protagonist does not appear are even skipped directly, and no foreshadowing is seen at all. The content described above is not universal, but I think it is basically applicable to at least online cool articles. Now back to this book, the author may hope that we readers can understand the difficulties of this country and see the process of their gradual reconciliation with the protagonist. But from the reader's point of view, we only know that the protagonist was summoned inexplicably and his soul was mutilated, and the other party wanted to kill the protagonist. As for what difficulties this country has? Sorry, readers don't know, don't want to know, or don't want to care. The only thing that readers care about is that through this incident, readers understand that this is a very cold-blooded and unfriendly force, and they naturally develop hatred for this force. If the plot is designed to allow the protagonist to develop in this force, it will be like asking the reader to marry his enemy, which is unacceptable.

It's so ridiculous. The protagonist just got the skills from another world and returned to reality to practice them in a chat group where no one was seen, and even brought his group friends with him. The wealthy couple has not exposed any of their secrets to strangers. They are not defensive at all and are still complacent.

In fact, the author is not short in writing books. Due to his limited personal talent, what he writes may be unsatisfactory. But the author can somewhat control the logic and poisonous points in the book. There are already a few readers who don't read carefully and say they are poisonous... The author has written something in the article several times. I am afraid that I am not counting the words...

It's a very good idea, but it was ruined by the writing. I won't talk about it later, and I didn't read much. Let's just talk about the first chapter. Since the heroine is writing it, why do you want to write the eldest princess in such a bad way? Even if you want to create conflict, there are many ways. For example, if the sacrifice fails, the emperor and ministers all want to kill the protagonist, but the eldest princess is kind-hearted and cannot bear to see the remaining soul of the protagonist, who is also a human race, disappear, so she tries to save the protagonist's life instead of striking the protagonist with lightning at every turn, okay? Why is the non-villain female character who appears in the first chapter of Gold written in such a disgusting way? The map in Chapter 1, Daliang, has no place where the protagonist has a sense of identity, and there is no sense of belonging. How is it possible for the protagonist to transport mushroom eggs from the main world to fight monsters? Does the protagonist have the dog-licking gene? Either a life-saving grace, a cute child, or a touching story. In short, you have to establish a sense of belonging before you can reasonably contribute to this place, right? In the first chapter of this book, the characters, maps, and events are all disgusting. However, the protagonist rushes to lick it later. I can't stand it, and I believe that not many people can.

Before Chapter 16, the country was willing to spend 100 million spirit stones to summon auspicious beasts. A five-inch calligraphy treasure cost 10,000 spirit stones, and a six-inch calligraphy treasure could help the princess survive the disaster and save the country. Why can't I buy the six-inch calligraphy treasure for 100 million? Others say that the protagonist is resigned and submissive, but I still accept the author's arrangement not to jump around when he has no strength in the early stage. However, after chapter 16, the protagonist writes a calligraphy and attracts the sense of heaven. The emperor still said that fw the protagonist does not need to meet him, and he does not need to be rewarded alone. You want to poison me, right? A country with the highest combat power Nascent Soul, when encountering a protagonist who can inspire the heaven, he also said that he is my dog, there is no need to treat him well, just torture him.

I can't stand it anymore after reading the first dozen chapters, so let me tell you my point of view: the subject matter is very good, and once the remaining soul is gone, it can still jump into two realms. Disgusting: I went through it, and a maid threatened the protagonist with her life. If the eldest princess dies, you will be buried with her, threatening her from beginning to end. The eldest princess succeeded in overcoming the tribulation. The maid said, "I'm sorry, I didn't expect you to succeed." Go to the protagonist and say directly: Oh, it doesn't matter the little things. And then you just forgive him? For example, one person said that my boss and the Hey Gang were killing each other. If the boss dies, you will be buried with him, and your soul will be destroyed. Then you plan and win. The method of directly saying sorry to the other party really works and won't kill you. You are actually grateful. Death is a trivial matter. . . The most important thing is that you can go back at any time without facing threats. Submissive. Bye now. If the eldest princess is the heroine, then this would be even more unwatchable. Bye now.

I learned the exercises from a dangerous situation and taught them to a group of strangers I met in an online group. Didn't you know that there is a saying that the Dharma should not be taught lightly? What is the character of these people? If they learned your exercises and killed innocent people indiscriminately or even caused mass deaths, wouldn't they also be counted on you?

Consider the situation of the protagonist. He was summoned inexplicably, but as soon as he passed, someone wanted to kill him. When he came back, he found that he was almost paralyzed. It is normal to help the eldest princess through the tribulation in order to survive, but the author wrote the protagonist without any complaints. This is the problem. He cannot show it for safety in another world, but he still has no reaction after returning to the earth. This character is basically the character of a virgin. After all, it is impossible for normal people to encounter such a situation without any complaints.

The subject matter is good and novel, otherwise I wouldn't be able to stand it. It's hard to explain in one sentence. The running accounts are still unaccounted for. One of the seven most powerful talents in the country can sell me 500,000 spiritual stones if he writes a 5-inch calligraphy treasure. The pig's trotter helps the princess to write a 6-inch calligraphy treasure and successfully overcomes the tribulation. She was rewarded with several spiritual mountains and she was grateful. And then you have to work with the maid to sell 6-inch calligraphy treasures for one tael of gold? What the hell? There is also the attitude and character of the emperor. In order for the eldest princess to overcome the tribulation, he is willing to consume hundreds of millions of spiritual stones and half of the national destiny. After the tribulation is successful, he is not even willing to meet the pig's feet, acting as if he is inscrutable. This is very illogical. If you are really awesome, you will not consume half of the national destiny. The sacrifice has failed. If you don't know, what are you pretending to do? In the real world, Pigfoot can just find a cultivation group and join it, and then he can follow him to practice in the deep mountains and forests? And then he casually teaches others how to practice, and then he digs out 500,000 ginseng and sells it. Are there no bad people among practitioners? I just think that the whole world is a good person. Then I can directly enter the construction site if there are unclean things. Is there no security guard at the construction site?

Just reading the first few chapters, the author deliberately arranged the story direction to be tactless and made the protagonist look stupid. . If the eldest princess is hostile, it's no problem. The protagonist will perform well and the readers will be satisfied, but the author is not interested. . Talking about power generation and lightning rods, they were denied and doubted. Then he behaves like he doesn't know anything about anything. . It's very crotch-breaking and unpleasant Especially because the protagonist is still hiding it and doesn't know how to ask questions when he doesn't understand. He watches an exchange between two civilizations turn into an interrogation between the upper and lower classes and finally turns into two blind and deaf fools. . Extremely disappointed In the end, the protagonist returned to reality and kept searching for information online to find out what souls said about transcending tribulations. . . Do you think you haven't seen enough ads or think there are too few scammers? . Simply suffocating. .

The first three chapters were okay, but the fourth chapter was a lightning rod to avoid the catastrophe of the immortal world, which made me laugh. I was not in a good mood, and I really had no idea of ​​opening the fifth chapter.

Reviving spiritual energy in reality can easily turn into a huge poisonous point if you don't handle it well. The key is that the real world is on the right track of development. In terms of system and actual situation, it is countless times better than the various worlds of cultivating immortals in various novels. Therefore, there is no need for so-called spiritual energy in reality. , When you engage in spiritual energy recovery, if you make people feel that certain points are worse than before without spiritual energy, then this is a poisonous point. Therefore, when it comes to spiritual energy recovery in reality, individuals are more inclined to start from the knowledge side and analyze the essence of spiritual energy and practice while practicing, rather than simply practicing. In fact, according to many people's understanding, spiritual practice can obviously develop people's brain (depending on the settings), which provides a basis for improving one's abilities.

It feels like the male protagonist has become bloated, has become awesome in cultivation, and has caused chaos in his hometown. He just feels so good in his heart that he wants the whole universe to know that he is awesome. At one point, it can be seen that the author is also a boring bitch. He is the kind of person who can't stop showing off when he has some achievements. He is not suitable for cultivating immortals at all. The author's level still needs to be improved. He is not even a beginner, and he doesn't have some basic ideas. There is so much knowledge here, use your brain and write it down.

Some people in the comment area are really a bit "slavish" and "dog-licking" in their thinking...

I probably only watched the plot on the earth side, and I still have some expectations and freshness for the plot here. I have long been tired of the chance leveling and upgrading stream in other worlds. There is nothing interesting to watch without some tricks. The ending was too anticlimactic and rushed. Maybe the author was dissatisfied with the results, and later his mentality exploded, so he still gave an ending, at least it was completed.

How can a novel be without idioms? Let me start with I have a clone in the fairy world.

Why are the eldest princess and the maid so bitchy, smelling like green tea?

I bought it for 299, is this novel good?

After reading Chapter 136, I suddenly felt boring and didn't want to read it.

Is it over? ? ? I originally thought I could write hundreds more chapters

Come on, I have 3 monthly passes, why can I only give you 2?

If the author can't think of what to write, he can write a book about the ancient times and the wilderness. The protagonist is too similar to the golden cicada who blinded his memory of his previous life and went to learn the scriptures. After teaching the Tao, he immediately ascended to heaven.

Author: You are too strong in cultivating immortals on earth and too weak in the world of cultivating immortals. The magic weapon of a mountain. Those who don't know think you are in the period of transcending tribulation.

I want to say one thing that many authors fail to notice when writing novels. This is about the heroine. No matter what kind of novel it is? The first heroine that comes to mind is always impressive. For example, the girl in the portrait of a lady, I have a very good impression of her. After that, whenever she appears to be related or ambiguous with the protagonist, my mother will be disgusted, but I hate this princess.