Tokyo Bubble Life

Author, please learn more from this person and see how they update it

Do you know why everyone thinks the male protagonist is a eunuch? It's not a problem of harem and single heroine, nor is it an issue of ambiguity. It's that your hero and heroine Akina haven't developed into lovers yet. Their relationship is that of brother and sister, idol fans, not lovers at all! And if you look at the description of other women who are attracted to the male protagonist, and the male protagonist can't resist that kind of thing, aren't you funny? You are the single heroine Akina, but I wonder if you and Akina are not in a relationship now, so you are having an affair with other women without pushing back, and you are still waiting for the right person. I wonder what kind of brain circuit is this? Either don't write ambiguous words, or make it clear that the male protagonist likes Akina but no one else does, otherwise the male protagonist will be treated like a real eunuch and will be convinced.

Let's not say that the protagonist is supposed to sleep with this and that, but with a body around 20, he is so handsome, rich and famous, he really has everything, and it is obvious that so many women are interested in him, so the author, you want to write a eunuch? How many days does the protagonist have to change his underwear in the morning? It's not that the protagonist wants to meet one after another, but under such good conditions, is it normal to show that he has almost no desire for women? Do you have to wait for underage famous dishes? Does she have to be the heroine? They are all from that age, and the key is those who have eaten meat. Who can be a eunuch like the protagonist? Also, can anyone tell me how many chapters it takes for the protagonist to become a virgin?

After seeing Chapter 70, I couldn't help but order a chapter to complain about it. The author didn't pay attention at all and wrote casually throughout the whole article. How is it possible to go on stage without makeup in Chapter 15? When the light hits, the result is as pale as a dead person. Chapter 31: Buying commercial land in Shibuya. Did you buy it in 1981 and only doubled it 6 times in 1990? The price of residential land in Tokyo is so high. How much do you despise the Plaza Accord? Chapter 37 You wrote the limit on the number of people in the disco to 300. Once in and out, the party lasted for two hours at midnight. Then when calculating the profit, it was only counted as 300 people. Could it be that all these people were queuing up all night, and none of the 300 people came out? Moreover, most of the disco's revenue comes from drinks, so who expects to earn the ticket money? Dancing is so tiring, why don't you dance for hours without drinking a sip of water? Chapter 55 Self-driving tour, driving a sports car across mountains and rivers. I am also a poor man and have never driven a sports car, but ordinary family cars, SUVs, and ambulance-type Jiangling Fords are not comfortable to run like this. Driving a sports car will definitely make you sleep, and it would be weird if you don't. The end of Chapter 69 is even more outrageous. You are still writing about creation. Don't you know about the copyright benefits of Japanese authors? There is no problem in leaving the original manuscript for copying. The problem is that you take Shogakukan's ethics too seriously, right? You know that this book has huge profits, but you are so sure that nothing will happen to Xiaoxiaoguan? In those days, it was common for the Japanese to plagiarize, including copycats. Back in the 1970s, the government encouraged you to transfer Western patents. Large and small companies were accustomed to plagiarism. From cat-ear patents to novel copyrights, everything was too perfunctory. Otherwise, don't write in detail. If you want to write in detail, write well. It won't take long to check the information.

Suddenly a famous scene from Mo Yan and Yu Hua came to mind, and I thought it was quite interesting to use it in the story of Naoki and Haruki Murakami. The reporters looked at Naoki Nagayama, who was attending as a special guest, pressing the camera shutter one by one, and fiercely raising the microphone in his hand in the continuous white light. Nagayama Naoki blinked, what a situation. Wasn't I just invited by Chun Shusang to be a guest? Everyone was so excited as if I was the protagonist. Couldn't hear what the noisy reporters on the other side were saying, Naoki Nagayama simply clicked on a female reporter who was more pleasing to the eye. "Mr. Naoki Nagayama, according to Mr. Haruki Murakami, not only do you have a good personal relationship with him, but your work "Love Letter" also had a great influence on his "Norwegian Wood". Is this true?" Ah, the original time and space is indeed the one requested by Iwai Shunji in "Moving". "Forest of Majestic" was not available, and then "Love Letter" came out... "Uh..." After pondering for a moment, Naoki Nagayama replied softly: "As early as when I won the award for "The Garden of Summer" and attended the banquet, the two of us got married because we are both introverts. We met in the corner and chatted and became friends..." Nagayama Naoki looked at Haruki Murakami, who was still shy next to him, and smiled: "Although we met less often, we have never lost touch." After answering the first one. Asked a question, Naoki Nagayama turned his attention back: "As for the influence of "Love Letter" on "Norwegian Wood", I think there is, but it is mainly Haruki-san's own talent." After a while of cameras clicking, Naoki Nagayama clicked on a second reporter, this time a man. "How did Naoki-san feel when he read "Norwegian Wood" for the first time?" Hearing this question, Murakami Haruki's eyes lit up, and he also looked at this one of his few friends in the literary world. Naoki Nagayama was happy. "The first feeling is that I am very jealous." Naoki Nagayama makes no secret of his hidden attributes as a fun person, facing the media directly and fearlessly. "MD, the writing is so NB, WC." "It's so bad that I don't even want to help him translate it into Chinese."

Album of Famous Dishes

It's not Sora Aoi, Ohashi Miku, Hatano Yui...

It will probably take some time to recover. I hope that when I see it again, the author will have gotten rid of his confusion and found his own writing state. Farewell message: I still don't understand what kind of medicine the author gave me to make me buy so much water. Looking back now, if the so-called "water" chapters are interesting enough, such as "Remember this minute" and "Thank you...", Then there is no problem, and the author will find it fun together, but if it is plain and simple, it just means strolling, chatting, having fun, etc., At most it will bring back some memories for Naoki. There used to be competition from time to time, but now it's a bit unbalanced. What did Naoki do in succession? I temporarily handled the affairs (but only said "Naoki is handling the affairs"), went home, went to the United States, and I really felt that the part with Haruki Kadokawa could be compressed to the extreme. After the awards, I had a disco with the young lady, and dealt with the investment affairs with Wonta, and then was called back by my sister... In terms of imbalance, I don't think there is any problem at all. As a small suggestion, the fundamental problem is probably the protagonist Naoki, who is slow to advance in his love line. But in my personal opinion, the biggest problem is that there has been no progress in the relationship for a long time (we have obviously liked each other for a long time). If the relationship develops a little bit, it will be much better. It is really a bit difficult to deal with now; Naoki's character seems to be too loose in the career line. A book friend said that the protagonist is always "doing nothing", which is really to the point. Maybe Naoki's career ambition should be strengthened? Or there is a main line of career that always exists and can make people feel that it is always advancing. Finally, I'll send you some photos of beauties, they seem to be easier to cum. Tanaka Yuko~ Aoyama Chikoko~ Harada Mieko

It's very interesting. I've read many Japanese time travel novels from the 1980s and 1990s. Only this one has found a good balance between daily life and detailed description. When I first read it, I felt it was a bit watery. Now I feel that the author's writing is getting better. The interactions with Akina's small details are all well written. There are too many harem stories and show-off stories, and I'm tired of them a long time ago. This one has a single female protagonist, and it doesn't use women as tools like other female-promoting novels. It's only three or five chapters in. The interaction between Akina and the protagonist is very well written, and it's really a bit like going from stranger to familiarity to mutual affection. Regarding the love process, although I don't know what kind of character Nakamori Akina is in reality, the image of a young girl Akina is completely established in the novel through small details, which is really great. Many heroines in harem novels have no three-dimensional image at all and cannot be shaped. This one is very good. As for some friends in the comment area who feel that the protagonist and Akina's progress is too slow, I think the current rhythm is very good. How can two people who don't meet often get together so quickly? There must be a process, and Akina is currently seventeen or eighteen years old, so it can't be too fast. When Akina becomes a relatively famous idol, isn't the plot with the protagonist more explosive? Usually Akina and the protagonist have a love process before, and it is gradual and natural. Wouldn't it be beautiful. The only problem now is that the author updates too little, and the author is dying to update me 😁

The protagonist is definitely impotent, or else the author is. I still hope that the author can recall what the body functions of a nineteen-year-old are like, and not use a ninety-year-old dying soul to interpret a nineteen-year-old body.